The Well-Tempered Ear
Classical music: Happy New Year! The annual New Year’s Day concert in Vienna, popular around the world, airs on Wisconsin public radio and TV this morning and tonight
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT 1: What piece of music do you like most to celebrate the New Year? Leave the name and a YouTube link, if possible, in the Comment section.
By Jacob Stockinger
For many music fans, today just wouldn’t be New Year’s Day without the annual concert (below) by the Vienna Philharmonic with a famous guest conductor in Vienna, Austria, that is broadcast nationwide both on radio and television by PBS and NPR. (The concert also goes out to more than 90 countries around the world.)
In Wisconsin, the first hearing comes this morning from 10 a.m. to noon CST on Wisconsin Public Radio.
Then tonight from 8 to 9:30 CST, Wisconsin Public Television – recently rebranded as PBS Wisconsin – will feature a longer version with host Hugh Bonneville (below) of “Downton Abbey” and with choreographed dance interpretations by the Vienna State Ballet that take place in various historical sites in Vienna.
The broadcast will be available to stream tomorrow, Thursday, Jan. 2, on pbs.org/gperf and the PBS Video app.
Here is an overview with a biography of the critically acclaimed, Grammy-winning conductor Andris Nelsons (below), along with some background about the various orchestras he directs – including the Boston Symphony — and the spectacular floral arrangements in the Golden Hall:
https://www.wienerphilharmoniker.at/new-years-concert/new-years-concert-main
And here is a playlist of the waltzes, polkas and marches by the Strauss family and many other composers, including Beethoven since 2020 is the Beethoven Year and will celebrate the 250th anniversary of Beethoven’s birth:
https://www.wienerphilharmoniker.at/concerts/concert-detail/event-id/10034
As always, the performance will conclude with the Radetzky March (heard in the YouTube video at the bottom) with the audience clapping along.
If you are a fan of the event, you might also be pleased to learn the Sony Classical will again be releasing the live recording (below) and DVD very shortly. Every year Sony rushes to get it out and on the market – something made easier, one suspects, by streaming.
Tags: #AndrisNelsons, #BalletMusic, #BeethovenYear, #BlogPost, #BlogPosting, #BostonSymphony, #CompactDisc, #CriticallyAcclaimed, #DowntonAbbey, #FacebookPost, #GoldenHall, #GrammyAward, #GreatPerformances, #HappyNewYear, #HomeWebsite, #HughBonnevillle, #LiveattheChazen, #LiveRecording, #LiveStreaming, #LudwigVanBeethoven, #NationalPublicRadio, #NewYear, #NewYear'sDay, #NewYear'sDayFromVienna, #PBSWisconsin, #PublicBroadcastingSystem, #RadetzkyMarch, #SonyClassical, #TheEar, #ViennaAustria, #ViennaMusikverein, #ViennaPhilharmonic, #ViennaStateBallet, #WisconsinPublicRadio, #YouTubevideo, a.m., air, Andris Nelsons, annual, app, arrangement, Arts, audience, Austria, background, ballet, Beethoven, Beethoven Year, biography, birth, blog, Boston Symphony, Broadcast, CD, choreography, Classical music, classicalmusic, Compact Disc, Concert, conductor, countries, country, critically acclaimed, dance, direct, Downton Abbey, DVD, evening, Facebook, famous, fan, floral, flowers, forward, Golden Hall, Grammy, Grammy Award, Great Performances, Happy New Year, hearing, historical, History, home website, Hugh Bonneville, interpretation, like, link, live, Live Recording, live streaming, Ludwig van Beethoven, march, market, morning, Music, musical, National Public Radio, nationwide, New Year, New Year's Day From Vienna, night, noon, NPR, online, Orchestra, overview, p.m., PBS, PBS Wisconsin, performer, playlist, polka, post, posting, Public Broadcasting System, Radetzky March, Radio, recording, share, site, SONY, Sony Classical, spectacular, Strauss, streaming, tag, Television, today, TV, version, video, Vienna, Vienna Musikverein, Vienna Philharmonic, Vienna State Ballet, Waltz, Website, win, Wisconsin, wisconsin public radio, works, world, YouTube
Classical music: Here are the classical music nominees for the 2020 Grammy Awards. They make a useful holiday gift guide and highlight the trend toward more diversity
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today is Black Friday followed by Small Business Saturday and Cyber Monday — all with special deals and sales.
With that in mind, here is a list of the recently announced nominees in classical music for the 2020 Grammy Awards.
Although it is a self-serving list for a competition sponsored by The Industry, it can also be good way to find holiday gifts to give to others or to receive for yourself.
The list can be useful for spotting trends and finding new releases you may not have heard of.
For example, this year seems especially good for new music or recent works and contemporary composers. You won’t find any Bach, Haydn, Mozart, Beethoven, Schubert, Brahms, Dvorak, Tchaikovsky or Mahler although you will find Berlioz, Schumann, Wagner, Bruckner, Berg, Rachmaninoff and Copland.
Another favorite seems to be the rediscovery of older composers such as Mieczyslaw Weinberg (1919-1996, below) whose centennial has become an occasion for bringing his neglected works to the forefront.
You can also see that like the Oscars, the Grammys seem to be paying more attention to women composers and conductors, artists of color and crossovers or mixed and hybrid genres.
For complete lists of all 84 categories, go to this site and click on the categories that interest you: https://www.grammy.com/grammys/news/2020-grammy-awards-complete-nominees-list
The 62nd annual Grammy Awards will be presented on Sunday, Jan. 26, at the Staples Center in Los Angeles and will be broadcast live on CBS television.
- Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
- AEQUA – ANNA THORVALDSDÓTTIR
Daniel Shores, engineer; Daniel Shores, mastering engineer (International Contemporary Ensemble) - BRUCKNER: SYMPHONY NO. 9
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck and Pittsburgh Symphony Orchestra) - RACHMANINOFF – HERMITAGE PIANO TRIO
Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Hermitage Piano Trio) - RILEY: SUN RINGS
Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet) - WOLFE: FIRE IN MY MOUTH
Bob Hanlon & Lawrence Rock, engineers; Ian Good & Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
- Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
- BLANTON ALSPAUGH
- Artifacts – The Music Of Michael McGlynn (Charles Bruffy & Kansas City Chorale)
• Berlioz: Symphonie Fantastique; Fantaisie Sur La Tempête De Shakespeare (Andrew Davis & Toronto Symphony Orchestra)
• Copland: Billy The Kid; Grohg (Leonard Slatkin & Detroit Symphony Orchestra)
• Duruflé: Complete Choral Works (Robert Simpson & Houston Chamber Choir)
• Glass: Symphony No. 5 (Julian Wachner, The Choir Of Trinity Wall Street, Trinity Youth Chorus, Downtown Voices & Novus NY)
• Sander: The Divine Liturgy Of St. John Chrysostom (Peter Jermihov & PaTRAM Institute Singers)
• Smith, K.: Canticle (Craig Hella Johnson & Cincinnati Vocal Arts Ensemble)
• Visions Take Flight (Mei-Ann Chen & ROCO) - JAMES GINSBURG (below)
- Project W – Works By Diverse Women Composers (Mei-Ann Chen and Chicago Sinfonietta)
• Silenced Voices (Black Oak Ensemble)
• 20th Century Harpsichord Concertos (Jory Vinikour, Scott Speck and Chicago Philharmonic)
• Twentieth Century Oboe Sonatas (Alex Klein and Phillip Bush)
• Winged Creatures & Other Works For Flute, Clarinet, And Orchestra (Anthony McGill, Demarre McGill, Allen Tinkham and Chicago Youth Symphony Orchestra) - MARINA A. LEDIN, VICTOR LEDIN
- Bates: Children Of Adam; Vaughan Williams: Dona Nobis Pacem (Steven Smith, Erin R. Freeman, Richmond Symphony & Chorus)
• The Orchestral Organ (Jan Kraybill)
• The Poetry Of Places (Nadia Shpachenko)
• Rachmaninoff – Hermitage Piano Trio (Hermitage Piano Trio) - MORTEN LINDBERG
- Himmelborgen (Elisabeth Holte, Kare Nordstoga & Uranienborg Vokalensemble)
• Kleiberg: Do You Believe In Heather? (Various Artists)
• Ljos (Fauna Vokalkvintett)
• LUX (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
• Trachea (Tone Bianca Sparre Dahl & Schola Cantorum)
• Veneliti (Hakon Daniel Nystedt & Oslo Kammerkor) - DIRK SOBOTKA
- Bruckner: Symphony No. 9 (Manfred Honeck & Pittsburgh Symphony Orchestra)
75. Best Orchestral Performance Award to the Conductor and to the Orchestra.
- BRUCKNER: SYMPHONY NO. 9
Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) - COPLAND: BILLY THE KID; GROHG
Leonard Slatkin, conductor (Detroit Symphony Orchestra) - NORMAN: SUSTAIN
Gustavo Dudamel, conductor (Los Angeles Philharmonic) - TRANSATLANTIC
Louis Langrée, conductor (Cincinnati Symphony Orchestra) - WEINBERG: SYMPHONIES NOS. 2 and 21
Mirga Gražinytė-Tyla, conductor (City Of Birmingham Symphony Orchestra & Kremerata Baltica)
- Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.
