The Well-Tempered Ear

Classical music: Wisconsin Chamber Orchestra music director and conductor Andrew Sewell launches his own website

January 13, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Just two weeks before he mounts the podium on Friday, Jan. 25, for the first Masterworks Concert by the Wisconsin Chamber Orchestra this season, maestro Andrew Sewell (below) has launched his own website.

Sewell, who was born in New Zealand and became a naturalized American citizen, is the music director and conductor of the WCO, and is also now in his second season as music director and conductor of the San Luis Obispo Symphony in California. Plus, he has many guest appearances, from London to Hong Kong, and numerous awards to his credit. (You can hear an interview with Sewell in the YouTube video at the bottom.)

The homepage of his new website, which features becoming black-and-white photos of Sewell, looks deceptively simple to navigate.

But there is much more than is apparent at first to learn there.

Under BIO you can read about his life in detail and also listen and watch archival videos of him conducting the Wichita and the San Luis Obispo orchestras in major works by Haydn, Beethoven, Berlioz and Brahms, along with critical praise for his performances and programming.

Under SCHEDULE, you see concert dates and soloists but no programs — at first. But if you click on the yellow words for PURCHASE TICKETS and either MASTERWORKS or CONCERT, you will be directed to full information about all the concerts by both of the orchestras he heads.

And by clicking on GALLERY you will find a generous montage of color photos, both serious and playful, of the friendly and talented Sewell at work and at ease.

Here is a link to the website:

https://www.andrewsewell.net/?fbclid=IwAR3zaRVX5psZMfYQNBW2XKIj6AvgY5fiVMQXZw-yOALDQDmZTvBElX6U3us

The Ear finds this a useful and appealing tool to learn more about a Madison maestro whose achievements have consistently stood out for almost 20 years and have altered the landscape of local music-making for the better.

The handsome new website is a job well done, and is well worth your time to check out, bookmark and use regularly.

Bravo, maestro!


Classical music: The UW-Madison’s Pro Arte Quartet opens its new season in top form

September 24, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

On Friday night in Mills Hall, in an all-masterpiece program that featured Classical, Romantic and Modernist works, the University of Wisconsin-Madison’s Pro Arte Quartet (below, in a photo by Rick Langer) opened its new season .

And it did so in top form. The Ear came away with one thought: You just can’t find better chamber music in Madison — and it’s free!

In the “Sunrise” Quartet in B-flat Major, Op. 76, No. 4, by Franz Joseph Haydn, the Pro Arte exhibited the ideal Classical style with its balance, voicing and clarity.

The sunrise motif proved utterly convincing and evocative. Particularly noteworthy was how the group highlighted the dissonances in the Classical era’s slow movement. (Hear it in the YouTube video at the bottom.)

The interpretation offered more proof that when the work is consonant, you play for the dissonance; and when the work is dissonant, you play for the consonance.

In the short, non-stop Quartet No. 7 in F-sharp minor, Op. 108, by Dmitri Shostakovich, The Ear was impressed by how the Pro Arte teased out the remnants of late Russian Romanticism that creep into the mostly modernist works of Shostakovich and Prokofiev.

Also remarkable was how the Pro Arte highlighted the structure and counterpoint that Shostakovich, a devotee of Bach, brought to his modernism. This seemed a softer and more lyrical Shostakovich, less strident or percussive, than you often hear. And the approach worked beautifully to engage the listener.

And then came the grand finale done grandly: the late Beethoven Quartet No. 15 in A minor, Op. 132. The quartet unraveled the often perplexing and thick texture; the epic length; and the forward-looking compositional methods.

The Pro Arte used a low-key and restrained approach that only highlighted the heart-rending lyricism of the “Heiliger Dangesang,” or Sacred Hymn of Thanksgiving, that the aging Beethoven composed when he had recovered from what he thought might be a fatal illness.

How fitting! The perfectly planned program started with one dawn by the teacher and ended with another dawn by the student.

Madison keeps getting more new chamber music groups, all very accomplished and all very good. But the Pro Arte Quartet — now in its 106th season of existence and its 78th season in residence at the UW-Madison — is still tops. As one fan said in near disbelief, “That concert was out of this world.” He wasn’t alone as the performance drew a prolonged standing ovation and loud bravos from the two-thirds house.

When it comes to chamber music, you just can’t do better than the Pro Arte Quartet. It’s that simple. With such quality and affordability, the Pro Arte should always be playing to a full house.

The Pro Arte Quartet will repeat the same program on Sunday afternoon, Oct. 7, at 12:30 p.m. for “Sunday Afternoon Live at the Chazen.” Admission to the Brittingham Gallery 3 performance space is free, and the concert will be streamed live. Go here for details and a link:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-10-7-18/

And the dates and times — without programs — of future Pro Arte Quartet concerts can be found here: https://www.music.wisc.edu/pro-arte-quartet/


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Classical music: The 35th annual summer Concerts on the Square start this Wednesday night and will feature a lot of classical music

June 25, 2018
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By Jacob Stockinger

Maestro Andrew Sewell usually makes sure the Wisconsin Chamber Orchestra programs a fair amount of classical music for its annual summer Concerts on the Square (below).

The FREE popular outdoor concerts — billed as “The Biggest Picnic of  Summer” — usually draw up to at least 20,000 people for each performance on the King Street corner of the State Capitol.

They start this Wednesday night at 7 p.m. – blankets can go down at 3 p.m. — and run for six consecutive Wednesday nights through Aug. 1.

But this year Sewell (below) seems especially generous with the classical fare he is serving up. In fact, four of the six concerts are all classical – a much higher percentage than in most past years, if The Ear recalls correctly.

For the complete lineup of the concerts – and to compare this year’s offerings with those of past years — go to the website: https://wisconsinchamberorchestra.org/performance-listing/category/concerts-on-the-square

Then you can click on “More Info” for each individual concert date to get the full program and information about the performers.You can also find what you need to know about following rules, parking, reserving tables, listening etiquette, volunteering, donating and support, and finding menus for food providers.

For this opening concert “Carnival” on Wednesday, the WCO will showcase 18-year-old Kenosha high school senior Matthew Udry (below), a cellist who won this year’s Young Artist Concerto Competition. Udry will perform the Cello Concerto No. 1 by Dmitri Shostakovich.

Also on the all-Slavic program are two Czech compositions:  the “Carnival” Overture by Antonin Dvorak (heard in the YouTube video at the bottom); and “Three Dances” from the opera “The Bartered Bride” by Bedrich Smetana.

An all-Russian concert is slated for July 11 with another student cellist, Miriam K. Smith (below top), and the Middleton High School Choir (below bottom). The program includes the Concert Waltz No. 2 by Alexander Glazunov, the “Rococo” Variations by Peter Tchaikovsky and the Intermezzo and Women’s Dance by Sergei Rachmaninoff.

The July 25 concert features the up-and-coming guitarist Colin Davin (below) in a programs of Spanish and Hispanic music including Joaquin Rodrigo’s “Concierto de Aranjuez,” Alberto Ginastera’s “Estancia: Four Dances,” and Roberto Sierra’s “Fandango.”

Finally, on Aug. 1, baritone Jubilant Sykes (below) is featured in a program that includes: the “Norwegian Rhapsody No. 1” by Johan Halvorsen; Aaron Copland’s “Old American Songs,” including “Simple Gifts” and “I Bought Me a Cat” as well as two spirituals, “Were You There?” and “Sometimes I Feel Like a Motherless Child”;  the Interlude from the symphonic ode, “La Nuit et l’Amour” (Night and Love), from the cantata “Ludus pro Patria,” by the French composer Augusta Holmes; and the Symphony No. 9 “From the New World” by Antonin Dvorak.

Of course other programs include pops and rock music, plus patriotic music for the Fourth of July concert — only fitting for the occasion.

But The Ear still thinks the classical fare is generous and noteworthy.

Of course, loud chitchat, eating and other neighborly noise could interfere with your ability to listen closely to the music.

But Andrew Sewell and the WCO still deserve a big shout out!

Bravo, all!


Posted in Classical music
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