The Well-Tempered Ear

Classical music: The Token Creek Chamber Music Festival starts this Friday and marks 30 years with jazz plus music by Bach, Mozart, Liszt, Brahms, Ravel, Schoenberg and John Harbison

August 13, 2019
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By Jacob Stockinger

Starting this coming Friday, Aug. 16, and running through Sept. 1, the Token Creek Chamber Music Festival will mark its 30th anniversary with the theme of “Sanctuary.” (The festival takes place in a refurbished barn, below, at 4037 Highway 19 in DeForest.)


Add the festival directors: “The term ‘sanctuary’ attempts to capture in a single word something essential about what the festival has meant to players and listeners over all these years. From the start it aspired to offer something of retreat, an oasis, a place of refreshment and nourishment in art, both for musician participants who find a welcoming environment to “re-charge” their work, and for audience attendees who engage in and become a part of it.”

“In our small country barn,” writes prize-winning composer John Harbison (below top, in a photo by Tom Artin) who co-directs the festival with his violinist wife Rose Mary Harbison (below bottom, in a photo by Tom Artin), “we have always remained devoted to the scale and address of much chamber music, which speaks as often in a whisper as in a shout.

“Where larger musical institutions have been habitually frustrated by trying to live in the business model of growth, we have remained devoted to the intensity of the experience, which explains why the music never goes away, rather than to claims of numbers, which begs the music itself to change its very nature.

“Our conviction is that today’s composers, just like Schubert and Mozart, are still striving to embody daily experience, to connect to the natural world, and to ask philosophically and spiritually unanswerable questions, surrounded and interrupting silence, asking only for our most precious commodity — time. We continue to look for valuable ways to offer this transaction to our listeners, and are grateful for their interest over so many years.”

The first two concerts, at 5 p.m., on Friday and Saturday nights, feature the return of a jazz cabaret featuring standard works in the Great American Songbook. For more information about the program and performers, as well as tickets, go to: www.tokencreekfestival.org or call (608) 241-2525.

Tickets for the two jazz concerts are $40 for the balcony and $45 for cafe seating. Tickets for the other concerts are $32 with a limited number of student tickets available for $12.

HERE IS THE LINEUP FOR THE REST OF THE FESTIVAL

Program 2: Music of Brahms at 4 p.m. on Saturday, Aug. 24, and Sunday, Aug. 25

Johannes Brahms is the only composer whose complete catalogue of chamber music is still in constant use.  This is due to his fastidious high standards, and to his ideal temperament for music played by smaller groups of players. His music is universally admired for the astounding combination of sheer craft and deep emotional impact.

The program includes the Regenlied (Rain Song), Op. 57 no. 3; Sonata for Violin and Piano in G major, Op. 78; the Sonata for Cello and Piano in E minor, Op. 38; and the Piano Quartet in C minor, Op. 60. (The “Rain Song” is used as the theme of the last movement of the violin sonata. You can hear it performed by violinist Leonidas Kavakos and pianist Yuja Wang in the YouTube video at the bottom, which also features the score so that you can follow along.)

Performers are Edgewood College mezzo-soprano Kathleen Otterson (below top); violinist Rose Mary Harbison; violist Lila Brown (below second); cellist Rhonda Rider (below third, in a photo by Liz Linder); and pianist Janice Weber (below bottom).

Program 3: Then and Now, Words and Music – An 80th Birthday Tribute to John Harbison. Wednesday, Aug. 28, at 7:30 p.m.

Last February, when Madison launched a citywide celebration of co-artistic director John Harbison’s 80th birthday, bitter cold and deep snow made it impossible for the festival to open up The Barn and join in the festivities.

The Wednesday program – an intimate concert of words and music curated by the Harbisons — is the festival’s belated birthday tribute. Harbison will read from his new book about Johann Sebastian Bach, and Boston poet Lloyd Schwartz (below top) will offer a reading of his poems that are the basis of a song cycle to presented by baritone Simon Barrad (below bottom). The evening will include a discussion on setting text, “Poem to Song,” and the world premiere of new Harbison songs, still in progress, on poems of Gary Snyder.

The program includes: Selections from the Violin Sonata in B minor, with violinist Rose Mary Harbison, and “The Art of Fugue” by Johann Sebastian Bach; “Four Songs of Solitude” and “Nocturne” by John Harbison; the Violin Sonata in G Major by Wolfgang Amadeus Mozart; the “Phantasy” for violin and piano by Arnold Schoenberg; the “SchwartzSongs” and “Four Poems for Robin” by John Harbison.

Program 4: The Piano , at 4 p.m. on Sunday, Aug. 31, and Sunday, Sept. 1.

The closing program welcomes back husband-and-wife pianists Robert Levin and Ya-Fei Chuang, playing together and as soloists.

Chuang (below top) is acclaimed by critics in the U.S. and abroad for performances of stunning virtuosity, refinement and communicative power. Levin (below bottom, in a photo by Clive Barda), who teaches at Harvard University, is revered for his Mozart completions and classical period improvisations.

