The Well-Tempered Ear

Classical music: The Madison Bach Musicians celebrate 15 years with three performances this weekend of “Arias and Sonatas” by Bach and Handel

October 3, 2018
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Two towering geniuses of the Baroque era – Johann Sebastian Bach (below top) and George Frideric Handel (below bottom) — were born in the same year, 1685, and just a little over 100 miles from each other.

Yet the two masters never met!

To mark their 15th anniversary, the Madison Bach Musicians will open their new season with three performances of a program “Arias and Sonatas” by the two great composers.

The program will include selections from Handel’s Violin Sonata in F major, Nine German Arias, Lascia chi’o ping (heard sung by Joyce DiDonato in the YouTube video at the bottom), Tornami a vagheggiar; and Bach’s Laudamus te (B minor Mass), Öffne dich (Cantata 61), Ich bin vergnügt in meinem Leiden (Cantata 58), and Prelude and Fugue in C major (Well-Tempered Clavier, Book II).

Advance-sale discount tickets are $30  general admission and are available at Orange Tree Imports, and Willy Street Co-op (East and West).

Online advance tickets at www.madisonbachmusicians.org

Tickets at the door are $33  for  general admission, $30 for seniors (65+)  with student rush  tickets costing $10 at the door.

Here are the performance times and places.

Each performance offers a FREE pre-concert lecture by MBM founder, music director and keyboardist Trevor Stephenson (below), who will also appear at NOON TODAY (Wednesday, Oct. 3) with host Norman Gilliland on Wisconsin Public Radio’s “The Midday.”

This Friday, Oct. 5, with a 7:15 p.m. lecture and 8 p.m. performance at the Grace Episcopal Church (below top and bottom) at 116 W. Washington Ave., in Madison on the downtown Capitol Square.

This Saturday, Oct. 6, with a 7:15 p.m. lecture and 8 p.m. performance at Immanuel Lutheran Church (below top and bottom) at 1021 Spaight Street in Madison.

This Sunday afternoon, Oct. 7, with a 2:15 p.m. lecture and 3 p.m. performance followed by an outdoor wine reception at historic Park Hall at 307 Polk Street in Sauk City. The Park Hall venue has limited seating, so it is recommended to buy tickets in advance either online or at Willy St. Co-Op (East or West), or at Orange Tree Imports.

The major guest artist is soprano Chelsea Shephard (below). Praised by Opera News for her “beautiful, lyric instrument” and “flawless legato,” she won the 2014 Handel Aria Competition in Madison. She returns to perform with the Madison Bach Musicians after appearing in MBM’s  production last season of Henry Purcell’s opera “Dido and Aeneas.”

Other performers include the Madison Bach Musicians concertmaster Kangwon Kim (below) on baroque violin.

Also, James Waldo (below) will perform on baroque cello. Known for his “nuanced, richly ambered” interpretations of Bach (LucidCulture in New York City), Waldo has lived and breathed period performance his whole life, having been raised in the home of two musicians who specialized in recorder, traverso and Renaissance choral music.

After graduate studies at Mannes College of Music and nine years living and working in New York City, he returned to Madison last fall to begin his DMA studies at UW-Madison’s Mead Witter School of Music with Professor Uri Vardi. He recently participated in an all-Bach program for Midsummer’s Music in Door County, and is the regular principal cellist of Cecilia Chorus, performing twice a year in Carnegie Hall.

Advertisements

Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Can the annual Handel Aria Competition be improved? Here are two modest proposals from a fan. What do you think?

June 13, 2018
9 Comments

By Jacob Stockinger

Here is a guest posting by George Savage, a blog follower who is a self-described musical amateur. In his youth he sang in choirs and had a bit solo part of Morales in his college production of Bizet’s Carmen. Then, a long musical hiatus until his 60th birthday celebration, when he sang Leonard Cohen’s song “Hallelujah,” black hat in hand, knees on floor.

Most of his adult life was spent teaching literature and composition at the University of Wisconsin-Whitewater, specializing in the American Renaissance. To the extent he has stayed connected to the world of music, it is through his daughter Kelly Savage, who has a D.M.A in harpsichord from Stony Brook University and now teaches at the San Francisco Conservatory of Music.

By George Savage

As my bio indicates, I am a musical amateur, meaning simply that I am a lover (French amateur) of music. For the past three years, I have had this love rekindled through the annual Handel Aria Competition in Madison, Wisconsin.

The vocal quality has consistently been high — especially this year! — and it is fun to vote for the Audience Favorite, even when the judges disagree with your assessment.

(Editor’s note: This year the Audience Favorite was mezzo-soprano Lindsay Metzger, below top, while the three judges awarded First Prize to soprano Suzanne Karpov, below bottom. Here is a link to story about all the winners: https://welltempered.wordpress.com/2018/06/11/classical-music-here-are-the-winners-of-friday-nights-sixth-annual-handel-aria-competition/).

