URGENT CORRECTION: The time for tonight’s performance of “Privilege” by the Madison Choral Project has been moved from 7:30 p.m. to 8:30 p.m. due to noise from a nearby football game in Camp Randall Stadium. For more about the concert, go to:
THIS JUST IN: Hi Jake: We’ve got cellist Karl von Huene and bassist John Dowling at the Malt House, at 2609 East Washington Avenue on the corner of Milwaukee Street, again this Saturday, from 3-5 p.m. Karl says the pieces they’ll play are by J.S. Bach, W. A. Mozart, Arcangelo Corelli, S. Lee, F. J. Haydn, G.F. Handel, Dmitri Kabalevsky, and Francesco Durante. It should be fun! Cheers, Bill Rogers
BIG ALERT: This is a reminder that, in this busy week of music, one stand-out concert is by the Grammy Award-winning Los Angeles Guitar Quartet. It will perform the annual Fan Taylor Memorial Concert this Saturday night at 8 p.m. in Shannon Hall of the Wisconsin Union Theater. (You can hear a sample of the Brandenburg Concerto No. 6 they will play in the YouTube video at the bottom.)
The acclaimed quartet will perform music by Bach, Bizet, Debussy, and Villa-Lobos as well as 17th-century Spanish music from the age of the novelist Cervantes For more information about the group, the program and tickets ($10-$48), go to: https://union.wisc.edu/events-and-activities/event-calendar/event/los-angeles-guitar-quartet/
By Jacob Stockinger
The Wisconsin Baroque Ensemble will give a concert of baroque chamber music on Saturday night, April 22, at 7:30 p.m.
It will take place in Saint Andrew’s Episcopal Church, 1833 Regent Street.
Members of the WBE are: Mimmi Fulmer, soprano; Nathan Giglierano, baroque violin; Brett Lipshutz, traverse flute; Eric Miller, viola da gamba; Sigrun Paust, recorder; Monica Steger, traverse flute and harpsichord; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
The program includes:
Georg Philipp Telemann – Quartet for two traversi, recorder and basso continuo, TWV 43:d1
Mr. De Machy – Pièces de Violle, Suite No. 3 (Pieces for Viol)
Francesca Caccini – “Lasciatemi qui solo” (Leave me here alone)
Quentin – Trio Sonata for two traversi and basso continuo, Op. 13, No. 3
Johannes Hieronymus Kapsberger – “Interrotte Speranze” (Vain Hope)
Johann Christoph Pepusch – Trio Sonata for recorder, violin and basso continuo
Georg Philipp Telemann (below) – Nouveaux Quatuors (Paris Quartets), No. 6 in E minor
Giulio Caccini – “Odi, Euterpe” (Hear, Euterpe)
Tickets at the door are $20, $10 for students.
A post-concert reception will be held after the concert at 2422 Kendall Ave, second floor.
For more information, go to: www.wisconsinbaroque.org
ALERT: Radio host Rich Samuels of WORT-FM 89.9, who recorded all of “Bach Around the Clock” this year, writes: “At 7:08 a.m. this Thursday morning, I’ll be airing Saturday’s “Bach Around the Clock” performance of the Brandenburg Concerto No. 3. This was a collaboration of Trevor Stephenson, Kangwon Kim. Nathan and Gillian Giglierano, Micah Behr, Marika Fischer Hoyt, Illana Schroeder, Martha Schroeder, Martha Vallon, Eric Miller and Mark Bridges.”
By Jacob Stockinger
The Ear has been asked by Wisconsin Youth Symphony Orchestras (WYSO) to post something about a worthy cause and a worthy event:
Drum roll, please!
The Wisconsin Youth Symphony Orchestras (WYSO) Percussion Ensemble (below) will host its 16th annual PERCUSSION EXTRAVAGANZA!! on this Saturday, March 25, at 1:30 p.m. in Mills Concert Hall of the UW George L. Mosse Humanities Building. (A video sampler of profiles and music of WYSO’s 13th Annual Percussion Ensemble in 2014 can be heard in the YouTube video at the bottom.)