- BENJAMIN: LESSONS IN LOVE & VIOLENCE
George Benjamin, conductor; Stéphane Degout, Barbara Hannigan, Peter Hoare & Gyula Orendt; James Whitbourn, producer (Orchestra Of The Royal Opera House) - BERG: WOZZECK
Marc Albrecht, conductor; Christopher Maltman & Eva-Maria Westbroek; François Roussillon, producer (Netherlands Philharmonic Orchestra; Chorus Of Dutch National Opera) - CHARPENTIER: LES ARTS FLORISSANTS; LES PLAISIRS DE VERSAILLES
Paul O’Dette & Stephen Stubbs, conductors; Jesse Blumberg, Teresa Wakim & Virginia Warnken; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble) - PICKER: FANTASTIC MR. FOX
Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus) - WAGNER: LOHENGRIN
Christian Thielemann, conductor; Piotr Beczała, Anja Harteros, Tomasz Konieczny, Waltraud Meier & Georg Zeppenfeld; Eckhard Glauche, producer (Festspielorchester Bayreuth; Festspielchor Bayreuth)
- Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
- BOYLE: VOYAGES
Donald Nally, conductor (The Crossing) - DURUFLÉ: COMPLETE CHORAL WORKS
Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir) - THE HOPE OF LOVING
Craig Hella Johnson, conductor (Conspirare) - SANDER: THE DIVINE LITURGY OF ST. JOHN CHRYSOSTOM
Peter Jermihov, conductor (Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers) - SMITH, K.: THE ARC IN THE SKY
Donald Nally, conductor (The Crossing)
- Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
- CERRONE: THE PIECES THAT FALL TO EARTH
Christopher Rountree and Wild Up - FREEDOM & FAITH
PUBLIQuartet - PERPETULUM
Third Coast Percussion - RACHMANINOFF – HERMITAGE PIANO TRIO
Hermitage Piano Trio - SHAW: ORANGE
Attacca Quartet
79. Best Classical Instrumental Solo Award to the Instrumental Soloist(s) and to the Conductor when applicable.
- THE BERLIN RECITAL
Yuja Wang - HIGDON: HARP CONCERTO
Yolanda Kondonassis; Ward Stare, conductor (The Rochester Philharmonic Orchestra) - MARSALIS: VIOLIN CONCERTO; FIDDLE DANCE SUITE
Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra) - THE ORCHESTRAL ORGAN
Jan Kraybill - TORKE: SKY, CONCERTO FOR VIOLIN
Tessa Lark; David Alan Miller, conductor (Albany Symphony)
80. Best Classical Solo Vocal Album Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
- THE EDGE OF SILENCE – WORKS FOR VOICE BY GYÖRGY KURTÁG
Susan Narucki (Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle) - HIMMELSMUSIK
Philippe Jaroussky & Céline Scheen; Christina Pluhar, conductor; L’Arpeggiata, ensemble (Jesús Rodil & Dingle Yandell) - SCHUMANN: LIEDERKREIS OP. 24, KERNER-LIEDER OP. 35
Matthias Goerne; Leif Ove Andsnes, accompanist - SONGPLAY
Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter and Craig Terry, accompanists (Steve Barnett and Lautaro Greco) - A TE, O CARA
Stephen Costello; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra)
- Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
- AMERICAN ORIGINALS 1918
John Morris Russell, conductor; Elaine Martone, producer - LESHNOFF: SYMPHONY NO. 4 ‘HEICHALOS’; GUITAR CONCERTO; STARBURST
Giancarlo Guerrero, conductor; Tim Handley, producer - MELTZER: SONGS AND STRUCTURES
Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers - THE POETRY OF PLACES
Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers - SAARIAHO: TRUE FIRE; TRANS; CIEL D’HIVER
Hannu Lintu, conductor; Laura Heikinheimo, producer
- Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
- BERMEL: MIGRATION SERIES FOR JAZZ ENSEMBLE & ORCHESTRA
Derek Bermel, composer (Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra) - HIGDON: HARP CONCERTO
Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra) - MARSALIS: VIOLIN CONCERTO IN D MAJOR
Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra) - NORMAN: SUSTAIN
Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic) - SHAW: ORANGE
Caroline Shaw, composer (Attacca Quartet) - WOLFE: FIRE IN MY MOUTH
Julia Wolfe, composer (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
Tags: #20thCentury, #AaronCopland, #AlbanBerg, #AlbanySymphony, #AmericanJazz, #AndrewDavis, #AnnaThorvaldsdottir, #AntonBruckner, #AntoninDvorak, #ArtistsofColor, #AttaccaQuartet, #BaroqueMusic, #BerlinGermany, #BillytheKid, #BlackFriday, #BlackOakEnsemble, #BlantonAlspaugh, #BlogPost, #BlogPosting, #BostonEarlyMusicFestival, #CarolineShaw, #ChamberMusic, #ChicagoPhilharmonic, #ChoralMusic, #ChristianThielemann, #CincinnatiPops, #CincinnatiSymphonyOrchetsra, #CityofBirminghamOrchestra, #ClarinetConcerto, #ClassicalGuitar, #ContemporaryComposers, #CyberMonday, #DerekBermel, #DetroitSymphony, #FacebookPost, #FacebookPosting, #FluteConcerto, #FranzJosephHaydn, #FranzSchubert, #GidonKremer, #GrammyAwards, #GuitarConcerto, #GustavMahler, #GustavoDudamel, #HectorBerlioz, #HolidayGiftGuide, #HybridGenre, #InstrumentalMusic, #JamesGinsburg, #JappVanSweden, #JenniferHigdon, #JohannesBrahms, #JohannSebastianBach, #JoyceDiDonato, #JulianWachner, #JuliaWolfe, #KaijaSaariaho, #KremerataBaltica, #KronosQuartet, #LeifOveAndsnes, #LeonardSlatkin, #LesArtsFlorissants, #LivingComposers, #LosAngeles, #LouisLangree, #LudwigVanBeethoven, #ManfredHoneck, #Marc-AntoineCharpentier, #MatthiasGoerner, #MauriceDuruflé, #MichaelTorke, #MieczyslawWeinberg, #MirgaGražinytė-Tyla, #MixedGenre, #NewMusic, #NewYorkCity, #NewYorkPhilharmonic, #NicolaBenedetti, #OboeConcerto, #OboeSonata, #OrchestralMusic, #PeterIlyichTchaikovsky, #PhilipGlass, #PianoTrio, #PittsburghSymphony, #RalphVaughanWilliams, #RichardWagner, #RobertSchumann, #RochesterPhilharmonic, #RoyalOperaHouse, #SergeiRachmaninoff, #SergeiRachmaninov, #SmallBusinessSaturday, #SoundEngineer, #StaplesCenter, #StephenCostello, #StringQuartet, #SymphonicMusic, #TerryRiley, #TobiasPicker, #TorontoSymphonyOrchestra, #ViolinConcerto, #VocalMusic, #WilliamShakespeare, #WolfgangAmadeusMozart, #WyntonMarsalis, #YolandaKondonassis, #YujaWang, 20th-century, Aaron Copland, Alban Berg, Albany Symphony, American, Andrew Davis, Anna Thorvaldsdottir, annual, Anton Bruckner, Antonín Dvořák, artists of color, Attacca Quartet, award, Bach, Baroque music, Beethoven, Berg, Berlin, Berlioz, best, Billy the Kid, black, Black Friday, Black Oak Ensemble, Blanton Alspaugh, blog, Boston Early Music Festival, Brahms, Broadcast, Bruckner, Business, buying, California, canticle, Caroline Shaw, category, CBS, CBS-TV, Chamber music, Chicago, Chicago Philharmonic Orchestra, choral music, chorus, Christian Thielemann, Cincinnati Pops, Cincinnati Symphony Orchestra, City of Birmingham Symphony Orchestra, clarinet, Classical music, classicalmusic, Competition, composer, concerto, contemporary composers, Copland, crossover, cyber, Cyber-Monday, dance, deal, Derek Bermel, Detroit, Detroit Symphony, divine, Dvorak, Early music, Earth, edge, engineer, ensemble, Facebook, faith, fiddle, fire, flute, forefront, forward, Franz Joseph Haydn, Franz Schubert, freedom, genre, Germany, Gidon Kremer, give, good, Grammy Awards, Grammys, guide, guitar, Gustav Mahler, Gustavo Dudamel, harp, harpsichord, Haydn, Hector Berlioz, Higdon, Holiday, holiday gift guide, hope, hybrid