The Well-Tempered Ear

Classical music education: Before leaving for a festival in Scotland, the Madison Youth Choirs boy choirs will give a FREE send-off concert on Tuesday night. It features the world premiere of a new work by Madison composer Scott Gendel

July 23, 2018
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By Jacob Stockinger

The Ear has received the following announcement to post:

This July, 55 members of Madison Youth Choirs’ boy choirs will travel to Aberdeen, Scotland to sing in the Aberdeen International Festival of Youth Arts, a new celebration of talented young performers from across the world. (Below is the Britten boy choir.)

The festival will continue the legacy of the Aberdeen International Youth Festival (below), a tradition which had been running nearly 50 years when it was cancelled in late 2017 after Aberdeen city councilors withdrew its funding, citing budgetary concerns.

A groundswell of local and global support for the festival led to the creation of a new event, hosted by the Aberdeen Multicultural Center, which will continue to offer world-class performing opportunities for young artists.

In order to ensure that every eligible singer, including those whose families face significant financial challenges, had the opportunity to participate in this extraordinary experience, MYC undertook a major fundraising effort for the Scotland Tour Scholarship Fund, led by a generous anonymous benefactor who offered to double every dollar donated up to a total of $10,000. In total, 107 individual donors contributed to the fund, raising $20,224 to support the young singers’ journey.

Prior to their departure to Scotland, the MYC boys will present a send-off concert on Tuesday, July 24, at 7 p.m. at Good Shepherd Lutheran Church, 5701 Raymond Road, in Madison. The concert is FREE and open to the public, but donations at the door will be accepted.

The concert will feature the world premiere of a new work by UW-Madison graduate and Madison composer Scott Gendel (below), “For That Alone,” which combines text from Thomas Jefferson’s “Declaration of Independence” with text from a work that may have inspired it, the “Declaration of Arbroath,” written in 1320 to assert Scotland’s independence.

The full list of repertoire includes:

“Sumer is icumen in,” Anonymous, mid-13th century

“O là, o che bon echo” by Orlando di Lasso (1532-1594)

“No che non morira” (from Tito Manlio) by Antonio Vivaldi (1678-1741)

“Bar’chu” by Salamon Rossi (c. 1570-1630)

“Il est bel et bon” by Pierre Passereau (fl. 1509-1547)

“Hopkinton” by William Billings (1746-1800)

“The Pasture” (from Frostiana) by Randall Thompson (1899-1984)

“Gloria Tibi” (from Mass) by Leonard Bernstein (1918-1990)

“II. Adonai ro-I” from Chichester Psalms by Leonard Bernstein (1918-1990)

“For That Alone” (world premiere) by Scott Gendel (b. 1977)

“Chorus of Street Boys” from Carmen by Georges Bizet (1838-1875)

“Weevily Wheat,” American play-party song, arr. Krunnfusz

“The Plough Boy,” Traditional, arranged by Benjamin Britten (1913-1976) You can hear it for solo tenor with piano in the YouTube video at the bottom.

“Rustics and Fishermen” (from Gloriana) by Benjamin Britten

“I Will Howl” by Timothy Takach (b. 1978)

“Fugue for Tinhorns” (from Guys and Dolls) by Frank Loesser (1910-1969)

“Bonse Aba,” Traditional Zambian

“Birdsong” by Heather Masse, arranged by Randal Swiggum

“Revelation 19:1” by Jeffrey LaValley

“Anthem” (from Chess) by Benny Andersson, Björn Ulvaeus, Tim Rice, arranged by Randal Swiggum

“Will Ye No Come Back Again,” Traditional Scottish, arranged by Randal Swiggum

For more information about the Madison Youth Choirs, including how to join them and how to support them, go to:

https://www.madisonyouthchoirs.org

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Classical music: Madison Youth Choirs will perform music of Madison’s nine sister cities this Sunday afternoon and evening

December 8, 2017
2 Comments

By Jacob Stockinger

The Ear has received the following announcement to post:

“This semester, Madison Youth Choirs singers (below) are embarking on a musical journey across the globe as they explore and perform compositions connected to the diverse cultures inhabiting Madison’s nine sister cities: Ainaro, East Timor; Arcatao, El Salvador; Camaguey, Cuba; Freiburg, Germany; Kanifing, The Gambia; Mantua, Italy; Obihiro, Japan; Tepatitlán, Mexico; and Vilnius, Lithuania.

