The Well-Tempered Ear

Classical music: Saturday is busy with baroque music by Vivaldi and Bach at the Wisconsin Union Theater; Wagner’s opera “Die Walküre” in cinemas; and FREE Beethoven performances for families by the Wisconsin Chamber Orchestra

March 28, 2019
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By Jacob Stockinger

This Saturday, March 30, is busy with classical music from morning until night.

In the morning, the Wisconsin Chamber Orchestra’s Family Series features two FREE performances of “Beethoven Lives Next Door” featuring Beethoven’s iconic Fifth Symphony.

They start with pre-concert educational activities at 9 a.m. and 10:45 a.m. with 40-minute concerts at 9:30 a.m. and 11:15 a.m.

All activities take place at the Warner Park Recreational Center, 1625 Northport Drive.

To get FREE tickets and see more information, go to:

https://wisconsinchamberorchestra.org/education/wco-connect-family-concerts/

From 11 a.m. to 4 p.m., the penultimate Live From the Met in HD production of this season will feature “Die Walküre” (The Valkyries), the Metropolitan Opera’s second installment of the epic “Ring” cycle by Richard Wagner.

Screenings will be at the Point Cinema on the west side, near West Towne Mall, and the Palace Cinema in Sun Prairie.

The encore HD showings are next Wednesday, April 3, at 1 p.m. and 6:30 p.m.

The opera will be sung in German with supertitles in English, Italian and Spanish.

Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.

 It will also be broadcast live on Wisconsin Public Radio, starting at 11 a.m. (You can hear the famous and dramatic “Ride of the Valkyries” in the YouTube video at the bottom.)

For a cast list and synopsis, go to:

https://www.metopera.org/season/in-cinemas/synopsiscast/2018-19/die-walkure/?performanceNumber=15381

For information about the production, go to:

https://www.metopera.org/season/2018-19-season/die-walkure/

But the big local event is the Madison debut of Apollo’s Fire (below), a period-instrument baroque group that just won a 2019 Grammy Award, at 7:30 p.m. in Shannon Hall of the Wisconsin Union Theater.

The program features suite and concertos by Antonio Vivaldi and Johann Sebastian Bach. Vivaldi’s Concerto for Four Violins and “The Goldfinch” Flute Concerto will be featured as will Bach’s Orchestral Suite No. 2 and Brandenburg Concerto No. 3.

Trevor Stephenson, founder and director of the Madison Bach Musicians, will give a FREE pre-concert lecture at 6 p.m. in the Old Madison Room.

For more information and samples of rare reviews about the Cleveland-based group devoted to passionate and dramatic performances of early music, go to:

https://apollosfire.org

For the full program, background, videos and ticket information ($10-$47), go to:

https://union.wisc.edu/events-and-activities/event-calendar/event/apollos-fire/


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Classical music: Sonata à Quattro celebrates early music and the importance of the viola in concerts this Friday night and Sunday afternoon

November 1, 2018
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By Jacob Stockinger

As far as The Ear can tell, Marika Fischer Hoyt has two big professional passions: early music, especially the music of Johann Sebastian Bach; and the viola, which she plays, teaches and champions in the Madison Bach Musicians, the Madison Symphony Orchestra, Bach Around the Clock (which she revitalized and directs) and now Sonata à Quattro (which she founded last summer, when it made its impressive debut as an adjunct event to the Madison Early Music Festival).

Those two passions will come together in Madison this Friday night, Nov. 2, and in Milwaukee this Sunday afternoon, Nov. 4,  in concerts by the new Baroque chamber music ensemble Sonata à Quattro (below) with the theme “Underdog No More – The Viola Uprising.”

Here are the two dates and venues:

Friday, Nov. 2, at 7:30 p.m. at the Immanuel Lutheran Church, 1021 Spaight Street, in Madison; tickets are $15 and available at the door, and also online at www.brownpapertickets.com/event/3660161

Sunday, Nov. 4, at 4 p.m. at the Villa Terrace Decorative Arts Museum, 2220 North Terrace Avenue, in Milwaukee; tickets are $20 for general admission, $10 for students at the door, and online at www.violauprising.brownpapertickets.com

Fisher Hoyt (below) has this to say this about the theme of “The Viola as Underdog”:

“A caterpillar turning into a butterfly – that was the violin in the 17th century. In the early 1600’s the violin evolved almost overnight from dance band serf into the rock star of the musical family.

But the viola’s larger size, heavier weight, more slowly responding strings and darker timbre kept it in the shadows, consigned to rounding out harmonies under the violin’s pyrotechnics. (Indeed, vestiges of this status remain to the present day, in the form of the omnipresent viola joke).

Composers like Bach, Mozart and Beethoven played the viola (below is Marika Fischer Hoyt’s baroque viola made in Germany in the 1770’s) themselves, and gave it challenging melodic and soloistic opportunities in their works. But these were the exception rather than the rule; the viola’s main role in the 17th century was that of filler in an ensemble.

But if agile violins and cellos serve as the arms and legs of a musical texture, the viola’s rich dark voice gives expression to the heart and soul. This added dimension is enhanced when, as happened frequently in France, Germany and Italy, two or more viola lines are included.

Our program presents works from 1602-1727 that explore those darker, richer musical palettes, culminating in Bach’s ultimate exaltation of the underdog, the Brandenburg Concerto No. 6.” (You can hear the Bach work in the YouTube video at the bottom.)

Performers in the group for these performances are Consuelo Sañudo, mezzo-soprano; Christine Hauptly-Annin and Anna Rasmussen, violins; Micah Behr and Marika Fischer Hoyt, violas; Ravenna Helson and Eric Miller, violas da gamba; Charlie Rasmussen, cello; and Daniel Sullivan, harpsichord.

The program includes:

Fuga Prima, from Neue Artige und Liebliche Tänze (New-styled and Lovely Dances(1602) by Valentin Haussmann (1565-1614)

Sonata à 5 in G Minor, Op. 2 No. 11 (1700) by Tomaso Albinoni (1671-1751)

Mensa Sonora, Pars III (1680) by Heinrich Biber (1644-1704)

Sonata à 5 in E Minor, TWV 44:5 by Georg Friedrich Telemann (1681-1767)

Sinfonia from Cantata 18 Gleichwie der Regen und Schnee (Just as the Rain and Snow) (1714) by Johann Sebastian Bach (1685-1750)

INTERMISSION

Sonata à Quattro II in C Major  “Il Battista” (The Baptist) (1727) by Antonio Caldara (1670-1736)

Lament:  Ach, daß ich Wassers gnug hätte (O, that I had enough waters) by Johann Christoph Bach (1642-1703)

Brandenburg Concerto No. 6 in B-flat Major, BWV 1051 (1718) by J.S. Bach

Here is a link to the Facebook page of Sonata à Quattro with videos and photos as well information about the players and upcoming concerts: https://www.facebook.com/sonataaquattro/

The Madison concert will be followed by a reception of dark chocolate, mocha and cappuccino.


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Classical music: The Madison Area Youth Chamber Orchestra (MAYCO) performs works by Bach, Elgar and Shostakovich plus a world premiere by Zachary Green this Saturday night

June 12, 2018
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By Jacob Stockinger

The Ear has received the following note to post from Mikko Rankin Utevsky – the founder and director of the Madison Area Youth Chamber Orchestra (MAYCO) – and his concertmaster wife Thalia Coombs. Both are graduates of the Mead Witter School of Music at the University of Wisconsin-Madison.

Dear Friends:

Thalia and I are excited to announce the Madison Area Youth Chamber Orchestra’s 2018 concerts that begin this coming Saturday night.

MAYCO is a mentorship-based training orchestra for advanced high school and college musicians, and we’ll be returning to our two-concert season format this summer. Details about the programs are below.

We have run MAYCO on a volunteer basis almost entirely on ticket revenue for the past eight years. But as expenses for space and music have risen, we’ve begun to outgrow that budget. If you’d like to help support our educational and performing work and keep this extraordinary organization going strong, you can make a tax-deductible contribution through our financial sponsor, Arts Wisconsin:

http://www.artswisconsin.org/programsservices/fiscal-receiver-services/supportmayco/

If you want to learn more about our work, you can follow us on Facebookand check out our website.

