ALERT: Tonight’s recital by pianist Marco Grieco at Farley’s House of Pianos has been CANCELLED due to visa problems.
By Jacob Stockinger
What else can you do except admire the quiet courage and persistence to keep going?
It is exactly what the 20th-century French poet Paul Eduard described as “Le dur désir de durer,” or the hard desire to endure.
Perhaps that is one of the enduring appeals and rewards of great art – to help all of us, artists and audiences alike, get through difficult times, to bear the unbearable.
Last summer, you may recall, the Karp family lost pianist patriarch Howard Karp, a wonderful talent and personality who died suddenly of heart failure at 84 while on vacation in Colorado.
Karp (below, in a photo by Katrin Talbot) had been a longtime piano teacher and beloved performer at the University of Wisconsin-Madison School of Music. He also was a devoted first-rate chamber music partner who performed frequently with the other members of his family.
Here is a link to the blog post about that death that drew so many readers and reader comments:
You can also use the blog’s search engine to see several posts about the memorial held for Howard Karp.
Now the remaining family members – apart from the three granddaughters who have participated in previous concerts – will take to the stage of Mills Hall this Saturday night at 8 p.m. to continue the longtime Karp tradition of performing.
Eldest son and UW-Madison cellist Parry Karp (below), who also performs with the Pro Arte Quartet, is the centerpiece of the FREE concert.
He will be joined by his pianist mother Frances, and his brother Christopher, a gifted pianist and violinist (one-time concertmaster of the Wisconsin Chamber Orchestra) who is also a medical officer with the Bill and Melinda Gates Foundation.
Here is the program:
Second Suite for Solo Cello, Op. 80 (1967) by Benjamin Britten (below)
Declamato: Largo
Fuga: Andante
Scherzo: Allegro molto
Andante lento
Ciaccona: Allegro
Sonata in F Major for Piano and Violin, Op. 24 “Spring” (1801-2) by Ludwig van Beethoven; transcribed for Piano and Cello by Parry Karp
Allegro
Adagio molto expressivo
Scherzo: Allegro molto
Rondo: Allegro ma non troppo
With pianist Frances Karp (below bottom, on left beside the late Howard Karp, and below bottom playing with Parry Karp, Pro Arte violinist and Wisconsin Chamber Orchestra concertmaster Suzanne Beia, and daughter-in-law violist Katrin Talbot, who also plays with the Madison Symphony Orchestra)
INTERMISSION
Sonata for Solo Cello (1955) by George Crumb (below)
Fantasia: Andante espressivo e con molto rubato
Tema pastorale con variazioni
Toccata: Largo e drammatico-Allegro vivace
Sonata in G Major for Piano and Violin, Op. 96 (1812) by Ludwig van Beethoven; transcribed for Piano and Cello by Parry Karp. (At bottom in a YouTube video with a performance by violinist Isabelle Faust and pianist Alexander Melnikov of the appealing first moment of the original version of Beethoven’s Violin Sonata, Op. 96. The work is one of The Ear’s all-time favorites.)
Adagio espressivo
Scherzo: Allegro
Poco Allegretto
with pianist Christopher Karp (below top and bottom, playing with his brother Parry)
By Jacob Stockinger
The word is in: There will be NO annual Labor Day Concert by the Karp family this year.
Instead, on the day before Labor Day, friends, students and family members will gather to celebrate the life of professor, pianist and musical patriarch Howard Karp (below, playing with his son, fellow UW-Madison School of Music professor and Pro Arte Quartet cellist Parry Karp), who taught and performed for many decades at the University of Wisconsin-Madison School of Music, in a memorial event.
The memorial is set for Sunday, August 31, at 3 p.m. in Mills Hall. Initial plans call for playing recorded live performances by Howard Karp; for selected speakers; and perhaps for some live music performances. As details develop, this blog will pass them along.
On June 30, in Colorado. Howard Karp died at 84 of cardiac arrest. He was so loved and so respected that news of his death brought this blog a record number of comments and remarks (more than 70 so far), and close to a record number of “hits” or views:
Here is a link to the post, which has a lot of photos provided by the family, that broke the news:
Here is a link to the obituary that appeared two Sundays ago in The Wisconsin State Journal (below, Howard Karp is seen performing at a recent Labor Day Concert with his wife Frances Karp and his two of his four grandchildren, actors Isabel and Ariana Karp):
Two stories have also celebrated Howard Karp as the patriarch of Madison’s First Family of Music (below in a past photo by Mike DeVries of The Capital Times, are, from left, violinist-pianist and doctor son Christopher Karp, who works for the Bill and Melinda Gates Foundation; daughter-in-law biologist and violist Katrin Talbot; Howard Karp; cellist son Parry Karp; and pianist wife Frances Karp):
One is from Isthmus by Sandy Tabachnick, who got statements from fellow pianists and teachers Christopher Taylor, Bill Lutes, Martha Fischer and Jessica Johnson:
http://www.isthmus.com/daily/article.php?article=43120
Another memorable story about Howard Karp (below with his wife of 63 years Frances, who survives him) was filed by Susannah Brooks, who also spoke with UW-Madison School of Music head Susan Cook (below bottom), for the University of Wisconsin-Madison News Service:
And here is a wonderful appreciation of Howard Karp and the new 6-CD set of Karp’s live recordings by UW-Madison and WYSO alumnus Kenneth Woods (below). Woods is a composer, professional cellist and now the conductor of the English Symphony Orchestra, who is also an acclaimed blogger (“A View From the Podium”) and an honored recording artist whose releases include world premiere recordings of music by Hans Gal.
http://kennethwoods.net/blog1/2014/07/07/6162/
And, finally, here is a small excerpt from that new 6-CD set on Albany Records. It is a triumphant recording of the first movement of the epic Fantasy in C Major, Op 17, by the Romantic composer Robert Schumann, which was written to raise money for a memorial statue to Ludwig van Beethoven.
In mood and meaning, the masterpiece is a fitting tribute to Howard Karp and to the art, generosity and devotion to both beauty and love with which he lived his life. As a teacher, a friend, a family man and a performer, Howard Karp lived his long, rich life in the service of bringing and sharing whatever beauty he could to other people.