“As we study the wide variety of musical forms that emerged from these nine regions and think about the reasons we’re drawn to establish sister city relationships, we’re examining both the common forces that drive the creative expression of artists from all cultures and the unique contributions that artists from our sister cities have made to the worldwide musical canon.

“We invite you to join us for a culminating winter concert series celebrating these international choral connections.

WHERE

Madison Youth Choirs Winter Concerts, “Sister Cities

First Congregational United Church of Christ

1609 University Ave., Madison

WHEN

Sunday, Dec. 10, 2017

1:30 p.m. Girlchoirs

4:00 p.m. Boychoirs

7:00 p.m. High School Ensembles

Tickets available at the door: $10 for general admission, $5 for students 7-18, and free for children under 7. A separate ticket is required for each performance. 

This concert is generously endowed by the Diane Ballweg Performance Fund with additional support from American Girl’s Fund for Children, BMO Harris Bank, and the Wisconsin Arts Board with funds from the state of Wisconsin and the National Endowment for the Arts.

About the Madison Youth Choirs (MYC):

Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

“SISTER CITIES” PROGRAMS

Sunday, December 10, 2017, First Congregational Church, Madison

1:30 p.m. Concert (Featuring MYC Girlchoirs)

Choraliers

“Now We Are Met” by Samuel Webbe

“Sakura” Traditional Japanese folk song

“Tecolote” Spanish lullaby, arr. Victoria Ebel-Sabo

“S’Vivon” Traditional Jewish folk song, arr. Valerie Shields

Con Gioia

“Peace Round” Traditional round, text by Jean Ritchie

“Shepherd’s Pipe Carol by John Rutter

“Murasame” by Victor C. Johnson, text: 11th-century Japanese poem

“Guantanamera” Cuban folk song, text by José Marti

Capriccio (below)

“A Circle is Cast” by Anna Dembska

“Ich will den Herrn loben alle Zeit” by Georg Philipp Telemann, arr. Wallace Depue

“Ma come bali bene bela bimba” Traditional Italian, arr. Mark Sirett

“Soran Bushi” Japanese folk song, arr. Wendy Stuart

“Yo Le Canto Todo El Dia” by David L. Brunner

4:00 p.m. Concert (Featuring MYC Boychoirs)

Combined Boychoirs

“Dance for the Nations” by John Krumm, arr. Randal Swiggum

Purcell (below)

“La Nanita Nana” by José Ramon Gomis, arr. David Eddlemann

“Es is Ein Ros entsprungen” by Melchior Vulpius

“Sakura” Traditional Japanese folksong, arranged by Purcell choir members

Britten  (below)

Two Elegies by Benjamin Britten

  1. Old Abram Brown
  2. Tom Bowling

“No che non morira” (from Tito Manlio) by Antonio Vivaldi

Holst

“O Rosetta” by Claudio Monteverdi

“O là, o che bon echo” by Orlando di Lasso

“We Are” by Ysaye Barnwell

Combined Boychoirs

Chorus of Street Boys from Carmen by Georges Bizet

“Kimigayao” (The National Anthem of Japan) Melody by Hiromori Hayashi

7:00 p.m. Concert (Featuring High School Ensembles)

Cantilena

“How Can I Keep From Singing?” by Gwyneth Walker

Liebeslieder Walzer by Johannes Brahms, text by Georg Friedrich Daumer

  1. Wie des Abends (from Opus 52) (You can hear it in the YouTube video at the bottom.)
  2. Vogelein durchrauscht die Luft (from Opus 52)
  3. Nein, geliebter, setze dich (from Opus 65)

