The Well-Tempered Ear
University Opera’s original online video project celebrates the life and music of American composer Marc Blitzstein. It will be posted for FREE on YouTube this Friday night, Oct. 23, at 8 p.m.
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By Jacob Stockinger
This fall, University Opera presents its first project of 2020-21 in video format as it turns to the music of the American composer Marc Blitzstein (1905-1964).
“I Wish It So: Marc Blitzstein – the Man in His Music” will be released free of charge on the University of Wisconsin-Madison Mead Witter School of Music’s YouTube channel this Friday night, Oct. 23, at 8 p.m. CDT at the general site www.youtube.com/meadwitterschoolofmusic or the official specific link: https://youtu.be/77FXFZucrWc.
Director of University Opera David Ronis (below top) is the director of the original production and will give introductory remarks. UW-Madison graduate Thomas Kasdorf (below bottom) is the musical director. The production lasts 1 hour and 40 minutes, and features four singer-actors, a narrator and a piano.
Marc Blitzstein’s life story parallels some of the most important cultural currents in American history of the mid-20th-century.
Known for his musicals — most notably The Cradle Will Rock in 1937 (you can hear Dawn Upshaw sing the lovely song “I Wish It So” from “Juno” in the YouTube video at the bottom) — his opera Regina and his translation of Kurt Weill’s The Threepenny Opera, Blitzstein was an outspoken proponent of socially engaged art. Like many artists of his time, he joined the American Communist Party. But he also enthusiastically served in the U.S. Army during World War II (below, in 1943).
Nevertheless, in 1958, long after he had given up his Communist Party membership, Blitzstein (below) was called before the House Un-American Activities Committee (HUAC) where he “named no names.”
An extremely gifted yet underappreciated composer, he was a close friend of and mentor to Leonard Bernstein (below right, with Blitzstein on the left) and traveled in a close circle of American composers including David Diamond and Aaron Copland.
Although openly gay, he married Eva Goldbeck in 1933. Sadly, she died three years later from complications due to anorexia.
Blitzstein’s own death was likewise tragic. In 1964, while in Martinique working on an opera about the anarchists Sacco and Vanzetti, a commission from the Metropolitan Opera, he was robbed and badly beaten by three Portuguese sailors whom he had picked up at a bar. He died the next day of internal injuries.
Although throughout his life and afterwards, Blitzstein’s work was championed by Bernstein and others, many claim that neither the composer nor his stunning music and beautiful lyrics ever received the attention they deserved. So University Opera is proud to present this show celebrating his life and his works.
“I Wish It So: Marc Blitzstein – the Man in His Music” is a unique production put together by David Ronis. A biographical pastiche, it tells the story of Blitzstein’s life by recontextualizing 23 songs and ensembles from his shows, juxtaposing them with spoken excerpts from his working notes and letters, and tying it all together with a narration.
The result is a dramatic, evocative and enjoyable portrait of Blitzstein’s life and his art, according to Ronis.
“We’ve discovered a lot of “silver linings” while working on this production,” says Ronis. “We were disappointed at not being able to do a normal staged show. But working with video has had tremendous artistic and educational value.
“Our students are learning on-camera technique, not to mention how to work with a green screen (below, with soprano Sarah Brailey), which allows for post-production editing and digital manipulation of backgrounds. They’re also working with spoken text as well as sung pieces. Mostly, we’re just very grateful to have a creative project to sink our teeth into during the pandemic.
“And the music of Blitzstein is so fantastic, we’re very happy to be able to share it with our audience. This project is like none other I’ve ever done and we’re thinking that it’s going to be pretty cool.”
Research on the project was completed at the Wisconsin Historical Society, where Blitzstein’s archives are housed. University Opera gratefully acknowledges the help of both Mary Huelsbeck of the Wisconsin Center for Film and Television Research, and the Kurt Weill Foundation for their assistance with this project.
The cast features five UW-Madison graduate students: Sarah Brailey, Kenneth Hoversten, Justin Kroll, Lindsey Meekhof (below) and Steffen Silvis.
The video design was done by Dave Alcorn with costumes by Hyewon Park.
Others on the production staff include Will Preston, rehearsal pianist; Elisheva Pront, research assistant and assistant director; Dylan Thoren, production stage manager; Alec Hansen, assistant stage manager; Teresa Sarkela, storyboard creator; and Greg Silver, technical director.
The video will be accessible for 23 hours starting at 8 p.m. this Friday, Oct. 23. Although there will be no admission price for access, donations will be gratefully accepted. A link for donations will be posted with the video.
University Opera, a cultural service of the Mead Witter School of Music at the University of Wisconsin-Madison, provides comprehensive operatic training and performance opportunities for students and operatic programming to the community. For more information, email opera@music.wisc.edu or visit music.wisc.edu.
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Classical music: A FREE concert of stripped down Opera Scenes takes place this Tuesday night at UW-Madison
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By Jacob Stockinger
It has been a busy week for students and staff in the opera program at the University of Wisconsin-Madison Mead Witter School of Music.
Last week saw three sold-out and critically acclaimed performances of Benjamin Britten’s opera “A Midsummer Night’s Dream.” Here is a review: https://welltempered.wordpress.com/2019/11/23/classical-music-university-opera-succeeded-brilliantly-by-staging-brittens-a-midsummer-nights-dream-as-a-pop-project-of-andy-warhol-and-the-factory-in-the-1960s/
This week – on Tuesday night, Nov. 26, at 7:30 p.m. in Music Hall (below) at the foot of Bascom Hill – the UW-Madison Opera Workshop will present a concert that presents a series of stripped down, quasi-staged opera scenes. There is piano accompaniment instead of an orchestra, and sometimes a prop with the suggestion of a costume instead of full costumes and full sets.
Admission is FREE to the public and no tickets are required.
David Ronis (below top, in a photo by Luke Delalio) and Mimmi Fulmer (below bottom) are the directors, and Ben Hopkins is the Teaching Assistant
No specific roles, arias or works are listed.
But the program features scenes from: “Werther” by the French composer Jules Massenet; “Fidelio” by Ludwig van Beethoven; “Little Women” by American composer Mark Adamo (below top); “Eugene Onegin” by Russian composer Peter Ilyich Tchaikovsky; “A Little Night Music” by American Broadway composer Stephen Sondheim; “Dead Man Walking” by American composer Jake Heggie (below bottom); and “Hansel and Gretel” by German composer Engelbert Humperdinck.
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Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season
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By Jacob Stockinger
The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:
Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.
The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)
A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.
Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.
Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.
Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.
David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.
Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ people, in February.
The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).
The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).
“Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”
Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.
The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).
Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.
On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.
The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.
For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/
While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.
Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.
WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.
RELATED EVENTS
The Prelude Dinner at Opera in the Park 2019 is at 6 p.m. This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.
The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.
More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website www.madisonopera.org
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