The Well-Tempered Ear

Classical music: The Ear gets to hear a masterpiece in the making -– Pierre Jalbert’s “Howl” Clarinet Quintet. It sure sounds like it will become a staple of new music. Plus, the FREE Noon Musicales at the First Unitarian Society of Madison resume this Friday.

October 2, 2014
2 Comments

ALERT: The FREE Friday Noon Musicales (below) in the Landmark Auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, resume again this Friday, Oct. 3, at 12:15 to 1 p.m. This week’s featured group is the Arbor Ensemble  with flutist Berlinda Lopez, violinist Marie Pauls and pianist Stacy Fehr-Regehr in the music of Jacques Ibert, Cesar Cui, Bohuslav Martinu, Astor Piazzolla and Josef Suk.

FUS1jake

By Jacob Stockinger

Imagine my unexpected joy at hearing the new Clarinet Quintet by American composer Pierre Jalbert (below), who was inspired by Beat poet Allen Ginsberg’s famous “Howl,” last Friday night at the Wisconsin Union Theater.

Pierre Jalbert

The reason for my happiness is because I heard music that was so compelling and so moving that it made me want to listen to it again and again.

I know, I know.

A lot of proponents of new music say you have to listen to any new and unheard piece several times before you can pass judgment.

I don’t buy it.

True, as loyal readers know, I am generally not a fan of new music. I find too much of it unenjoyable and forgettable. It just doesn’t speak to me, for whatever reason. I like tunes and melody and harmonic mood as well as rhythmic pulse. New music too often seems detached from the emotional life of the listeners– or at least this listener.

I prefer music that speaks so deeply and movingly to me on the first hearing that I welcome any chance to hear it more often as another chance to experience beauty — not to fulfill some intellectual obligation or duty to the composer or the art form.

When I first heard Samuel Barber’s Violin Concerto, for example, I knew within one minute that I just had to hear it again and would hear it again many times. It never fails to disappoint. And so it is with any masterwork, from early music, through Baroque and Romantic music, to modern and contemporary music.

Anyway, the “Howl” Clarinet Quintet by Pierre Jalbert was performed last Friday night by the Pro Arte Quartet (below top, in a photo by Rick Langer), artists-in-residence at the University of Wisconsin-Madison School of Music. The guest clarinetist was Charles Niedich (below bottom) from New York City, who has a major international reputation from working with the Orpheus Chamber Orchestra and other well-known ensembles.

Pro Arte Quartet new 2 Rick Langer

Charles Neidich CD Sallie Erichson

The performance came at the newly remodeled Wisconsin Union Theater, which the old Pro Arte Quartet helped to inaugurate when the theater opened 75 years ago in 1939. The theater was not sold-out Friday night, but there was a good and enthusiastic audience that rewarded the Jalbert with a prolonged standing ovation (below). So I know that I was not alone in my positive and approving reaction.

PAQ Jalbert audience ovation

Here is a link with more background:

https://welltempered.wordpress.com/2014/09/23/classical-music-the-free-world-premiere-by-the-pro-arte-quartet-of-american-composer-pierre-jalberts-clarinet-quintet-based-on-beat-poet-allen-ginsbergs-howl/

The program started off with the rarely heard and pretty tame String Quartet No. 2 by Juan Crisostomo Arriaga, a Spanish composer known as “the Spanish Mozart” who died at 20. The program’s fitting finale was the sublime Clarinet Quintet by Wolfgang Amadeus Mozart.

In between the Arriaga and the Mozart came the Jalbert Clarinet Quintet, which was the final of six commissions done to mark the Pro Arte’s centennial. (The Pro Arte Quartet, originally from Belgium,  is now the oldest continuously performing string quartet in the world.)

Other elements added to the effectiveness. For one, the Pro Arte Quartet was in top form. Each voice was distinct and yet the overall blend was smooth, resonant and perfect in pitch. And their playing was enhanced by the terrific acoustics of the remodeled Shannon Hall at the Wisconsin Union Theater and the new on-stage shell (below, in the background).

