The Well-Tempered Ear

Classical music: YOU MUST HEAR THIS – Ernest Bloch’s Nocturne No. 2 for piano trio

August 9, 2019
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By Jacob Stockinger

Suddenly, in August, you sense fall coming.

The Ear has noticed how the sun is setting sooner and rising later.

And it brought to mind a wonderful performance of a memorable and moving work he heard a couple of weeks ago at the last concert by The Willy Street Chamber Players with University of Wisconsin-Madison pianist Christopher Taylor (below).

In fact, the group says the program – which also included Jessie Montgomery’s “Voodoo Dolls” and the Piano Quintet No. 2 in A Major by Antonin Dvorak – drew a record-setting audience for the group that marked its fifth anniversary this July.

The piece of music in question is the Nocturne No. 2 – the slow and most quiet one — from Three Nocturnes for Piano Trio by Ernest Bloch (below).

It sounds right and feels right with the right touch of autumnal bittersweetness to the evocation of darkness.

Listen for yourself on YouTube (below) and let The Ear know if you like it and agree:


Classical music: It’s Mother’s Day. What music would you play for her? What music would she like to hear? Tell The Ear. Plus, this afternoon is your last chance to hear the final, critically acclaimed concert of the Madison Symphony Orchestra’s season with Beethoven’s Ninth on the program. Read the reviews here.

May 10, 2015
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ALERT: This afternoon at 2:30 in Overture Hall is your last chance to hear the season finale by the Madison Symphony Orchestra: a program of  the “Serenade” after Plato’s “Symposium” by Leonard Bernstein, with concertmaster Naha Greenholtz (below) as soloist, and the famous Ninth Symphony — the “Ode to Joy” or “Choral” symphony — by Ludwig van Beethoven.

The reviews are unanimous in their enthusiastic praise.

Here is a link to the one that John W. Barker wrote for Isthmus:

http://www.isthmus.com/arts/stage/mso-closing-with-a-bang/

And here is one written by Lindsay Christians for The Capital Times:

http://host.madison.com/ct/entertainment/arts_and_theatre/review-big-voices-and-beethoven-bring-mso-season-to-a/article_ea23e056-f5bb-11e4-8b8f-5780d0daa395.html

And here is a review written by Bill Wineke for WISC-TV‘s Channel 3000.com:

http://www.channel3000.com/news/opinion/Symphony-review-MSO-ends-season-on-exuberant-note/32912810

Naha Greenholtz 2014 CR  Chris Hynes

By Jacob Stockinger

Today is Mother’s Day 2015.

Mothers Day clip art

And nothing says love like music.

So what music would you like to play for your mother?

And what music would she like to hear?

They aren’t necessarily the same.

So here are The Ear’s choices.

For the first I am torn between a work by Antonin Dvorak and one by Johannes Brahms.

The Dvorak work is “Songs My Mother Taught Me,” which you can hear below in a YouTube video by superstar violinist Itzhak Perlman playing a transcription from the original for voice.

The second is the movement of the “German” Requiem by Brahms in which he evokes his recently deceased mother. Here it is performed in a classic rendition by soprano Elizabeth Schwarzkopf with Otto Klemperer conducting:

And the piece my mother would love to hear? She loved it when I practiced the piano – and to think I wondered how anyone could enjoy listening to someone practicing? And she especially loved it when I practiced Chopin.

And her favorite piece by Chopin that I played was the bittersweet and elegant Waltz in C-sharp minor, Op. 64, No. 2, heard below in a YouTube video played by Arthur Rubinstein, whom she took me to hear when he played an all-Chopin concert in Carnegie Hall in 1961 – and we sat on stage.

What are your choices in each category?

Leave word plus, if possible, a YouTube link in the COMMENTS section.

The Ear wants to hear.

And wishes you a Happy Mother’s Day.


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