Their program explores the question of the composer-performer — that is, composers who were also formidable pianists: Mozart, Ravel and Liszt.

Beethoven’s fourth piano concerto, arranged by the composer for chamber ensemble, and excerpts of Harbison’s Piano Sonata No. 2, written for Levin, will be performed. Also on the program are Mozart’s Allegro in G Major, K. 357 (completion by Robert Levin); Maurice Ravel’s “Gaspard de la Nuit”; and Franz Liszt’s “Reminiscences of Don Juan.”

Other performers are: violinists Rose Mary Harbison and Laura Burns, of the Madison Symphony Orchestra and Rhapsodie String Quartet; violists Jen Paulson and Kaleigh Acord; cellist Karl Lavine, who is principal cello of both the  Madison Symphony Orchestra and the Wisconsin Chamber Orchestra as well as the Chamber Music Director of the Wisconsin Youth Symphony Orchestras (WYSO); and double bassist Ross Gilliland.


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Classical music: The future looks brighter for the Wisconsin Chamber Orchestra and Madison Ballet, which just received $30,000 from the Madison Community Foundation to see if they should work jointly

May 23, 2016
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A REMINDER: Tonight at 8 p.m., Wisconsin Public Television will air a one-hour broadcast of the 50th anniversary concert in Overture Hall by the various groups in the Wisconsin Youth Symphony Orchestras.

For more information, here is a link:

https://welltempered.wordpress.com/2016/05/21/classical-music-education-the-50th-anniversary-gala-concert-by-the-wisconsin-youth-symphony-orchestras-wyso-will-air-on-wisconsin-public-television-monday-night-at-8/

By Jacob Stockinger

The Ear has received the following news release, which should interest a lot of local arts fans. Unfortunately, it contains some grant jargon. But the bottom line is clear: Both the Wisconsin Chamber Orchestra and Madison Ballet will use the money see if and how they can share their resources and thereby become more secure, efficient and financially stable. You may recall that Madison Ballet had to abruptly cancel its past season when donations for its production of “Peter Pan” fell short:

The Wisconsin Chamber Orchestra and Madison Ballet have been awarded a $30,000 Community Impact grant from Madison Community Foundation to explore an innovative and shared resource business model for the two organizations.

WCO new Logo 2016 Square

The award will fund a comprehensive feasibility study that will assess the resources of each organization and identify opportunities for efficiency and growth.

Madison Ballet and the Wisconsin Chamber Orchestra, both well-established arts organizations, have long been providing world-class performances and creative programming in the community.

But as competition for non-profit funding increases, these two organizations are looking for creative business solutions to maintain excellence, support program growth, and ensure long-term sustainability.

“We are so pleased that Madison Community Foundation is supporting this project,” says Madison Ballet’s General Manager Gretchen Bourg. “All businesses—especially those in the non-profit sector—are realizing the need for new models for success and sustainability. This study is an exciting first step toward a truly innovative way of serving our community.”

The feasibility study represents Phase 1 of a larger project that could result in a business model in which the Wisconsin Chamber Orchestra and Madison Ballet share key administrative functions, minimizing redundant costs and leveraging each organization’s unique strengths.

Each would retain the signature artistic and outreach programs for which they are known.

Mark Cantrell, CEO of the WCO says “This grant provides a wonderful opportunity to explore ways for our two organizations to come together to help build a better community.”

“I have worked together with Earle [Smith] for the past 16 years. We arrived in Madison within a year of each other and have always maintained an excellent artistic and working relationship,” says Andrew Sewell (below), music director of the WCO. “Our two organizations have performed together for their annual Nutcracker performances, as well as collaborated on special projects such as the Halloween concert, Concerts on the Square® and most recently the 10th anniversary concert of Overture Center. I’m excited to explore the benefits this unique arts organizational model may represent for both groups.”

andrewsewell

Madison Ballet’s Artistic Director, W. Earle Smith (below), echoes support for the project: “I am very grateful to the Madison Community Foundation for this opportunity to find better ways to engage our audiences and support our artists.”

w. earle smith

The boards of directors of Madison Ballet and Wisconsin Chamber Orchestra expect to select a consulting firm to conduct the study by the end of May. Data from the study will be used to identify next steps in strategic planning for long-term sustainability.

The Wisconsin Chamber Orchestra, led by Maestro Andrew Sewell, is a vibrant and thriving professional orchestra dedicated to advancing Wisconsin communities through the transformative power of music.

The WCO performs for over 240,000 people per year, including Concerts on the Square (below)®, Masterworks, Holiday Pops, Handel’s Messiah, Youth Concerts, and other performances across the state.  For more information, visit wcoconcerts.org.

ConcertsonSquaregroupshot

Madison Ballet touches the lives of 50,000 individuals in the community each year through engaging outreach programs and unforgettable performances.

Its annual presentation of The Nutcracker remains an essential part of many families’ holiday traditions, and it has broken new ground with innovative productions like the original rock ballet, Dracula.

The School of Madison Ballet is one of the premier training academies in the Midwest, providing quality dance education for dancers of all ages. For more information, visit madisonballet.org.

 


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