The Well-Tempered Ear

Today is Day 2 of the online Bach Around the Clock festival. It starts at 8 a.m. and features keyboard, wind, string and vocal music. WPR’s Jonathan Overby will discuss Bridges to Bach tonight at 7

March 18, 2021
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By Jacob Stockinger

Here is the schedule for Day 2 of the 2021 virtual, online Bach Around the Clock festival, which is today — Thursday, March 18:

Today’s program will be available starting at 8 a.m. and then throughout the festival.

Click here to view more.

For an overview and background, go to: https://welltempered.wordpress.com/2021/03/17/todays-just-bach-concert-starts-the-10-day-bach-around-the-clock-festival-that-runs-through-march-26-all-events-are-free-and-online-here-are-the-lineups/

PERFORMERS and PROGRAMS

•  Musette (from Suzuki Book 2); Ossian Rogers, violin; Faolan Rogers, harp; Kara Rogers, piano

•  Sheep May Safely Graze, from Cantata 208; Gift Akere, piano

•  Sonata No. 3, BWV 1005:  Largo; Rebekah May, viola

•  Cello Suite V in C minor, BWV 1011: Prelude,  Gavottes I and II, Gigue; Cindy Cameron-Fix, bassoon

•  Anna Magdalena Bach Notebook: Menuet, BWV anh 114; Tim Farley, clavichord

•  Chorale: Now God be with us; Katie Bultman, soprano, and Kenneth Stancer, organ

Live Evening Keynote  Discussion at 7 p.m. Jonathan Øverby, (below) distinguished Wisconsin Public Radio host of “The Road to Higher Ground,” will discuss building The Bridge To and Through Bach with BATC Artistic Director Marika Fischer Hoyt.

Click here to join the Zoom call, starting at 7 p.m. tonight, Thursday, March 18. Viewers are encouraged to submit questions in the chat for Overby to address.


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Classical music: The Wisconsin Chamber Choir will perform “Welcome Yule,” a concert of six centuries of holiday music, including Benjamin Britten’s “Ceremony of Carols,” this Friday night.

December 16, 2014
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By Jacob Stockinger

The Wisconsin Chamber Choir (below) will perform “Welcome Yule,” featuring the well-known “Ceremony of Carols” (at bottom is an excerpt in a YouTube video) by British composer Benjamin Britten.

Wisconsin Chamber Choir with Gehrenbeck RWV

Benjamin Britten

The concert is this Friday night, Dec. 19, at 7:30 p.m. in Grace Episcopal Church (below in exterior and interior photos), at the intersection of West Washington Avenue and Carroll Street on the Capitol Square in downtown Madison.

Advance tickets are $15 for the public and $10 for students; at the door, the prices are $20 and $12, respectively.

grace episcopal church ext

Grace Episcopal harpsichord

Welcome Yule! traverses six centuries of music in celebration of Christmas.

Benjamin Britten’s cheerful Ceremony of Carols, (accompanied by harp) is paired with Renaissance motets by Giovanni di Palestrina, Thomas Tallis, William Byrd and Raffaella Aleotti, and a set of rousing medieval carols.

After intermission, we pay tribute to the late Stephen Paulus (below top), who died this year, with his bright and uplifting Ship Carol, accompanied by harp, followed by a rarely-heard Magnificat and Nunc dimittis by Herbert Howells (below bottom), originally composed for St. Luke’s Episcopal Church in Dallas, Texas. Howells’ visionary music is accompanied by organist Mark Brampton Smith.

Here is a link to a post The Ear did about Stephen Paulus,who had many links to Madison. Be sure to read some of the local reader comments:

https://welltempered.wordpress.com/2014/10/27/classical-music-american-composer-stephen-paulus-dies-at-65-the-festival-choir-of-madison-performed-many-world-premieres-by-him-and-will-perform-the-all-night-vigil-by-tchaikovsky-this-coming-saturd/

stephen paulus

herbert howells autograph

Also on the program are inspiring works by contemporary composers Jean Belmont Ford and Wayne Oquin; a lush jazz arrangement of Silent Night by Swiss jazz pianist Ivo Antognini; and a Christmas spiritual by Rosephanye Powell.

Advance tickets are available for $15 from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Willy Street Coop (East and West locations) and Orange Tree Imports. Student tickets are $10.

Founded in 1998, the Madison-based Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Johann Sebastian Bach, Wolfgang Amadeus Mozart and Franz Joseph Haydn; a cappella masterworks from various centuries; and world premieres.

Robert Gehrenbeck (below), who directs choral activities at the UW-Whitewater, is artistic director of the Wisconsin Chamber Choir.

Robert Gehrenbeck new headshot 2013 USE

 


Classical music: Is Rameau the French Bach? UW-Madison faculty players and Baroque scholar Charles Dill will explore Rameau throughout this season. The first two FREE events are this Thursday and Friday nights.

November 10, 2014
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By Jacob Stockinger

For some musicologists and audiences, the French Baroque composer  Jean-Philippe Rameau (below) is wholly misunderstood, under-performed and underappreciated.  Some even see him as the French counterpart to Johann Sebastian Bach.

But a year-long project by the University of Wisconsin School of Music aims to correct that lack of knowledge and appreciation.

That effort starts with two FREE concerts this week.

Here is a link to a Q&A about Rameau done with UW-Madison musicologist Charles Dill for the UW-Madison School of Music blog:

http://www.music.wisc.edu/2014/10/16/rameau-dill/

Jean-Philippe Rameau

THURSDAY

On Thursday night, Nov. 13, at 7:30 p.m. in Room 180 of Science Hall, at the intersection of Langdon Streets and  North Park Street, the FREE program “Rameau and Musical Expression” will take place. The subject is the French composer Jean-Philippe Rameau. The 250th anniversary of his death is being marked this year around the world.

Music of the mid-18th century can strike modern audiences as stilted or dispassionate, but composers of the time, like society at large, thought about the passions a great deal — how to describe them, what their physical properties were, and how to depict them on stage for the benefit of audiences.

David Ronis (below top, in a photo by Luke Delalio), a stage director who has specialized in Baroque staging practices, and Anne Vila (below bottom), a scholar specializing in 18th-century theories of the emotions, will discuss passion in the thought of Rameau’s contemporaries, suggesting cues for listening to Rameau’s music. The evening will include a performance of  cantata Les Amants trahis by Paul Rowe, Chelsie Propst, John Chappell Stowe and Eric Miller.

David Ronis color CR  Luke DeLalio

vila_CV

FRIDAY

Then on this Friday might, Nov. 14, at 8 p.m. in Mills Hall, UW-Madison bassoonist and native Frenchman Marc Vallon  (below, in a photo by James Gill) will present a FREE all-French program that highlights his own works and arrangements as well as the music of Jean-Phillippe Rameau in one of his most well-known works, “Les Indes Galantes.”

Marc Vallon 2011 James Gill (baroque & modern)[2]

Vallon will be joined by other performers and period instruments will be used in historically informed performances.

Here is the program:

Maurice Ravel (1875-1937)   Pièce en forme de Habanera for bassoon and piano

Marc Vallon (b.1955)    Serbian Songs for viola and bassoon – Tuzbalica-Harvest Song-Trezkavica

Marc Vallon      Ami for Baroque flute

Jules Massenet (1842-1912)  (arr. M. Vallon)  La Lettre

Georges Bizet (1838-1875) (arr. M. Vallon)

Emmanuel Chabrier (1841-1894)           L’Invitation au Voyage

INTERMISSION

Jean-Philippe Rameau (1683-1764), Les Indes Galantes, a 45-minute version. Ouverture; Menuets 1 & 2; Musette en Rondeau; Air; L’Amour “Ranimez vos Flambeaux”; Ritournelle, “Le Turc Généreux,”;  Air, “Osman Il faut que l’amour s’envole”; Récit et Orage; Choeur des Matelots; Emilie; Rigaudons; Air pour les esclaves Africains; Tambourins; “Les Incas du Pérou,”  Scène 1; Air “Le calumet de la Paix”; Air et Choeur “Traversez les plus vastes mers.”

(At the bottom is a concluding movement from “Les Indes Gallantes” in a popular YouTube video that more than one million hits. It is performed by Marc Minkowski directing Les Musicians du Louvre.)

Marc Vallon has split his impressive performing career between the modern and baroque bassoons. In addition to appearances with many of Paris’ orchestras and celebrated contemporary ensembles, Vallon has played baroque bassoon with leading early music ensembles such as La Chapelle Royale, Les Arts Florissants, the Orchestra of the Age of Enlightenment, and Tafelmusik.  In this recital, Marc Vallon will bring his skill on both instruments and thorough knowledge of and feeling for baroque music to works by Jean-Philippe Rameau and J.S. Bach, two great masters of the late baroque period.

Other participants include: Thomas Kasdorf, piano; Sally Chisholm, viola; Nathan Giglierano, Ilana Schroeder, Gene Purdue, baroque violins; Micah Behr, baroque viola; Martha Vallon, Andrew Briggs, baroque cellos; Jeanne Swack and Mili Chang, baroque flute; Konstantinos Tiliakos, baroque oboe; Brian Ellingboe, baroque bassoon; John Chappell Stowe, harpsichord.

Mesdames singers: Elizabeth Hagedorn, Chelsie Propst, Christina Kay.

Messieurs singers: Paul Rowe, Dennis Gotkowski, Antonio De Souza.

There will also be an Introduction to the second half by UW-Madison School of Music musicologist Charles Dill (below, in a photo by Katrin Talbot), who has been speaking about Rameau in the U.S. and France.

Charles Dill  cr Katrin Talbot

This concert is part of the school’s year-long retrospective of the work of Rameau. Click here for more information.

 


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