genre, industry, instrumental, James Ginsburg, Japp Van Sweden, Jazz, Jennifer Higdon, Johann Sebastian Bach, Johannes Brahms, Joyce DiDonato, Julia Wolfe, Julian Wachner, Kaija Saariaho, Kremerata Baltica, Kronos Quartet, Kurtag, Leif Ove Andsnes, Leonard Slatkin, Les Arts Florissants, lessons, like, link, living, living composers, Lohengrin, Los Angeles, Los Angeles Philharmonic, Louis Langrée, Love, loving, Ludwig van Beethoven, Mahler, Manfred Honeck, Marc-Antoine Charpentier, Matthias Goerner, Maurice Durufle, Michael Torke, Mieczyslaw Weinberg, Mirga Grazinyte-Tyla, mixed, mixed genre, mouth, Mozart, neglected, new, New Music, New York City, New York Philharmonic, Nicola Benedetti, nomination, nominee, Oboe, oboe sonata, occasion, opera, orange, Orchestra, orchestral, organ, original, Oscars, percussion, performance, Peter Ilyich Tchaikovsky, Philip Glass, Pianist, Piano, Piano Trio, Pittsburgh Symphony Orchestra, places, Poetry, pops, post, posting, producer, Rachmaninoff, Rachmaninov, Ralph Vaughan Williams, receive, recital, rediscovery, release, Retail, Richard Wagner, Robert Schumann, Rochester Philharmonic Orchestra, Royal Opera House, sale, Schubert, Schumann, Sergei Rachmaninoff, Sergei Rachmaninov, Shakespeare, share, Shopping, silence, singer, site, sky, small, solo, Sonata, song, special, Staples Center, Stephen Costello, String quartet, Suite, sun, symphonic music, symphony, tag, Tchaikovsky, Tchakovsky, Television, Terry Riley, Tobias Picker, Torke, Toronto Symphony Orchestra, trend, Trinity, TV, Versailles, violence, Violin concerto, violinist, vision, vocal music, voices, voyage, Wagner, Wang, Weinberg, Wolfgang Amadeus Mozart, women, Wozzeck, Wynton Marsalis, year, Yolanda Kondonassis, young people, Yuja Wang
Classical music: The Festival Choir of Madison closes its season TONIGHT with a concert of East Asian music from China, Japan, Korea and Taiwan
Leave a Comment
ALERT: Today and next Saturday, Wisconsin Public Radio’s “Music in Wisconsin” program, hosted by Lori Skelton, will air recorded performances from the past season by the Madison Opera. Both broadcasts start at 1 p.m. This week’s opera is the double bill of one-acts “Cav/Pag,” as Pietro Mascagni’s “Cavalleria rusticana” and Ruggero Leoncavallo’s “Paglicacci” are known. Next week will see Antonin Dvorak’s “Rusalka,” with the famous soprano aria “Song to the Moon.”
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
The Ear has received the following announcement to post:
The Festival Choir of Madison (below) will present the last concert of the season, “Jasmine Flowers,” TONIGHT — Saturday, May 18 — at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.
The choir and its artistic director, Sergei Pavlov (below right in front row), will perform arrangements of famous songs such as the Japanese “Sakura” (Cherry Blossom), arranged by the late Japanese composer Toru Takemitsu (his version is heard in the YouTube video at the bottom); and “Mo-Li-Hua” (Jasmine Flower), a popular Chinese folk song used variously as a national anthem and for the Olympics, arranged by the leading Korean composer Hyo-won Woo.
The choir will also feature other recent compositions sung in Taiwanese, Korean, Chinese, English and French — including works by Chen Yi, Libby Larsen, Bob Chilcott, Claude Debussy and Maurice Ravel — inspired by the musical traditions of East Asia.
Admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online through Brown Paper Tickets at:
https://www.festivalchoirmadison.org/concerts/2019/5/18/jasmine-flowers
The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. The choir performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.
To learn more about the Festival Choir of Madison, go to www.festivalchoirmadison.org.
Tags: #AntoninDvorak, #ArtisticDirector, #AsianComposers, #AsianMusic, #BlogPost, #BlogPosting, #BobChilcott, #BrownPaperTickets, #CavalleriaRusticana, #ChenYi, #CherryBlossom, #ChoralMusic, #ClaudeDebussy, #EastAsia, #EastAsian, #EnglishLanguage, #FacebookPost, #FacebookPosting, #FestivalChoirofMadison, #FirstUnitarianSocietyofMadison, #FrenchLanguage, #FrenchMusic, #HomeWebsite, #Hyo-wonWoo, #JapaneseComposer, #JasmineFlower, #KoreanComposer, #LibbyLarsen, #LoriSkelton, #MadisonOpera, #MauriceRavel, #MeadWitterSchoolofMusic, #ModernComposers, #ModernMusic, #MusicalTradition, #NationalAnthem, #OperaAria, #OperaMusic, #OperarMusic, #PietroMascagni, #RadioBroadcast, #RadioHost, #RadioShow, #RuggeroLeoncavallo, #SaturdayAfternoon, #SaturdayNight, #SeniorCitizen, #SergeiPavlov, #SongtotheMoon, #SopranoSinger, #SouthKorea, #ToruTakemitsu, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinPublicRadio, #YouTubevideo, admission, adult, air, announcement, anthem, Antonín Dvořák, aria, arranged, arrangement, artistic, Artistic director, Arts, Asia, asian, Asian composers, Asian music, audience, bill, blog, blossom, Bob Chilcott, Broadcast, Brown Paper Tickets, Cavalleria Rusticana, challenge, challenging, Chen Yi, cherry, cherry blossom, China, Choir, choral music, Classical music, Claude Debussy, composer, Composition, Concert, conductor, develop, double, dual, East Asia, eclectic, English, exposure, Facebook, famous, Festival Choir of Madison, First Unitarian Society of Madison, flower, flowers, folk, folk song, folksong, French, French music, host, Hoy-won Woo, inspiration, inspired, Jacob Stockinger, Japan, Japanese, Japanese composer, Jasmine, Jasmine Flower, Korea, Korean, Korean composer, last, Libby Larsen, link, listener, liuke, Lori Skelton, Madison, Madison Opera, Maurice Ravel, Mead Witter School of Music, member, modern, Music, musical tradition, national, national anthem, Olympics, Olympics Games, one-act, online, opera, Pagliacci, performance, performer, Pietro Mascagni, program, public, Radio, recent, recorded, Ruggero Leoncavallo, Rusalka, Saturday afternoon, Saturday night, Season, seating, senior, Sergei Pavlov, share, singer, singers, song, Song to the Moon, songs, soprano, South Korea, spread, Student, tag, Taiwan, talent, thematic, theme, ticket, Toru Takemitsu, tradition, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, vocal music, volunteer, Website, week, Wisconsin, wisconsin public radio, word, works, YouTube
Classical music: Saturday afternoon, Live From the Met in HD closes this season with an acclaimed production of “Dialogues of the Carmelites.” Here is a background story, two rave reviews, and next season’s 10 operas
2 Comments
ALERT:The Brass Choirs of the Wisconsin Youth Symphony Orchestras will present an afternoon of brass music this Saturday afternoon, May 11, at 2:30 p.m. in Mills Concert Hall, 455 North Park Street, in Madison. Directed by Tom Curry, the program features brass musicians from WYSO’s Concert, Philharmonia and Youth Orchestras. The concert is FREE and OPEN TO THE PUBLC. Music to be played is by Johann Sebastian Bach, George Frideric Handel, Giovanni Gabrieli, Charles Gounod, Edward Elgar, Paul Hindemith, Alan Hovahaness and Karel Husa.
