The Well-Tempered Ear

Classical music: The Edgewood College Concert Band performs its 23rd annual benefit concert to fight hunger this Friday night. Plus, the Madison Symphony Orchestra’s “Final Forte” competition concert is TONIGHT at 7

March 29, 2017
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ALERT: Just a reminder that TONIGHT at 7 p.m., the final round of the youth concerto competition with the Madison Symphony Orchestra will take place under the direction of MSO music director John DeMain.

You can stream it, or watch and hear the four finalists – two violinists, a pianist and a harpist – live on Wisconsin Public Television and Wisconsin Public Radio. You can also attend the concert in Overture Hall of the Overture Center for FREE if seats are still available.

For more information, including the program and biographies of the teenage performers, go to:

https://welltempered.wordpress.com/2017/03/25/classical-music-education-watch-it-on-public-television-or-radio-stream-it-live-or-hear-it-in-person-the-final-forte-free-finalists-concert-with-the-madison-symp/

By Jacob Stockinger

This Friday night at 7 p.m., the Edgewood College Concert Band will perform a FREE donation concert to benefit a community food program. (Below is a poster from 2013.)

The concert will be in the St. Joseph Chapel, 1000 Edgewood College Drive.

Admission is FREE with a freewill offering to benefit the Luke House community meal program.

The Edgewood College Concert Band will play under the direction of Walter Rich (below). You can hear a sample of the concert band, taken from its 2013 Christmas concert, in the YouTube video at the bottom.)

The program offers a variety of styles and features music by William Byrd, Ralph Vaughan Williams and Claude Debussy. A Folk Song Set of Wisconsin by the American composer Barry E. Kopetz (born in 1951, below) will be also be featured.

The Music Department at Edgewood College has hosted benefit concerts for Luke House since 1994.


Classical music: Here is a love story, Steinway-style, that benefits UW-Madison students

March 28, 2017
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By Jacob Stockinger

Take a Steinway vintage Model M baby grand piano from 1927.

Add in the love of music as well as the love between a husband-father and wife, and then between a mother and daughter (below, on the left is mother Julia Monteros Wooster and on the right is daughter Mariah Wooster-Lehman).

Finish it off with some rebuilding and repairing, and the desire to make a generous gift to a university under siege from budget cuts dictated by an anti-intellectual governor, Scott Walker, and the Republican state legislature.

What you end up with is a love story, Steinway-style, that took place at the University of Wisconsin-Madison Mead Witter School of Music. (And this piano is already in use in a practice room, 1268, of the George L. Mosse Humanities Building.)

It doesn’t need much introduction. The photos and the words, simple but eloquent and moving, written by the daughter, do the work.

The only thing to add is that The Ear recalls reading a new story that owning pianos in the home has become less popular nationwide. A lot of pianos even get junked or thrown out in the garbage, let alone neglected until they fall into disrepair and can’t be used any more.

So maybe there are more such pianos, with or without the love story, out there to benefit students and staff at the UW-Madison.

If so, leave a message in the COMMENTS section or call (608) 263-5615.

Here is a link to the story:

http://www.music.wisc.edu/love-story-steinway-piano/

Enjoy!


Classical music: Here are this week’s FREE events at the UW-Madison where the spotlight falls on new music

March 27, 2017
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By Jacob Stockinger

This will be a busy week at the UW-Madison.

Here are the events, concerts and master classes, at the UW-Madison this week. All events are FREE and OPEN TO THE PUBLIC.

As you can see, a lot of new music will be featured.

TUESDAY

At noon in Morphy Recital Hall, oboist Courtney Miller (below), of the University of Iowa, will give a master class. 

At 7:30 p.m.in Mills Hall, Mike Leckrone (below top) will lead the UW Concert Band (below bottom) in a FREE concert. Sorry, no word on the program.


WEDNESDAY

At 7:30 p.m. in Morphy Recital Hall, pianist Emile Naoumoff (below), from Indiana University, will give a recital.

Sorry, no word about the program. But there is a lot of background about the acclaimed French pianist who once studied at age 10 with the legendary teacher Nadia Boulanger and then later took over for her. (You can see him and Boulanger in the YouTube video at the bottom.) For information, go to http://www.music.wisc.edu/event/guest-artist-emile-naoumoff-pianist/

Naoumoff will also give a master class on Thursday from 10 a.m. to noon in Morphy Recital Hall.

