The Well-Tempered Ear
Bach Around the Clock 2021 will be virtual again. It runs March 17-26, and will feature daily performances plus new activities
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement to post from violist Marika Fischer Hoyt – the founder, participant and artistic director of the annual Bach Around the Clock (BATC). It is one of the most enjoyable events in the area and celebrates the birthday of Johann Sebastian Bach (1685-1750, below).
It features performances by student, amateur and professional individuals and groups — local, regional and national. (Performance photos come from last year’s videos, thanks to Rich Samuels, who recorded and edited the WORT-FM radio show devoted to BATC 2020, which you can hear in the impressive 3-hour YouTube video at the bottom. Listen to it in its entirety or skip around.)
The Bach Around the Clock (BATC) Board of Directors is delighted to present the BATC 2021 Festival, a series of online and virtual events designed to make the joy of Bach’s music as widely available as possible.
Our theme this year is Building Bridges with Bach, and we look forward to expanding our activities to reach new performers and new audiences. (Below is pianist Vibhu Akella playing an electric keyboard.)
The 2021 Virtual Festival launches on Wednesday, March 17, with a concert by our Ensemble-In-Residence, Sonata à Quattro (below, in a photo by Barry Lewis). SAQ will present a program recorded in Luther Memorial Church, as part of the monthly Just Bach concert series.
BATC will add a new festival program every day for 10 days, through March 26, with all programs posted FREE on our home website at https://bachclock.com. (Below is the Webb Trio.)
Interested performers should visit the “Contact/Sign Up” page to submit their proposals and ideas.
BATC participants, who are located far and wide, have two options this year: they can pre-record their performances at home or elsewhere and submit them electronically; or they can request to perform in a BATC concert venue with a professional recording crew. (Below is cellist Derick Handley.)
We will provide keyboard players with the use of a concert-level piano, organ and harpsichord in a space roomy enough to safely accommodate small ensembles. (Below is harpsichordist Dan Sullivan.)
The resulting videos will be incorporated into one of the festival day’s free public programs, and will be available to the performers to keep. This option might be particularly attractive for high school seniors, looking to augment their college applications. (Below is clarinetist Brian Gnojek.)
Other new festival initiatives include Bach Chorale sing-alongs; evening Zoom receptions; mini-courses to help participants of all ages take part; and possibly a Guest Artist. More details will be announced closer to the festival.
The BATC Board hopes the 2021 Festival provides an outlet for musicians to share their talent and passion with the warmly appreciative local community.
Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Johann Sebastian Bach is something we need now more than ever.
Tags: #10Days, #AtHome, #AudienceMember, #BachAroundtheClock, #BachChorale, #BaroqueMusic, #BarryLewis, #BlogPost, #BlogPosting, #BoardofDirectors, #BrassMusic, #ChamberMusic, #ChoralMusic, #ChristianaLiberis, #ChristianChurch, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #ElectricKeyboard, #Ensemble-in-residence, #FacebookPost, #FacebookPosting, #FrenchHorn, #GuestArtist, #HighSchool, #HomeWebsite, #JacobStockinger, #JohannSebastianBach, #JustBach, #LiveMusic, #LutherMemorialChurch, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #MusicaAntiqua, #OnlineConcert, #OnlineFestival, #RecordedMusic, #RichSamuels, #SarahBrailey, #SignUp, #SonataaQuattro, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #VirtualFestival, #VocalMusic, #WindMusic, #WORT-FM89.9, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, 10 days, 2021, accommodate, add, ages, amateur, announcement, annual, application, appreciative, area, around, Artistic director, Arts, at home, attractive, audience, augment, available, Bach, Bach Around the Clock, Bach chorale, Baroque, Barry Lewis, BATC, birthday, blog, Blog post, blog posting, Board of Directors, brass, bridge, building, celebrate, cellist, Cello, Chamber music, choral music, Chorale, Christian church, Christianity, church, clarinet, clarinetist, Classical music, closer, college, community, composer, Concert, concert series, concert-level, concerto, contact, coronavirus, courses, crew, daily, days, delight, designed joy, details, Early music, edit, electric, electric keyboard, electronically, elsewhere, enjoyable, enough, evening, event, ever, every day, everyday, expand, Facebook, far, festival, forward, founder, free, group, guest artist, hear, high school, home website, Horn, hour, idea, impressive, incorporate, individual, initiative, interested, Jacob Stockinger, Johann Sebastian Bach, Joy, Just Bach, keep, Keyboard, launch, life-giving, like, link, listen, live, live music, local, locate, Luther Memorial Church, march, Marika Fischer Hoyt, Mead Witter School of Music, member, mini-course, Music, Musica Antiqua, Musician, need, new, nourish, online, option, Orchestra, organ, organist, outlet, page, pandemic, pandemic playlist, participant, Passion, performer, photo, Pianist, Piano, play, playing, pre-record, present, professional, program, proposal, provide, public, reception, record, recorded, recorded music, recording, Rich Samuels, roomy, safely, Sarah Brailey, senior, seniors, share, sign-up, sing-along, skip, Sonata, Sonata à Quattro, soul, space, Student, submit, symphony, tag, talent, The Ear, theme, transcendent, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, venue, Viola, Violin, violist, virtual, virtual festival, vocal music, we, Website, wide, Wind, Wisconsin, WORT, year, YouTube, Zoom
Classical music: As superstar Itzhak Perlman turns 75, a critic assesses his virtues and shortcomings in playing both the violin and his audiences
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Last Monday, Aug. 31, superstar violin virtuoso Itzhak Perlman (below, in a photo by Yael Malka of The New York Times) turned 75.
To celebrate, Sony Classical released a boxed set of 18 CDs (below) with many performances by Perlman – solo, chamber music and concertos – recorded over many years.
On the occasion of Perlman’s birthday, critic Corinna da Fonseca-Wollheim of The New York Times wrote a retrospective review of Perlman’s long career. (You can hear his most popular performance ever — with more than 6 million hits — in the YouTube video at the bottom.)
The Ear finds the opinion piece both brave and truthful, pointing out Perlman’s mastery of the Romantic repertory but also criticizing his stodgy treatment of Vivaldi and other Baroque music that has benefitted from the period-instrument movement and historically informed performance practices
Yet the essay, which also touches on ups and down of Perlman’s career, always remains respectful and appreciative even when discussing Perlman’s shortcomings.
Offering many historical details and photos as well as sample videos, the critical assessment of Perlman seems perfectly timed.
The Ear hopes you enjoy it as much as he did. Here is a link: https://www.nytimes.com/2020/08/26/arts/music/itzhak-perlman-violin.html
If you have heard Itzhak Perlman either on recordings or live – at the Wisconsin Union Theater, the old Civic Center or Overture Hall — let us know what you think.
The Ear wants to hear.
Tags: #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #BostonSymphony, #BoxSet, #ChamberMusic, #CivicCenter, #ClassicalRecording, #CompactDisc, #ConcertPianist, #CorinnadaFonseca-Wollheim, #DanceMovement, #DisabilityRights, #DorothyDeLay, #EricLeinsdorf, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FilmScore, #FourSeasons, #HistoricallyInformedPerformancePractices, #IsraeliMusician, #ItzhakPerlman, #JacobStockinger, #JeanSibelius, #Jewishmusician, #JohannesBrahms, #JohannSebastianBach, #JohnWilliams, #JuilliardSchool, #KlezmerMusic, #LudwigVanBeethoven, #MauriceRavel, #MaxBruch, #MovieMusic, #MusicCritic, #MusicEducation, #NewYorkTimes, #NiccoloPaganini, #OvertureCenter, #PablodeSarasate, #PeriodInstrument, #PeterIlyichTchaikovsky, #PeterTchaikovsky, #RobertSchumann, #RomanticMusic, #Schindler'sList, #SergeiProkofiev, #SesameStreet, #SonyClassical, #StevenSpielberg, #TheEar, #TheHolocaust, #TheViolin, #ViolinConcerto, #ViolinistVirtuoso, #VirtuosoViolinist, #VladimirAshkenazy, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #Yo-YoMa, #YouTubevideo, 75, acrobatic, Antonio Vivaldi, appreciative, Arts, assessment, audience, audiences, Audio, Bach, Baroque, Baroque music, Beethoven, benefit, birthday, blog, Boston Symphony Orchestra, bow, Box set, Brahms, brave, Bruch, career, CDs, celebrate, cellist, Cello, Chamber music, charm, Classical music, classicalmusic, communicate, Compact Disc, Concert, concerto, Corinna da Fonseca-Wollheim, critical, de Sarasate, details, disability, disability right, disability rights, disappointment, discuss, Dorothy DeLay, downs, Early music, enjoy, Eric Leinsdorf, ever, Facebook, fans, Felix Mendelssohn, Film score, forward, Four Seasons, hear, historical, historically informed performance practices, hit, Holocaust, hope, intonation, Israel, Itzhak Perlman, Jacob Stockinger, Jean Sibelius, Jewish, Johann Sebastian Bach, Johannes Brahms, John Williams, Juilliard School, Juilliard School of Music, klezmer, legend, like, link, long, Ludwig van Beethoven, Madison, Master, mastery, Maurice Ravel, Max Bruch, Mendelssohn, million, movement, movie music, Mozart, Music, music critic, Music education, New York City, New York Times, Nicolo Paganini, offer, offering, old, opinion, Orchestra, Overture Center, Overture Center for the Arts, Paganini, PBS, performance, period instruments, Peter Ilyich Tchaikovsky, photo, Pianist, Piano, piece, play, polio, popular, post, posting, Prokofiev, Ravel, recital, recording, remain, repertoire, repertory, respectful, retrospective, review, rights, Robert Schumann, Romantic, Sarasate, Schindler's List, Schumann, self-assurance, Sergei Prokofiev, Sesame Street, share, shortcomings, Sibelius, solo, Sonata, SONY, Sony Classical, Steven Spielberg, Student, superstar, tag, Tchaikovsky, Teacher, Television, The Ear, the violin, tone, truthful, TV, United States, ups, vibrant, video, vigorous, Violin, violinist, virtue, virtuoso, Vivaldi, Vladimir Ashkenazy, Wisconsin, Wisconsin Union Theater, Wolgang Amadeus, Yo-Yo Ma, YouTube
Classical music: Bach Around the Clock 2020 goes virtual and wants your audio-video contribution. Plus TONIGHT, the Wisconsin Chamber Orchestra streams its Dec. 27 concert at the UW
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: TONIGHT, March 27, at 7:30 p.m., the Wisconsin Chamber Orchestra will be streaming its sold-out premiere performance (below) on Dec. 27 in the Mead Witter Foundation Concert Hall at the UW-Madison’s new Hamel Music Center. If you couldn’t get seats for the in-person performance, you can tune in for FREE tonight.