PAQ and Charles Neidich in Pierre Jalbert Howl

But it was really the music itself that swept The Ear away.

It started right away, with the pulsing and almost hypnotic rhythms of the opening measures.

The two outer fast movements proved infectious and involving. But I particularly loved the way the middle movement developed.

I heard various audience members talk about how the work reminded them of Samuel Barber, of Philip Glass, of John Adams, of Steve Reich. And yet it didn’t seem to imitate any of them. It possessed a pure, strong voice of its own that used the idea of “Howl” without becoming a didactic piece of program music.

It isn’t often you get to hear a new work that holds the promise of becoming a staple in the repertoire. But that is exactly how it felt as I listened to the Jalbert quintet. Others I spoke to agreed.

PAQ and Charles Neidich standing

Of the six centennial commissions that the Pro Arte has premiered over the past three years, this one seems the best one to end on because it seems the most likely one to succeed in coming years.

Sure, we may hear repeat performances of the String Quartets by John Harbison, Walter Mays and Benoît Mernier; of the Piano Quintets by William Bolcom and Paul Schoenfield. They are all recognized composers of quality.

But my money is on the work by Pierre Jalbert, which was by turns pensive and joyous, outraged and lamenting, much like the original poem “Howl.” The tone of both matched, and the clarinet, with its klezmer-like qualities, proved the perfect narrative voice imparted by Beat writer Allen Ginsberg (below).

Allen Ginsberg 1

It is a memorable night when you get to hear a masterwork in the making. All that work of chamber music needs now is history and many more repeat performances. I expect it will get those.

And to top it off, Pierre Jalbert (below right) -– who hails from Vermont and teaches at Rice University in Houston, Texas — was a very nice artist who was extremely amiable at the pre-concert dinner at the Chazen Museum of Art as well as insightfully candid during the pre-concert Q&A (below) that was so expertly hosted by Wisconsin Public Radio host Norman Gilliland (center) and also included clarinetist Charles Neidich.

Jalbert Q&A

Anyway, the “Howl” Clarinet Quintet by Pierre Jalbert will be recorded by the same players for Albany Records, under the supervision of the Grammy Award-winning producer Judith Sherman, and then released with the String Quartet No. 3 by Belgian composer Benoît Mernier.

I will be first in line to get it and set my CD player on repeat.

Can’t wait.

If you heard it, what do you think of the Clarinet Quintet by Pierre Jalbert, who offers his thoughts about composing in a YouTube video at the bottom?

Do you think it will become a staple of the repertoire?

The Ear wants to hear.

 

 


Classical music: Each week NPR now says TGIF via Twitter. Check it out. Plus, this afternoon brings a lot of live music, including the repeat performance of the MUST-HEAR world premiere of Pierre Jalbert’s Clarinet Quintet based on Allen Ginsberg’s Beat poem “Howl”; the UW-Madison Symphony Orchestra in Mahler and Schumann; and the Ancora String Quartet.

September 28, 2014
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ALERT: Just a reminder that there is a lot of live music competing for audiences this afternoon. But if you can, be sure to catch the UW-Madison Pro Arte Quartet and guest clarinetist Charles Neidich giving the FREE second world premiere performance of American composer Pierre Jalbert‘s Clarinet Quintet — which is based on Beat poet Allen Ginsberg’s “Howl” — at the Chazen Museum of Art at 12:30 p.m. in Brittingham Gallery 3. The new work, which The Ear heard on Friday night, is the real thing: a winning gem of new music. Of course the short-sighted Wisconsin Public Radio is no longer broadcasting local and regional live music from the museum, so forget the radio. But you can stream the concert live from the Internet at the museum’s website www.chazen.wisc.edu

And here is a link with an overview of all the music concerts available this afternoon:

https://welltempered.wordpress.com/2014/09/25/classical-music-which-one-of-five-trains-will-you-ride-into-the-upcoming-wreck-on-this-sunday-afternoon/

SALProArteMay2010
By Jacob Stockinger

Well, here is another reason to welcome the end of the work week and the coming of the weekend.