Here are the two programs this summer:

Saturday, June 16, at 7:30 p.m. in Immanuel Lutheran Church (below top), 1021 Spaight Street

Bach: Brandenburg Concerto No. 3 in G major, BWV 1048 (in the YouTube video at the bottom)

Elgar: Serenade for Strings, Op. 22

Shostakovich: Chamber Symphony in C minor, Op. 110, (from the String Quartet No. 8)

Zachary Green (below bottom): “Semblance” a 2018 New Music Project commissioned work

 

Saturday, August 4, at 7:30 p.m. in First United Methodist Church (below top), 203 Wisconsin Avenue

Mozart: Piano Concerto No. 9 in E-flat Major with Trevor Stephenson (below bottom) of the Madison Bach Musicians on fortepiano

Copland: Appalachian Spring

 This program will be repeated on August 5 at 12:30 p.m. as part of the live-streamed Sunday Afternoon Live at the Chazen Museum concert series.

Tickets for the June 16 and August 4 performances are $10 at the door; students are admitted by donation. Tickets can also be purchased in advance via Eventbrite: https://www.eventbrite.com/e/madison-area-youth-chamber-orchestra-craft-tickets-46700364046.

Thank you all for your support, and we hope to see you this summer.

Mikko and Thalia

This project is funded in part by a grant from the Madison Arts Commission, with additional funds from the Wisconsin Arts Board; and by Dane Arts, with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation.


Classical music: Why are mornings the right time for listening to Baroque music?

April 7, 2018
7 Comments

By Jacob Stockinger

Recently I have spent many mornings listening to a lot of Baroque music. It was programmed on Wisconsin Public Radio.

That’s how I ended up listening to so many great concertos, sonatas, cantatas and other music by Johann Sebastian Bach (below top) and Antonio Vivaldi (below bottom) – my two favorites – as well as Georg Frideric Handel, Domenico Scarlatti, Georg Philipp Telemann and several masters of the Italian baroque. (At the bottom is Bach’s appealing Brandenburg Concerto No. 6, written for lower strings without violins, which I heard.)

Of course so much of Baroque music is appealing by itself and on its own at any time.

And I have heard it in recordings and in live performance  at all different times of the day – mornings, afternoons and nights.

But somehow Baroque music just feels most right in the morning.

I think I have some ideas why.

But it seems like a great question to ask readers about.

So, readers, The Ear asks you: What makes mornings seem so ideal for listening to Baroque music?

Do you have a favorite Baroque composer?

And do you have a favorite Baroque piece?

Leave names of composers and pieces, along with a YouTube link, in the COMMENT section.

The Ear wants to hear.


Classical music: This Saturday’s CAN’T MISS, MUST-HEAR Bach Around the Clock 5 is new and improved with something for everyone who loves the music of Johann Sebastian

March 9, 2018
4 Comments

By Jacob Stockinger

How do you like your Bach?

No matter how you answer, it is just about certain that you will find it at this Saturday’s marathon Bach Around the Clock 5, which is even more impressive this year than last year, which was plenty successful.

BATC 5 is a community birthday celebration of the life and music of Baroque master Johann Sebastian Bach (below) – for many, The Big Bang of classical music — who turns 333 this month.

BATC 5 will take place this Saturday from 10 a.m. to 10 p.m. in St. Andrew’s Episcopal Church (below) at 1833 Regent Street, on Madison’s near west side.

NOTE: If you can’t make it in person, the entire event will be streamed live, as it was last year, from the church via a link on the BATC web page.

https://bacharoundtheclock.wordpress.com/live-stream/

But also – new this year – you can listen via streaming from the web site of Early Music America, which also awarded the event one of only five $500 grants in the entire U.S.

https://www.earlymusicamerica.org

For all 12 hours, BATC 5 is FREE and OPEN TO THE PUBLIC. Those who attend are also encouraged to be informal in dress and behavior – to come in and listen, then leave and came back again – in short, to wander in and out as they want to or need to.

To The Ear, the event has been improved in just about every way you can think of.

Do you like to hear professional performers? Amateurs? Students? You will find lots of all of them. (Below are the Sonora Suzuki Strings of Madison.)

Do you like your Bach on period instruments, such as the harpsichord and the recorder, using historically informed performance practices? BATC 5 has that.

Do you like your Bach on modern instruments like the piano? BATC has that too. (Below is Tim Adrianson of Madison who will play the Partita No. 5 in G Major this year.)

Do you like more familiar works? There will be the Harpsichord Concerto No. 1 in D minor, the Concerto for Two Violins and the Brandenburg Concerto No. 2. (Last year saw Brandenburg Concertos Nos. 3 and 5, and BATC director Marika Fischer Hoyt says her plans call for the one-day festival to work its way through all six Brandenburgs before repeating any.) You can hear the Brandenburg Concerto No. 2 in the YouTube video at the bottom.

