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By Jacob Stockinger
What did the holidays bring you?
Did Hanukkah, Christmas or Kwanzaa bring you a gift card?
A subscription to a streaming service?
Maybe some cash?
Or maybe you just want to hear some new music or new musicians or new interpretations of old classics?
Every year, the music critics of The New York Times list their top 25 recordings of the past year. Plus at the end of the story, the newspaper offers a sample track from each recording to give you even more guidance.
This year is no exception (below).
In fact, the listing might be even more welcome this year, given the coronavirus pandemic with the lack of live concerts and the isolation and self-quarantine that have ensued.
The Ear hasn’t heard all of the picks or even the majority of them. But the ones he has heard are indeed outstanding. (In the YouTube video at the bottom, you can hear a sample of the outstanding Rameau-Debussy recital by the acclaimed Icelandic pianist Vikingur Olafssen, who scored major successes with recent albums of Philip Glass and Johann Sebastian Bach.)
You should also notice that a recording of Ethel Smyth’s “The Prison” — featuring soprano Sarah Brailey (below), a graduate student at the UW-Madison’s Mead Witter School of Music and a co-founder of Just Bach — is on the Times’ list as well as on the list of Grammy nominations.
What new recordings – or even old recordings — would you recommend?
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The fifth annual Madison Bach Musicians Summer Chamber Music Workshop (below, a cello class from last year) will be held from Monday, July 23, to Friday, July 26, at the West Middleton Lutheran Church, 3763 Pioneer Road, in Verona, Wisconsin.
The workshop is chaired by MBM assistant artistic director and baroque violinist Kangwon Kim (below), who says: “I’m excited to welcome 32 participants, our largest number ever, working in nine chamber groups this summer to share a week of intense music-making and learning.
” We will explore wonderful repertoire from the baroque and early classical periods, both familiar and rarely performed, while working intensely in an encouraging community that will support musical growth.”
Harpsichordist JungHae Kim (below top) from San Francisco and baroque violist Micah Behr from Madison will join returning faculty members recorder player Lisette Kielson, cellist Martha Vallon (below bottom), dance instructor Karen McShane-Hellenbrand, and MBM founder, artistic director and keyboardist Trevor Stephenson.
Musicians who range in age from 13 to older adulthood will receive personalized ensemble coaching in violin, viola, baroque cello, viola da gamba, piano, fortepiano, harpsichord and recorder. (You can sample the Madison Bach Musicians in the YouTube video at the bottom.)
The public is invited to an evening Faculty Concert and various afternoon classes exploring continuo playing, specific instrument master classes, stage presence for musicians, sight-reading, baroque dance, and more.
The Faculty Concert on Wednesday night, July 23, at 7:30 p.m. will feature works by Carl Heinirch Graun (below top), Francesco Turini, Jean-Henri D’Anglebert (below bottom), Georg Philipp Telemann, Joseph Bodin de Boismortier and Henry Purcell on period instruments. Admission is $15 at the door.
The all-participants final concert of the music from the workshops is on Friday, July 26, at 12:30 p.m. It is FREE and open to the public.
An Auditor’s Pass for afternoon programming for the entire festival — including the Faculty Concert — is $40.
The fourth annual Madison Bach Musicians Summer Chamber Music Workshop offers an evening Faculty Concert and various afternoon classes exploring baroque dance, ornamentation, continuo playing, specific instrument master classes, and more. (Below is a photo by Mary Gordon from last year’s workshops.)
The workshops, classes and concerts will be held this coming Tuesday through Thursday, July 24-27, at the West Middleton Lutheran Church, 3763 Pioneer Road, in Verona, Wisconsin.
Tickets for the Madison Bach Musicians Faculty Concert on Wednesday night from 7:30 to 8:30 p.m. are $15.
The Friday all-workshop concert from 2 to 3:30 p.m. is FREE and open to the public.
An Auditor’s Pass for afternoon programing for the entire festival — including the Faculty Concert — is $40.
MBM artistic director Trevor Stephenson, MBM concertmaster Kangwon Kim and other outstanding faculty members will share their expertise over four afternoons.
Adds Stephenson: “We’re excited about a wonderful new venue for the event—at West Middleton Lutheran Church, which is located at the intersection of Mineral Point and Pioneer Roads, just 10 minutes west of West Towne Mall.
“Twenty-four participants ranging in age from high school to older adulthood will get personalized ensemble coaching from outstanding instructors in violin, cello, piano, harpsichord, recorder and flute.”
Kim (below) adds: “I am thrilled. Of our 24 participants this year, almost half are returning students, which we love. Most of the our participants come from the Dane County area, but last year we had a participant from France and this year we have a couple from Oklahoma.
“Chamber music is the best way to get to know people as you are learning a new piece – you have a personal voice, but you also need to listen and blend with the other voices. I am always amazed to see the transformation both musically and socially over the four days of the workshop. I am so excited to meet everyone and to see the magic that happens when these musicians work together.”
Harpsichordist Jason Moy (below) will be returning this year to discuss the art of continuo playing.
Lisette Kielson (below) who offers recorder workshops throughout the United States will lead a class “To Flourish and Grace: Ornamentation!”
Sarah Edgar (below), a specialist in 18th-century stage and dance performance, will focus on the interplay of music and dance rhythms in two afternoon baroque dance classes.
MBM cellist Martha Vallon (below) will explore how to play creative and enjoyable continuo lines for cellists and bassoonists.
The Wednesday night Faculty Concert from 7:30 to 8:30 p.m. will feature works by J.S. Bach, Mozart, Telemann, Boismortier, Biber and a special Baroque dance performance-–all performed by the faculty members who specialize in early music with play period instruments.
For information about the specific schedule and enrolling in the workshops, go to take a look the schedule