The Well-Tempered Ear

Classical music: TONIGHT through Sunday night, the Ancora String Quartet reprises the program it just performed on a 10-day tour of Germany

September 4, 2018
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By Jacob Stockinger

The Ancora String Quartet (below, in a photo by Barry Lewis) has sent the following announcement about its upcoming concerts in Wisconsin – including two in Madison – that will reprise the group’s recent tour to Germany.

Members are (below, from left) violinist Wes Luke, violinist Robin Ryan, violist Marika Fischer Hoyt; and cellist Benjamin Whitcomb.

“The Ancora String Quartet (below, rehearsing in Nieder-Olm during the tour) is fresh back from Germany, our first overseas tour, which we called “Deutsch-Amerikanische “Träume,” or “German-American Dreams.”

“We are partnering with a wonderful mezzo-soprano, Melinda Paulsen, who serves on the voice faculty at the Hochschule für Musik und Darstellende Kunst in Frankfurt, Germany.

“Together, we have prepared a program of works by German and American composers, for string quartet, and for mezzo-soprano and quartet.

“We spent 10 fabulous days in Germany in August of 2018, performing at town halls, concert halls, churches, and a music school, in Nieder-Olm, Frankfurt, Vellmar, Schlitz and St. Goar on the Rhine. It was wonderful and we can’t wait to go back again in future years.

“We are back in Madison now with Melinda, to perform this same program in concert venues around the state of Wisconsin.

“We are grateful for funding from several German organizations, and from the Kassel-Dane Sister County Task Force.

“Melinda and the members of this quartet (below, in Schlitz) are thrilled that this project has taken shape, are pleased with our recent reception in Germany, and look forward to sharing with Wisconsin audiences a program exploring the intersections between two cultures that are quite distinct today, but which share deep, common roots.”

Here is the “German-American Dreams” Tour, Sept. 4-9, at venues in Wisconsin

Admission is FREE except where noted

  • TONIGHT, Tuesday, Sept. 4, at 7 p.m. at Capitol Lakes Grand Hall, Madison
  • Wednesday, Sept. 5 at noon on The Midday on Wisconsin Public Radio in Madison and at 6 p.m. at Germantown Community Library, Germantown
  • Thursday, Sept. 6, at 7:30 p.m. in the Light Recital Hall at the University of Wisconsin-Whitewater. For ticket information, go to: https://mastercal.uww.edu/MasterCalendar/EventDetails.aspx?data=hHr80o3M7J72xlWbKk4NucsOjgrgFcp7yGVHvRRLZ2VDe4XLariznlZrFvCFdeeY
  • Friday, Sept. 7, at 7:30 p.m. at the Janesville Women’s Club
  • Saturday, Sept. 8, at 7:30 p.m. at the Eaton Chapel, Beloit College
  • Sunday, Sept. 9, at 7:30 p.m. at St. Andrew’s Episcopal Church, Madison. Admission is $15.

PROGRAM

“Dover Beach” by Samuel Barber

Drei Lieder (Three Songs) by Viktor Ullmann

“Melancholia,” Op. 13, by Paul Hindemith

Intermission

Quartet in B Minor, Op. 11, by Samuel Barber (with the more transparent slow movement that later became the orchestral “Adagio for Strings,” heard in the YouTube video at the bottom)

“Wesendonck” Lieder, WWV 91 (arranged by Stefan Heucke) by Richard Wagner


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Classical music: Local all-female Arbor Ensemble will present two concerts of all-women composers this coming Saturday night in Madison and Sunday afternoon in Beloit.

February 16, 2015
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By Jacob Stockinger

Arbor Ensemble (below), a Madison-based chamber group, will perform its February program, “Women Composers:  Then and Now” on Saturday, Feb. 21, at 7:30 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, in Madison, Wisconsin; and on Sunday, Feb. 22, at 2:30 p.m. in Beloit College‘s Eaton Chapel in Beloit, Wisconsin.

Arbor Ensemble

This program will feature the premiere of “Whispers Through the Trees” by Charlotte Howenstein (below) as well as rarely heard works by Amy Beach, Clara Schumann, Lili Boulanger and Cherise D. Leiter. Sorry, no word on the specific program.

Charlotte Howenstein

Admission for the February 21 performance is $10, with $5 tickets available for students and seniors.  Admission for the February 22 performance is FREE.

Arbor Ensemble is comprised of committed artist educators, seeking to connect with audiences through their personal sound and unique, colorful instrumentation.

Berlinda Lopez (flute), Stacy Fehr Regehr (piano), Marie Pauls (viola, violin), and Rebecca Riley (cello) combine to create an expressive blend, performing a diversity of musical styles.

Arbor’s mission is to bring classical music to listeners from all walks of life through high quality chamber music performance, and to highlight the works of women composers.

For more information, visit Arbor Ensemble’s website at www.arborensemble.com.

 


Classical Music: Isthmus Vocal Ensemble performs a world premiere by Madison composer Jerry Hui plus music by Mendelssohn, Brahms and other composers Friday night and Sunday afternoon.

July 31, 2012
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By Jacob Stockinger

Over the past decade, the annual concert by the Isthmus Vocal Ensemble (below, in a photo by Jim Pippitt) has become a mid-summer landmark in Madison’s rich classical music scene.

The group does amazing things, especially given that it pulls its annual summer program together in only about two weeks. Its conductor is University of Wisconsin School of Music alumnus Scott MacPherson (below), who flies into town and gets the group rehearsing difficult old and especially new music.

In that short two weeks, the group prepares and presents an interesting and unusual program that typically combines well-known masterpieces with unknown or neglected works as well as world premieres.

The concerts always garner critical acclaim as well as a devoted following, and the part-time even manages to record outstanding and unusual CDs, including a compilation of works by contemporary composer Andrew Rindfleisch and an eclectic, unusual holiday CD called “An Isthmus Christmas.”

For more about the group in general, visit: http://www.isthmusvocalensemble.org/

This year marks the 11th annual concert by the Isthmus Vocal Ensemble. The event is especially noteworthy because it is a send-off of sorts: It marks the end of the Andrew Taylor’s tenure as president of the group. (He is not singing this summer because of his upcoming career change, but says he hopes to return next summer to sing. You can say hi and thank him at the ticket table, which he will be manning at the two performances.)

Taylor (below), who for 20 years has headed the renowned Arts Administration program at the UW Business School – the first program is its kind in the country — is leaving in August to take up a tenure-track faculty post at American University, which wisely recruited him, in Washington, D.C. For three years in a row, Taylor was named on the national list of the “The 25 Most Powerful and Influential Leaders in the Non-Profit Arts World.”

How the UW-Madison let a teacher and researcher of this caliber and prominence get away is beyond me, but there it is – a subject of regret and a topic for another time.

A typical offering by the Isthmus Vocal Ensemble, this summer’s program spans five centuries of choral masterworks, and includes a world premiere by Madison local performer Jerry Hui), who is equally at home in early music (he founded and directs the ensemble Eliza’s Toyes) and contemporary music (he is a co-founder and co-director of NEW MUSE or New Music Everywhere).

For this concert, Hui, who just received his doctoral degree at the UW School of Music and composed and staged an Internet opera “Wired for Love” as his thesis, has sets poems by Wisconsin poet Lorine Niedecker (below in a photo by Bonnie Roub), an “Objectivist” poet who graduated from Beloit College and lived and worked in Fort Atkinson, to music.

The first performance is this Friday, Aug. 3, at 7:30 p.m. in the resonant, cathedral-like acoustics of Luther Memorial Church (below), 1021 University Avenue in Madison, where the group promises the air conditioning will be working.

A repeat performance is on Sunday, Aug. 5, at 3 p.m. in the more intimate space of Covenant Presbyterian Church, 326 South Segoe Road, on Madison’s near west side.

General admission tickets are $15 for adults, $10 for students and seniors. Tickets are available at the door, or online at:

http://www.isthmusvocalensemble.org/

Here is the impressively varied program, subject to change:

“Richte mich, Gott,” Op. 78, No. 2, by Felix Mendelssohn-Bartholdy (1809-1847); “Parce mihi Domine,” by Cristóbal de Morales (c. 1500-1553); Three poems by Lorine Niedecker (world premiere), by Jerry Hui (b. 1981)’ “The Drowned Lovers” (1998, rev. 2009), by Judith Bingham (b. 1952); “The Bluebird”by Charles Villiers Stanford (1852-1924); “Der Abend” (Evening), Op. 62, No. 2, by Johannes Brahms (1833-1897); “Lux caelestis” (Heavenly Light) (2004/2011), by Timothy Kramer (b. 1959)

And for more specifics about the two upcoming performances of this summer’s concert, visit:

http://www.isthmusvocalensemble.org/concert.html


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