The program is: “Poet and Peasant Overture” by Suppe; the Introduction and Allegro appassionato, Op. 92, by Robert Schumann with pianist Jason Kutz; the Overture to “Orpheus in the Underworld” by Offenbach; the “Habanera” from the opera “Carmen” by Bizet and “What a movie” from the opera “Trouble in Tahiti” by Leonard Bernstein, both with mezzo-soprano Kitt Reuter-Foss; and the Violin Concerto No. 3 in B minor, Op. 61, by Saint-Saens with Rachel Barton Pine. WCO music director Andrew Sewell conducts.
For a link and portal to the streamed video, go to: https://wisconsinchamberorchestra.org/about/wisconsin-chamber-orchestra-live/
By Jacob Stockinger
The Ear has received the following message from artistic director Marika Fischer Hoyt (below) about the decision to make this year’s Bach Around the Clock a virtual event with a call for community submissions:
The BATC Board of Directors shares the keen disappointment that all music lovers feel at the sudden, shocking collapse of the current concert season.
The BATC 2020 Festival was fully booked, and we had looked forward to 12 hours of music by Johann Sebastian Bach, performed by musicians ranging from young students to adult amateurs to seasoned professionals, all to celebrate the composer’s 335th birthday.
Sadly, that was not to be.
But thinking outside of the box, the Board has decided to try something new: the BATC 2020 Virtual Festival.
We invite local musicians to submit video or audio recordings of themselves singing or playing a selection by Bach. If you’d like, you can also talk at the beginning of your recording, explaining what music by Bach (below) means to you, and why you chose this particular piece. Or feel free to write your thoughts on this subject, and we’ll include that text with your recording.
We reach out especially to those who were scheduled to perform at this year’s festival, and those who have performed with us in the past. But we are very happy to include newcomers to our BATC community as well.
Performers can click on Performers Guide for Media Submissions to find instructions for audio or video file submission.
We request that files be of musical selections 20 minutes or less. If a piece is longer than that, please record the piece in two files.
Our tech team will preview clips for technical quality, upload them to the BATC YouTube channel, and post them on our website and then on our Facebook page, for everyone to enjoy.
BATC plans to launch the Virtual Festival this Saturday, March 28, at 10 a.m., the time the original in-person Festival was scheduled to begin.
We will add new videos every day at 10 a.m., as long as submissions keep coming in. (Below are the Suzuki Strings of Madison performing during a past BATC.)
The BATC Board hopes this Virtual Festival gives local musicians an outlet for sharing their talent and passion with the warmly appreciative local community.
Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Bach is something we need, now more than ever. (Below is a performance from last year’s Bach Around the Clock.)
For more information, go to: https://bachclock.com and https://www.facebook.com/batcmadison
Tags: #AmateurMusician, #AndrewSewell, #ArtisticDirector, #BachAroundtheClock, #BaroqueMusic, #BlogPost, #BlogPosting, #BoardofDirectors, #CamilleSaint-Saens, #ChamberMusic, #ChoralMusic, #ConcertSeason, #FacebookPost, #FacebookPosting, #Fridaynight, #GeorgesBizet, #HighTechnology, #HomeWebsite, #InstrumentalMusic, #IntroductionandAllegroAppassionato, #JacobStockinger, #JacquesOffenbach, #JasonKutz, #JohannSebastianBach, #KittReuter-Foss, #LeonardBernstein, #LiveMusic, #LocalMusicians, #MarikaFischerHoyt, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MusicDirector, #MusicLover, #OperaMusic, #OriginalEnding, #OrpheusintheUnderworld, #PianoConcerto, #PianoMusic, #PoetandPeasantOverture, #ProfessionalMusician, #RachelBartonPine, #RobertSchumann, #SaturdayMorning, #SoldOut, #SuzukiMethod, #SuzukiStringsofMadison, #TheEar, #TroubleinTahiti, #TuneIn, #UniversityofWisconsin-Madison, #ViolinConcerto, #VirtuosoViolinist, #VocalMusic, #WhataMovie, #WisconsinChamberOrchestra, #YouTubeChannel, add, adult, amateur, Andrew Sewell, appreciate, appreciative, Artistic director, Arts, audience, Audio, Bach, Bach Around the Clock, Baroque, beginning, Bernstein, birthday, Bizet, blog, Board of Directors, booked, Box, Camille Saint-Saëns, Cantata, Carmen, Cello, Chamber music, channel, choral music, Classical music, classicalmusic, click, collapse, community, composer, Concert, concert season, concerto, conduct, conductor, disappointment, Early music, enjoy, explain, exposure, Facebook, festival, file, forward, Franz