Tickets are $10 for adults, $5 for youth under 18, and are available at the door 45 minutes before the concert begins.
The WYSO Percussion Ensemble (below top) — 14 student musicians from 10 communities playing under Vicki Jenks (below bottom) — hosts this signature percussion benefit to help others. Previous PERCUSSION EXTRAVAGANZAS! have benefitted Second Harvest Foodbank of Southern Wisconsin and the local American Red Cross.
This year—for the first time ever—Ronald McDonald House Charities will partner with WYSO in the collection of tangible items need for the Ronald McDonald House in Madison. The concert will also feature Ronald McDonald himself in person.
Nearly 60 performers—featuring Mannheim Steamroller drummer, Tom Sharpe (below) —will present eclectic, global music dedicated to PEACE. The theme of the event is “Lifting the World to Peace.”
Other EXTRAVAGANZA artists include Madison’s own Black Star Drum Line Percussion Group, led by Joey B. Banks; the UW-Madison Pan-Global Percussion Ensemble, Todd Hammes, instructor; and the WYSO Chamber Strings, led by its director Karl Lavine (below), principal cellist with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.
For more information and details about the performers and the complete program as well as a video and a list of related activities and needed items you can bring and donate to the Ronald McDonald House Charities, go to:
Parking is available at State Street Campus, Helen C. White, and Grainger Hall parking facilities.
For more information, please contact the WYSO office at (608) 263-3320.
The WYSO Percussion Ensemble and PERCUSSION EXTRAVAGANZA! are supported by the Eric D. Batterman Memorial Fund, the Theodore W. Batterman Family Foundation, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
ALERT: Tonight’s concert of African-American spirituals and songs has been CANCELLED because guest scholar and singer Emery Stephens is ill. The UW-Madison School of Music hopes to reschedule the event later this spring.
By Jacob Stockinger
Guess who turns 332 on March 21?
This coming Saturday will bring a 12-hour, noon to midnight, marathon party for the Birthday Boy – Johann Sebastian Bach (1685-1750, seen below in a humorous poster for a similar event held several years ago).
The local event – now part of the nationwide “Early Music Month” — is being revived, thanks to Madison violist Marika Fischer Hoyt (below), who performs with the Madison Bach Musicians, the Ancora String Quartet and the Madison Symphony Orchestra, and to many sponsors.
The party will take place at St. Andrew’s Episcopal Church (below) on Regent Street. (Several years ago, the event, when it was sponsored by Wisconsin Public Radio, was held at the Pres House.) There will be live audio-visual streaming and free wi-fi, and the event will be recorded.
Here is a link to the updated schedule of performances:
Here is a link to an earlier post about the upcoming event:
If you love the music of Bach (below) – and The Ear doesn’t know anyone who is into classical music who doesn’t revere Bach — there will be a lot to love and to listen to at this FREE and OPEN TO THE PUBLIC celebration.
The event is modeled after a longtime similar event in New Orleans and those who attend it can come and go and come back again.
Local performers include groups and individuals who are professionals (Madison Bach Musicians and Wisconsin Chamber Choir), amateurs and students (Suzuki Strings of Madison).
The impressive program includes lots of variety.
There will be preludes and fugues.
Cantatas and concertos.
Sonatas and suites.
Obscure works will be performed.
But there will also be popular works such as two Brandenburg Concertos (Nos. 3 and 5), The Well-Tempered Clavier (Books I and II), the Magnificat, a Violin Concerto, “Jesu, Joy of Man’s Desiring” and some of The Art of Fugue. (You can hear Fugue No. 1 from “The Art of Fugue,” which will be performed at BATC, in the YouTube video at the bottom.)
There will be music played on period instruments and on modern instruments, including the harpsichord and the piano; the baroque violin and the modern violin; older recorders and newer flutes, the viola da gamba and the cello. And of course there will be lots and lots of singing and organ music.
Given such a marathon undertaking, you should know that there will be refreshments (coffee, tea, bottled water and snacks), comfortable seating and special birthday cakes — served at midnight — provided by Clausen’s Eurpean Bakery in Middleton.
NOTE: You can find out more when several organizers and performers from Bach Around the Clock are Norman Gilliland’s guests on Wisconsin Public Radio’s “The Midday” this coming Thursday from noon to 12:30 p.m.
For more information –including how to support the event with a donation and how to participate in it as a performer – go to the event’s homepage:
Here are some links to previous posts on this blog about attending earlier versions of Bach Around the Clock. Read them and look at the pictures, and you will see how enjoyable they are and how informative they are.
See you there!
By Jacob Stockinger
The big classical music event this week is the opening of the 25th anniversary season of the Madison-based Bach Dancing and Dynamite Society.
It was co-founded and is still co-directed by pianist Jeffrey Sykes, who graduated from the University of Wisconsin-Madison School of Music and now teaches at the University of California-Berkeley; and by Stephanie Jutt, professor of flute at the UW-Madison School of Music who is also principal flute of the Madison Symphony Orchestra.
Here is a link to the BDDS website with information about tickets, programs, venues and performers:
Recently, Jutt (below) spoke to The Ear about the upcoming season, which runs June 10-26:
“This silver anniversary season has something for everybody, and we’ve made it extra special in every way, with personnel, with repertoire and with audience favorites that we’re bringing back.
“In the first week, we have two short pieces by our featured composer, Kevin Puts “Air for Flute and Piano” and “Air for Violin and Piano,” and the world premiere of “In at the Eye: Six Love Songs on Yeats’ Poetry,” a piece we co-commissioned, with several other participating festivals, from the American composer Kevin Puts (below).
We commissioned him just before he won the Pulitzer Prize, luckily for us! We have performed several works by him in the past (“Einstein on Mercer Street,” “Traveler” and “Seven Seascapes”), and he will be here for the premiere performances at the Overture Playhouse and the Hillside Theater at Frank Lloyd Wright’s Taliesen compound in Spring Green.
(NOTE: Composer Kevin Puts will speak about “How Did You Write That?” at the FREE family concert on this coming Saturday, to be held 11-11:45 a.m. in The Playhouse of the Overture Center.)
“In Week 2, we have three crazy, inspired works by Miguel del Aguila (below), a Uruguayan composer from Montevideo, who now lives in Los Angeles, that we commissioned and premiered. We’ll be performing “Salon Buenos Aires,” the piece that we commissioned, along with “Presto II” and “Charango Capriccioso.”
During Week Two, we are also bringing back the amazing pianist, arranger and raconteur Pablo Zinger (below), also originally from Uruguay and a longtime New Yorker, to perform his arrangements of movie music by Nino Rota, Henry Mancini and others, as well as some of Pablo’s brilliant arrangements of tangos by Astor Piazzolla.
“In Week 3, we are bringing back the “Four Seasons of Buenos Aires” by Astor Piazzolla and the “Four Seasons” by Antonio Vivaldi. People have begged us to repeat this program for years. It’s one of the most thrilling programs we’ve done, and this seems like the perfect time to return to this beloved repertoire. (You can hear the Summer section of Piazzolla’s Four Season of Buenos Aires in the youTube video at the bottom.)
“In the same Week Three, you will also hear some favorite works, the Brandenburg Concerto No. 4 by Johann Sebastian Bach and, in Week 1, Franz Schubert’s final song cycle, “Schwanengesang” (Swan Songs”) with one of our favorite artists, bass-baritone Timothy Jones (below top). That third week also features the Ravel Piano Trio with the San Francisco Trio (below bottom), comprised of Axel Strauss on violin, Jean-Michel Fontaneau on cello, and JeffreySykes on piano.
“We wanted to repeat special things and also do new pieces. Some of the music has links to the number 25 for our 25th anniversary – like Opus 25 for the Piano Quartet by Johannes Brahms or the Piano Concerto No. 25 by Mozart.
“We’re spending a lot more on artist fees this summer – it increases our budget by a lot, but it makes for a very special 25th season. We will have special mystery guests and special door prizes, as we love to do, and some special audience participation activities. (Below is a standing ovation from the audience at The Playhouse.)
“Did we think we would reach 25 years when we started? Of course not! We didn’t even think we’d reach two. It was started on such a lark.
“But the festival resonated with the summer audience and has every single year. I think we’ve been a success because listeners love to approach serious music with a light touch. You don’t have to behave very seriously to play serious music in a serious way. Artists from all over the United States come to play with the Bach Dancing and Dynamite Society and it’s what draws them back year after year.
“We make a huge effort to make the music approachable, for ourselves as well as the audience. We talk about the music itself, about what it is like to learn it, and what it’s like to be together in such an intense way during the festival.
“We try to share the whole experience with the audience, and it’s something you just don’t find anywhere else. The concert doesn’t just go on in front of you, presented on a fancy plate. It surrounds you and you are a part of it.”
Here are two preview posts that appeared here:
Here is a review written by Greg Hettmansberger for his blog WhatGregSays and Madison Magazine:
And here is a review by Lindsay Christians for The Capital Times:
By Jacob Stockinger
No new classical music group generated more great buzz last year than The Willy Street Chamber Players. And that enthusiasm was shared by The Ear, who can’t recall hearing anyone or anything being negative about the group’s inaugural season.
Here is a link to one rave review, written by John W. Barker for this blog, that focused on astounding performance of the famous Octet by Felix Mendelssohn and a Brandenburg Concerto No. 3 by Johann Sebastian Bach:
A friend of The Ear who plays with the Willy Street Chamber Players (below) sends the following word:
Newcomers to the Madison classical music scene, the critically acclaimed group The Willy Street Chamber Players, will be returning to the stage for a second season this July.
The group will perform four concerts at Immanuel Lutheran Church (below), 1021 Spaight St., and season tickets are available now.
Here is a link to the updated events page:
This summer’s concerts will include fresh performances of time-honored classics. They include the Clarinet Quintet by Wolfgang Amadeus Mozart and the fiery “Souvenir de Florence” by Peter Ilyich Tchaikovsky.
The season will also include works that will be new to many Madison audience members.
Guest artists include violinist Suzanne Beia (below top) of the UW-Madison’s Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra; clarinetist Joe Morris (below middle), who is leaving the Madison Symphony Orchestra; and UW-Madison graduate student pianist Thomas Kasdorf (below bottom).
New this season will be a performance given in partnership with the Madison Museum of Contemporary Art on the evening of Friday, July 22, 2016.
That’s when the Willy Street Chamber Players will present the monumental work, “Black Angels,” composed by George Crumb (below) for electric string quartet, in what promises to be an unforgettable performance.
Written in response to the Vietnam War, this avant-garde work requires players to amplify their instruments, speak with their mouths, perform with extended techniques, play on crystal glasses and more. (You can hear Part 1 in the YouTube video at the bottom.)
In the meantime, you can hear the group live on Wisconsin Public Radio‘s Midday Show with Norman Gilliland (below) on this Thursday, April 21, at noon. This special broadcast will be performed in front of a live studio audience in celebration of the Midday Show’s 25th anniversary.
Visit www.willystreetchamberplayers.org for 2016 season details, tickets and more.
ALERT: This Saturday will see the annual Winterfest concerts by the Wisconsin Youth Symphony Orchestras, which is celebrating its 50th anniversary. Some 400 student musicians will take part. The special guest is bassoonist Nancy Goeres (below), an alumna of WYSO from 1966 to 1970, who now performs professionally with the Pittsburgh Symphony Orchestra. Music by Johann Stamitz, Francois Joseph Gossec, Franz Joseph Haydn, Jean Sibelius, Peter Ilyich Tchaikovsky, Emmanuel Chabrier, Heitor Villa-Lobos, Witold Lutoslawski and Duke Ellington will be performed, Here is a link to the lists of impressive programs and performers:
By Jacob Stockinger
UW-Madison faculty members bassoonist Marc Vallon and saxophonist-composer Les Thimmig will lead a FREE musical tribute to the French avant-garde composer and conductor Pierre Boulez (below) this Friday night a 8 p.m. in Morphy Recital Hall.