Ragazzi

“Bar’chu” by Salamon Rossi

“The Pasture” (from Frostiana) by Randall Thompson

“Mogami Gawa Funa Uta” by Watanabe/Goto, based on folk materials, arr. Osamu

Shimizu

Cantabile

“Angelus ad pastores ait” (from Sacrae Cantiunculae, 1582) by Claudio Monteverdi

“Gamelan” by R. Murray Schafer

“Mata del Anima Sola” by Antonio Estévez

Cantabile and Ragazzi (below)

“The Virgin Mary Had a Baby Boy” Traditional carol from Trinidad, arr. Stephen

Hatfield

Combined Choirs

“Dance for the Nations” by John Krumm


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Classical music: Performances of vocal and orchestral music by Handel and Rutter, plus handbell selections, will mark spring and Earth Day this coming Saturday afternoon and night. Plus, there is a FREE concert of piano trios by Beethoven and Brahms on Friday at noon.

May 4, 2017
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ALERT: The week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features piano trios by Ludwig van Beethoven, Johannes Brahms and Paul Schoenfield featuring pianist Jeannie Yu, UW-Madison violinist Soh-Hyun Park Altino and cellist Leonardo Altino. The concert, the penultimate FUS musicale of this season, runs from 12:15 to 1 p.m.

By Jacob Stockinger

This coming Saturday, the third annual Madison Area Community Earth Day Celebration Concerts will be presented at Immanuel Lutheran Church, 1021 Spaight Street, in two performances at 2 p.m. and 7 p.m.

The performances feature the Madison Area Community Chorus and Orchestra, and the Ringing Badgers Handbell Ensemble, under the direction of artistic director Mark Bloedow (below).

The concert will highlight music celebrating spring and Earth Day.

The Madison Area Community Chorus and Orchestra (below), under the direction of Bloedow, will present George Frideric Handel‘s “Chandos Anthem 9.” (You can hear the Handel anthem in the YouTube video at the bottom.)

 

The Handel features guest soloists alto Becky Buechel (below top) and tenor Adam Shelton (below bottom).


The choir and orchestra will also perform John Rutter’s beloved “Look at the World,” “All Things Bright and Beautiful” and “A Gaelic Blessing;” and selections by other composers.

The Ringing Badgers Handbell Ensemble (below) will present a varied program including Mozart’s “Song of the Bells” from his opera “The Magic Flute,” Cynthia Dobrinski’s “Let There Be Peace on Earth” — sung with the audience — LeRoy Anderson’s “Jazz Pizzicato” as arranged by Martha Lynn Thompson, and others.

A reception will follow the concerts in Immanuel’s Lakeview Room.

Tickets for the event are $15 for adults; $12 for seniors; and $8 for children and students. They are available from Willy Street Co-op Stores (East, West and North locations), at the door and online at http://maestroproductions.brownpapertickets.com.

More information is available at Maestro’s website: www.maestroproductions.org.


Classical music: The Isthmus Vocal Ensemble will mark its 15th anniversary this Friday night and Sunday afternoon with the “German Requiem” by Brahms and the world premiere of a new work commissioned from Andrew Rindfleisch

August 2, 2016
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By Jacob Stockinger

The Isthmus Vocal Ensemble (below) will mark its 15th anniversary with two performances this coming weekend of the “German” Requiem by Johannes Brahms and the world premiere of a work by the contemporary American composer Andrew Rindfleisch.

These performances mark the first time the vocal group will be joined by an orchestra.

Isthmus Vocal Ensemble 2015

Performances are in Mills Hall on the UW-Madison campus this Friday, Aug. 5 at 7:30 p.m. and Sunday, Aug. 7 at 3 p.m.

Soloists are soprano Sarah Brailey (below top) and UW-Madison baritone Paul Rowe (below bottom).

Sarah Brailey headshot

Paul Rowe headshot

Tickets are $20 for adults, $15 for seniors and $10 with a student ID. Children under 6 under should not attend. More information can be found at www.isthmusvocalensemble.org

The Ear asked Scott P MacPherson (below), formerly of the University of Wisconsin-Madison School of Music and now the director of choral activities at Kent State University in Ohio, to talk about the anniversary and concert. MacPherson is the founder and artistic director of the Isthmus Vocal Ensemble.