von Suppe, free, Friday, full, Georges Bizet, guide, Habanera, home website, in person, include, information, instructions, instrumental music, introduction, Introduction and Allegro Appassionato, invite, Jacob Stockinger, Jacques Offenbach, Jason Kutz, Johann Sebastian Bach, Joy, Kitt Reuter-Foss, Leonard Bernstein, life-giving, like, link, live, live music, local, lover, Madison, Marika Fischer Hoyt, Mead Witter Foundation Concert Hall, Mead Witter School of Music, meaning, media, message, Mezzo-soprano, morning, movie, Music, Music director, music lover, musical, musicians, need, new, newcomer, newcomers, night, opera, original, Orpheus, Orpheus in the Underworld, outlet, Overture, page, participate, participation, particular, Passion, past, performance, performer, Pianist, Piano, piece, playing, Poet and Peasant Overture, portal, post, posting, premiere, professional musician, program, quality, Rachel Barton Pine, recording, request, Robert Schumann, Saint-Saens, Saturday, schedule, Schumann, seasoned, seat, selection, share, shocking, Singing, sold-out, something, Sonata, stream, students, subject, submission, sudden, Suppe, Suzuki, Suzuki Strings of Madison, tag, talent, talk, team, tech, technical, technology, text, thinking, thoughts, time, tonight, transcendent, Trouble in Tahiti, try, tune in, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, video, Viola, Violin, violinist, virtual, vocal music, WCO, Website, What a Movie, Wisconsin, Wisconsin Chamber Orchestra, you, young, YouTube
Classical music: Looking for serious fun? The thoroughly successful opening concerts by the Bach Dancing and Dynamite Society bode well for the upcoming second weekend
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
After 28 summers, going to a concert by the Bach Dancing and Dynamite Society still feels like attending a family reunion – the best kind of family reunion where everyone is familiar and friendly, where everything is fun, and where you always leave glad that you went.
That’s not by chance.
The first thing that co-founders and co-artistic directors Stephanie Jutt and Jeffrey Sykes did last Friday and Saturday nights was to thank the loyal audience. And the audience, full of longtime fans, returned the favor by being attentive to and appreciative of the first-rate music-making as well as responsive to the horseplay and antics – such as the surreal scene of virtuoso Axel Strauss playing “The Skater’s Waltz” on his violin while rollerblading around the stage (below).
BDDS players really mean it when they say that their audiences are in for something different, something they won’t find elsewhere and won’t forget.
Last weekend that meant the return of two longtime guest performers: San Francisco cellist Jean-Michael Fonteneau and Montreal violinist Axel Strauss (below, with pianist Jeffrey Sykes). Neither disappointed as they performed very varied music by Franz Joseph Haydn, C.P.E. Bach, Johannes Brahms, Gabriel Faure, Lili Boulanger, Maurice Ravel and Ned Rorem. And as always, the amazing pianist Jeffrey Sykes proved a chameleon who blended masterfully into the style of each period and each composer.
But for The Ear, the unexpected standout last weekend was guest accordion player Stas Venglevski from Milwaukee. Born in Russia and trained at the Moscow Conservatory, he is a virtuoso player, a sensitive arranger and a convincing composer – all done with good humor and a charismatic stage presence.
The Ear never thought of the accordion – the Russian bayan, to be specific – as an instrument for chamber music. But he does now, after hearing Venglevski play serious Russian, French and Latin American music that ran the gamut from a graceful waltz and a sprightly polka to torchy tangos. And then there were his flying fingers punching out “The Flight of the Bumblebee,” a real crowd-pleaser.
The large audience responded on both nights with wild applause and a standing ovation every time that Venglevski (below) played, and Jutt promised the audience that he will be back.
“As you can see, we have fun here,” Jutt deadpanned.
She is not exaggerating.
Which bodes well for the second weekend of three that will happen this coming weekend.
The second weekend — two programs in three venues — celebrates Jutt and Sykes, plus two of BDDS’ favorite guest artists: violinist Stephanie Sant’Ambrogio and Madison pianist Thomas Kasdorf.
Kasdorf (below) and Sykes are both featured in a program called “Rock the Sykes-o-delic Kas-bah.” Kasdorf is featured in Brahms’ Horn Trio with guest horn player Karl Kramer Johansen, and in the appealing and accessible Café Concertino by the contemporary Australian composer Carl Vine.