NPR is saying TGIF.

Every Friday afternoon, the Deceptive Cadence blog folks at National Public Radio gather with the public via Twitter to check out issues and performers, performances and recordings — including the new CD “Motherland” by pianist Khatia Buniatishvili (the Sony Classical CD cover with her Frida Kahlo-like portrait is below and a sample is at the bottom in a YouTube video in which she plays an arrangement of Johann Sebastian Bach‘s “Sheep May Safely Graze“).  You should try checking it out and add your own comments and recommendations.

And that’s just what you can do using the link below:

http://www.npr.org/blogs/deceptivecadence/2014/09/24/350888157/new-faves-recommending-classical-albums-each-week-on-twitter

Khatia Buniatishvili's Motherland cover Sony Classical

The Ear thinks you will like it for several reasons.

The discussion keeps you updated on new recordings, new performers and new music. But it also suggests older composers and repertoire to listen to, including recommended interpretations of that repertoire.

It also features some very insightful and some very funny comments from other readers and followers that you can check out.

So don’t be afraid to hop on in – or at least to add to your To Do List checking out Deceptive Cadence at NPR every Friday.


Classical music: Which one of five trains will you ride into the upcoming super-wreck on this Sunday afternoon?

September 25, 2014
3 Comments

By Jacob Stockinger

There are “train wrecks,” as the Wise Critic likes to call competing or conflicting music events.

And then there are TRAIN WRECKS!!!!!!!!!

Take the afternoon of this upcoming Sunday, Sept. 28, 2014.

The best The Ear can figure, you have a choice of five trains to ride into the wreck, possibly two if you plan really carefully and everything — including the length of concerts, transportation time and the availability of parking —  falls into place.

There are just too many events and too few weekdays to do separate blog posts on all of them. Besides, it will probably be helpful for scheduling –- if discouraging –- to see them all listed together.

A-l-l-l-l aboard:

Here, in timetable order, we go:

PRO ARTE STRING QUARTET

The Pro Arte Quartet (below top, in photo by Rick Langer), which is wrapping up its centennial anniversary and six centennial commissions with a gala FREE world premiere concert and dessert reception at the Wisconsin Union Theater on this Friday night at 8 p.m., will repeat the program in a FREE concert at the Chazen Museum of Art on Sunday at 12:30 p.m. in the Brittingham Gallery No. 3 (below middle).  It will be streamed live by Audio for the Arts. Go to www.chazen.wisc.edu on the day of the concert for a link.

The program includes the world premiere of the Clarinet Quintet “Howl” (based on the Beat poem by Allen Ginsberg) by American composer Pierre Jalbert (below bottom) by as well as String Quartet No. 2 in A Major (1824) by Spanish composer Juan Crisostomo Arriaga and the gorgeous Clarinet Quintet by Wolfgang Amadeus Mozart.

Here is a link: http://proartequartet.org

Pro Arte Quartet new 2 Rick Langer

SALProArteMay2010

Pierre Jalbert

ANCORA STRING QUARTET

Originally scheduled for Friday, Sept. 26, the Ancora Quartet (below top, in a photo by Barry Lewis), with guest violinist Wes Luke (below bottom, in a photo by Barry Lewis) filling in for Leanne League. The three regular quartet members are,  from left, violinist Robin Ryan, violist Marika Fischer Hoyt and cellist Benjamin Whitcomb.

They will instead perform the Ancora’s opening concert of the season on Sunday afternoon at 2 p.m. in the Landmark Auditorium of the First Unitarian Society where the quartet has been artists-in-residence. The program includes the “Sun” Quartet, Op. 20, No. 4, by Franz Joseph Haydn; the one-movement Quartet for Strings by Amy Beach, which uses Inuit tunes; and the final String Quartet in F minor, Op. 80, composed by Felix Mendelssohn in honor of the death of his beloved sister Fanny. A champagne reception is included. Tickets at the door are $15; $12 for seniors; and $6 for children under 12.

Other performances of this program will take place on Saturday, Sept. 27, at 7:30 p.m. at Eaton Chapel on the Beloit College campus, and on Sunday, Oct. 26, at 4 p.m. at St. Peter’s Episcopal Church in Fort Atkinson. In addition, the quartet has added the following dates: Monday, Oct. 20, at 7 p.m. at Oakwood Village West on Madison’s far west side at 6902 Mineral point Road, with FREE admission, followed by a Meet & Greet with the musicians; and on Thursday, Oct. 23, at 7:30 p.m. at the Loras College Visitation Center: Gallagher Hall, in Dubuque, Iowa.

http://ancoraquartet.com

Ancora 2014 2 Marika, Benjamin, Robin

Wes Color CR Barry Lewis

UW SYMPHONY ORCHESTRA AND SOPRANO ELIZABETH HAGEDORN

At 2 p.m. in Mills Hall, the University of Wisconsin-Madison Symphony Orchestra (below top, in photo by John W. Barker) with guest UW-Madison professor soprano Elizabeth Hagedorn (below middle) and conductor James Smith (below bottom) will perform a FREE concert.

The program includes the “Totenfeier” (Funeral Rites) music (the first draft of the First Movement from the Symphony No. 2 “Resurrection”; and the “Rueckert Lieder,” both by Gustav Mahler; and also the Symphony No. 1 “Spring” by Robert Schumann.

UW Symphony Orchestra 2013 CR John W. Barker

Elizabeth Hagedorn 1

Smith_Jim_conduct07_3130

EDGEWOOD COLLEGE CHAMBER ORCHESTRA

At 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, at Edgewood College, the Edgewood Chamber Orchestra (below top, in an old poster), conducted by Blake Walter (below bottom, in a photo by John Maniaci), will perform the “Ojai Festival Overture” by Peter Maxwell Davies, “Historic Scenes,” Op. 66, by Jean Sibelius and Symphony No. 53 in D Major “Imperiale” by Franz Joseph Haydn. Tickers are $5 at the door, free with an Edgewood College ID.

Edgewood Chamber Orchestra poster Sept 12

blake walter john maniaci

SOPRANO CHELSEA MORRIS AND FORTEPIANIST TREVOR STEPHENSON

At 3 p.m. in Christ Presbyterian Church, 944 East Gorham Street, there will be a voice concert and CD-release party with soprano Chelsea Morris  and fortepianist Trevor Stephenson (both are below), the founder and leader of the Madison Bach Musicians, to celebrate the release of their new CD of songs by Mozart, Haydn and Franz Schubert. This past summer, Morris won top spot in the second annual Handel Aria Competition during the Madison Early Music Festival.

Trevor Stephenson will bring his 5-octave, 18th-century German fortepiano to accompany Ms. Morris and he also will play solo fortepiano works by Mozart and Beethoven.

He will give a brief talk about the Classical style and discuss how the fortepiano creates a thrilling sense of theatrical immediacy in the music of the 18th-century masters. 
Selections on the concert from Morris and Stephenson’s new CD: Songs by Mozart, Haydn & Schubert. A CD autograph signing will be held after the concert.

http://madisonbachmusicians.org

Chelsea, Trevor CD cover shot

OVERTURE CENTER ANNIVERSARY

At 3:30 p.m. in the Overture Center for the Arts, “American Kaleidoscope,” the second performance of a multi-performing arts celebration of the Overture Center’s 10th anniversary, will take place, continuing from the all-day festival on Saturday.

All the resident performing arts companies — including the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber  Orchestra, the Bach Dancing and Dynamite Society — will do a second performance (the first is Saturday night). Here is a link:

http://www.overturecenter.org/about/news/1016-you—ve-never-seen-a-concert-like-this-sep-12-2014

OvertureExteior-DelBrown_jpg_595x325_crop_upscale_q85

 


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