By Jacob Stockinger
The time for announcing new seasons has arrived.
Pretty soon, over the next several weeks and months, The Ear will hear from larger and smaller presenters and ensembles in the Madison area, and post their new seasons.
First out of the gate is the critically acclaimed and popular summer group, the Madison-based Bach Dancing and Dynamite Society. (You can see a short promo video about BDDS on the YouTube video at the bottom.)
It has just announced its upcoming summer season this June, and sent out brochures with the season’s details.
This will be the 26th annual summer season and it has the theme of “Alphabet Soup.”
The concept is explained online and in a brochure newsletter (also online) in an editorial essay by BDDS co-founder and co-artistic director flutist Stephanie Jutt (seen below with co-founder and co-director pianist Jeffrey Sykes).
In many ways it will be a typical season of the eclectic group. It will feature local and imported artists. Many of both are favorites of The Ear.
His local favorites include UW-Madison pianist Christopher Taylor; violist Sally Chisholm of the UW-Madison’s Pro Arte Quartet; UW violinist Soh-Hyun Park Altino (below top, in a photo by Caroline Bittencourt); and Pro Arte cellist Parry Karp (below bottom).
Among The Ear’s favorite guest artists are violinist Carmit Zori, clarinetist Alan Kay, the San Francisco Piano Trio (below top); UW alumna soprano Emily Birsan; pianist Randall Hodgkinson; and baritone Timothy Jones (below bottom).
As usual, the season features 12 concerts of six programs over three weeks (June 9-25) in three venues – the Playhouse in the Overture Center (below top), the Hillside Theater (below middle) at Frank Lloyd Wright’s Taliesin compound in Spring Green and the Stoughton Opera House (below bottom).
In addition, there is a FREE family concert in the Overture Playhouse on June 10.
What does seem somewhat new is the number of unknown composers and an edgier, more adventurous choice of pieces, including more new music and more neglected composers.
Oh, there will be classics by such composers as Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Boccherini, Franz Schubert, Johannes Brahms, Peter Tchaikovsky, Sergei Prokofiev, Maurice Ravel, Bela Bartok, Arnold Schoenberg, Benjamin Britten and others. These are the ABC’s of the alphabet soup, according to BDDS.
But also represented are composers such as Philippe Gaubert, Czech Holocaust victim Gideon Klein (below), Guillaume Conneson, Carl Czerny, Paul Moravec and Franz Doppler. These are the XYZ’s of the alphabet soup.
In between come others. Contemporary American composer, and Pulitzer Prize winner, Kevin Puts (below) is a BDDS favorite and is well represented. You will also find less performed works by Ned Rorem, Erich Wolfgang Korngold and Gerald Finzi.
For the complete programs and schedules as well as the list of performers, some YouTube videos and ticket prices, both for season tickets ($109.50, $146, $182 and $219) and for individual concerts ($43), and other information, go to:
By Jacob Stockinger
This weekend brings more season-closers. The groups concluding their concert seasons include the First Unitarian Society of Madison’s FREE Friday Noon Musicales; the Festival Choir of Madison; the UW Chamber Orchestra; and Edgewood College.
Here is a round-up of yet another busy weekend.
On Friday afternoon, from 12:15 to 1 p.m., the last FREE Friday Noon Musicale of the season at the first Unitarian Society of Madison, 900 University Bay Drive, will feature Driftless Winds, a University of Wisconsin-Platteville Faculty Reed Trio.
Members are Laura Medisky, oboe; Corey Mackey, clarinet; and Jacqueline Wilson, bassoon.
Bring your lunch; coffee and tea are provided.
On Friday night, the Madison Chamber Choir will perform at 7:30 p.m. at Christ Presbyterian Church (http://www.madisonchamberchoir.com) . It will be directed by Adam Kluck.
On Friday night, May 2, at 7:30 p.m. in the First Congregational United Church of Christ, 1609 University Avenue, the University of Wisconsin-Stout Choirs come to Madison on a mini-tour, with a program titled “An Ode To The Bard: Shakespeare in Music.”
The concert will feature musical settings of Shakespeare’s words, popular music of his time (including tunes that are referenced in his plays), and works inspired by the legacy of William Shakespeare (below).
Performers include the Stout Symphonic Singers (an open-seat choir of about 30 singers) and the Stout Chamber Choir (an auditioned choir of 20 singers), both directed by composer-conductor Jerry Hui (below), with pianist Michaela Gifford.
Admission is free with a free-will donation welcomed.
On Saturday at 11 a.m. at Oakwood Village West, 6209 Mineral Road, on Madison’s far west side, the UW-Stout Choirs will give a second performance of their Friday night program. See directly above.
On Saturday afternoon at 4 p.m. in Mills Hall, the All-University String Orchestra will perform a FREE concert under conductor Janet Jensen (below, in a photo by Katrin Talbot). Sorry, no word on a specific program.
On Saturday, May 3, at 7 p.m. in the St. Joseph Chapel at 1000 Edgewood College Drive, the Edgewood Concert Band and Jazz Ensemble will perform under the direction of Walter Rich and Daniel Wallach. Included will be works by Paul Dukas, Jenkins, Williams, Van der Roost and Franz von Suppe.
Admission is $7 to benefit music scholarships at the college.
On Saturday night at 7:30 p.m., the FESTIVAL CHOIR OF MADISON (below) will conclude its 40th season in the First Baptist Church, 518 North Franklin Avenue, in Madison. It will perform with the Pecatonica String Quartet and winds, and under the baton of artistic director Bryson Mortensen, who is the Director of Choral Activities at the University of Wisconsin-Rock County.
The program is entitled “Gloria” and features two Glorias: the well-known one by Antonio Vivaldi and a rarely heard one by Luigi Boccherini. A pre-concert lecture, begins at 6:30 p.m. The Ear hears there will also be an encore performance of Wolfgang Amadeus Mozart‘s “Ave Verum Corpus.”
Tickets are $18 general public, $14 for seniors and $8 for students if bought in advance – call (608) 274-7089; the day of the concert, tickets are $20, $15 and $10, respectively.
For more information, visit the link: http://festivalchoirmadison.org/index.htm
On Saturday night at 8 p.m. in Mills Hall, the UW Women’s Chorus and the University Chorus will perform a FREE concert under the direction of Anna Volodarskaya and Adam Kluck (below), respectively. Sorry, no word yet on a specific program.
On “Sunday Afternoon Live From the Chazen” Museum of Art on the campus of the University of Wisconsin-Madison, from 12:30 to 2 p.m., members of the music faculty at the University of Wisconsin-Eau Claire will perform the second-to–last concert of that series this season. As always it will be broadcast live on Wisconsin Public Radio. The concert itself is FREE in the Brittingham Gallery No. 3. Sorry, no word on a program.
On Sunday afternoon at 2 p.m., in Mills Hall, the UW Concert Band will perform a FREE concert under director Mike Leckrone (below). Sorry, no word on the program.
On Sunday, May 4, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Chamber Singers, Men’s Choir, Women’s Choir and Campus-Community Choir.
Kathleen Otterson (below) will conduct the Women’s Choir, while Albert Pinsonneault will lead the Chamber Singers, Campus-Community Choir, and Men’s Choir.
Pinsonneault (below) will also conduct the combined choirs and the Edgewood Chamber Orchestra in a performance of Franz Joseph Haydn’s “Te Deum.”
Admission is $7 to benefit music scholarships at Edgewood.
On Sunday evening at 6:30 p.m. in Music Hall, at the foot of Bascom Hill, the Lincoln Chamber Brass of Chicago will perform a FREE concert, just a week before they compete at the prestigious Fischoff Chamber Music Competition.
All of them are members of Civic Orchestra of Chicago; at 21, the horn player already substitutes for the Chicago Symphony Orchestra. Four are students at Northwestern University, the fifth at DePaul. Four of the five, including Ansel Norris, who was born in Madison and in high school studied with UW-Madison trumpeter John Aley, will attend the Boston Symphony Orchestra’s Tanglewood Festival this summer.
Musicians of the Civic Orchestra of Chicago. The program includes Victor Ewald’s Brass Quintet No. 3; David Sampson’s “Morning Music”; Franz Biebl’s “Ave Maria” (arranged by Barker); and Giles Farnaby’s Suite of Dances.
Members (below, from left) are Ansel Norris and William Cooper, trumpets; Kevin Haseltine, horn; Joseph Peterson, trombone; and Scott Hartman, bass trombone.
For more information, visit: http://lincolnchamberbrass.wordpress.com/home/
At 7:30 in Mills Hall, the UW Chamber Orchestra (below) will perform its last concert of the season and its last concert before being either mothballed or terminated.
The performance is FREE and will be under the baton of director James Smith.
The program includes: Jacques Ibert’s “Hommage to Mozart”; Richard Strauss’ “Dance Suite After Francois Couperin”; and Mozart’s Symphony No. 39 in E Fat Major. (In a YouTube video at the bottom, you can hear the first movement performed by the legendary conductor Karl Bohm and the Vienna Philharmonic.)
For more about the news significance of the event, here is a link to yesterday’s blog post:
UPDATE: The FREE astronomy program this Saturday at the UW Space Place about the Madison Opera‘s production of Philip Glass’ “Galileo” has now been filled. I posted about the program on Monday, if you want to read about it.