Sykes will perform another chamber transcription of a Classical-era symphonic work, which over the years has become a welcome specialty of BDDS. In this case it is Wolfgang Amadeus Mozart’s snappy and appealing Piano Concerto No. 9 in E-flat Major, K. 271, the “Jeunehomme” concerto. (You can hear the irresistible last movement of the piano concerto, used in the film “Amadeus,” in the YouTube video at the bottom.) Sykes will also perform in Robert Schumann’s “Fairy Tales” for clarinet and viola.
A Madison native, cellist Alison Rowe (below) — an artist from the Dynamite Factory, which is BDDS’ program for emerging talent — will be featured in the Sonata for Cello and Piano in D Major by Johann Sebastian Bach.
“Rock the Sykes-o-delic Kas-bah” will be performed at the Stoughton Opera House on Friday, June 21, at 7:30 p.m. Braisin’ Hussies Food Cart will be parked outside the Opera House prior to the performance. The program will also be performed in Spring Green at the Hillside Theater, Sunday, June 23, at 2:30 p.m.
Jutt (below top) and Sant’Ambrogio (below bottom, in a photo by Stephanie Ann Boyd) worm their musical way into the most unexpected places in the other program, “Steph Infection.” The Nocturne for flute, violin, horn and piano of Franz Doppler opens the program, which continues with Jutt’s own arrangement of Antonin Dvorak’s popular “American” String Quartet, with a flute substituting for one of the two violins.
Dmitri Shostakovich’s Five Pieces for flute, clarinet and piano add spice to the program, and the evening concludes with Ernst von Dohnanyi’s epic Sextet for clarinet, horn, violin, viola, cello and piano. A work that ranges from stormy and turbulent to tender and funny, it features an all-star cast including audience favorite clarinetist Alan Kay, horn player Karl Kramer Johansen, violist Carol Cook (principal at the Lyric Opera of Chicago), and Madison’s own cellist of the UW-Madison’s Pro Arte Quartet, Parry Karp (below).
“Steph Infection” will be performed at The Playhouse, Overture Center for the Arts, Saturday, June 22, at 7:30 p.m.; and in Spring Green at the Hillside Theater, Sunday, June 23, at 6:30 p.m.
And of course there could also be some unannounced surprises – more door prizes, perhaps a mystery guest, or more shenanigans and antics that correspond to the “Name Dropping” pun theme of the programs.
For tickets ($43-$49) and more information, go to: https://bachdancing.org
Tags: "Amadeus", #AlanKay, #AlisonRowe, #AmadeusFilm, #AntoninDvorak, #ArtisticDirector, #AustralianComposer, #AxelStrauss, #BachDancingandDynamiteSociety, #BaroqueMusic, #BlogPost, #BlogPosting, #BlogReview, #CarlVine, #CarolCook, #CastList, #CelloSonata, #ChamberMusic, #Classicalera, #ContemporaryComposer, #CPEBach, #DmitriShostakovich, #ErnstvonDohnanyi, #FamilyReunion, #FilmSoundtrack, #FlightoftheBumblebee, #FluteMusic, #FoodCart, #FrankLloydWright, #FranzDoppler, #FranzJosephHaydn, #FrenchMusic, #Fridaynight, #GabrielFaure, #HillsideTheater, #HornTrio, #Jean-MichelFonteneau, #JeffreySykes, #JeunehommeConcerto, #JohannesBrahms, #JohannSebastianBach, #KarlKramerJohansen, #LatinAmerica, #LatinAmerican, #LatinAmericanmusic, #LiliBoulanger, #LivingComposer, #LyricOperaofChicago, #MadisonSymphonyOrchestra, #MauriceRavel, #MilwaukeeWisconsin, #MontrealCanada, #MoscowConservatory, #MoscowRussia, #MovieSoundtrack, #Music-Making, #MusicReview, #NedRorem, #NewTango, #NuevoTango, #OvertureCenter, #ParryKarp, #PianoConcerto, #ProArteQuartet, #RobertSchumann, #RussianMusic, #SanFrancisco, #SaturdayNight, #SpringGreen, #StagePresence, #StandingOvation, #StasVenglevski, #StephanieJutt, #StephanieSant'Ambrogio, #StoughtonOperaHouse, #StoughtonWisconsin, #StringQuartet, #Sundayafternoon, #SymphonicMusic, #Taliesincompound, #TheEar, #ThePlayhouse, #TheSkater'sWaltz, #ThomasKasdorf, #UniversityofWisconsin-Madison, #ViolaMusic, #WolfgangAmadeusMozart, #YouTubevideo, accordion, afternoon, Alan Kay, Alison Rowe, all-star, American, Antonín Dvořák, applause, appreciative, arrangement, arranger, Artistic director, Arts, attentive, audience, Australia, Axel Stauss, Bach, Bach Dancing and Dynamite Society, Baroque, BDDS, blend, blog, born, cafe, California, Canada, Carl Vine, Carol Cook, cart, cast, cellist, Cello, Chamber music, chameleon, charismatic, clarinet, clarinetist, Classical, Classical music, composer, Concert, concertino, contemporary, CPE Bach, critic, Dmitri Shostakovich, Dvorak, dynamite, Early music, era, Ernst von Dohnanyi, everyone, everything, factory, familiar, Family, favor, fi ger, film, first-rate, Flight of the Bumblebee, flute, flutist, food, forward, Frank Lloyd Wright, Franz Doppler, Franz Joseph Haydn, French, Friday, friendly, fun, Gabriel Fauré, graceful, guest, Hillside Theater, Horn, horseplay, House, Humor, infection, irresistible, Jacob Stockinger, Jean-Michel Fonteneau, Jeffrey Sykes, Jeunehomme, Johann Sebastian Bach, Johannes Brahms, Karl Kramer Johansen, Latin America, Latin American music, like, Lili Boulanger, link, Living composer, longtime, loyal, Lyric Opera of Chicago, Madison, Madison Symphony Orchestra, masterful, masterfully, Maurice Ravel, Milwaukee, Montreal, Moscow, Moscow Conservatory, movie, Mozart, Music, name, native, New Rorem, new tango, night, nocturne, opening, opera, Orchestra, ovation, Overture Center, Parry Karp, performer, period, Pianist, Piano, Piano concerto, player, please, polka, popular, presence, principal, Pro Arte Quartet, program, promise, psychedelic, pun, reunion, review, Robert Schumann, rollerblading, Russia, Russian, San Francisco, Saturday, sensitive, serious, sextet, share, Sonata, soundtrack, spectacular, spice, sprightly, Spring Green, Spring Green Wisconsin, stage, standout, Stas Venglevski, Stephanie Jutt, Stephanie Sant'Ambrogio, stormy, Stoughton, Stoughton Opera House, String quartet, style, successful, summer, Sunday, surreal, symphonic, tag, talent, Taliesin, tango, tender, The Ear, The Playhouse, The Skater's Waltz, Thomas Kasdorf, torch, torchy, trained, transcription, trio, turbulent, unexpected, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Viola, Violin, violinist, violist, virtuoso, Waltz, weekend, Wisconsin, Wolfgang Amadeus Mozart, work, YouTube
Classical music: “Into the Woods” proved a complete, first-rate theatrical experience
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Larry Wells – the very experienced Opera Guy for The Well-Tempered Ear blog – attended two performances of “Into the Woods” at the Wisconsin Union Theater, and filed this review. (Photos are by Beau Meyer for the UW-Madison Department of Theatre and Drama.)
By Larry Wells
The University Theatre and University Opera’s recent joint production of “Into the Woods” was a feast for fans of Stephen Sondheim (below). It was a complete theatrical experience with excellent singing, a nuanced orchestral accompaniment, skilled acting and enchanting staging.
The nearly three-hour work is an amalgamation of several well-known fairy tales exploring themes such as parent-child relationships, loss of innocence, self-discovery, the consequences of wishes being fulfilled, and death – but all in an amusing, literate, fast-paced kaleidoscope of witty dialogue, catchy music and sophisticated lyrics.
The production employed an attractive, ever-changing set, designed by John Drescher, that was vaguely reminiscent of Maurice Sendak.
Stage director David Ronis (below, in a photo by Luke DeLalio) utilized the large cast and what had to be an equally large number of backstage crew members in a captivating succession of ensemble pieces and solo numbers. I was never aware of the passing of time. Not looking at my watch is my acid test of a production’s success.
Among the many standout performances, Bryanna Plaisir (below) as the Witch was comical in her delivery and quite amazing in the physicality of her performance. There were a number of times when she flew, and each time I was taken by surprise at her effortlessness. Her initial song, accompanied mostly by percussion, was mesmerizing.
There were two roles that were double cast: Elisheva Pront and Miranda Kettlewell (below) as the Cinderellas; and Meghan Stecker and Zoe Bockhorst as the two Little Red Riding Hoods.
Both Pront and Kettlewell possess excellent voices.
Stecker was the more girlish of the two Red Riding Hoods, whereas Bockhorst (below left) portrayed a slightly more canny character. Both were very funny in their encounter with Cobi Tappa’s Wolf (below right).
Tappa is a physical actor whose tall lankiness conveyed the Wolf’s lupine nature flawlessly. He also portrayed the Steward, and I was completely captivated by his performance, as was the appreciative audience.
Joshua Kelly (below) was the narrator and also played the baker’s father. His was a professional quality performance from beginning to end – enunciating so clearly that he was completely understandable throughout.
Jack was played by Christian Michael Brenny. His portrayal of a simple-minded boy was touching, and his singing was outstanding.
Emily Vandenberg (below left) as the wife of the baker (played by Michael Kelley, below right) was another outstanding performer – an excellent comic actress and an accomplished vocalist.
Mention must also be made of Rapunzel and Cinderella’s princes, Tanner Zocher and Jacob Eliot Elfner. Their two duets, “Agony” and “Agony Reprise,” were enthusiastically received by the audience not only for their delivery but also for such lyrics as “…you know nothing of madness ‘til you’re climbing her hair…”.
Sondheim’s way with words continues to amaze me. In describing a decrepit cow, Jack’s mother gets to sing “…while her withers wither with her…”. The Wolf gets to sing the line “…there’s no possible way to describe what you feel when you’re talking to your meal…”
Chad Hutchinson (below) conducted the orchestra in a finely shaded performance – never overpowering and always supportive.
There were many other excellent performances and memorable moments. Suffice it to say that altogether cast, crew, artistic and production staff created a show that I enjoyed on two consecutive evenings. In fact I was completely entranced both times.
Postscript: The first evening I sat in front of a person who coughed more or less continually the entire first act. Mercifully she left at the intermission. Next to me was a woman who alternated between audibly clearing her throat and blowing her nose — when she wasn’t applying moisturizer to her hands — throughout the entire show. Stay home if you’re sick. And remember that you are not at home watching your television. You are in a theater.
Tags: #AcidTest, #BlogPost, #BlogPosting, #BlogReview, #BroadwayMusical, #BrothersGrimm, #ChadHutchinson, #CharlesPerrault, #ConcertEtiquette, #DavidRonis, #DepartmentofTheatreandDrama, #DuetMusic, #FacebookPost, #FacebookPosting, #FairyTales, #Fast-Paced, #husband-and-wife, #IntotheWoods, #JackandtheBeanStalk, #LarryWells, #LIttleRedRidingHood, #LossofInnocence, #MauriceSendak, #MeadWitterSchoolofMusic, #MusicReview, #OperaCast, #OperaGuy, #OperaReview, #OrchestralAccompaniment, #Parent-Child, #PrinceCharming, #Self-Discovery, #StageDirector, #StephenSondheim, #TheWell-TemperedEar, #UniversityofWisconsin-Madison, #UniversityOpera, #UniversityTheatre, #WisconsinUnionTheater, #WishFulfillment, acid test, acting, actress, agony, amaze, amusing, appreciative, Arts, audience, backstage, baker, blog, blowing, boy, Broadway musical, Brothers Grimm, canny, captivated, cast, catchy, Chad Hutchinson, character, Charles Perrault, Child, CINDERELLA, clearing, comical, complete, composer, conductor, cough, cow, crew, David Ronis, death, delivery, Department of Theatre and Drama, dialogue, drama, duet, enchanting, encounter, ensemble, enunciation, etiquette, excellent, experience, explore, Facebook, fairy tales, fan, father, feast, first-rate, forward, funny, girl, girlish, hands, Home, initial, innocence, Into the Woods, Jack, Jack and the Bean Stalk, Jack and the Beanstalk, Jacob Stockinger, kaleidoscope, Larry Wells, link, literate, Little Red Riding Hood, looking, loss of innocence, lupine, lyrics, Madison, madness, Maurice Sendak, Mead Witter School of Music, meal, mesmerizing, moisturizer, Mother, Music, narrator, nature, nose, number, opera, Opera Guy, Orchestra, orchestral accompaniment, outstanding, Parent, percussion, performer, photo, physicality, piece, postscript, ppassing, prince, Prince Charming, production, professional, quality, Rapunzel, relationship, reminiscent, reprise, review, role, set, share, sick, simple-minded, sing, Singing, skilled, solo, song, sophisticated, staff\, stage director, staging, standout, Stephen Sondheim, steward, success, support, supportive, surprise, tag, talk, tall, Television, The Opera Guy, The Well-Tempered Ear, theater, theatre, theatrical, theme, throat, time, TV, understandable, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, University Theatre, vocalist, watch, wife, Wisconsin Union Theater, wish, wish fulfillment, witch, witty, Wolf, woman, words
Recent Comments
The Well-Tempered Ear 
Classical music: The 10th anniversary concert of the Middleton Community Orchestra hit all the right notes – including a surprise of high beauty
3 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Last Wednesday night at the Middleton Performing Arts Center, the mostly amateur but critically acclaimed Middleton Community Orchestra (below, in a photo by Brian Ruppert) celebrated its 10th anniversary.
The MCO hit all the right notes. And there were many of them, both big and small.
But perhaps the biggest one was also the quietest one.
It came during the repetition section near the end of the heart-rending slow movement of the Clarinet Concerto in A Major, K. 622, by Mozart.
The Ear knows the piece and considers it one of the most perfect compositions ever written. But suddenly he heard the familiar work in a fresh way and with a new appreciation, thanks to the talented guest soloist J.J. Koh, who is principal clarinet of the Madison Symphony Orchestra. (You can hear the slow movement in the YouTube video at the bottom.)
The movement was going beautifully when suddenly, Koh (below) brought the dynamics down to almost a whisper. It felt prayer-like, so quiet was the sound. Yet it was completely audible. The tone was rich and the notes on pitch, even though Koh sounded as if he were barely breathing. It was a heart-stopping, breathtaking moment of high beauty.
It takes a virtuoso to play that softly and that solidly at the same time. And Koh was backed up with the same subtlety by the fine accompaniment provided by the scaled-down orchestra under conductor Steve Kurr.
The sublime result was nothing short of haunting, a musical moment that The Ear will remember and cherish as long as he lives.
And he wasn’t alone. A complete silence fell over the appreciative audience as Koh and the MCO were playing, and at intermission it was what everybody was talking about and wondering at. You just had to be there. It was the kind of musical experience that makes a live performance so engaging and unforgettable.
That moment of communion between soloist and ensemble by itself was enough to tell you how very much the MCO, which improves with each performance, has accomplished in its first decade.
There were other noteworthy moments too.
Of course tributes had to be paid.
So the evening started off with some brief background and introductory words from the co-founders and co-artistic directors Larry Bevic and Mindy Taranto (below).
Then Middleton Mayor Gurdip Brar (below) came on stage to read his official 10th anniversary proclamation and to urge people to applaud. He proved a jovial, good-natured cheerleader for the large audience of “good neighbors” that included many children.
When the music finally arrived, conductor Kurr (below) raised the curtain with his own original 14-minute episodic composition celebrating the “Good Neighbor City” of Middleton. It proved a fitting work for the occasion that evoked both the Midwestern harmonies of Aaron Copland and the brassy film scores of John Williams.
After intermission, the full 90-member MCO under Kurr returned and turned in a performance of Antonin Dvorak’s popular “New World” Symphony that did them all proud.
The tempo was energetic with a strong, constant pulse that didn’t falter. As usual, the string and wind sections proved outstanding – and still seem to get better each time.
But the real star this time was the brass, whose prominent part in the Dvorak symphony is hard to play. Playing consistently on pitch and expressively – they were clearly well-rehearsed — the brass boosted the whole performance and raised it to a new level. Which is exactly what the anniversary concert demanded and received.
The Ear wasn’t alone in being impressed.
A professional musician visiting from San Francisco said simply: ”They are much better than our community orchestra.”
Is there better homage to pay to a 10th anniversary concert and to make listeners look forward to hearing more? If you aren’t going to MCO’s affordable and appealing concerts, you are only cheating yourself.
For more information about the complete season, including programs, performers, guest soloists and how to join or support the MCO, go to: http://middletoncommunityorchestra.org
If you went, what did you think of the opening anniversary concert?
Leave your opinions and good wishes in the comment section.
The Ear wants to hear.
Share this:
Like this:
Tags: #AaronCopland, #AmateurMusicians, #AntoninDvorak, #ArtisticDirector, #BlogPost, #BlogPosting, #BlogReview, #BrassSection, #ClarinetConcerto, #CommunityOrchestra, #Curtain-Raiser, #FacebookPost, #FacebookPosting, #FilmMusic, #GoodNeighborCity, #GoodWishes, #GurdipBrar, #HomeWebsite, #J.J.Koh, #JohnWilliams, #LarryBevic, #LiveMusic, #MadisonSymphonyOrchestra, #MiddletonCommunityOrchestra, #MiddletonPerformingArtsCenter, #MiddletonWisconsin, #MindyTaranto, #MovieMusic, #MovieSoundtrack, #MusicalMoment, #MusicAppreciation, #NewMusic, #NewWorldSymphony, #PrincipalClarinet, #PrinicpalPlayer, #RightNotes, #SanFrancisco, #SlowMovement, #SteveKurr, #StringSection, #TheEar, #TheMidwest, #TonalBeauty, #WindSection, #WolfgangAmadeusMozart, #YouTubevideo, Aaron Copland, accompaniment, accomplish, amateur, anniversary, Antonín Dvořák, applause, appreciation, appreciative, Artistic director, audible, audience, background, beautiful, beauty, big, blog, boost, brass, brass section, breath, breathing, California, cheerleader, cherish, children, clarinet, clarinet concerto, co-founder, comment, communion, community, community orchestra, Composition, concerto, conductor, constant, decade, Dvorak, dynamics, engaging, ensemble, episodic, expressive, Facebook, falter, familiar, Fanfare, film, film music, forward, founder, fresh, From the New World, good neighbor, Good Neighbor City, good wishes, good-natured, Gurdip Brar, haunting, hear, heart-stopping, high, hit, homage, home website, John Williams, join, jovial, K, kids, know, Kochel, Larry Bevic, like, link, listener, live, live music, Madison Symphony Orchestra, mayor, member, Middleton, Middleton Community Orchestra, Middleton Performing Arts Center, Midwest, Midwestern, Mindy Taranto, minute, moment, movie, Mozart, musical, musical moment, new, New Music, New World Symphony, notes, noteworthy, occasion, official, opinion, Orchestra, original, outstanding, People, perfect, performer, piece, pitch, play, popular, post, posting, prayer, principal, proclamation, program, prominent, Pulse, quiet, raise, reader, real, rehearse, remeber, repetition, rich, right, right notes, San Francisco, score, Season, section, share, silence, Slow movement, small, soft, solo, soloist, Sound, star, Steve Kurr, string, string section, stroing, sublime, subscriber, suddenly, support, symphony, tag, talent, talented, Tempo, The Ear, think, tone, tribute, unforgettable, urge, warning, way, Website, whisper, wind section, winds, Wolfgang Amadeus Mozart, words, work, written, years, you, YouTube