The Well-Tempered Ear

Classical music: This weekend the Madison Symphony Orchestra and Grammy-winning guitarist Sharon Isbin will perform Spanish music and a new concerto by Chris Brubeck

November 13, 2017
Leave a Comment

By Jacob Stockinger

This weekend, the Madison Symphony Orchestra (MSO), with music director John DeMain conducting, will present the third concert of its 92nd season.

“Troubadour: Two Faces of the Classical Guitar” features Grammy-winning guitar virtuoso Sharon Isbin (below) playing two works: one written for Isbin by American composer Chris Brubeck; and the other by the Spaniard Joaquin Rodrigo. (Isbin will also give a FREE and PUBLIC master class on Thursday from 10 a.m. to noon in Morphy Recital Hall on the UW-Madison campus in the Humanities Building on North Park Street.)

In addition the MSO will perform two 20th-century ballet suites — The Three-Cornered Hat by Spanish composer Manuel De Falla and Billy the Kid by American composer Aaron Copland.

The concerts (below, in a photo by Peter Rodgers) are in Overture Hall at the Overture Center, 201 State Street on Friday, Nov. 17, at 7:30 p.m.; Saturday, Nov. 18, at 8 p.m.; and Sunday, Nov. 19, at 2:30 p.m.

Tickets are $18-$90. Details are below.

Invoking a sense of the American heartland, Billy the Kid was written by Copland (below) as a ballet following the life of the infamous outlaw. This piece is most well-known for the memorable “cowboy” tunes and American folk songs that paint a vivid picture of the Wild West.

The virtuosity and versatility of multiple Grammy Award-winner Sharon Isbin is on display in this program of contrasts: the jazz idioms of the American composer Chris Brubeck’s “Affinity: Concerto for Guitar and Orchestra,” written for Sharon Isbin, alongside the lush romanticism of the Spaniard Joaquin Rodrigo’s “Concierto de Aranjuez.” (You can hear Sharon Isbin play the beautiful slow movement of the Rodrigo concerto in the YouTube video at the bottom.)

The piece by Brubeck (below) contains strong hints of the jazz influence of his father, noted pianist and composer Dave Brubeck. Inspired by the gardens at Palacio Real de Aranjuez, Rodrigo’s composition attempts to transport the listener to another place and time through the evocation of the sounds of nature.

Isbin’s performances of Chris Brubeck’s “Affinity: Concerto for Guitar and Orchestra” have received wide acclaim: “The concerto takes off with Isbin delivering rapid-fire virtuosity with infectious themes. The slow middle is a tender jazz-based tribute to Dave Brubeck, and Isbin played with heartfelt warmth and tenderness. The finale was an infectious rhythmically driven journey through myriad styles. It was as intriguing as it was moving … Isbin is much more than a virtuoso; she is an artist of depth.”

The Three-Cornered Hat by De Falla (below) is based on a story written by Pedro de Alarcón about a Corregidor (magistrate) who tries, without success, to seduce the pretty wife of the local miller.

One hour before each performance, Michael Allsen (below, in a photo by Katrin Talbot), professor at UW-Whitewater, MSO trombonist and writer of MSO’s program notes, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please read Allsen’s Program Notes at: http://www.allsenmusic.com/NOTES/1718/3.Nov17.html.

The Symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk (free for all ticket-holders).

Single Tickets are $18-$90 each and are on sale now at https://www.madisonsymphony.org/singletickets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, go to: https://www.madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets. More information is at: https://www.madisonsymphony.org/studentrush

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

ABOUT SHARON ISBIN

Acclaimed for her extraordinary lyricism, technique, and versatility, Sharon Isbin has been hailed as “the pre-eminent guitarist of our time.” Recipient of numerous prestigious awards, her debut concert with the MSO comes after over 170 solo performances with orchestras including the New York Philharmonic, National Symphony, London Symphony, Baltimore Symphony, Orchestre National de France, and the Tokyo Symphony.