Do you like less familiar works to expand your horizon? There will be lots of those too.

Do you prefer Bach’s vocal and choral writing? BATC has lots of it, including the famous Cantata No. 140 (“Wachet auf”) performed by UW baritone Paul Rowe (below, in a photo by Michael R. Anderson) and his students from the UW’s Mead Witter School of Music, plus two solo cantatas. The Wisconsin Chamber Choir will also sing.

Do you prefer Bach’s instrumental music? BATC has that in abundance, from solo pieces like a Cello Suite to chamber music such as an Organ Trio Sonata and larger ensembles.

Do you like the original versions? No problem. BATC has them.

Do you like novel or modern arrangements and transcriptions of Bach’s universal music? BATC has them too.

Concerned about how long the event is?

You might want to bring along a cushion to soften a long sit on hard pews.

Plus, there is more food and more refreshments this year, thanks to donations from Classen’s Bakery, HyVee, Trader Joe’s and the Willy Street Co-op.

There are more performers, up from 80 last year to about 200. And they include a pianist who is the official Guest Artist Lawrence Quinnett (below) and is coming all the way from North Carolina, where he teaches at a college, to perform two half-hour segments of Preludes and Fugues from The Well-Tempered Clavier, Book II.

Here is a link to Quinnett’s own web site:

http://www.lawrencequinnett.com

But familiar faces and voices from the UW-Madison and other groups in the Madison area will also be returning to perform.

Also new this year is a back-up group for concertos and accompaniment.

Some features have been carried over, including mini-interviews with performers conducted by hosts, including Stephanie Elkins (below top) of Wisconsin Public Radio and Marika Fischer Hoyt herself (below bottom, with flutist Casey Oelkers, on the left, who works for the Madison Symphony Orchestra)


But The Ear is also impressed by how little repetition in repertoire there is from last year. So far, each year feels pretty much new and different, and the newly designated non-profit organization, with its newly formed board of directors, is working hard to keep it that way.

What more is there to say?

Only that you and all lovers of classical music should be there are some point – or even more than one.

Here is a link to the BATC general web site, with lots of information including how to support this community event — which, for the sake of full disclosure, The Ear does:

https://bacharoundtheclock.wordpress.com

And here is a link to the full schedule that you can print out and use as a guide. It also has last year’s schedule for performers and pieces that you can use for purposes of comparison:

https://bacharoundtheclock.wordpress.com/concert-schedule/

Let the music begin!

See you there!


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Classical music: This Sunday brings a preview of Bach Around the Clock 5. Plus, a FREE song recital is on Friday at noon.

March 1, 2018
4 Comments

CORRECTION: The two performances by the Madison Symphony Orchestra the were listed earlier in this post took place last Sunday, and are NOT scheduled for this coming Sunday. The Ear apologizes and regrets the error. 

ALERT: This week’s FREE Friday Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features mezzo-soprano Consuelo Sañudo (below) and pianist Jeff Gibbens performing music by Johann Sebastian Bach, Ludwig van Beethoven, Claude Debussy, Andre Caplet and Maurice Ravel. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

On this Sunday, March 4, you can hear a sample of the Bach Around the Clock marathon that will take place a week from Saturday, on March 10, from 10 a.m. to 10 p.m. in St. Andrew’s Episcopalian Church, 1833 Regent St.

The preview of the event that celebrates the 333nd birthday of Johann Sebastian Bach (below) will be this month’s Sunday Afternoon Live From the Chazen concert. It starts at 12:30 p.m. in Brittingham Gallery No. 3.

NOTE: It will also be live-streamed from the UW-Madison’s Chazen Museum of Art via the following website:

https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-at-the-chazen-march-4-with-back-around-the-clock/

The program features the popular Brandenburg Concerto No. 2 in F Major (with flutist Dawn Lawler, below top, as soloist) and the familiar Harpsichord Concerto No. 1 in D minor (with Mark Brampton Smith, below bottom, as soloist). (You can hear the opening of the Harpsichord Concerto in the YouTube video below.)

There will also be selections by Bach from the books for the Suzuki method.

Information about the program and performers is on the website above.

For more information about the complete Bach Around the Clock, as well as the Chazen preview, including the full schedule of works and performers with times and information about live-streaming, go to:

https://bacharoundtheclock.wordpress.com

 

 


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