The Well-Tempered Ear
Classical music: This Saturday night, UW pianist Christopher Taylor will perform the virtuosic Liszt transcriptions of Beethoven’s Symphonies Nos. 1 and 9
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The first concert by the Verona Area Community Orchestra is set for this Wednesday, Jan. 29, at 7 p.m. in the Verona Area High School’s Performing Arts Center at 300 Richard St. in Verona. A reception, with a sheet cake, will follow the concert. Admission is FREE.
Thirty-five amateur string orchestra musicians will play selections from: Johann Sebastian Bach (Brandenburg Concerto No. 3), Aaron Copland (“Rodeo”), Sir Edward Elgar (“Serenade for Strings”), Eric Whitacre (“October”), Louis Prima (“Sing Sing with a Swing”), and Peter Warlock (“Capriol” Suite).
By Jacob Stockinger
This coming Saturday, Feb. 1, will see what promises to be one of the most interesting and impressive events of The Beethoven Year in Madison.
At 8 p.m. in the Mead Witter Foundation Concert Hall, in the new Hamel Music Center at 740 University Avenue, the UW-Madison’s virtuoso pianist Christopher Taylor (below) will perform the solo piano transcriptions made by Franz Liszt of Beethoven’s Symphonies Nos. 1 and 9.
When he was just 12, the young Liszt — often considered the greatest pianist who ever lived — performed for and met Beethoven, who gave the boy his blessing.
For the rest of his life, Liszt (below top) promoted Beethoven’s piano sonatas and symphonies through the keyboard. Liszt also studied with Carl Czerny, who studied with Beethoven (below bottom).
These performances mark Taylor’s completion of the ambitious and monumental cycle of Liszt’s Beethoven symphony transcriptions.
The Ninth or “Choral” Symphony – with the famous “Ode to Joy” finale – will also have five singers to perform the solo and choral parts. They are: Mead Witter School of Music faculty members Mimmi Fulmer and Paul Rowe (below top); and graduate students Sarah Brailey (below bottom), Thore Dosdall and Benjamin Liupaogo.
(You can hear the famous Scherzo movement played by Cyprien Katsaris and see the note-filled score for it in the YouTube video at the bottom.)
Tickets are $20, except for music school faculty and students who will be admitted free on the night of the performance if space allows.
For more information about the tickets, parking, the performers and the program, go to: https://www.music.wisc.edu/event/christopher-taylor-and-friends-beethoven-symphony-extravaganza/
To just purchase tickets, go to the Campus Arts Ticketing box office in the Memorial Union, call (608) 265-ARTS (2787) or go to: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=79084672-5D75-4981-B0A3-B135EDB97FF1
For more information about the extraordinary keyboard transcriptions, go to the Wikipedia entry and be sure to read the section on History: https://en.wikipedia.org/wiki/Beethoven_Symphonies_(Liszt)
Tags: #AaronCopland, #AmateurMusician, #BeethovenYear, #BenjaminLiupaogo, #BlogPost, #BlogPosting, #BoxOffice, #BrandenburgConcerto, #CampusArtsTicketing, #CarlCzerny, #ChoralMusic, #ChoralSymphony, #ConcertPianist, #EdwardElgar, #EricWhitacre, #FacebookPost, #FacebookPosting, #FranzLiszt, #GraduateStudent, #HamelMusicCenter, #JacobStockinger, #JohannSebastianBach, #LouisPrima, #LudwigVanBeethoven, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MemorialUnion, #MimmiFulmer, #NinthSymphony, #OdetoJoy, #PaulRowe, #PerformingArtsCenter, #PeterWarlock, #PianoSonata, #PianoVirtuoso, #SarahBrailey, #SoloPiano, #SoloPianoMusic, #StringMusic, #TheEar, #ThoreDosdall, #UniversityofWisconsin-Madison, #VeronaAreaCommunityOrchestra, #VeronaWisconsin, #VocalMusic, #Wikipediaentry, #YouTubevideo, Aaron Copland, amateur, ambitious, Arts, Bach, Baroque, Beethoven, Beethoven Year, Benjamin Liupaogo, blessing, blog, Box, boy, Brandenburg Concerto, call, Campus Arts Ticketing, Carl Czerny, choral music, Choral Symphony, Classical music, community, complete, composer, Concert, concerto, Copland, cycle, Edward Elgar, Elgar, entry, Eric Whitacre, event, Facebook, faculty, faculty member, forward, Franz Liszt, free, graduate student, great, Hamel Music Center, hear, History, impressive, interesting, Jacob Stockinger, Jazz, Johann Sebastian Bach, Joy, Keyboard, life, like, link, Liszt, Louis Prima, Ludwig van Beethoven, Madison, Mead Witter Foundation Concert Hall, Mead Witter School of Music, Memorial Union, Mimmi Fulmer, monumental, Music, music faculty, Musician, Ninth Symphony, note, October, ode, Ode to Joy, office, Orchestra, parking, Paul Rowe, performer, Performing Arts Center, Peter Warlock, phone, Pianist, Piano, post, posting, program, promise, purchase, Rodeo, Sarah Brailey, Saturday, Scherzo, score, section, see, Serenade, share, sing, singer, Singing, solo, Sonata, string music, strings, students, study, Suite, swing, symphony, tag, Teacher, The Ear, Thore Dosdall, ticket, transcription, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Verona, Verona Area Community Orchestra, virtuoso, virtuoso pianist, vocal music, Whitacre, Wikipedia, Wisconsin, young, YouTube
Classical music: Madison Choral Project gives its fourth annual holiday concert, “I Was Glad,” this Friday night and Saturday afternoon. Plus, pianist Bill Lutes gives a FREE recital of Schubert and Schumann this Friday at noon
1 Comment
ALERT: The week’s FREE Friday Noon Musicale at the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, features pianist Bill Lutes in a solo recital. The program includes the “Papillons” (Butterflies) by Robert Schumann and the final Sonata in B-Fat Major, D. 960, by Franz Schubert. The program runs from 12:15 to 1 p.m.