Isbin is the subject of a one-hour documentary presented by American Public Television. Seen by millions on over 200 PBS stations throughout the US, it is also available on DVD/Blu-ray and won the 2015 ASCAP Television Broadcast Award. “Sharon Isbin: Troubadour” paints the portrait of a trailblazing performer and teacher who over the course of her career has broken through numerous barriers to rise to the top of a traditionally male-dominated field.

The following is a dedicated website where you can view the trailer, read rave reviews, and see detailed broadcast dates: www.SharonIsbinTroubadour.com

Major funding for the September concerts is provided by: NBC-15, the Madison Symphony Orchestra League, and Elaine and Nicholas Mischler. Additional funding provided by Scott and Janet Cabot, John DeLamater and Janet Hyde, Steven Weber, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

Advertisements

Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: A busy week at the UW spotlights choral and vocal music with some wind, brass and guitar music included

November 12, 2017
Leave a Comment

By Jacob Stockinger

It’s going to be a busy week at the University of Wisconsin-Madison’s Mead Witter School of Music.

And especially if you are a fan of choral music, there is much to attract you.

Here is run-down by the day:

TODAY

At 3 p.m. in Mills Hall is a FREE concert of Combined Choirs that features the Women’s Chorus (below), the University Chorus and the Masters Singers.

Sorry, no word about the program, but the groups’ past record suggests excellent programs are in store.

TUESDAY

From noon to 1:30 p.m. in Morphy Recital Hall, William Buchman (below), who is assistant principal bassoon of the Chicago Symphony Orchestra and a faculty member at DePaul University in Chicago, will give a master class that is FREE and OPEN TO THE PUBLIC.

At 7:30 p.m. in Music Hall on Bascom Hill, University Opera a FREE Fall Opera Scenes program with UW student singers (below form last year).

Featured are excerpts from four operas and one Broadway musical: “The Marriage of Figaro” by Wolfgang Amadeus Mozart; “Orpheus in the Underworld” by Jacques Offenbach; “Der Freischuetz” (The Marksman or Freeshooter) by Carl Maria von Weber; and “Carousel” by Rodgers and Hammerstein,

WEDNESDAY

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet (below, in a photo by Michael R. Anderson) will give a FREE concert.

Members of the faculty ensemble are Alex Noppe and Matthew Onstad, trumpets; Mark Hetzler, trombone; Tom Curry, tuba; and Daniel Grabois, horn.

The program includes: Johann Schein: Three Psalm Settings; Peter Maxwell Davies, arr. Matthew Onstad: “Farewell to Stromness” (1980), from The Yellow Cake Review; Jan Radzynski: Take Five (1984); Gunther Schuller’s Music for Brass Quintet (1961); and Alvin Etler’s Quintet for Brass Instruments (1966).

For more information, go to http://www.wisconsinbrassquintet.com

THURSDAY

From 10 a.m. until noon in Morphy Recital Hall, the acclaimed Grammy Award-winning guitarist Sharon Isbin (below), who will perform with the Madison Symphony Orchestra this coming weekend, will give a FREE master class that is OPEN TO THE PUBLIC.

FRIDAY

At 8 p.m. in Mills Hall, the Madrigal Singers (below top), under conductor Bruce Gladstone (below bottom, in a photo by Katrin Talbot), will present Part 2 of “Israelsbrünnlein” (Fountains of Israel) by the Baroque composer Johann Hermann Schein.

According to program notes, “Johann Hermann Schein’s collection of 26 motets from 1623 has long been considered the most important set of motets in the early 17th century. Schein (below), frustrated that there wasn’t a true counterpart of the Italian madrigal to be found in German music, set out to marry the expressiveness of the madrigal to German texts.

“In this case, he chose to set sacred and mostly biblical texts, rather than the secular poetry found in most madrigals. His set of spiritual madrigals display both moments of pure joy and exultation as well as heartbreaking sadness and longing.

“Last fall, the Madrigal Singers presented the first 13 of these motets, and this fall, we finish out the collection with motets 14-26.

“This music is incredibly moving and remarkably fresh, revealing a marked sensitivity to the texts and a mastery of musical expression.” (You can hear a sample in the YouTube video at the bottom.)

SATURDAY

At 8 p.m., in Luther Memorial Church (below), 1021 University Avenue, the Low Brass Ensemble will give a FREE recital. No word on composers or pieces on the program.