Scott MacPherson headshot BW 2016

MacPherson writes:

“We are excited to announce that the Isthmus Vocal Ensemble is celebrating it’s 15th Anniversary with two performances of Johannes Brahms’s Ein deutsches Requiem (A German Requiem) with soloists and professional musicians for the 45-piece orchestra.

“Additionally, IVE marks this significant milestone by presenting the world premiere of the Song of Jubilation, by Andrew Rindfliesch, the native Wisconsin composer’s first choral-orchestral piece.

“Started in 2002, the critically acclaimed Isthmus Vocal Ensemble is Madison’s “temporary” choir—it gathers some of the region’s finest singers every summer for two intensive weeks of rehearsal (below) culminating in two performances on the first weekend of August.

Isthmus Vocal Ensemble rehearsing 2016

“IVE started up as a summer group of dedicated singers who wanted to perform great choral music together. Many charter members sang under the direction of Robert Fountain in the Concert Choir or with me and the UW Madrigal Singers or Chamber Singers when I was on the UW faculty in the 1980s and 1990s.

“The group has grown from about 35 in its first year to averaging over 60 singers each year. This summer, I have expanded the choir to 115 singers in order to meet the musical and vocal demands of the Brahms German Requiem. (You can hear one of the most popular movements, “How Lovely Is Thy Dwelling Place,” in a YouTube video at the bottom.)

“From the beginning, IVE has served the Madison choral community with excellent performances of a varied and demanding repertoire, from Renaissance and Baroque motets to part songs and motets of the 19th century to choral works either unaccompanied or with piano or organ accompaniment in the 20th century to music by living composers of our time.

Isthmus Vocal Ensemble and Scott MacPherson rehearsing

“A few years ago, I suggested to the IVE board that we commemorate our 15th anniversary in 2016 by performing a completely different repertoire than our usual fare.

“The Brahms Ein deutsches Requiem immediately came to mind—there wasn’t a doubt in my mind that this would be the right piece to commemorate this milestone. A favorite for the singers and audiences alike, the music of Brahms has frequently been highlighted on IVE’s programs over the years.

“Also, IVE has never before collaborated with an orchestra for an entire concert, although in 2008 we prepared Coronation Anthem No. 2 by George Frideric Handel for Concerts on the Square with Andrew Sewell and the Wisconsin Chamber Orchestra). Performing the German Requiem, arguably Brahms’s finest work, symbolizes the “pinnacle achievement” for many choirs.

I also approached my dear friend composer Andrew Rindflebisch (below), a UW-Madison alumnus who now serves as professor of music and heads the composition program at Cleveland State University, about sharing in our celebration by writing a choral-orchestral piece especially for IVE.

I asked Andy for a brief piece to serve as an opener for the Brahms. Song of Jubilation is a fanfare, a short celebratory anthem of power and beauty. Since it specifically introduces the Brahms, Rindfleisch uses nearly the same instrumentation and even selected one of the texts from the Requiem for his new composition. We are honored and privileged to present the world premiere of this fine work.

Andrew Rindfleisch portrait

Brahms (below) was likely inspired to write his Requiem by the death of his mother in 1865 and possibly also by losing his dear friend Robert Schumann a decade earlier.

In contrast to the Roman Catholic Requiem or Mass for the Dead, which places a great deal of emphasis on the hoped-for salvation of the deceased, Brahms chose a path unheard of in his time: he selected biblical texts in his native German language mostly with themes of consoling the living, comfort in the time of loss, hope, and even a sense of joy for the bereaved for his Requiem.

brahms3

The resulting 7-movement work quickly became an enduring statement of universal consolation, a “Human” Requiem as Brahms once called it. We hope that not only our dedicated audience members over the years will come and be moved by this incredible music, but that many more new audience members will be there as well.


Classical music: Here is a stirring version of “La Marseillaise” to mark Bastille Day and the French Revolution

July 14, 2016
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By Jacob Stockinger

Today is Bastille Day in France – July 14th or “Le quatorze juillet” — celebrating the beginning of the French Revolution when the public stormed and liberated the infamous Bastille prison in Paris.

To mark it, here is a YouTube video of a stirring version of the French national anthem, “La Marseillaise.” It features the superstar opera tenor Roberto Alagna singing the arrangement done by the French Romantic composer Hector Berlioz.

And it is also a good time to recall how the French helped finance and wage the American Revolution, also known as the American War for Independence.


Classical music: Which are the most famous and most popular string quartets? And which ones are your favorites?

May 26, 2016
8 Comments

By Jacob Stockinger

Does The Ear ever love chamber music!

And it has been a good few days for him and for other Madison fans of string quartets.

On Saturday night, The Ear heard the Ancora String Quartet (below) in outstanding performances of the “Dissonance” Quartet by Wolfgang Amadeus Mozart and the late String Quartet No. 13 in A Minor, “Rosamunde,” by Franz Schubert.

Ancora CR Barry Lewis

Then on Monday night, the Ear heard the terrific Rhapsodie Quartet (below top, in a photo by Greg Anderson), made up of players in the Madison Symphony Orchestra, perform the “American” String Quartet by Antonin Dvorak followed by the sublime and profound Cello Quintet by Franz Schubert. UW-Madison and Pro Arte Quartet cellist Parry Karp (below bottom) sat in as the extra cellist.

Rhapsodie Quartet MSO Greg Anderson

Parry Karp

At the Ancora concert, cellist Benjamin Whitcomb, who teaches at the University of Wisconsin-Whitewater, made the case that Mozart’s “Dissonance” Quartet is well known for its apt nickname and is probably the best known or most popular of Mozart’s string quartets.

That got The Ear to thinking:

What are the most well-known and most popular string quartets?

And which string quartets are your favorites that you would recommend to other chamber music fans?

The Ear drew up a list of candidates of the first honor of being well-known.

He suspects that the “Emperor” Quartet — with its famous and infamous slow movement theme that was turned from an homage to the Austrian emperor into an anthem for Nazi Germany — by Franz Joseph Haydn, the “Death and the Maiden” Quartet of Schubert and the “American” Quartet of Dvorak all rival or surpass the public reputation of the Mozart’s “Dissonance,” although that one is certainly and deservedly famous to the general public.

As to The Ear’s favorite quartets: The Ear is especially partial to the six early Op. 18 string quartets by Ludwig van Beethoven (below), which often take a back seat to the same composer’s middle quartets and late quartets. But of the famous last ones, The Ear loves the very last one, Op. 135, with its return to classical structure and clarity.

Beethoven big

He also loves all of the Op. 76 string quartets by Haydn (below top) and is especially partial to the “Sunrise” and the “Quinten” or “Fifths” quartets. He also loves Haydn’s earlier Op. 20 “Sun” quartets; and all six string quartets that Mozart (below bottom) composed for and dedicated to Haydn, generally considered the father or the modern string quartet who also played string quartets  with himself on violin and Mozart on viola.

Haydn

Mozart old 1782

The Ear likes Schubert’s “Death and the Maiden” well enough, but he is always blown away by Schubert’s last quartet in G major, which was used as a soundtrack in Woody Allen’s great movie “Crimes and Misdemeanors.”

He also loves the lyrical quartets on Dvorak (below), especially the Op. 51 “Slavonic” as well as the “American.” (You can hear the opening of the “Slavonic” String Quartet in a YouTube video at the bottom.)

dvorak

As for Johannes Brahms, The Ear prefers the string quintets and string sextets to the string quartets.

Francophile that he is, The Ear also loves the single string quartets by Claude Debussy and Maurice Ravel.

Among other modern string quartets, he loves the third and fifth of Bela Bartok, the second one by Sergei Prokofiev and the eight and 11th by Dmitri Shostakovich. He also adds the String Quartet No. 3 “Mishima” by Philip Glass.

Well, that’s enough for today and for this post.

What string quartet do you think is the most famous or most popular?

And which string quartets are your favorites?

Leave word, with a YouTube link if possible, in the COMMENT section.

The Ear wants to hear.


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