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By Jacob Stockinger
One week from today is Labor Day.
So it is time to start saying goodbye to summer and hello to fall — even though the autumnal equinox won’t arrive until Monday, Sept. 23, at 2:50 a.m. CDT.
The Ear’s favorite summertime composer is the French master Francis Poulenc (below), whose accessible and tuneful music possesses in abundance that Gallic sense of lightness and lyricism, of wit and charm, of modern Mozartean classicism and clarity — complete with trills and ornaments — that seems so appropriate to the summer season.
But then recently on Wisconsin Public Radio, The Ear heard for the first time something inspired by Poulenc that he thinks many of you will appreciate, especially during the transition between the seasons.
It is, appropriately, a 2-1/2 minute “Pastorale” for two pianos – a form Poulenc himself used in his most famous piano concerto — by the underplayed and little known Irish 20th-century composer and pianist Joan Trimble (below). And it has many of the same qualities that distinguish Poulenc.
Here is a link to a Wikipedia entry with more about Trimble: https://en.wikipedia.org/wiki/Joan_Trimble
You can hear her homage to Poulenc in the YouTube video, from a Marco Polo CD distributed by Naxos Records, that is below.
Here’s hoping you enjoy it.
If you have a reaction, positive or negative, please share it.
The Ear wants to hear.
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Fall arrives today.
The autumn equinox will occur at 8:54 p.m. Central Daylight Time.
As the days get markedly shorter and the night longer, one’s mood often changes as do one’s listening preferences.
Many composers have written pieces about autumn, and you are sure to hear many of them on Wisconsin Public Radio or other media outlets.
But The Ear has his favorites.
Not for nothing is the late music of Johannes Brahms described as autumnal, both because it happens late in the composer’s life and because of its bittersweet sounds, its poignant harmonies and its melancholy melodies.
For The Ear, you will find it in most of late Brahms, especially in the slow movements. He loves the string music – the violin, the cello and especially the viola sonatas – as well as the clarinet sonatas and piano intermezzi.
Below are three samples.
Here is the slow movement from the Violin Sonata No. 3 in D Minor, played by violinist Itzhak Perlman and pianist Daniel Barenboim:
Here is the slow movement of the Sonata in F Minor, Op. 120, No. 1, for, in this case, clarinet or viola:
And here is a particularly moving piano intermezzo, Op. 117, No. 2, in B-flat minor, played by Arthur Rubinstein:
And should you still be unsure what music you like for the fall, here is a link to two hours of music for fall — vocal and instrumental music by Antonio Vivaldi, Franz Joseph Haydn, Ludwig van Beethoven, Franz Schubert, Felix Mendelssohn Alexander Glazunov, Peter Tchaikovsky, Giuseppe Verdi, Edvard Grieg, Gustav Mahler and others — put together by Minnesota Public Radio:
Is there a special composer who evokes autumn for you?
What instruments most speak to you of fall?
Are there special works you like to listen to in autumn?
Leave your thoughts in the COMMENT section, along with a link to a YouTube performance if possible.
The Ear wants to hear.
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