At 8 p.m. in Mils Hall, the group Chorale, under conductor Bruce Gladstone will present “Songs to Live By.”

Programs notes read: “Music has always had a way to touch our souls the way other things cannot. When paired with poetry that speaks honestly to the human condition, it can lift us out of the merely abstract, touching our souls and offering insight on how we can be better at being human and humane.

“The Chorale offers a choral song-cycle by composer Gwyneth Walker (below) on autobiographical poems by Virginia Hamilton Adair, as well as three works by Elizabeth Alexander:  “How to Sing Like a Planet”; “If You Can Walk You Can Dance”; and “Finally On My Way To Yes.”

“Also on the program is Joshua Shank’s “Rules To Live By,” a heartfelt and moving piece whose text was written by the commissioning ensemble.

SUNDAY

At 5 p.m., in Mills Hall, the UW-Madison Wind Ensemble (below top) and Winds of Wisconsin will give a FREE joint concert.

Scott Teeple will conduct with guest violinist, Professor Soh-Hyun Altino (below bottom, in a photo by Caroline Bittencourt) soloing.

Here is the program:

UW-Madison Wind Ensemble:

“Fanfare for the Uncommon Woman, #2,” by Joan Tower

Concerto for Violin and Wind Ensemble, by Robert Hutchinson with the violinist Park Altino

Winds of Wisconsin:

“Chester Overture for Band,” by William Schuman

“A Child’s Embrace” by Charles Rochester Young

“Vesuvius,” by Frank Ticheli

Combined UW Wind Ensemble and Winds of Wisconsin:

“Folk Dances,” by Dmitri Shostakovich


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: It’s a good time to take in FREE graduate student recitals at the UW-Madison, including one by hornist Dafyyd Bevil this Friday night

November 9, 2017
Leave a Comment

By Jacob Stockinger

The end of the semester is drawing near, and that is always a good time to attend the many excellent and FREE pubic recitals that are given by undergraduate and especially graduate students at the UW-Madison’s Mead Witter School of Music.

In the coming weeks before the semester ends on Dec. 13, The Ear sees that solo and ensemble performances will be given by pianists, singers, flutists, violinists, violists, cellists, percussionists, tubists and trombonists.

Some of the musicians list a full program, while others, unfortunately, just list composers. And because the hall is used so much, performance times (6:30 p.m. and 8:30 p.m.) can be inconveniently early or late. Still, there is a lot of great music to be heard.

Here is a link to the website calendar of events that include faculty, guest artists  and student performances:

http://www.music.wisc.edu/events/

And here is a good example to start with this week.

Local hornist and UW-Madison doctoral candidate Dafydd Bevil (below) will present a FREE public recital of chamber music this Friday night, Nov. 10, at 8:30 p.m.

The event, like most other degree recitals, will take place in Morphy Recital Hall (below), located in the UW Humanities Building.

The program contains a wide variety of music featuring several different instrumental groupings and includes two film works (marked with asterisks) that Bevil will be recording this spring:

Program includes S.O.S*.: Trio for Horn, Trumpet, and Trombone by Ennio Morricone; Timeline* (1945- ): Trio for Horn, Viola, and Piano by Bruce Broughton; Horn Quintet, K. 407, for horn and strings by Wolfgang Amadeus Mozart; and Music for Brass Instruments, a brass sextet by Ingolf Dahl.

For more information about Bevil, go to his website at http://dafyddbevilmusic.wix.com/dafyddbevil

You can hear him perform Franz Strauss’ “Nocturne” for horn and piano in the YouTube video below:


Classical music: Chicago Gargoyle Brass and Organ Ensemble to bring ‘Music of the Reformation’ to four Wisconsin cities, including Madison, Oct. 27–29

October 24, 2017
Leave a Comment

By Jacob Stockinger

The Chicago Gargoyle Brass and Organ Ensemble (below) will perform a late-October series of FREE public concerts in four Wisconsin cities featuring music by composers Johann Sebastian Bach, Felix Mendelssohn and others in a centuries-spanning program titled “Music of the Reformation.”

Performances will take place Friday, Oct. 27, in Appleton; Saturday, Oct. 28, in Delafield and Watertown; and Sunday, Oct. 29, in Madison.

“The hour-long concert program commemorates the 500th anniversary of the start of the Protestant Reformation in Germany in 1517,” said Rodney Holmes, founder and artistic director of the Gargoyle ensemble. “Audiences will hear works embracing the most famous melodies written by Reformation leader Martin Luther (below), who was a composer as well as a religious figure.”

The program includes James Curnow’s contemporary “Rejouissance: Fantasia on ‘Ein feste Burg’ (A Mighty Fortress)” for organ; Heinrich Schütz’s “Three Becker Psalms,” Op. 5, a Baroque work for brass quartet; Bach’s Canonic Variations on “Vom Himmel hoch da komm’ ich her” (“From Heaven above to Earth I come”), BWV 769, for organ; and Otto Nicolai’s early Romantic “Ecclesiastical Festival Overture on the chorale ‘Ein feste Burg ist unser Gott,’” Op. 31, arranged for brass and organ by Craig Garner.

Also on the program are: Max Reger’s late Romantic “Ein’ feste Burg ist unser Gott,” Op. 27, for organ; Randall E. Faust’s contemporary “Fantasy” on the hymn “Von Himmel hoch,” for horn and organ; and Garner’s brass and organ arrangement, “Introduction and Finale,” from Mendelssohn’s Symphony No. 5, “Reformation,” Op. 107.

Performers will include Madison-based organist Jared Stellmacher (below), an award-winning musician heard on the Chicago Gargoyle Brass and Organ Ensemble’s critically acclaimed 2015 debut CD “Flourishes, Tales and Symphonies.” He holds a master’s degree in music from Yale University.

Gargoyle brass players will include trumpeters Lev Garbar and Andrew Hunter, horn player Kathryn Swope, trombonist Karen Mari, and artistic director Holmes on tuba.

CONCERT SCHEDULE

Here are the dates, times, and locations of the Gargoyle ensemble’s “Music of the Reformation” concerts, with local contact information. No tickets or reservations are required for these FREE events:

*Friday, Oct. 27, at 7:30 p.m. at Zion Lutheran Church, 912 North Oneida Street, in Appleton, Wis., 54911. www.zionappleton.com/home

Contact: Matthew Walsh, 920-739-3104

*Saturday, Oct. 28, at 3 p.m. at Christ the King Lutheran Church, 1600 North Genesee Street, in Delafield, WI 53018

ctkdelafield.org

Contact: Mark Gould, 262-646-2343

*Saturday, Oct. 28, at 6:30 p.m. at Immanuel Evangelical Lutheran Church, 204 North Tenth Street, Watertown, WI 53094

www.watertownimmanuel.org

Contact: Janis Shackley, 920-261-1663

*Sunday, Oct. 29, at 2 p.m. at Good Shepherd Lutheran Church, 5701 Raymond Road, Madison, WI 53711

www.gslcwi.com

Contact: Jared Stellmacher, 608-271-6633

Chicago Gargoyle Brass and Organ Ensemble

“The Chicago Gargoyle Brass and Organ Ensemble plays with warmth, elegance, and panache,” said U.S. music magazine Fanfare in a review of the ensemble’s debut CD. “[They] are perfect companions for the music lover in need of calming nourishment.”

The group takes its whimsical name from the stone figures atop gothic buildings at the University of Chicago, where the now-professional ensemble got its start in 1992 as a brass quintet of faculty and students. (You can hear a sample in the YouTube video at the bottom.)

Under its founder and artistic director Rodney Holmes, it has evolved over the decades into an independent organization of classically trained musicians that focuses on commissioning and performing groundbreaking new works and arrangements for brass and pipe organ. You can find more information at gargoylebrass.com.


Classical music: New faculty conductor Chad Hutchinson makes an impressive and promising debut with the UW Symphony Orchestra

October 11, 2017
2 Comments

By Jacob Stockinger

Last Saturday night, Chad Hutchinson (below), the new faculty conductor at the University of Wisconsin-Madison’s Mead Witter School of Music, made an impressive and promising debut with the UW Symphony Orchestra.

The ambitious program that Hutchinson put together says a lot about his priorities and instincts, and about his confidence in himself and the abilities of his student players, who performed superbly.  

The varied works came from the early 19th century, the mid-19th century, the early 20th century and the 21st century. And it seemed that each piece in the ambitious program was chosen to put the spotlight on a different section – percussion, brass, strings and winds.

Curiously, The Ear found the most successful pieces were the most traditional ones.

The Prelude to the opera “Die Meistersinger von Nürnberg” by Richard Wagner received the right mix of horn pomp and string zest. It made The Ear realize again how much more he prefers Wagner’s instrumental music to his vocal music. Let’s hear more Wagner preludes, since we are unlikely to hear more Wagner operas.

The orchestral transcription by Leopold Stokowski (below) of the piano prelude “The Sunken Cathedral” by Claude Debussy was the least successful work of the night. This is the second overblown and bombastic Stokowski transcription that The Ear has heard performed live in a month.

Clearly, Stokowski’s aesthetic was Bigger is Better. This particular transcription strips away the mystery, sensuality and subtlety, the watery softness,  of the original. It works more as an etude for orchestra than as an authentic expression of Impressionism.  The Ear’s objections are to the transcription, not to the performance, which was well voiced, precise and tightly controlled.

“Mothership” by the popular American composer Mason Bates (below), who wrote the recent successful opera based on the life of the late Apple guru Steve Jobs, proved an interesting foray into contemporary music culture. It was also the Madison premiere of the 2011 work.

The electronic music in the pulsating and highly atmospheric score, including the computer-generated disco dance beat, highlighted the percussion section and the UW’s new Electro-Acoustic Research Space (EARS), which collaborated with the symphony orchestra.

The dramatic work, a novelty that is pop-infused and resembles music by John Adams a little too closely, has its pleasing and engaging moments. But overall it seems a triumph of style over substance. (You can judge for yourself from the performance with Michael Tilson Thomas in the YouTube video at the bottom.)

That said, Hutchinson nonetheless held the complex and coordinated score together, and the young audience seemed to take to the new music — a major achievement in itself.

Expect to hear many more contemporary works from Hutchinson, who says he is an unabashed champion of new music. He will include other living composers in many other concerts, including the next one on Nov. 4 and then again on Feb. 22.  

To these ears, the most impressive performance came in the Symphony No. 3 “Eroica” by Ludwig van Beethoven. In its day, the difficult and long work proved revolutionary and perplexing. More recently, more than 100 conductors named it the best symphony ever written. You can’t get more establishment than that.

Yet despite being so mainstream, the “Eroica” remains a difficult and challenging work, both technically and interpretively. And this performance succeeded on both counts. That is no small feat for a new conductor and his young students to pull off in the first six weeks of school.

Especially impressive was Hutchinson’s choice to skip any pause between the third movement and the finale. It worked dramatically to maintain momentum. Such exciting attacks should be a more common practice in performing symphonies and concertos as well as chamber music.

Hutchinson seems a congenial and humorous concert hall host. His pre-concert talk (below), which he is slated to do at all performances, was helpful and informative, even if he repeated some major points when he introduced  the actual performances. Hutchinson, intent on expanding the audience for classical music, is worth listening to.

Hutchinson may not possess an especially graceful or fluid podium presence that is pleasing to watch, but he gets results. Certainly both the student players and the large audience (below) seemed pleased and excited by these performances.

In the end, the concert provided plenty of reasons to look forward to hearing more from Chad Hutchinson and seeing how he develops and leaves his mark on programming and performing at the UW.

Were you there as either a performer or an audience member?

What did you think of the concert and of Chad Hutchinson’s debut?

The Ear wants to hear.


Classical music: A busy week at the UW-Madison brings the debut of a new conducting professor with the UW Symphony Orchestra plus a major voice recital, a string quintet and two master classes.

October 2, 2017
Leave a Comment

By Jacob Stockinger

It will be a busy week for classical music in Madison, especially at the University of Wisconsin-Madison Mead Witter School of Music.

Certainly the standout event is the debut of Chad Hutchinson (below). He is the new conducting teacher and succeeds James Smith.

The FREE concert by the UW Symphony Orchestra will take place on Saturday night at 8 p.m. in Mills Hall.

The intriguing program features the Prelude to the opera “Die Meistersinger” by Richard Wagner (you can hear George Solti perform it with the Vienna Philharmonic the YouTube video at the bottom); the orchestral arrangement by Leopold Stokowski of the piano prelude “The Sunken Cathedral” by Claude Debussy; the “Mothership,” with electronics, by the American composer Mason Bates; and the Symphony No. 3 “Eroica” by Ludwig van Beethoven, a work that was recently voted the best symphony ever written by more than a hundred conductors.

Here is a link to more about Hutchinson’s impressive background:

http://www.music.wisc.edu/chad-hutchinson/

And here is a schedule of other events at the UW:

WEDNESDAY

At 7:30 p.m. in Mills Hall conductor Scott Teeple leads the UW Wind Ensemble (below top) in its FREE season opener featuring music by Percy Grainger, Aaron Copland, Roger Zare and Jennifer Higdon. Also featured is guest oboist, faculty member Aaron Hill (below bottom).

Here is a link to program notes:

http://www.music.wisc.edu/event/wind-ensemble/

Also at 7:30 p.m. in nearby Morphy Recital Hall, the internationally renowned guest violist Nobuko Imai (below), from Japan, will give a free public master class in strings and chamber music.

THURSDAY

At noon in Mills Hall, guest violist Nobuko Imai (see above) will perform a FREE one-hour lunchtime concert with the Pro Arte Quartet, which has San Francisco cellist guest Jean-Michel Fonteneau substituting for the quartet’s usual cellist, Parry Karp, who is sidelined temporarily with a finger injury.

The ensemble will perform just one work: a driving and glorious masterpiece, the String Quintet No. 2 in G Major, Op. 111, by Johannes Brahms.

At 1 p.m. in Old Music Hall, Demondrae Thurman (below), a UW alumnus who is distinguished for playing the euphonium, will give a free public master class in brass.

For more information, go to:

http://www.music.wisc.edu/event/master-class-demondrae-thurman-euphonium/

NOTE: The 3:30 master class for singers by Melanie Helton has been CANCELLED. The UW hopes to reschedule it for late fall or spring.

FRIDAY

At 8 p.m. in Mills Hall, UW baritone Paul Rowe (below top, in a  photo by Michael R. Anderson) and UW collaborative pianist Martha Fischer (below middle) will give a FREE concert of three songs cycles by Robert Schumann (the famed “Liederkreis); Maurice Ravel; and UW alumnus composer Scott Gendel (below bottom).

For the complete program, go to:

http://www.music.wisc.edu/event/faculty-recital-paul-rowe-voice-martha-fischer-piano-2/

SATURDAY

At 8 p.m. in Mills Hall, the UW Symphony Orchestra (below) will perform under its new conductor Chad Hutchinson. See above.

SUNDAY

At 3 p.m. the afternoon concerts by Lyle Anderson at the UW Carillon (below) on Observatory Drive will resume.

Here is a link with a schedule and more information:

http://www.music.wisc.edu/event/carillon-concert/2017-10-08/


Classical music: Sound the trumpets! Brass Fest 4 is this Saturday and Sunday at the UW-Madison

September 27, 2017
Leave a Comment

By Jacob Stockinger

A fanfare is in order!

By the fourth year, an event has certainly become a tradition to look forward to and to follow.

So it is with Brass Fest IV, which will take place this Saturday and Sunday at the University of Wisconsin’s Mead Witter School of Music.

The activities will fill two days with workshops, master classes and concerts.

Music by Johann Sebastian Bach and Modest Mussorgsky’s “Pictures at an Exhibition” will be featured, along with many contemporary composers and arrangers.

Many of the events, including the big Saturday night concert at 8 p.m. in Mills Hall, are FREE and OPEN TO THE PUBLIC.

The big Sunday afternoon concert at 2:30 p.m. in Mills Hall, with both brass quintets plus students, costs $15 for adults and $5 for non-School of Music students. A post-concert reception to meet students and other performers is included. (Below are students rehearsing at Brass Fest 3.)

The special guest this weekend is the Beaumont Brass Quintet from Michigan State University (below). Members are Ava Ordman, trombone; Corbin Wagner, horn; Alessandro Bonotto, trumpet; Philip Sinder, tuba and euphonium; and brass area chair; and Justin Emerich, trumpet.

The Beaumont Brass Quintet has recorded a CD of Christmas music for Naxos Records. See the YouTube video at the  bottom.

Also appearing with the Beaumont is the UW-Madison’s own Wisconsin Brass Quintet (below, in a photo by Michael R. Anderson). Members, from left, are: Alex Noppe and Matthew Onstad, trumpets; Tom Curry, tuba; Mark Hetzler, trombone; and Daniel Grabois, horn.

For more information about the many activities, including biographies of the performers, full concert programs, a listing of other events, and tickets, go to:

http://www.music.wisc.edu/event/brass-fest-iv/2017-09-30/


Classical music: What are the best classical music pieces for beginners to listen to? And why?

September 9, 2017
6 Comments

By Jacob Stockinger

The Ear needs your help.

Recently a good friend said: “I don’t listen to or know much about classical music, but I wish I did. You know a lot. What would be good pieces for me to begin with?”

I said I would think about it.

So many composers and works come to mind.

But it is so subjective.

So The Ear thought: Why not turn to readers?

Why not ask readers what pieces got them started on listening to classical music?

And what pieces they would recommend to others?

There are of course some proven and popular standards such as the Symphony No. 5 and the  Piano Concerto No. 5 “Emperor” by Beethoven; the Piano Concerto No. 1 in B-flat minor by Tchaikovsky (played and recorded by Van Cliburn in a way that influenced a whole generation); and the Piano Concerto No. 2 by Rachmaninoff.

But there is so much more to choose from, as you can tell from the YouTube video at the bottom.

String music, wind music and brass music.

Big pieces and small pieces.

Solo music, chamber music and orchestral music.

Vocal music and choral music, including operas.

So what would you tell my friend?

Leave a suggestion and why you chose it in the COMMENT section with a link to a YouTube performance if possible.

The friend is waiting.

And The Ear wants to hear.


Classical music: The Oakwood Chamber Players open their new season with three concerts this weekend that feature music by Chick Corea, Bruce Broughton, Alexander Arutiunian and others

September 5, 2017
Leave a Comment

By Jacob Stockinger

The Oakwood Chamber Players (below) officially begin their 2017-2018 season series with the theme “Journey” this coming weekend with a concert titled Departure on Saturday, Sept. 9, at 7 p.m. and Sunday, Sept. 10, at 2 p.m.

However, the Oakwood Chamber Players will also present a special performance at Bos Meadery (below), 849 E. Washington Ave., on this Friday night, Sept. 8, from 7 to 8:30 p.m. in a range of music choices that will include excerpts from the Departure concert along with a breadth of other styles of music. Donations will be accepted.

The two full-length concerts will both be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on the far west side of Madison near the West Towne Mall.

Guest artists pianist Joseph Ross, violist Sharon Tenhundfeld (below top) and violinist Maureen McCarty (below bottom) will join members of the Oakwood Chamber Players to launch their season.

Tickets can be purchased with cash or personal checks (no credit cards) at the door: $25 general admission, $20 seniors and $5 students.

For tickets and more information, go to www.oakwoodchamberplayers.com or call (608) 230-4316.

According to a press release, “Departure will explore composers’ musical journeys as influenced by shifts in their artistic lives.

“Just two years after the start of his huge success in the expanding world of jazz-fusion, with renowned hits such as “Spain,” American composer and pianist Chick Corea (below) wrote his Trio for flute, bassoon and piano in 1973.

“He created a fascinating blend — a classical style that both reflects his personal jazz-like fluidity at the keyboard but also transfers the sense of conversational-like interactions that occurs between players. (You can hear Chick Corea’s Trio in the YouTube video at the bottom.)

“This succinct piece is infused with the composer’s essential and recognizable artistic voice. Corea bridges the boundary between genres in an artful and engaging way, creating a brief snapshot of two artistic worlds joined through the piece’s synergy.

“Academy Award-winning and Emmy award-winning film composer Bruce Broughton (below) has consistently contributed to the world of chamber music literature. Broughton’s successes in the film industry include Young Sherlock Holmes, Silverado and The Rescuers Down Under.

“His Primer for Malachi, for flute, clarinet, cello and piano, was written in anticipation of the birth of a grandchild in 1997. Through its five short movements the piece creates a programmatic feel. It begins with quiet introspection, progressing through each movement with increasing rhythmic and melodic intensity, peaking with an action-packed instrumental musical tag, and concluding by musically catching its breath, slowing in the final movement to calm and flowing lines, mirroring the opening effect.

“Known for his emotive melodies Armenian-Soviet pianist and composer Alexander Arutiunian wrote prolifically for orchestra, chamber music and film.

“Written in Armenia after spending several years in Moscow, the Concert Waltz for winds and piano is taken from his 1958 film score for the movie “About My Friend.” It is a wry waltz set in a minor key, and the composer infuses the familiar waltz dance form with a tongue-in-cheek sense of being on a slightly careening carousel. The piece sparkles with Armenian folk flavor and the energy is captivating.

“The Kaiserwaltz by Viennese composer Johann Strauss musically conjures up the grandeur of the ballroom. The piece was intended to symbolize ‘a toast of friendship’ between Germany and Austria. The waltz is full of upbeat musical declarations and graceful melodies.

“The Oakwood Chamber Players were pleased to discover that the piece had been reimagined from its full orchestral orchestration, written in 1889, to this delightful version, arranged in 1925 for chamber ensemble by Arnold Schoenberg (below). The grace of this music is refined and enduring.

“German composer and organist Max Reger’s perspective on compositional artistry was informed by the masters who came before him.

“However, perpetually fascinated by fugues, Reger (below) often wrote pieces that were very abstract. He worried about the lasting reputation of penning these kinds of ultra-academic compositions. He was an ardent admirer of Bach, Brahms and Beethoven and was very capable of writing a range of styles that were both accessible and rooted in the historic perspectives.

“In his Serenade for flute, violin, and viola, written just a year before his death, he sought to show the range of his compositional capabilities and to silence critics by leaving more approachable music for posterity. At this pivotal time he reached his goal ably, giving the performers an outstanding piece with nimble rhythms, memorable melodies, and the bright voicing of an upbeat sound palette.”

This is the first of five concerts in the Oakwood Chamber Players’ 2017-2018 season series entitled Journey. Remaining concerts will take place on Nov. 26; Jan. 13 and 14; March 10 and 11; and May 19 and 20.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Classical music: When you need a quick shot of music, go to “60 Seconds of Classical” on Instagram, Facebook and YouTube

August 23, 2017
1 Comment

By Jacob Stockinger

Sometimes a minute is all the time you have.

Or all you want or need.

But a quick moment of classical music can still provide the perfect mini-break or pick-me-up or shot-in-the-arm.

Kind of like those Daily Affirmations some people use.

Thanks to gentle nudging by a friend, The Ear has discovered just how to get that mini-fix of music.

It is a site on the social media site Instagram (below).

And the site is called 60secondsofclassical (below), which you can also find in somewhat different formats on Facebook and YouTube

It has terrific diversity and variety, top-quality performers, great music and excellent editing.

It is, in short, a lot of fun.

Almost like a game.

You can subscribe to it and also let the site know what entries you really like or even love.

Don’t read the caption at first.

See if you can identify the performer.

See if you can identify the composer.

See if you can identify the piece.

And see if you know what comes before and after the one-minute snippet.

Anyway there is a full menu of great music, great performers and great performances.

So take a minute — or two or three — and try it.

Check it out.

Then let us know what you think.

The Ear wants to hear.


Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,119 other followers

    Blog Stats

    • 1,773,891 hits
    December 2017
    M T W T F S S
    « Nov    
     123
    45678910
    11121314151617
    18192021222324
    25262728293031
%d bloggers like this: