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By Jacob Stockinger
The Ear has received the following announcement to post:
The Bach Dancing and Dynamite Society’s 29th season will become our 30th season celebration next year. We’ll re-engage and present our entire 2020 season, as closely as possible, with the same stellar musicians, in 2021.
We would love nothing more than present our 29th season to you live and in person as we planned. But, dear friends, never fear!
We, at Bach Dancing & Dynamite Society, have always been light on our feet, nimble in the face of challenge, flexible throughout changing fortunes and venues, and we have a few tricks up our sleeve.
Stephanie Jutt and Jeffrey Sykes (below) are already planning for new musical treats as soon as we are permitted. You can look forward to some creative collaborations that we’re cooking up for August — if it’s safe to do so — and a special celebratory mini-season over the holidays in late December. We’ll get there together!
All of us in the arts community have been upended by postponements and cancellations, but BDDS will survive this tsunami because of the unending and generous support of so many of you.
We have been buoyed by so many ticket orders and we ask for your consideration for unused tickets:
Make your tickets, or a portion thereof, a tax-deductible donation to BDDS (benefitting you and us!). Per Wisconsin law, if we don’t hear from you in 90 days (July 8), we are permitted to assume that you want your tickets donated back to BDDS and we will send you a letter for tax purposes. Or simply click on the address below and provide your contact information and your preference.
Yet there was something particularly soothing and reassuring about the way the Ancora String Quartet (below) closed its 17th season last Friday night. (Member, below from left, are Wes Luke and Robin Ryan, violins; Benjamin Whitcomb, cello; and Marika Fischer Hoyt, viola.
The group opened with a welcome rarity: the fourth and final string quartet by Danish composer Carl Nielsen. It proved a fine offering, especially noteworthy for the hymn-like slow movement that brought to mind the open harmonies of Aaron Copland.
But the concert ended ever so quietly and warmly with the only String Quartet, Op. 10, written by French composer Claude Debussy (below).
The poet T.S. Eliot said the world ends not with a bang but a whimper.
But this ending was neither bang nor whimper.
The Ear would call it a sigh, a long and sensual sound bath that left you leaving the performance less with admiration or wonder than with gratitude for the group and for the music.
Plus, it was all the more affecting for the way that violinist Wes Luke (below) clearly explained how the main themes of all movements grow out of one motif and cohere.
The Debussy string quartet, he explained, is one of the most performed and recorded of the entire string quartet repertory. Yet its sensuality always makes it seems so fresh and so French.
The highlight was, as always, the third movement, the slow movement. And as the spring season completes winding down and the summer seasons starts to pick up, here it is for your enjoyment in a YouTube video of the Juilliard String Quartet.
What did you think about the season-closing concerts this spring? Did you have a favorite?
What do you think of the Debussy string quartet?
If you know of a better slow movement from a string quartet, please leave a COMMENT and a link, if possible, to a YouTube performance.