For more information about Bill Lutes and his series of recitals, go to:
By Jacob Stockinger
This weekend, the Madison Choral Project (below top), Madison’s professional choir under the direction of Albert Pinnsoneault (below bottom), a former Edgewood College professor who now teaches at Northwestern University, will present two performances of its fourth annual Holiday-themed program “I Was Glad.”
The performances are on Friday, Dec. 16, at 7:30 p.m. and Saturday Dec. 17, at 3 p.m. Both performances will be held at First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium in Madison.
Tickets are available in advance at www.themcp.org, or at the door.
(Preferred Seating is $40, General Admission is $24/$28 and Students are $10)
The concerts feature a carefully curated selection of vocal music and readings, with the intent to lead the listener along a sublime journey of music and text.
Madison Choral Project is will partner again with Wisconsin Public Radio’s news editor Noah Ovshinsky (below), who will perform readings from works of Tim O’Brien, Billy Collins, William Wordsworth and others.
The Madison Choral Project will sing an eclectic mix of holiday-themed music in four sets, ranging from the 17th century to brand new compositions.
The program features two exciting world premieres by Eric Barnum (below top), the choral director at UW-Oshkosh, and MCP’s Composer in Residence, Jasper Alice Kaye (below bottom).
The first set of pieces, “Welcome to the Holy Space,” includes A Child’s Prayer by James MacMillan, Sanctus from Mass in G by Francis Poulenc and Our Father by Alexandre Gretchaninoff.
The second set, “Winter Comforts,” features two new commissions written for Madison Choral Project. Winter by Eric William Barnum will be followed by The Invitation by Jasper Alice Kaye. Lux Aurumque by Eric Whitacre will finish the set.
The third set, “Glad Tidings,” includes the concert’s titular piece, I Was Glad by C.H.H. Parry (heard in the YouTube video at the bottom), as well as beautiful works by Matthew Culloton, William Dawson and Jan Sandstrøm.
The final set, “Gathering and Blessing,” contains joyous settings of familiar texts set by Francis Poulenc, Ludwig van Beethoven, and arranger John Ferguson.
For more information or tickets, go to www.themcp.org.
Tags: Albert Pinsonneault, Alexander Gretchaninoff, Alexander Gretchaninov, Arts, Beethoven, Bill Lutes, Billy Collins, blessing, butterflies, butterfly, Camp Randall, Child, choral music, Christmas, Classical music, comfort, composer, Concert, Early music, Edgewood College, editor, Eric Whitacre, Eric William Barnum, First Congregational United Church of Christ, First Unitarian Society of Madison, Frank Lloyd Wright, Franz Schubert, gathering, glad, holy, Hubert Parry, I Was Glad, Jacob Stockinger, James MacMillan, Jan Sandstrom, Jasper Alice Kaye, John Ferguson, Ludwig van Beethoven, Madison, Madison Choral Project, mass, Matthew Culloton, Music, musicale, New Music, New Year, news, Noah Ovshinsky, Northwestern University, Papillons, Piano, poem, Poetry, Poulenc, prayer, premiere, readings, Schubert, Schumann, Sonata, space, tidings, Tim O'Brien, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Oshkosh, vocal music, William Dawson, William Wordsworth, winter, Wisconsin, wisconsin public radio, YouTube
Recent Comments
 | Bratsche on Is a lot of ‘woke’ music infer… |
 | Nicholas Ennos on Classical music: The Ear gener… |
 | bbead on Is a lot of ‘woke’ music infer… |
 | Elissa Strauss on Is a lot of ‘woke’ music infer… |
 | Becky on Is a lot of ‘woke’ music infer… |
The Well-Tempered Ear 