My heartfelt congratulations go to Dean and Carol “Orange” Schroeder (below) for establishing this annual competition in 2013 and for the many supporters who have made this competition a success.

I have two modest proposals, though, for improvement, one minor and one major.

A minor proposal: Unless you have an encyclopedic knowledge of opera — and I know that some people reading this have that knowledge — you will not know the context of the arias.

I propose that the program notes contain a brief context for each of the arias. Alternatively, the singers – below are the seven finalists this year — could introduce their songs with a similar brief context.

A major proposal: As I listened this year to Handel piece after Handel piece after Handel piece, I wondered: “Could there be some variation?”

I started to think of other festivals that started with a single-artist focus but then gradually expanded, such as the Shaw Festival in Niagara-on-the-Lake, Canada, or, closer to home, the American Players Theatre in Spring Green, Wisconsin.

Both summer theater venues began with a single focus – Shaw and Shakespeare — but then evolved while at the same time staying true to their precipitating muse.

There is still lots of Shaw at the Shaw festival and lots of Shakespeare at APT. The same is true of the Carmel Bach Festival, which started with Bach but now has expanded to include many other forms of classical music. The same holds true for the famous Mostly Mozart Festival in New York City, which continues to expand its repertoire beyond Mozart.

In that spirit, I wonder if the singers at the Handel Competition, back up by the period-instrument Madison Bach Musicians, could in future events sing two selections — the first an aria by Handel and the second a non-Handel Baroque aria of the singer’s choice.

I think many singers would welcome the expanded repertoire and the audience would appreciate the added variety. The judging would be murkier, but it would be a good kind of murky.

I hope these proposals will engender a discussion: Should the competition be tweaked, or should it stay the same?

Your thoughts on these two proposals would be appreciated as well as other suggestions of your own.


Classical music: Here are the winners of Friday night’s sixth annual Handel Aria Competition

June 11, 2018
2 Comments

By Jacob Stockinger

The sixth annual Handel Aria Competition took place Friday night in Mills Hall on the UW-Madison campus at the Mead Witter School of Music.

It was, as usual, much fun.

Such serious fun deserved a bigger audience. But The Ear suspects that the opening night of the Bach Dancing and Dynamite Society at the Overture Center and the aria competition cut into each other’s audience. Maybe that scheduling conflict can be avoided in the future.

Everyone seems to agree that every year, as word of the competition continues to spread far and wide, the singers get better. This year, the seven finalists – five sopranos and three mezzo-sopranos chosen from 113 international applicants — were all terrific.

Special thanks should also go to the Madison Bach Musicians, who in a short amount of rehearsal time turned in outstanding accompaniment in music that can be hard to follow because or ornaments and embellishments as well as subjective interpretations and the Baroque singing style.

The wide repertoire included recitatives and arias from “Semele,” “Giulio Cesare,” “Rodelinda,” “Theodora,” “Hercules,” “Ariodante,” “Judas Maccabeus” and “Ricardo Primo, re d’Inghilterra” (Richard the First, King of England).

The biggest disappointment – in truth not very big — was that the competition had no male voices. There were no tenors, countertenor, baritones or basses to add to the variety. (You can hear the 2017 Audience Favorite, tenor Gene Stenger, in the YouTube video at the bottom.)

But that is how judging on merit works, so who can argue?

Once again, The Ear and many of his voice-savvy friends disagreed with the three professional judges. That seems to happen every year. But there will be more about that, as well as some other observations, another time.

In the meantime, let us celebrate the results.

Here, from left to right in a photo by David Peterson, are this year’s winners: soprano Sarah Hayashi, Second Prize; soprano Suzanne Karpov, First Prize; mezzo-soprano Lindsay Metzger, Audience Favorite; and mezzo-soprano Sarah Coit, Third Prize.

All of the performances will be posted on YouTube at a later date, which The Ear will announce when it happens.

For more information about the seven finalists and the three professional judges, as well as updated news and how you can support the ever-expanding competition, go to:

https://handelariacompetition.com

https://handelariacompetition.com/2018-competition/


Classical music: The sixth annual Handel Aria Competition is this coming Friday night

June 3, 2018
1 Comment

By Jacob Stockinger

Not many people get to see a dream become reality in the way that Dean and Orange Schroeder, the longtime owners and operators of Orange Tree Imports, have.

Six years ago, the two had a dream of hosting a modest event to explore and celebrate the operatic music of the Baroque master George Frideric Handel that they so love.

Thus was born the annual Handel Aria Competition. (Below is a photo of the seven finalists in the 2015 competition).