CORRECTION: The Madison Youth Choirs will perform its “Legacy” concerts this weekend in the Capitol Theater of the Overture Center on Saturday and Sunday — NOT Friday, as mistakenly listed and then corrected in the original post, which is below: https://welltempered.wordpress.com/2019/05/08/classical-music-the-madison-youth-choirs-will-explore-the-theme-of-legacy-in-three-concerts-this-saturday-and-sunday-in-the-capitol-theater-of-the-overture-center/
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This Saturday afternoon, May 11, the last production of this season’s “Live From the Met in HD” series, broadcast worldwide via satellite to cinemas, is Francis Poulenc’s “Dialogues of the Carmelites.”
By all accounts, it would be hard to end on a higher, stronger or more darkly dramatic note, given the outstanding music and performance of the score as well as the superb acting. (There is a brief preview of short scenes in the YouTube video at the bottom.)
The world premiere of the opera took place in 1957 at La Scala in Milan, Italy. One of the most successful operas of the later decades of the 20th century, “Dialogues of the Carmelites” is a rare case of a modern work that is equally esteemed by audiences and experts, according to program notes from the Metropolitan Opera.
The opera focuses on a young member of the order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling. The score reflects key aspects of its composer’s personality: Francis Poulenc (below) was an urbane Parisian with a profound mystical dimension, and the opera addresses both the characters’ internal lives and their external realities.
The opera takes place between 1789 and 1794 in Paris and in the town of Compiègne in northeastern France, the site of the Carmelite nuns’ convent.
Its historical basis is the martyrdom of a group of 16 Carmelite nuns and lay sisters from Compiègne, who chose to offer themselves as victims for the restoration of peace to France during the French Revolution.
The Met uses the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom.
Mezzo-soprano Isabel Leonard (below right) sings the touching role of Blanche and soprano Karita Mattila (below left), a legend in her own time, returns to the Met as the Prioress.
The conductor for the performance is the Met’s highly acclaimed new music director Yannick Nézet-Séguin, who also leads the Philadelphia Orchestra and the Metropolitan Orchestra of Montreal.
The high-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at noon and runs until 3:10 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
The encore HD showings are next Wednesday, May 15, at 1 p.m. and 6:30 p.m.
The opera will be sung in French with supertitles in English, German and Spanish.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the far west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this past season — PLUS an announcement, with dates and titles, for next season’s 10 productions (which feature five new productions but no Verdi):
https://www.metopera.org/season/in-cinemas/
Here is a background story that focuses on the French-Canadian conductor Yannick Nézet-Séguin, who leads the orchestra in this production and is the new music director of the Metropolitan Opera:
https://www.nytimes.com/2019/05/02/arts/music/met-opera-dialogues-des-carmelites.html
Here is a rave review of “Dialogues of the Carmelites” by senior classical music critic Anthony Tommasini for The New York Times:
https://www.nytimes.com/2019/05/05/arts/music/dialogues-des-carmelites-met-opera-review.html
And here is another rave review from New York Classical Review:
http://newyorkclassicalreview.com/2019/05/met-closes-season-with-a-riveting-devastating-carmelites/
Here are links to a synopsis and program notes:
https://www.metopera.org/discover/synopses/dialogues-des-carmelites/
https://www.metopera.org/season/2018-19-season/dialogues-des-carmelites/
And here is a Wikipedia history of the hi-def broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
Tags: #20thCentury, #AlanHovhaness, #AlbanBerg, #AnthonyTommasini, #BaroqueMusic, #BaroqueOpera, #BlogPost, #BlogPosting, #BlogReview, #BrassChoir, #BrassMusic, #CapitolTheater, #CatholicReligion, #CharlesGounod, #ChinaBroadcast, #ChristianReligion, #DialoguesoftheCarmelites, #EdwardElgar, #EnglishLanguage, #FacebookPost, #FacebookPosting, #FrancisPoulenc, #FrenchCanadian, #FrenchLanguage, #FrenchMusic, #FrenchRevolution, #GaetanoDonizetti, #GeorgeFridericHandel, #GermanLanguage, #GiacomoPuccini, #GiovanniGabrieli, #GiuseppeVerdi, #Hi-Definition, #HomeWebsite, #IsabelLeonard, #JohannSebastianBach, #JohnDexter, #JulesMassenet, #KarelHusa, #KaritaMattila, #LaScala, #LiveFrom the MetinHD, #LivePerformance, #MadamaButterfly, #MadisonYouthChoirs, #Marcus, #MarcusTheaters, #MarcusTheatres, #MetLiveinHD, #MetropolitanOpera, #MetropolitanOperaLiveinHD, #MetropolitanOrchestraofMontreal, #Mezzo-sopranoSinger, #MilanItaly, #MontrealCanada, #MovieTheater, #MusicCritic, #MusicDirector, #MusicEducation, #NewMusic, #NewYorkCity, #NewYorkClassicalReview, #OperaMusic, #OvertureCenter, #PalaceCinema, #ParisFrance, #PaulHindemith, #PhiladelphiaOrchestra, #PhiladelphiaPennsylvania, #PhilharmoniaOrchestra, #PhilipGlass, #PointCinema, #PorgyandBess, #ProgramNotes, #RichardWagner, #RomanCatholicism, #SopranoSinger, #SpanishLanguage, #SunPrairie, #TheFlyingDutchman, #TheMet, #TheNewYorkTImes, #VocalMusic, #Wikipediaentry, #WisconsinPublicRadio, #WisconsinYouthSymphonyOrchestras, #WorldPremiere, #YannickNezet-Seguin, #YouthOrchestra, #YouTubevideo, 20th-century, address, afternoon, Agrippina, air, Alan Hovhaness, Alban Berg, alert, Anthony Tommasini, aristocratic, Arts, aspect, audience, background, Baroque, basis, blog, brass, brass choir, Broadcast, calling, Capitol Theater, Carmelite, cast, Charles Gounod, China, choral music, Christian, Christianity, cinema, classic, Classical music, composer, conductor, convent, correction, dark, darkly, date, decade, devastating, dialogue, Dialogues of the Carmelites, dimension, Donizetti, drama, dramatic, Edward Elgar, encore, end, English, enormous, equal, esteem, expert, experts, external, Facebook, faith, forward, France, Francis Poulenc, free, French, French language, French Revolution, French-Canadian, georgegershwin, German language, Gershwin, Giovanni Gabrieli, global, Handel, HD, hi def, high, historical, History, information, inner, intermission, Isabel Leonard, Israel, Jacob Stockinger, Johann Sebastian Bach, John Dexter, Karel Husa, Karita Mattila, key, La Scala, language, last, lay, legend, like, link, Live From The Met in HD, live performance, Madama Butterfly, Madison, Madison Youth Choirs, Manon, martyr, martyrdom, Massenet, member, Met Live in HD, Metropolitan Orchestra of Montreal, Mezzo-soprano, Milan, modern, money, Montreal, more, Movie theater, Music, music critic, Music director, Music education, mystical, new, New York City, New York Classical Review, New York Times, Nobel Peace Prize, noon, note, nun, opera, Orchestra, order, outer, outstanding, overcome, Overture Center, Palace Cinema, Paris, Parisian, pathological, Paul Hindemith, peace, Pennsylvania, performer, personality, Philadelphia, Philadelphia Orchestra, Philharmonia, Philip Glass, Point Cinema, Porgy and Bess, preview, prioress, production, profound, program notes, public, Puccini, purchase, rave, realities, reality, Religion, restoration, review, role, Roman Catholicism, Russia, satellite, satellite broadcast, Saturday, scene, score, Season, share, short, showing, sisters, size, soprano, Spanish, story, strong, successful, Sun Prairie, sung, superb, supertitle, synopsis, tag, The Flying Dutchman, the Met, The New York Times, theatre, time, timid, timidity, title, Tosca, touching, Turandot, United States, urbane, Verdi, victim, victims, vocal music, Wagner, Website, Wikipedia, Wisconsin, wisconsin public radio, Wisconsin Youth Symphony Orchestras, work, world premiere, worldwide, Wozzeck, Yannick Nézet-Séguin, you, young, Youth Orchestra, YouTube
Classical music: This Wednesday brings a FREE Just Bach concert and the FREE Final Forte concerto competition of the Madison Symphony Orchestra on Wisconsin Public Radio and Wisconsin Public Television
2 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This Wednesday, March 13, brings two noteworthy and FREE events: this month’s midday Just Bach concert; and, at night, the annual Final Forte teenage concerto competition of the Madison Symphony Orchestra.