THURSDAY

From 10 a.m. to noon in Morphy Recital Hall, guest pianist Emile Naoumoff will give a master class. See Wednesday’s listings for information about him and his recital.

FRIDAY

At 7 p.m. in Morphy Recital Hall, a concert of new music will be performed by Sound Out Loud (below) in conjunction with a two-day conference. For the complete program and more information, go to:

http://www.music.wisc.edu/event/midwest-graduate-music-consortium-presenting-original-research-and-new-compositions/

At 7:30 in Mills Hall, the UW Wind Ensemble (below top) will give a FREE concert under conductor Scott Teeple (below bottom).

The program includes “The Leaves Are Falling” by Warren Benson as well as two Wisconsin premieres: “Across the Graining Continent” by Jonathan Newman; and Suite in E-Flat by Gustav Holst, edited by Matthews.

SATURDAY

At 1:30 p.m. in Morphy Recital Hall, the UW-Madison Trombone Quartet performs music by Tchaikovsky,Webern, Shostakovich, Tull and Bozza among others. Members of the quartet are Thomas Macaluso, Kevin Schoeller, Matthew Bragstad and Nicolas Lawrence.

At 8 p.m. the wife-and husband piano-percussion duo Sole Nero (below), consisting of Jessica Johnson (piano) and Anthony DiSanza (percussion), will perform a faculty concert of new music.

For the complete program and program notes, plus biographies, go to:

http://www.music.wisc.edu/event/sole-nero-with-jessica-johnson-and-anthony-disanza/

It is also that time of the academic year when there are a lot of student recitals and lecture-recitals, especially ones by graduate students, that might interest the public. This week, The Ear sees at least half a dozen listed including those by a cellist, violinist, hornist, trumpeter and flutist.

For more information, go to: http://www.music.wisc.edu/events/


Classical music education: Watch it on public television, hear it on public radio, stream it live or see it in person – “The Final Forte” teenage finalists’ FREE concert with the Madison Symphony Orchestra is this Wednesday night at 7

March 25, 2017
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By Jacob Stockinger

This Wednesday night at 7 p.m. in Overture Hall of the Overture Center, four teenage finalists will perform the final round of the Bolz Young Artist Competition in a free live concert with the Madison Symphony Orchestra (MSO).

It will be broadcast live on Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR), and available via live streaming on wpt.org, at 7 p.m.

The public can also reserve FREE tickets to attend the concert in person.

The Final Forte finalists are selected from a group of young artists who competed in the Bolz Young Artist Competition’s two preliminary rounds.

This year’s Final Forte features (below, in a photo by Amandalynn Jones, from left): violinist Julian Rhee of Brookfield, who will play the first movement of the Violin Concerto in D Major by Peter Tchaikovsky; harpist Naomi Sutherland of Viroqua, who will play the “Sacred and Profane Dances” by Maurice Ravel; pianist Michael Wu of Sun Prairie, who will play the first movement of the Piano Concerto No. 2 in G Minor by Camille Saint-Saens; and violinist Yaoyao Chen of Menasha, who will play the first movement of the Violin Concerto in D minor by Jean Sibelius.

Each of the finalists will perform with music director John DeMain and the MSO as they complete for top honors and scholarships that will be awarded at the end of the broadcast. WPR’s Lori Skelton and Jim Fleming will co-host the event.

More information, biographies and video profiles (also available on YouTube) for each finalist can be found at: http://madisonsymphony.org/finalforte

To reserve free seats at The Final Forte, call (608) 257-3734 or register online at: http://madisonsymphony.org/finalforte

IMPORTANT NOTE: This is a live concert broadcast. All audience members must be seated by 6:45 p.m. in Overture Hall, prior to the start of the concert.

The Final Forte broadcast on WPT and WPR has won numerous honors including an Emmy nomination, and has reached several hundred thousand viewers and listeners in the area Madison and statewide.

REBROADCASTS

“The Final Forte” will be rebroadcast at the following times:

The Wisconsin Channel (WPT-2): Saturday, April 1, at 3:30 p.m.

Wisconsin Public Radio: Sunday, April 2, at noon

Milwaukee Public Television (Channel 36.1): Sunday, April 2, at 1 p.m.

Wisconsin Public Television (WPT-1): Sunday, April 2, at 2 p.m.