Now, half a dozen years later, that same competition, once attached to the Madison Early Music Festival but now held independently a month earlier, has developed an international following, and is a much-loved and much-anticipated staple of the summer music season in Madison.

The sixth annual Handel Aria Competition will take place this coming Friday night, June 8, at 7:30 p.m. in Mills Hall in the Mosse Humanities Building of the University of Wisconsin-Madison.

In addition to the professional judging for first, second and third prize, all those in attendance will be invited to vote for the “Audience Favorite” prize.

Tickets are $15, general admission, and will be available at the door.

Chosen from 110 international applicants, the seven finalists, all-female for the first time, are (below, from top left to right):  soprano Sarah Hayashi; mezzo-soprano Sarah Coit; soprano Amanda Keenan; soprano Suzanne Karpov; mezzo-soprano Lindsay Metzger; soprano Sarah Yanovitch; and soprano Ashley Valentine. (Last year’s first-prize winner, mezzo-soprano Nian Wang, performs in the YouTube video at the bottom.)

Here is a link to the overall site for the Handel Aria Competition, with its underlying justification and wrap-ups of five previous competitions as well as information about how to apply for future ones and how to support the competition (a major fundraiser this spring was cancelled because of a snowstorm).

https://handelariacompetition.com

And here is a link to photos and extensive biographical information about the seven contestants and three judges for this year’s competition:

https://handelariacompetition.com/2018-competition/

Finally, here is the view of the competition from the outstanding early music ensemble that will accompany the finalists, the Madison Bach Musicians. It comes from MBM artistic director and keyboardist Trevor Stephenson:

“This is the fourth year that the Madison Bach Musicians have accompanied the finalists in this event. A wonderful collaboration has resulted, with a number of Handel Aria Competition prize-winners becoming favorite soloists with Madison Bach Musicians: Chelsea Morris (below), Margaret Fox, Andrew Rader, Gene Stenger and Nola Richardson.”


Classical music: Madison Bach Musicians, with dancers and guest vocal soloists, will perform a tragic Purcell opera and comic Bach cantata this Saturday night and Sunday afternoon

April 2, 2018
2 Comments

By Jacob Stockinger’

This coming weekend the Madison Bach Musicians — an acclaimed local group devoted to period instruments and historically informed performance practices — will present a double bill that features the tragic opera “Dido and Aeneas” by British composer Henry Purcell (below top) and the comic “Coffee” Cantata, BWV 211, by Johann Sebastian Bach (below bottom).

Both performances take place in the Atrium Auditorium (below in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive.

On Saturday, April 7, there is a 6:45 p.m.  lecture by MBM founder and artistic director Trevor Stephenson followed by a 7:30 p.m. performance.

On Sunday, April 8, there is a 2:45 p.m.  lecture by Trevor Stephenson followed by a 3:30 p.m. performance.

Purcell’s vivid and eloquent operatic masterpiece, Dido and Aeneas is based on the tragic love story told in Book IV of Virgil’s epic Latin poem “Aeneid”and is depicted in the 1815 painting (below) by Pierre-Narcisse Guérin.

The performance of the Baroque opera uses a full baroque orchestra.

In addition there are three guest singers as soloists: Chelsea Shepherd (below top) as Dido; Elijah Blaisdell (below middle) as Aeneas; and Nola Richardson (below bottom) as Belinda.

Adding to the production are dance sequences, all coming together thanks to the collaboration of director David Ronis (below top in a photo by Luke Delalio) of the University Opera; Karen McShane-Hellenbrand (below middle) of the UW-Madison Dance Department; and Baroque-performance specialist conductor and UW bassoonist Marc Vallon (below bottom in a photo by James Gill).

J. S. Bach’s witty Coffee Cantata will add some mischievous fun to the program.

This work suggests that perhaps Johann Sebastian himself was a coffee enthusiast at a time when coffee was sweeping the Continent and often seen as a sinful new fad.  “Ah! How sweet coffee tastes! Lovelier than a thousand kisses, sweeter than muscatel wine! I must have my coffee….” sings Lieschen in an aria that you can hear in the YouTube video at the bottom.

Bach even premiered and performed many of his works at Zimmermann’s Coffeehouse in Leipzig, which he frequented and which is depicted below in an 18th-century engraving by Georg Schreiber.

As usual, MBM artistic director Trevor Stephenson (below) will offer his insightful and entertaining commentary on these two diverse masterworks in his lecture preceding each concert.

Tickets are $38, $35 for seniors and $10 for student rush tickets at the door if the concert is not sold out.

Advance tickets are available at the Willy Street Coops East and West. More information about the production and tickets can be found at madisonbachmusicians.org


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,157 other followers

    Blog Stats

    • 1,922,266 hits
%d bloggers like this: