On Wednesday night, the Middleton Community Orchestra (below) closed its seventh season with a rousing program offering three contrasting Russian works.
The opener was the Overture to Alexander Borodin’s Prince Igor, as realized by Alexander Glazunov. It served to show off the orchestra’s ever-developing string band, solid in tone, if still lacking a little in warmth.
A real gem was the second work, the Violin Concerto No. 2 by Sergei Prokofiev. By contrast with the composer’s first venture in that form — a taut, aggressive affair — this one is more relaxed and jovial, if no less demanding technically.
The soloist was Paran Amirinazari (below), stepping out of her usual concertmaster’s slot into the full spotlight. She handled admirably the great technical demands of her solo role, full of quirky and tricky writing.
But, amid all the spikiness she pointed up handsomely the real and almost neo-Romantic lyrical sweetness that Prokofiev infused into the showiness. (Just listen to the gorgeous second movement in the YouTube video at the bottom.)
This is one of the truly great violin concertos, and Amirinazari — the brilliant artistic director of the fabulous Willy Street Chamber Players — demonstrated that adroitly.
The final work was a grand effort: Tchaikovsky’s Symphony No. 5. This is, of course, one of those “warhorses” about which The Ear has been debating lately. It is thereby the more challenging for an orchestra to present to an audience likely to be familiar with it.
Its calculated lavishness has made it a masterpiece beloved by the public, but it is still fascinating to encounter with close listening. The composer pulled out all his tricks of dazzling orchestration and melodic invention, but in the service of a grand-scaled structure that skillfully manipulates cyclical and cross-referential transformation of themes through the score’s totality.
Maestro Steve Kurr (below) by now has nurtured remarkably solid resources for an orchestra of this kind. The potent brass choir is really well consolidated, backing fine-sounding woodwinds. Kurr made the most of these resources, in a well-rehearsed performance in which the stress on intensity of playing resulted in highly dramatic results, culminating in a truly noble ending.
This was a richly satisfying program, showcasing an ensemble of which Middleton should be button-burstingly proud.
The largely amateur but highly competent and very accessible Middleton Community Orchestra (below top) will present the final concert of its seventh season.
The performance by the critically acclaimed ensemble , under the baton of Steven Kurr, is on next Wednesday night, June 7, at 7:30 p.m. at the Middleton Performing Arts Center (below top and bottom) that is attached to Middleton High School, 2100 Bristol Street.
MCO concertmaster and violinist Paran Amirinazari (below), who studied at the UW-Madison and who also plays with the Willy Street Chamber Players and the Madison Symphony Orchestra, will be the soloist in the Violin Concerto No. 2 in G minor by Sergei Prokofiev. (You can hear the exquisite second movement, played by Maxim Vengerov, from one of The Ear’s favorite violin concertos in the YouTube video at the bottom.)
General admission is $15. All students are admitted free of charge. Tickets are available at Willy St. Coop West and at the door on the night of the show.
The box office opens at 6:30 p.m. and doors open at 7 p.m.
There will be a meet-and-greet reception after the concert.
Here is an older post, which The Ear stands by, about why attending MCO concerts is so rewarding:
A friend of The Ear and a fan of this blog writes:
Hi Jake,
I want to alert you and your readers that in February we have two performances scheduled at The Malt House (below), 2609 East Washington Avenue, on the corner of Milwaukee Street.
The Yahara String Quartet (below) plays on this coming Saturday, Feb. 4, from 4 to 6 p.m. YSQ says they will play “among others … music by Tchaikovsky, Borodin, Mendelssohn, Mozart, Holst, Haydn, Vivaldi … and more.” For information, go to:
The Cello and Bass Duo of Karl von Huene (cello, below) and John Dowling (contrabass) will play on Saturday, Feb. 11, from 3 to 5 p.m.
Adds Karl von Haene: “We play short pieces by Sebastian Lee (1805-1887) that are obscure enough that I will buy a beer for anyone who knows them. You see, there’s no opus number, they’re just “melodic studies/etudes.”
You can hear the first of Sebastian Lee’s “40 Melodic and Progressive Studies” in the YouTube video at the bottom. For information about Sebastian Lee, who performed and taught in France and Germany, go to:
It’s a funny kind of spring where The Ear lives in the Midwest.
More than giving us a steady spring, the weather seems to bounce back and forth between winter and summer. One week we have high in the 80s. The next week — like the one coming up – we’re in the 50s or lower.
Add in all the rain and gust wind, and this spring has been hard on the flowers in my yard. The daffodils have hardly blossomed and are already shriveling up, while the newly sprouted tulips are already dropping petals.
Oh well, at least we haven’t had tornados—not so far.
But it is still worth s celebrating the greening out and other bright colors we see after the long, gray winter.
How well do you know your flowers from opera? (Below, in a photo by Cory Weaver, is mezzo-soprano Anita Rachvelishvili in a field of red poppies that was used in the production of the 19th-century Russian composer Alexander Borodin‘s opera “Prince Igor” by the Metropolitan Opera.)
Still, it seems that celebrating flowers in music is universal. At the bottom is a YouTube video with an excerpt from the Chinese opera “Jasmine Flower,” which is NOT included in the quiz.
But hard or not, the quiz was fun and educational.
If you think you have to live in a big city to hear fine classical music, think again.
Blog friend Kent Mayfield, who lives in Milwaukee but works with rural musicians, writes:
“Known for its high energy and musical depth, the Kipperton String Quartet (below) will open the 2014 summer concert season for the Rural Musicians Forum with a FREE concert in Spring Green on Monday, June 9.
“The Kipperton String Quartet performs at 7:30 p.m., at Unity Chapel. The Chapel (below top is the exterior and below bottom is the interior) is located on County Road T, just east of Hwy 23. The chapel is a living testament to the simple and contemplative lives early settlers created for themselves in southwest Wisconsin. While famed architect Frank Lloyd Wright did not design the building, he did help in its planning and it seems to reflect at least some of his early designs and influence.
“The Kipperton String Quartet includes (from left) violinists Timothy Kamps and Wes Luke; violist Paul Alan Price-Brenner; and cellist Kevin Price-Brenner.
“Music for a Summer Evening” for June 9 will feature three string quartets from the 19th and 20th centuries.
“The most familiar of these is surely the String Quartet No. 2 in D Major by Russian composer Alexander Borodin (below), who was also a professional chemist. The quartet was well-received during Borodin’s life but managed to “cross-over” into the mega-popular realm when at least two of its themes (heard at bottom in a popular YouTube video) were used as part of the 1953 musical “Kismet.” Robert Wright and George Forrest used several of Borodin’s compositions to accompany a story set in the times of the Arabian Nights. Two songs in particular, “Baubles, Bangles and Beads” and “This is My Beloved” are based directly on lyrical and exotic themes from the second and third movements of Borodin’s quartet.
“The Kipperton String Quartet will also perform Three Divertimenti for String Quartet by Benjamin Britten (below). Britten is one of the great 20th-century composers and certainly among the greatest British composers of all time. The Three Divertimenti are a set of three individual character pieces meant as “pleasing entertainment.” The bristling rhythms, and colorful sounds are broadly appealing. Britten was a composer of great skill and imagination who wrote for the wider public.
“The third work on the Kipperton program for RMF’s “Music for a Summer Evening,” is the String Quartet No. 1 in C major for Strings, Op. 49, by Russian composer Dmitri Shostakovich (below). It is a short piece, in four movements of compact, classical form: a slow opener, then variations on a folk-style melody, followed by a rushing scherzo and an exuberant, dancing finale – a progression from unease to exhilaration taking not much more than a quarter of an hour. The atmosphere is, he said, spring-like. Some of the music came from one of his film scores, for “The Girl Friends,” about three girlhood friends growing up before World War I who eventually become nurses.”
According to RMF Artistic Director, Kent Mayfield, “The Kipperton String Quartet creates a shimmering sound full of energy and virtuosic skill that pleases both the casual listener and more serious students of the classics. This is a perfect way to welcome summer to the Wisconsin River Valley.”