Here are details about both events:
JUST BACH
This month’s FREE hour-long performance by Just Bach (below, in a photo by John W. Barker) will take place at Luther Memorial Church, 1021 University Avenue, starting at 1 p.m. Food and drink are permitted and free-will donations are accepted.
The program this Wednesday is: the Toccata and Fugue in D Minor “Dorian” for organ, BWV 538, by Johann Sebastian Bach; the cantata “Herr, Ich Warte auf dein Heil” (Lord, I Wait for Your Salvation) by Johann Michael Bach, a cousin of Johann Sebastian; and the famous cantata “Christ lag in Todesbanden” (Christ Lay in the Bonds of Death”), BWV 4, by Johann Sebastian Bach. (You can hear the opening Sinfonia and Chorus to the latter in the YouTube video at the bottom.)
Here is a list of upcoming performances and programs for the second semester:
https://justbach.org/concerts/
And here is a link to the home page and website with links to information about the performers and more.
FINAL FORTE
Then on Wednesday night, starting at 6:45 p.m. in Overture Hall of the Overture Center, the four finalists in the annual Final Forte teenage concerto competition, held by the Madison Symphony Orchestra, will compete accompanied by the MSO and conductor John DeMain.
The public is invited to attend the FREE event, but tickets but must be reserved in advance.
The performances will also be broadcast live starting at 7 p.m. by both Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR).
The four finalists, from dozens of statewide applicants who took part in the two preliminary rounds, are (below, from left): violinist Monona Suzuki of Fitchburg playing Ravel; cellist Grace Kim of Waunakee playing Saint-Saens; flutist Holly Venkitaswaren of Lisbon playing Pierce; and pianist Antonio Wu of Madison playing Rachmaninoff.
For more information about the performers, what they will perform and how to obtain tickets, as well as background on the competition, including impressive radio and television ratings, go to:
Tags: #BachCantata, #BaroqueMusic, #BlogPost, #CamilleSaint-Saens, #CelloConcerto, #ChoralMusic, #ChristianChurch, #ChristianReligion, #FacebookPost, #FacebookPosting, #FinalForte, #FitchburgWisconsin, #FluteConcerto, #FoodandDrink, #HomePage, #HomeWebsite, #JesusChrist, #JohannMichaelBach, #JohannSebastianBach, #JohnDeMain, #JustBach, #LisbonWisconsin, #LutherMemorialChurch, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MartinLuther, #MauriceRavel, #OrganMusic, #OvertureCenter, #OvertureHall, #PianoConcerto, #SergeiRachmaninoff, #SergeiRachmaninov, #ViolinConcerto, #VocalMusic, #WisconsinPublicRadio, #WisconsinPublicTelevision, #YouTubevideo, annual, Arts, audience, Bach, Bach cantata, Baroque, Baroque music, blog, Broadcast, Camille Saint-Saëns, Cantata, Cello, Chamber music, choral music, chorus, Christ, Christian, church, Classical music, compete, composer, concerto, conductor, cousin, death, donation, Dorian, drink, Early music, Facebook, Final Forte, finalist, finalists, Fitchburg, flute, flutist, food, forward, free, fugue, home page, impresisve, impressive, information, Jacob Stockinger, Jesus, Johann Michael Bach, Johann Sebastian Bach, John DeMain, Just Bach, Kim, like, link, Lisbon, live, Lord, Luther, Luther Memorial Church, Madison, Madison Symphony Orchestra, march, Martin Luther, Maurice Ravel, Midday, Music, noteworthy, Orchestra, organ, Overture Center, Overture Center for the Arts, Overture Hall, performer, Pianist, Piano, piece, post, posting, program, Radio, rating, Ravel, Religion, reservation, sinfonia, Suzuki, symphony, tag, teenage, teenager, Television, ticket, toccata, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Violin, violinist, vocal music, Website, Wednesday, Wisconsin, wisconsin public radio, Wisconsin Public Television, WPR, WPT, Wu, YouTube
Classical music: Saturday at noon, Bizet’s “Carmen” airs in cinemas during “Live from The Met in HD” and on Wisconsin Public Radio. Saturday night, the Pro Arte Quartet performs a FREE concert of Haydn, Schumann and Shostakovich
6 Comments
FORWARD A LINK TO IT OR SHARE IT (not just “Like It IF YOU LIKE A CERTAIN BLOG POST, PLEASE”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
ALERT: This Saturday night, Feb. 2, at 8 p.m. in Mills Hall, the University of Wisconsin-Madison’s Pro Arte Quartet performs a FREE concert. The program offers the String Quartet in D Major, Op. 50, No. 6, “The Frog” by Franz Joseph Haydn; the String Quartet No. 9 in E-flat Major by Dmitri Shostakovich; and the String Quartet in A Major, Op. 41, No. 3, by Robert Schumann. For more about the unusual history of the critically acclaimed Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-2/
By Jacob Stockinger
This Saturday, Feb. 2, the seventh production of this season’s “Metropolitan Opera Live in HD” series is Georges Bizet’s lusty, sultry and violent “Carmen,” one of the most popular operas ever composed.
Its successful world premiere was in Paris in 1875, which Bizet did not live to see. But Bizet’s masterpiece of the gypsy seductress who lives by her own rules has had an impact far beyond the opera house.
The opera’s beautiful melodies are as irresistible as the title character herself, a force of nature who has become a defining female cultural figure. (You can hear one of Carmen’s signature arias– “Love Is a Wild Bird” — in the YouTube video at the bottom.)
“Carmen” was a scandal at its premiere but soon after became a triumphal success and has remained one of the most frequently staged operas in the world.
French mezzo-soprano Clémentine Margaine reprises her acclaimed portrayal of opera’s ultimate temptress, a triumph in her 2017 debut performances.
Opposite her is the impassioned tenor Roberto Alagna (below right, in a photo by Karen Almond for The Met) as her lover, Don José.
French native Louis Langrée (below, in a photo by Jennifer Taylor), who heads the Mostly Mozart Festival and is the artistic director of the Cincinnati Symphony Orchestra, will conduct Sir Richard Eyre’s production, a Met favorite since its 2009 premiere.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
There will be encore HD showings next Wednesday, Feb. 6, at 1 p.m. and 6:30 p.m. (“Carmen” is so popular that some cities will also host a second encore showing on Saturday, Feb. 9.)