BACKGROUND AND SPONSORS

“Wisconsin Young Artists Compete: The Final Forte” is a partnership among the Madison Symphony Orchestra, Wisconsin Public Radio and Wisconsin Public Television.

The even is part of WPT’s multiyear Young Performers Initiative, a statewide effort to raise the visibility of the arts, celebrate the creative achievements of Wisconsin’s young people and support the arts in education.

The Bolz Young Artist Competition is made possible by a generous endowment from The Eugenie Mayer Bolz Family Foundation.

Major funding for “Wisconsin Young Artists Compete: The Final Forte” is provided by Diane Ballweg, Julie and Larry Midtbo, Fred and Mary Mohs, Stephen Morton, Joe and Maryellyn Sensenbrenner, and The Boldt Company. With additional funds from A. Paul Jones Charitable Trust, James Dahlberg and Elsebet Lund, W. Jerome Frautschi, Ann and Roger Hauck, Elaine and Nicholas Mischler, Kato Perlman, Sentry Insurance Company, The Estate of Norene A. Smith, Paul Guthrie in memory of Ella Guthrie, Judith and Nick Topitzes, and Friends of Wisconsin Public Television.


Classical music: After this year’s success, “Bach Around the Clock” will return next year on March 10, 2018

March 24, 2017
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By Jacob Stockinger

The revival of “Bach Around the Clock” (below) this past Saturday proved so successful to listeners, performers and organizers that it will return again next year in March 2018. (Below are violist Stan Weldy and his mandolinist son Alex.)

“It went so well, we will do it again,” said the chief organizer, violist Marika Fisher Hoyt (below), who plays with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Ancora String Quartet. She not only was the main host for BATC, she also played in more than half-dozen performances.

As you may recall, the marathon event to mark the 332nd birthday of Johann Sebastian Bach (1685-1750) took place from noon to midnight, wisely revised to 9:30 p.m. after too few performers signed up, at St. Andrew’s Episcopal Church (below), 1833 Regent Street.

Plans for next year are already being made and meetings have already been held. And next year will bring major some changes, Fischer Hoyt told The Ear.

For one, the date will be March 10, 2018 – not March 17 or March 24 – which means it will come well before the usual timing of the Saturday nearest to Bach’s birthday of March 21. But, unlike what happened this year, this earlier date avoids the UW-Madison spring break plus the Easter break for public schools. That could reap big benefits in terms of audience and performers.

Because of the immense amount of work involved, Fischer Hoyt said, a non-profit organization will also be formed and more volunteers will be recruited to help spread out the workload of lining up performers and donors, and of organizing and hosting the event.

As for lining up performers, Fischer Hoyt is extremely optimistic.

“There’s a lot of talent in this town I’ve never heard of,” she told The Ear. (Below is impressive pianist Tim Adrianson performing three Preludes and Fugues from “The Well-Tempered Clavier,” Book II.)

The Ear, who spent an enjoyable six hours or so attending the event, has to agree. He took a lot of photos and will be posting more about the event in the coming days.

Right now, he wants to give a big shout-out to Fischer Hoyt for some of the innovations she brought to this year’s revival of a traditional event that was held for three years, and then abandoned, by Wisconsin Public Radio.

Here are a few of the changes she made, which The Ear thinks proved all for the better, for BATC 4.

1) There were multiple hosts, which breaks up the event and helps avoid monotony.

2) Prior to playing, performers, some of whom traveled from as far away as Dubuque, Milwaukee, Chicago and Waupun, were briefly interviewed and asked what they liked about Bach’s music and why they chose a particular piece to perform. (Below, flutist Casey Oelkers, left, talks with Hoyt.) That adds personal interest.

3) Free quality snacks of fresh fruit and cheese, not just delicious sweet things like cookies and kringle, were available, as were bottled water, tea and coffee. Good food translates into longer and more comfortable attendance.

4) The church’s venue, especially its woody interior (below), seemed much more suited to Bach’s music and friendly to the audience than the Pres House. And thanks to donations, in addition to a fine church organ there were fine instruments to play, including a Kawai grand piano and a hand-built clavichord from Farley’s House of Pianos. There were also birthday cakes donated by Clasen’s European Bakery of Middleton.

5) The entire event was recorded by Rich Samuels (below) — Madison’s chronicler of live music. He is from WORT-FM 89.9 and he will air BATC in increments on his “Anything Goes” program on Thursday mornings. In fact the broadcasts started this past week with a performance of the Brandenburg Concerto No. 3 on Thursday morning.