Here is a link with more background about Boulez, including an essay by UW professor Marc Vallon (below, in a photo by James Gill), who worked with Boulez:
Called “Le Domaine Musical,” the event will also feature other UW-Madison faculty members and student musicians.
They include violist Sally Chisholm, violinist Soh-Hyun Park Altino, flutist Stephanie Jutt, organist/keyboardist, John Chappell Stowe, hornist Daniel Grabois, pianist Christopher Taylor as well as cellist Martha Vallon, Micah Behr, Thalia Coombs, Ivana Ugrcic, Joanna Schulz, Dave Alcorn, Kai-Ju Ho, Sarah Richardson, Michel Shestak, Rosalie Gilbert and the Hunt String Quartet (Paran Amirinazari, Clayton Tillotson, Blakeley Menghini and Andrew Briggs)
Here is the complete program:
Pierre Boulez (1925-2016) – Dérive 1 for 6 instruments (1984) — Heard in a YouTube video at the bottom as performed by the same group, the Ensemble Intercontemporain, that Boulez founded and led for many years in Paris.
Pierre Boulez (1925-2016) – Notations for piano (1946)
Anton Webern (1883-1945) Six Bagatelles for string quartet, Op. 9
Anton Webern (1883-1945) – Drei Gesänge (Three Songs) aus “Viae inviae” von Hildegard Jone, Op. 23
Claude Debussy (1962-1918) – Three Poems of Stéphane Mallarmé
Claude Debussy (1962-1918) Sonate for flute, viola and harp (1904). Pastorale: Lento, dolce rubato; Interlude: Tempo di Minuetto; Finale. Allegro moderato ma risoluto
Short Webern style intermission
Johann Sebastian Bach (1685-1750) Brandenburg Concerto No. 6 (no marking) –Adagio ma non tanto- Allegro
Pierre Boulez (1925-2016) Mémoriale (…explosante fixe… Originel) for solo flute and eight instruments (1985)
By Jacob Stockinger
This is a very busy week for classical music in Madison.
Tickets are $15-$80.
The virtuoso flutist Dionne Jackson (below) — who now teaches at the University of Connecticut — will solo with the Wisconsin Chamber Orchestra under the baton of its longtime music director and conductor Andrew Sewell.
This marks Jackson’s first return to the WCO since her debut in 2000, when she wowed the crowd with her performance of the snappy and colorful Flute Concerto by the French composer Jacques Ibert.
This time she is performing the Flute Concerto by the Danish composer Carl Nielsen as well as the Brandenburg Concerto No. 5 by Johann Sebastian Bach. (You can hear it performed in a YouTube video at the bottom.)
To top off the varied program of 18th-, 19th- and 20th-century composers – such eclecticism is a hallmark of Sewell’s programming – the WCO will perform the “Ancient Airs and Dances” Suite No. 1, based on lute music of the 16th century, by the Italian composer Ottorino Respighi.
The WCO’s finale will be the Symphony No. 79 in F Major by Franz Joseph Haydn, whose underappreciated output is quickly becoming a specialty of Maestro Sewell (below) – something to rejoice over since Haydn is, according to American composer John Harbison, easily the most neglected on the great composers.
Here is more information about the concert, the performers, tickets, the pre-concert dinner and the repertoire:
By Jacob Stockinger
This is the closing weekend of this summer’s Token Creek Festival.
The closing “Buoyant Baroque” program, featuring the Lydian Quartet and others performing music by Johann Sebastian Bach, Arcangelo Corelli and Georg Frideric Handel among others, will be performed tonight at 8 p.m. and Sunday afternoon at 4 p.m. (The Ear sees that Sunday’s performance is sold out, but you should check for yourself. Sometimes spots open up form cancellations.)
Here is a link to find out more:
Harbison is a very accomplished man and musician. He has played the piano this summer for the festival, and he is also a preeminent contemporary composer who teaches at MIT. He has won a Pulitzer Prize and a MacArthur genius grant among his many honors. And at the Token Creek Festival, he is the most enlightening commentator on composers and specific works that The Ear has ever heard.
So it seemed a good time to bring to your attention a story done by NPR or National Public Radio about the Tanglewood Festival of the Boston Symphony Orchestra since it features John Harbison as a major source and interview. This summer the festival turned 75.
Harbison is, after all, the co-director – with fellow composer Michael Gandolfi — of the composing program at Tanglewood Music Center, which is where he often premieres his own new works and where he was busy working just before he came to Madison for the Token Creek Festival.
The Ear finds it interesting to hear how, ever since the festival’s beginning, the creativity of young composers and young performers has always been cultivated and encouraged, with an emphasis on creating new music and keeping the classical music world vibrant and current.
Below is a photo of this summer’s world premiere of a new work by Michael Gandolfi, with famed soprano Dawn Upshaw (on the far right in purple) working with student performers.
By Jacob Stockinger
The Ear’s friends at the Token Creek Festival write:
The Token Creek Festival is pleased to announce the return to Madison of the Lydian String Quartet from Boston on this Thursday night, Aug. 27, at 8 p.m. The Lydians last appeared at Token Creek in 1999, for a pair of outstanding concerts with the soprano Benita Valente.
The Lydian’s recital features two string quartets by two contemporary composers whose work they have championed for many years — Lee Hyla and John Harbison — along with the Mendelssohn Quartet in E flat, Op. 12 (1829).
The Lydian Quartet (below) has performed a large number of new pieces. Their Token Creek program includes two that were composed within a four-year span, but which speak two very different American musical languages.
Both Hyla’s Quartet No. 3 (1989), commissioned by Chamber Music America, and Harbison’s Quartet No. 3 (1993), commissioned by Brandeis University, are single-movement works.
The work by Lee Hyla (below, in a photo by Mark Wilson for The Boston Globe) begins consonantly and reflectively, with a ravishingly beautiful homophonic passage that haunts much of the subsequent music. (You can hear the haunting Hyla work played by the Lydian Quartet in a YouTube video at the bottom.)
The work traverses a wide terrain and gradually branches out into a discourse that is hardly inferable from its opening strains, and that ultimately leads to a major climax and a quiet, inevitable conclusion.
The quartet by John Harbison (below) is hymnodic, rarely contrapuntal, and sustains its central musical declaration throughout, with the exception of two “out of the blue,” unexplained interludes.
The BBC Music Magazine called the piece “a fascinating, alluring, and moving musical argument,” and the Boston Globe considers it “one of Harbison’s finest works, an important addition to the repertory for the string quartet. . . The moods are volatile and wide‑ranging ‑ intimate, public, ferocious, suave, passionate, masked, fleeting and sustained.”
The string quartets by Felix Mendelssohn (below) are among his finest and most striking compositions. They reconcile classical models with romantic passion.
Mendelssohn’s admiration of Ludwig van Beethoven shines brightly in this work. It is lovely music throughout, ebullient and euphonious, and its third movement, the Canzonetta, is probably the single best-known chamber music movement in Mendelssohn’s output.
In addition to their own recital, the Lydians will also appear on the closing concerts of the Token Creek Festival (Saturday, Aug. 29, at 8 p.m. and Sunday, Aug. 30, at 4 p.m.). They will anchor a program of Baroque concerti (with some related smaller chamber pieces), including the irrepressible Brandenburg Concerto No. 1 by Johann Sebastian Bach as well as works by George Frideric Handel and Arcangelo Corelli.
Tickets are $30 ($10 for students) for all performances.
Tickets can be bought by using the order form at the Token Creek website www.tokencreekfestival.org, by phone at 608-241-2525, by email at firstname.lastname@example.org, or by U.S. mail at P.O. Box 5201, Madison WI, 53705.
Performances take place at the Festival Barn, on Highway 19 near the hamlet of Token Creek (10 minutes north of Madison) with ample parking available. The venue, indoors and air-conditioned, is invitingly small—early reservations are recommended.
More information about the Token Creek Festival and all events can be found at the website, http://www.tokencreekfestival.org or by calling 608-241-2525.