The opera will be sung in French with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults, and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus Theaters website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all Met productions this season:
https://www.metopera.org/season/in-cinemas/
Here is a link to a synopsis and cast list:
Here is a link to other information about the production of “Carmen,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/carmen/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
Tags: "Scandal", #BlogPost, #BlogPosting, #CastList, #ChamberMusic, #CincinnatiOhio, #CincinnatiSymphonyOrchetsra, #ClémentineMargaine, #CriticallyAcclaimed, #DmitriShostakovich, #EnglishLanguage, #ForceofNature, #FranzJosephHaydn, #FrenchLanguage, #Frenchsinger, #GeorgesBizet, #GermanLanguage, #Hi-Definition, #HomeWebsite, #ItalianLanguage, #LeadRole, #LiveFromtheMetinHD, #LouisLangree, #MarcusTheaters, #MetropolitanOpera, #MetropolitanOperaLiveinHD, #Mezzo-sopranoSinger, #MillsHall, #MostlyMozartFestival, #MovieTheater, #MusicCritic, #MusicReview, #OperaHouse, #PalaceCinema, #ParisFrance, #PointCinema, #ProArteQuartet, #RichardEyre, #RobertoAlagna, #RobertSchumann, #SatelliteBroadcast, #SeniorCitizen, #SpanishLanguage, #StringQuartet, #SunPrairie, #TenorSinger, #TheMet, #UniversityofWisconsin-Madison, #VideoClips, #Wikipediaentry, #World-wide, #WorldPremiere, #YouTubevideo, acclaimed, adult, air, aria, Arts, audience, audiovisual, blog, Broadcast, Carmen, Cello, Chamber music, character, children, China, choral music, Cincinnati Symphony Orchestra, cinema, cities, city, Classical music, Clémentine Margaine, compose, composer, Concert, conductor, critically, cultural, culture, date, debut, Dmitri Shostakovich, drama, encore, English, event, favorite, female, figure, force, forward, France, free, French, Georges Bizet, German, gypsy, Haydn, hi def, History, impact, impassioned, information, Israel, Italian, Jacob Stockinger, lead role, like, link, live, Live From The Met in HD, Louis Langrée, lover, lusty, Madison, Marcus Theaters, masterpiece, melodies, melody, Metropolitan Opera, Metropolitan Opera Live in HD, Mezzo-soprano, Mills Hall, money, Mostly Mozart Festival, music critic, nature, notes, opera, Orchestra, Palace Cinema, Paris, Passion, performer, Point Cinema, popular, portrayal, post, posting, premiere, Pro Arte Quartet, production, remarkable, review, Richard Eyre, Robert Schumann, Roberto Alagna, rules, Russia, satellite broadcast, Saturday, Season, seduction, seductress, senior, series, signature, sing, singer, Spanish, stage, String quartet, sultry, Sun Prairie, supertitles, surtitles, symphony, synopsis, tag, tenor, the Met, theater, ticket, title, triumph, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, violence, violent, Violin, vocal music, Website, Wikipedia, Wisconsin, world, world premiere, worldwide, YouTube
Classical music: Prize-winning composer John Harbison has turned 80. In February, Madison will see many celebrations of his birthday, starting this Friday night with the Imani Winds
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This Friday night, Feb. 1, a month-long celebration in Madison of the 80th birthday of critically acclaimed and prize-winning composer John Harbison (below) gets underway.
The festivities start with a concert by the Grammy-nominated Imani Winds (below), which will perform this Friday night at 7:30 p.m. – with a pre-concert lecture at 6 p.m. — in Shannon Hall at the Wisconsin Union Theater. The program includes Harbison’s popular Wind Quintet.
Here is a link with more information about the group, the program and tickets: https://union.wisc.edu/events-and-activities/event-calendar/event/imani-winds/
Among America’s most distinguished artistic figures, Harbison is the recipient of numerous awards and honors, among them a MacArthur ”genius grant’ and a Pulitzer Prize. His work encompasses all genres, from chamber music to opera, sacred to secular. (You can hear Harbison discuss his approach to composing in the YouTube video at the bottom.)
He has composed for most of America’s premiere musical institutions, including the Metropolitan Opera, the symphony orchestras of Chicago, Boston, Los Angeles, Seattle and New York; and the Chamber Music Society of Lincoln Center and the Santa Fe Chamber Music Festival.
Institute Professor at MIT, Harbison serves as composer, conductor, performer, teacher and scholar. He divides his time between Cambridge, Mass., and Token Creek, Wis., where he co-founded and co-directs a summer chamber music festival with his violinist wife Rose Mary Harbison.
Other local birthday events include a performance by the Madison Symphony Orchestra; several chamber music and choral concerts at the First Unitarian Society of Madison, including one by the Mosaic Chamber Players; an exhibition of books and manuscripts at the Mills Music Library at UW-Madison’s Memorial Library.
There are also several concerts, including the world premiere of a new Sonata for Viola, and a composer residency at the University of Wisconsin-Madison’s Mead Witter School of Music; and the world premiere of a new motet by the Madison Choral Project.
Harbison will also be featured in radio interviews and broadcast retrospectives by both Wisconsin Public Radio and WORT community radio.
National and international celebrations include other world premieres of commissions, many new recordings and the publication of Harbison’s autobiographical book about Johann Sebastian Bach, “What Do We Make of Bach?”
For more details about the many local celebrations, you can go to the following two links. Schedules, programs and updates – events are subject to change — will be posted at www.tokencreekfestival.org and www.johnharbison.com.
To receive “Harbison Occasions,” an intermittent e-newsletter, write to arsnova.artsmanagement@gmail.com
Tags: #ArtisticWork, #BaroqueMusic, #BlogPost, #BlogPosting, #BostonSymphony, #CambridgeMassachusetts, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ChicagoSymphonyOrchestra, #ChoralMusic, #CriticallyAcclaimed, #EmailNewsletter, #FacebookPost, #FacebookPosting, #FirstUnitarianSocietyofMadison, #GeniusGrant, #GrammyAward, #GrammyNominations, #HomeWebsite, #husband-and-wife, #ImaniWinds, #JohannSebastianBach, #JohnHarbison, #LincolnCenter, #LivingComposer, #LosAngeles, #LosAngelesPhilharmonic, #MacArthurFellow, #MacArthurFoundation, #MadisonChoralProject, #MadisonSymphonyOrchestra, #MassachusettsInstituteofTechnology, #MeadWitterSchoolofMusic, #MemorialLibrary, #MetropolitanOpera, #MillsMusicLibrary, #MosaicChamberPlayers, #MusicCritic, #NewMusic, #NewYorkPhilharmonic, #OperaMusic, #PopularMusic, #Prize-Winning, #PulitzerPrize, #RoseMaryHarbison, #SacredMusic, #SantaFe, #SantaFeChamberMusicFestival, #SeattleSymphony, #SecularMusic, #ShannonHall, #SymphonyOrchestra, #TheMet, #TokenCreek, #TokenCreekChamberMusicFestival, #UniversityofWisconsin-Madison, #ViolaSonata, #WindQuintet, #WisconsinPublicRadio, #WisconsinUnionTheater, #WorldPremiere, #WORT-FM89.9, 80, acclaimed, America, artistic, Arts, audience, autobiographical, autobiography, Bach, Baroque, birthday, blog, Book, books, Boston, Boston Symphony, Broadcast, Cambridge Massachusetts, celebration, Chamber music, Chamber Music Society of Lincoln Center, Chicago, Chicago Symphony Orchestra, Choir, choral, choral music, Classical music, commission, community, Compact Disc, composer, Concert, conductor, Early music, email, Facebook, festival, figure, First Unitarian Society of Madison, forward, Friday, genius grant, genre, Grammy, group, Imani Winds, information, international, interview, Jacob Stockinger, Johann Sebastian Bach, John D. and Catherine T. MacArthur Foundation, John Harbison, like, LIncoln Center, Lincoln Center for the Performing Arts, link, Living composer, Los Angeles, Los Angeles Philharmonic, MacArthur Fellow, MacArthur Foundation, Madison, Madison Choral Project, Madison Symphony Orchestra, manuscripts, Massachusetts Institute of Technology, Mead Witter School of Music, Memorial Library, Metropolitan Opera, Mills Music Library, MIT, month, Mosaic Chamber Players, motet, Music, music critic, national, new, New Music, New York City, New York Philharmonic, New York Philharmonic Orchestra, newsletter, NPR, opera, Orchestra, performer, popular, post, posting, professor, program, Pulitzer Prize, Radio, recording, residency, retrospective, Rose Mary Harbison, sacred, sacred music, Santa Fe Chamber Music Festival, schedule, scholar, Seattle Symphony, secular, secular music, Shannon Hall, share, Sonata, summer, symphony, symphony orchestra, tag, Teacher, the Met, ticket, Token Creek, Token Creek Chamber Music Festival, Token Creek Festival, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, UW-Madison, Viola, viola sonata, Violin, violinist, vocal music, Website, wife, Wind quintet, Wisconsin, wisconsin public radio, Wisconsin Union Theater, world premiere, WORT-FM 89.9, YouTube
Classical music: WQXR radio names 19 musicians to watch in ’19. What do you think of the choices? Who would you add?
5 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
What will 2019 bring in the way of classical music?
What and who should we be looking at and paying attention to?
WQXR — the famed classical radio station in New York City – recently published its list of 19 to watch in ‘19, with detailed reasons for and explanations of their picks.
It seems like a pretty good choice to The Ear, although there is always something of a parlor game aspect to such projects.
Nonetheless, the list covers a fine variety – instrumentalists and vocalists, young and old, American and international, the well-known and the up-and-coming such as the opera singer Devone Tines (below, in a photo by Nikolai Schukoff).
Some names will be familiar to Madison audiences – such as pianist Inon Barnatan, violinist Nicola Benedettti, the JACK Quartet and cellist Steven Isserlis — especially through their live appearances at the Wisconsin Union Theater, the University of Wisconsin-Madison’s Mead Witter School of Music and the Madison Symphony Orchestra plus broadcasts on Wisconsin Public Radio.
Here is a link to the list: https://www.wqxr.org/story/wqxr-presents-19-19-artists-collaborations-upcoming-year/
The Ear can think of some other musicians that he would add to the list.
An especially deserving one of them is the young American virtuoso pianist George Li (below, in a photo by Simon Fowler).
Born in China and brought as a child to the United States by his parents, Li attended Harvard and just finished his master’s degree from the New England Conservatory of Music. (At the bottom, you can hear Li play virtuosic music by Liszt and Horowitz in the YouTube video of a Tiny Desk Concert at National Public Radio or NPR.)
Li won the silver medal in the 2015 at the 15th Tchaikovsky International Competition in Moscow and had a lot of people talking about the energy and excitement of his playing. He was praised for both outstanding technical prowess and deep expressiveness.
He then took first prize at a piano competition in Paris.
Ever since, he has been steadily booked. At 23, the amiable Li has already toured China, Japan and Russia and seems to have a very busy schedule ahead of him, judging by his posts on Instagram.
He has also released his first recording on the Warner Classics label, a fine CD that received many positive reviews from critics, including this one.
The program includes Haydn’s Sonata in B minor, Chopin’s Sonata No. 2 in B-flat Minor “Funeral March,” Rachmaninoff’s “Variations on a Theme of Corelli,” and Consolation No. 3 and the popular Hungarian Rhapsody No. 2 by Franz Liszt.
Given all the concertos he is now performing, it would not surprise one to see his next recording be a concerto, possibly the Tchaikovsky Piano Concerto N. 1 in B-flat minor, Op. 23, which brought him instant acclaim.
Here is a link to his website: http://www.georgelipianist.com
And here is a link to his entry in Wikipedia: https://en.wikipedia.org/wiki/George_Li
Keep your ears and eyes on George Li.
What do you think of the choices made by WQXR?
Who would you add to the list of musicians to watch in 2019, and why?
If possible, maybe you can include a YouTube link to a performance, live or recorded, in your comment.
The Ear wants to hear.
Tags: #AmericanModernOperaCompany, #AnneAkikoMeyers, #ArcangeloCorelli, #BeatriceRana, #BlogPost, #BlogPosting, #ChamberMusic, #DevonTines, #DoubleBass, #ElenaUrioste, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #FranzLiszt, #FredericChopin, #FuneralMarch, #FuneralMarchSonata, #GeorgeLi, #HarpsichordMusic, #HarvardUniversity, #HomeWebsite, #IestynDavies, #InonBarnatan, #InstagramPost, #J'NaiBridges, #JACKQuartet, #JessGillam, #JuliaBullock, #MadisonSymphonyOrchestra, #MahanEsfahani, #MatthewAucoin, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MoscowRussia, #MusicCritic, #MusicReview, #NationalPublicRadio, #NewEnglandConservatoryofMusic, #NewYorkCity, #NicolaBenedetti, #OperaSinger, #ParisFrance, #PianoConcerto, #PopularMusic, #SaxophoneMusic, #SergeiRachmaninoff, #SergeiRachmaninov, #ShekuKanneh-Mason, #SopranoSinger, #StevenIsserlis, #TchaikovskyCompetition, #TeddyAbrams, #TheEar, #TheKnights, #ThemeAndVariations, #TinyDeskConcert, #UnitedStates, #UniversityofWisconsin-Madison, #Up-and-Coming, #VladimirHorowitz, #WarnerClassics, #WeiLuo, #Wikipediaentry, #WisconsinPublicRadio, #WisconsinUnionTheater, #WQXRradio, #XavierFoley, #YouTubevideo, American, American Modern Opera Company, Anne Akiko Meyers, artist, Arts, aspect, audience, Baroque, bass, Beatrice Rana, Broadcast, busy, cellist, Cello, Chamber music, China, Chopin, choral music, Classical music, Compact Disc, Competition, composer, concerto, Corelli, countertenor, Devon Tines, diversity, double bass, Early music, ears, Elena Urioste, energy, excitement, expressive, expressiveness, eyes, Facebook, first prize, founder, Franz Liszt, funeral march, Funeral March Sonata, game, gender, George Li, harpsichord, Harvard University, Haydn, Iestyn Davies, immigration, Inon Barnatan, Instagram, instrumentalist, international, J'Nai Bridges, JACK Quartet, Jacob Stockinger, Japan, Jess Gillam, Johann Sebastian Bach, Julia Bullock, like, link, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Mahan Esfahani, Matthew Aucoin, Mead Witter School of Music, Mezzo-soprano, Moscow, Music, music critic, music review, name, National Public Radio, New England Conservatory, New York City, Nicola Benedetti, NPR, old, opera, Orchestra, parents, Paris, performer, Pianist, Piano, Piano concerto, playing, popular, project, race, Radio, reason, Russia, Saxophone, schedule, Sergei Rachmaninoff, Sergei Rachmaninov, share, Sheku Kanneh-Mason, silver medal, singer, social justice, Sonata, soprano, Steven Isserlis, tag, Tchaikovsky International Competition, technique, Teddy Abrams, The Ear, The Knights, theme and variations, Tiny Desk Concert, tour, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, variety, video, Violin, violinist, virtuoso, Vladimir Horowitz, vocal music, vocalist, Warner Classics, Website, Wei Luo, well-known, Wikipedia, Wisconsin, wisconsin public radio, Wisconsin Union Theater, Wolfgang Amadeus Mozart, WPR, WQXR, WQXR-FM, Xavier Foley, young, YouTube
Classical music: This Saturday the critically acclaimed new production of Francesco Cilea’s “Adriana Lecouvreur” is featured in cinemas in “Live from The Met in HD” satellite broadcasts and on Wisconsin Public Radio. Read a rave review
5 Comments
FORWARD A LINK TO IT OR SHARE IT (not just “Like It IF YOU LIKE A CERTAIN BLOG POST, PLEASE”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This Saturday afternoon, Jan. 12, brings the fifth production of this season’s “Live From the Met in HD” series: Francesco Cilea’s “Adriana Lecouvreur.”
This 1902 opera – the only well-known one by this Italian composer (1866-1950) — seeks to capture the Baroque era’s richness of Paris and the French court in 1730. It is based on a real-life French actress who captured the public with her on-stage and off-stage passion.
The Metropolitan Opera’s new production, directed by Sir David McVicar, features superstar soprano Anna Netrebko as Adriana while the acclaimed tenor Piotr Beczala plays Maurizio, who is as smitten with Adriana as she is with him. (You can hear their duet from Act I in the YouTube video at the bottom.)
The conductor is the acclaimed and much in-demand Gianandrea Noseda (below), the music director of the National Symphony Orchestra at the Kennedy Center in Washington, D.C., and a frequent conductor at the Met.
Mezzo-soprano Anita Rachvelishvili (below) has also received critical acclaim for her powerful singing in the production.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4:15 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
The encore HD showings are next Wednesday, Jan. 16, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Verdi and Poulenc plus a new work, “Marnie,” by Nico Muhly: https://www.metopera.org/season/in-cinemas/
Here is a rave review of “Adriana Lecouvreur” by senior classical music critic Anthony Tommasini for The New York Times: https://www.nytimes.com/2019/01/01/arts/music/review-adriana-lecouvreur-metropolitan-opera.html
Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/adriana_usglobal.pdf?performanceNumber=15136
Here is a link to other information about the production of “Adriana Lecouvreur,” including photos and audiovisual clips: https://www.metopera.org/season/2018-19-season/Adriana-Lecouvreur/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
Tags: #AdrianaLecouvreur, #AnitaRachvelishvili, #AnnaNetrebko, #AnthonyTommasini, #BaroqueEra, #BlogPost, #BlogPosting, #CamilleSaint-Saens, #CriticalAcclaim, #DavidMcVicar, #FacebookPost, #FacebookPosting, #FrancescoCilea, #FrancisPoulenc, #Frenchcourt, #GaetanoDonizetti, #GeorgesBizet, #GiacomoPuccini, #GianandreaNoseda, #GiuseppeVerdi, #KennedyCenter, #LiveFrom the MetinHD, #MarcusTheatres, #MetropolitanOpera, #MetropolitanOperaLiveinHD, #Mezzo-sopranoSinger, #MusicCritic, #MusicReview, #NationalSymhony, #NewYorkCity, #NewYorkTimes, #NicoMuhly, #PalaceCinema, #PiotrBeczala, #PointCinema, #PucciniOpera, #RichardWagner, #SunPrairieWisconsin, #TheMet, #UniversityofWisconsin, #VerdiOpera, #WashingtonD.C., #Wikipediaentry, #WisconsinPublicRadio, #YouTubevideo, actress, Adriana Lecouvreur, Anita Rachvelishvili, Anna Netrebko, Anthony Tommasini, Arts, audience, audiovisual, Baroque, Bizet, blog, Broadcast, cast, cast list, China, choral music, Classical music, composer, conductor, critic, critical acclaim, David McVicar, Donizetti, duet, encore, Facebook, France, Francesco Cilea, French, Gianandrea Noseda, hi def, High definition, Israel, Jacob Stockinger, Kennedy Center, life, like, link, Live From The Met in HD, Madison, Marcus Theatres, Met, Metropolitan Opera, Metropolitan Opera Live in HD, Mezzo-soprano, Music, music critic, music review, National Symphony Orchestra, New York City, New York Times, Nico Muhly, NPR, opera, Orchestra, Palace Cinema, Paris, Passion, performer, photo, Piotr Beczala, Point Cinema, post, posting, Poulenc, power, powerful, public, Puccini, real, Russia, Saint-Saens, Saturday, senior, share, soprano, Sun Prairie, superstar, synopsis, tag, tenor, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, video, vocal music, Wagner, Washington D.C., Website, Wikipedia, Wisconsin, wisconsin public radio, world, YouTube
Recent Comments
 | fflambeau on Classical music: The Madison O… |
| fflambeau on Classical music: The Madison O… |
 | welltemperedear on Classical music: The Madison O… |
 | Melinda Certain on Classical music: The Madison O… |
| fflambeau on Classical music: In two FREE c… |
Classical music: Happy Thanksgiving! What composer, music or performer are you grateful for? Plus, the Pro Arte Quartet repeats the FREE but fantastic opening concert of its complete Beethoven cycle this Sunday afternoon
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: One of the Thanksgiving traditions for music fans is that from 10 a.m. to noon today, Wisconsin Public Radio will again broadcast highlights from this year’s honors concerts by choirs, bands and orchestras from the Wisconsin School Music Association. Music education is something to give thanks for. You can hear middle school and high school student performers from around the state as well as WPR’s usual Thanksgiving offerings of American composers and music, and then special Thanksgiving programs about gratitude.
By Jacob Stockinger
Happy Thanksgiving!
Today – Thursday, Nov. 28, 2019 – is Thanksgiving Day.
It was Sergei Rachmaninoff (below) who once remarked, “Music is enough for a lifetime, but a lifetime is not enough for music.”
How true, how true.
There is such a wealth of composers, works and performers — going back many centuries — that we can be grateful for. In the Comment section, The Ear wants to hear from you about what one you would name — with a YouTube link, if possible.
But this year he has his own choice: the “Sacred Hymn of Thanksgiving” – by Beethoven (below), who used it as a movement in his late String Quartet in A Minor, Op. 132.
You can hear it in the YouTube video at the bottom, where the playing of the four string instruments also gets an interesting and fascinating graphic depiction of its structure.
The composer wrote this sublime and other-worldy music when he recovered from what he thought was a life-threating illness.
But with the Beethoven Year of 2020 fast approaching – along with celebrations of the 250th anniversary of the composer’s birth – The Ear has another reason for his choice.
If you missed last Friday’s superb FREE opening concert of the complete cycle of Beethoven’s 16 string quartets by the University of Wisconsin-Madison’s Pro Arte Quartet (below, in the new Collins Recital Hall of the Hamel Music Center), you have a chance to catch a second performance this coming Sunday afternoon, Dec. 1. (Members, below left are David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)
From 12:30 to 2 p.m. the Pro Arte will performance the same program – and ultimately the complete cycle of six concerts — for Sunday Afternoon Live at the Chazen. You can attend it in person for FREE in Brittingham Gallery 3 (below) of the museum or you can stream it live.
Here are links to the program and to the streaming portal and the program: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen11/
https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5
And here is a link to the complete schedule of the Beethoven string quartet cycle, done over the next 14 months, by the Pro Arte Quartet, which includes background on the Pro Arte. You’ll notice, by the way, that the Sacred Hymn of Thanksgiving will be performed on the program for next Oct. 2:
https://welltempered.wordpress.com/2019/11/19/classical-music-this-friday-night-nov-22-the-uw-madisons-pro-arte-quartet-starts-its-beethoven-cycle-of-the-complete-16-string-quartets-here-are-the-dates-times-venues-and-programs-for/
Share this:
Like this:
Tags: #AmericanComposer, #AmericanMusic, #BandMusic, #BeethovenYear, #BlogPost, #BlogPosting, #BrittinghamGallery3, #BrittinghamGalleryIII, #ChamberMusic, #ChazenMuseumofArt, #ChoralMusic, #CollinsRecitalHall, #CompleteCycle, #DavidPerry, #FacebookPost, #FacebookPosting, #HamelMusicCenter, #HappyThanksgiving, #HighSchool, #HolidayTradition, #LiveStreaming, #LudwigVanBeethoven, #MeadWitterSchoolofMusic, #MiddleSchool, #MusicEducation, #OrchestralMusic, #ParryKarp, #PluckedInstruments, #ProArteQuartet, #SacredHymnofThanksgiving, #SallyChisholm, #SergeiRachmaninoff, #SergeiRachmaninov, #StreamedLive, #StringInstruments, #StringMusic, #StringQuartet, #SundayAfternoonLiveattheChazen, #SuzanneBeia, #ThanksgivingDay, #TheEar, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolinMusic, #WisconsinPublicRadio, #WisconsinSchoolMusicAssociation, #YouTubevideo, air, American, Arts, background, band, band music, Beethoven, Beethoven Year, birth, blog, Brittingham Gallery 3, Brittingham Gallery III, Broadcast, cellist, Cello, centuries, century, Chamber music, Chazen Museum of Art, choice, choral music, chorus, Classical music, Collins Recital Hall, comment, complete, complete cycle, composer, Concert, cycle, David Perry, Facebook, fan, forward, grateful, gratitude, Hamel Music Center, Happy Thanksgiving, happy', high school, highlight, honors, hymn, Jacob Stockinger, late, lifetime, like, link, live, Ludwig van Beethoven, Madison, Mead Witter School of Music, member, Middle school, months, Museum, Music, Music education, offering, online, orchestral music, Parry Karp, performance, performer, person, piece, playing, portal, post, posting, Pro Arte Quartet, program, Rachmaninoff, Rachmaninov, reason, remark, sacred, Sacred Hymn of Thanksgiving, Sally Chisholm, schedule, second, section, Sergei Rachmaninoff, Sergei Rachmaninov, share, special, state, stream, streamed, string instruments, string music, String quartet, strings, Student, Sunday Afternoon Live at the Chazen, Suzanne Beia, tag, Thanksgiving, Thanksgiving Day, The Ear, tradition, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, use, usual, UW-Madison, Viola, Violin, violinist, violist, wealth, Website, Wisconsin, wisconsin public radio, Wisconsin School Music Association, work, WPR, year, YouTube