6) The event was streamed live via four different places or portals: the St. Andrew’s website, the Bach Around the Clock website, the Audio for the Arts website and WORT website.

7) There was an impressive variety of performers on all levels and of repertoire. It ranged from student to amateur to professional; from solo and small chamber groups to larger choral and orchestral ensembles, plus faculty members from the UW-Madison, UW-Whitewater and UW-Oshkosh as well as the Milwaukee Conservatory of Music. The Ear expects the lineup will get even better as word of next year gets out and spreads. (Below are students from the Suzuki Strings of Madison.) Time to get out the music and start practicing!

8) There might a 9-CD boxed set from Audio for the Arts, depending on getting authorization from all the performers.

In short, Bach Around the Clock 4 was a remarkable community event to honor both a remarkable composer and a town with a remarkable commitment to and a remarkable amount of classical music.

To keep current with BATC news, check the event’s website: https://bacharoundtheclock.wordpress.com

Cheers to Bach Around the Clock.

And special cheers to Marika Fischer Hoyt.

Bravissimo tutti!

Did you go?

What did you think?

Do you have something to say that you can leave in the COMMENT section?

The Ear wants to hear.


Classical music: New music and old music meet in a benefit concert this Saturday night for the Art+Literature Lab of Madison

March 23, 2017
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By Jacob Stockinger

The Ear received the following information from Eric Miller to pass along:

Thanks for sharing my recital at the First Unitarian Society of Madison last week. I really appreciate what you do.

I’m repeating the program of unaccompanied music for viola da gamba at the Arts+Literature Lab (below) on this Saturday, March 25, at 8 p.m.

Doors open at 7:30 p.m.

Tickets are $10 in advance, $15 at the door.

I’ll be playing the first suite by Le Sieur de Machy and the Sonata VI by Johannes Schenk from his collection “L’echo du Danube,” (Echo of the Danube), as well as a few other smaller pieces. (Below is Eric Miller, who also performs a Prelude to a suite by Le Seiur de Machy in the YouTube video at bottom.)

In addition to my set, my idea was to juxtapose this music I love with music that is equally intricate and beautiful, but from different sound worlds and traditions.

Milwaukee cellist Patrick Reinholz (below top) will be playing modern pieces by Italian composer Luciano Berio (below middle) and Finnish composer Kaija Saariaho (below bottom) as well as one of his own compositions from a solo recording he is releasing.

Finally, cellist/composer/multi-instrumentalist Brian Grimm (below) will be presenting some of his own compositions and improvisations.

The Facebook event page is here: https://www.facebook.com/events/1384611978280528/

Advanced tickets are available here: http://ericmiller.bpt.me/

The Arts+Literature Lab (A+LL) is at 2021 Winnebago Street, on the east side of Madison. It is really doing exciting things for the community.


Classical music education: Wisconsin Youth Symphony Orchestras’ Percussion Ensemble holds a benefit concert this Saturday afternoon for Ronald McDonald House Charities

March 22, 2017
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ALERT: Radio host Rich Samuels of WORT-FM 89.9, who recorded all of “Bach Around the Clock” this year, writes: “At 7:08 a.m. this Thursday morning, I’ll be airing Saturday’s “Bach Around the Clock” performance of the Brandenburg Concerto No. 3. This was a collaboration of Trevor Stephenson, Kangwon Kim. Nathan and Gillian Giglierano, Micah Behr, Marika Fischer Hoyt, Illana Schroeder, Martha Schroeder, Martha Vallon, Eric Miller and Mark Bridges.”

By Jacob Stockinger

The Ear has been asked by Wisconsin Youth Symphony Orchestras (WYSO) to post something about a worthy cause and a worthy event:

Drum roll, please!

The Wisconsin Youth Symphony Orchestras (WYSO) Percussion Ensemble (below) will host its 16th annual PERCUSSION EXTRAVAGANZA!! on this Saturday, March 25, at 1:30 p.m. in Mills Concert Hall of the UW George L. Mosse Humanities Building. (A video sampler of profiles and music of WYSO’s 13th Annual Percussion Ensemble in 2014 can be heard in the YouTube video at the bottom.)

Tickets are $10 for adults, $5 for youth under 18, and are available at the door 45 minutes before the concert begins.

The WYSO Percussion Ensemble (below top) — 14 student musicians from 10 communities playing under Vicki Jenks (below bottom) — hosts this signature percussion benefit to help others.  Previous PERCUSSION EXTRAVAGANZAS! have benefitted Second Harvest Foodbank of Southern Wisconsin and the local American Red Cross.

This year—for the first time ever—Ronald McDonald House Charities will partner with WYSO in the collection of tangible items need for the Ronald McDonald House in Madison. The concert will also feature Ronald McDonald himself in person.

Nearly 60 performers—featuring Mannheim Steamroller drummer, Tom Sharpe (below) —will present eclectic, global music dedicated to PEACE. The theme of the event is “Lifting the World to Peace.”

Other EXTRAVAGANZA artists include Madison’s own Black Star Drum Line Percussion Group, led by Joey B. Banks; the UW-Madison Pan-Global Percussion Ensemble, Todd Hammes, instructor; and the WYSO Chamber Strings, led by its director Karl Lavine (below), principal cellist with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

For more information and details about the performers and the complete program as well as a video and a list of related activities and needed items you can bring and donate to the Ronald McDonald House Charities, go to:

http://www.wysomusic.org/events/concerts-recitals/percussionextravaganza/

Parking is available at State Street Campus, Helen C. White, and Grainger Hall parking facilities.

For more information, please contact the WYSO office at (608) 263-3320.

The WYSO Percussion Ensemble and PERCUSSION EXTRAVAGANZA! are supported by the Eric D. Batterman Memorial Fund, the Theodore W. Batterman Family Foundation, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: Native daughter violist Vicki Powell returns from her globe-trotting career to solo this Friday night in music by Vaughan Williams with the Wisconsin Chamber Orchestra

March 21, 2017
2 Comments

By Jacob Stockinger

Madison has produced its share of important classical musicians who have gone on to achieve international reputations.

Among them was the composer Lee Hoiby (1926-2011).

More recently, there are the Naughton Twins, sister-duo pianists Christina and Michelle, who perform around the world.

And there is violist Vicki Powell (below), who was born in Chicago but started music lessons in Madison where she studied with the husband-and-wife team of violinist Eugene Purdue and Pro Arte Quartet violist Sally Chisholm, both of whom have taught at the UW-Madison.

She then attended the Juilliard School in New York and the Curtis Institute of Music in Philadelphia. (You can see her typical day at Curtis in the YouTube video at the bottom.)

Powell, who recently finished a tour of Asia and whose playing has garnered rave reviews internationally, returns to Madison this Friday night to perform with the Wisconsin Chamber Orchestra at 7:30 p.m. in the Capitol Theater of the Overture Center.

WCO music director Andrew Sewell will conduct. Unlike Sewell’s typical eclectic programming that mixes music from different eras, this concert feature music from a single period – the mid-20th century.

It offers “Variations on a Theme of Frank Bridge” by British composer Benjamin Britten, who studied with Bridge. Also included are two other British works: the Suite for Viola and Chamber Orchestra by Ralph Vaughan Williams, with Vicki Powell, and “Benedictus” by Sir Alexander Mackenzie. All three works are rarely performed.

The concluding work, on the other hand, is the popular and well-loved “Appalachian Spring” – a timely work for the coming of spring yesterday morning — by the American composer Aaron Copland.

For more information about the program, about how to get tickets ($10-$80) and about Vicki Powell, go to:

https://wisconsinchamberorchestra.org/performances/masterworks-iv-2/

And here is a link to Vicki Powell’s website with a biography, concert bookings, recordings, reviews and her community outreach projects:

http://www.vickipowellviola.com


Classical music: Spring arrives today. What is your favorite music celebrating spring?

March 20, 2017
9 Comments

By Jacob Stockinger

Has March’s proverbial lion finally yielded to the lamb?

Here is Madison there is still some snow on the ground. But it should all be gone by the end of today, which, like yesterday, will reach into the 50s.

Just in time.

Today is the Vernal Equinox, bringing the first day of spring. It arrives at 5:29 a.m. this morning.

Spring has been an inspiration to many composers. So there is a lot of music to choose from when you want to celebrate season musically.

The Ear is fickle and his choice changes from year to year.

But lately, his favorite has been the “Spring” Sonata in F Major for violin and piano by Ludwig van Beethoven. (You can hear the opening of the famously tuneful and upbeat sonata, performed by violinist Itzhak Perlman and pianist Vladimir Ashkenazy, in the YouTube video at the bottom.)

Of course there are violin concertos by Antonio Vivaldi and Arcangelo Corelli; choral works by Johann Sebastian Bach and Franz Joseph Haydn; chamber music by Wolfgang Amadeus Mozart; orchestral music by Robert Schumann, Peter Tchaikovsky and Igor Stravinsky; piano pieces by Felix Mendelssohn and Edvard Grieg; songs by Franz Schubert and Johannes Brahms. And there is more, so much more.

Yesterday, Wisconsin Public Radio programmed a lot of spring music, and The Ear expects the same for today’s programming.

But you can be your own DJ if you want. Here is a list of almost two hours of spring-related music:

https://www.youtube.com/watch?v=sfe3MUMdWKQ

And here is a springtime puzzler, or quiz, about flowers in opera from NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2015/05/06/404499920/flower-songs-a-springtime-opera-puzzler

Plus, there are plenty of other guides and anthologies to music for spring that you can find online.

So here is what The Ear wants to know: What is your favorite piece of music to greet spring with?

Leave words in the COMMENT section along with a link to a YouTube performance if possible.

And a Happy Spring to you!


Classical music: Bach Dancing and Dynamite Society announces its upcoming summer season of “Alphabet Soup” this June

March 18, 2017
1 Comment

By Jacob Stockinger

The time for announcing new seasons has arrived.

Pretty soon, over the next several weeks and months, The Ear will hear from larger and smaller presenters and ensembles in the Madison area, and post their new seasons.

First out of the gate is the critically acclaimed and popular summer group, the Madison-based Bach Dancing and Dynamite Society. (You can see a short promo video about BDDS on the YouTube video at the bottom.)

It has just announced its upcoming summer season this June, and sent out brochures with the season’s details.

This will be the 26th annual summer season and it has the theme of “Alphabet Soup.”

The concept is explained online and in a brochure newsletter (also online) in an editorial essay by BDDS co-founder and co-artistic director flutist Stephanie Jutt (seen below with co-founder and co-director pianist Jeffrey Sykes).

By the way, Jutt is retiring from the UW-Madison this spring but will continue to play principal flute with the Madison Symphony Orchestra and to work and perform with BDDS.

In many ways it will be a typical season of the eclectic group. It will feature local and imported artists. Many of both are favorites of The Ear.

His local favorites include UW-Madison pianist Christopher Taylor; violist Sally Chisholm of the UW-Madison’s Pro Arte Quartet; UW violinist Soh-Hyun Park Altino (below top, in a photo by Caroline Bittencourt); and Pro Arte cellist Parry Karp (below bottom).

Among The Ear’s favorite guest artists are violinist Carmit Zori, clarinetist Alan Kay, the San Francisco Piano Trio (below top); UW alumna soprano Emily Birsan; pianist Randall Hodgkinson; and baritone Timothy Jones (below bottom).

As usual, the season features 12 concerts of six programs over three weeks (June 9-25) in three venues – the Playhouse in the Overture Center (below top), the Hillside Theater (below middle) at Frank Lloyd Wright’s Taliesin compound in Spring Green and the Stoughton Opera House (below bottom).

In addition, there is a FREE family concert in the Overture Playhouse on June 10.

What does seem somewhat new is the number of unknown composers and an edgier, more adventurous choice of pieces, including more new music and more neglected composers.

Oh, there will be classics by such composers as Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Boccherini, Franz Schubert, Johannes Brahms, Peter Tchaikovsky, Sergei Prokofiev, Maurice Ravel, Bela Bartok, Arnold Schoenberg, Benjamin Britten and others. These are the ABC’s of the alphabet soup, according to BDDS.

But also represented are composers such as Philippe Gaubert, Czech Holocaust victim Gideon Klein (below), Guillaume Conneson, Carl Czerny, Paul Moravec and Franz Doppler. These are the XYZ’s of the alphabet soup.

In between come others. Contemporary American composer, and Pulitzer Prize winner, Kevin Puts (below) is a BDDS favorite and is well represented. You will also find less performed works by Ned Rorem, Erich Wolfgang Korngold and Gerald Finzi.

For the complete programs and schedules as well as the list of performers, some YouTube videos and ticket prices, both for season tickets ($109.50, $146, $182 and $219) and for individual concerts ($43), and other information, go to:

http://bachdancinganddynamite.org/concerts/festival-concerts/


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