By Jacob Stockinger
That is when the Wisconsin Chamber Orchestra will perform a program of Classical and modern music under the baton of WCO music director Andrew Sewell.
Tickets are $15-$62. Call the Overture Center box office at 608 258-4141. For more information about the program and tickets, visit:
The program is classic Sewell (below), who likes to mix it up and introduce the audience to new works they probably don’t know as well give them a chance to hear a familiar work or composer they love.
This program features a well-known masterpiece, the Symphony No. 100 (“Military”) by Hadyn, one of Sewell’s specialties for which he has been praised. There will also be a work, “Diversions for Sttring Orchestra,” by the 20th century composer Douglas Lilburn (below, 1915-2001) who, like Sewell, hailed from New Zealand.
The program also features an unknown work, “Kaddish,” based on the Hebrew service for the dead – a kind of Jewish requiem – for cello and strings by the little known contemporary Russian-Israeli composer Mark Kopytman (1929-2011).
And there will be a Cello Concerto by Luigi Boccherini (1743-1805), an unjustly neglected composer of the Classical era.
The guest soloist, returning to the WCO for a second time, is the acclaimed cellist Amit Peled (below), who concertizes widely but also teaches at the Peabody Institute at Johns Hopkins University in Baltimore, Maryland.
His website, which has his biography, reviews of his concerts, his statement about his teaching philosophy, a list of recordings and more, can be found at:
And here is a long interview with Peled on a website devoted to the cello:
Peled, a busy performer and pedagogue, kindly agreed to an interview about his upcoming concert in Madison:
You have played here before. How do you like Madison?
I love Madison. I have been there several times. I have played at the University of Wisconsin and performed with the Wisconsin Chamber Orchestra. It is a little too cold, but I love the town and the people and the restaurants. It is a really nice place.
The Wisconsin Chamber Orchestra (below) is one of the best chamber orchestras in the U.S. Playing with them is literally like playing chamber music. There’s no feeling of accompanying or the group being superior to the soloist.
It has a lot to do with Andrew being in charge. I am looking forward to this concert. I love performing with them. And we will do the same combination of Baroque and Jewish music that we did last time, except that last time the Jewish piece was an encore.
Speaking of Jewish music, what can you tell us about the “Kaddish” by Mark Kopytman?
The piece is not well-known in the U.S. although I have recorded it. I knew the composer (below), who just passed away last month. I worked with him on the piece. There is a direct story line in it that I might be allowed to tell the audience before I play it.
He grew up in Russia and was a big admirer of Shostakovich. it has a lot of Shostakovich. It is a very exciting piece of the orchestra as well. I would think it is probably a Midwest premiere as well as a Madison premiere. I thin the combination of this and Boccherini will be wonderful.
The language is very tonal and accessible. The whole piece is a dialogue between the cello, which is the surviving son, and the orchestra, which is the dead father.
What do you want to say about Boccherini and the concerto?
For cellists, Boccherini (below) is like the Bible. He was a great cellist and wrote 13 concertos for the cello as well as quintets with two cellos that are really gorgeous. But Gruetzmacher, who was a 19th-century cellist, reworked this one in a more Romantic way. For us cellists, it is fun to play because it is even more lyrical and singing, and more demanding technically, than what Boccherini originally wrote. So it has become the most famous of all the Boccherini cello concertos.
Boccherini was an Italian composer who lived in Spain, but his music has the quality of an Italian opera aria all through the piece. It is just gorgeous.
It in the 1950s, everybody played this concerto. (See the Jacqueline du Pre at bottom.) Now it mostly a student piece, though students often find it too difficult technically. So I am happy that Andrew was open to doing it.
It is an exciting piece. Boccherini has been overshadowed by more famous contemporaries such as Haydn and Mozart. But the concerto is a fine piece and it is a pity it is neglected today.
There are wonderful pieces that unfortunately we cellists don’t get to play. Orchestras always want to give audiences the safe cello pieces — the Elgar, Dvorak and Schumann concertos — and not take a chance. In that sense Andrew is very brave to program two pieces that are not played very often. More people should know Boccherini and I hope people will like it.
I hope Boccherini receives a major revival or rediscovery. The best thing I can do is to promote him and play his music. The rest is left to the public and music organizations around the country to give it a chance. I am excited about it.
This week you will also teach students at Middleton High School. How well do performing and teaching go together?
I love the combination of teaching and performing. (Below is Peled with students at the Peabody Institute.) It is great to try to verbalize everything I try to do with the cello to students. But when I teach too much, I miss the playing and when I play too much, I miss the teaching. So it is a good combination for me.