The Well-Tempered Ear

Classical music: It is commencement weekend at the University of Wisconsin-Madison and at many other schools. Here are two pieces by Brahms and Elgar to celebrate the event

May 13, 2017
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By Jacob Stockinger

School is out!

This weekend is Commencement Weekend at the University of Wisconsin-Madison, the University of Wisconsin System and many other colleges and universities across the nation.

Undergraduates will graduate in Camp Randall Stadium (below) today starting at noon.

And continuing students can at last put the hard work of classes and final papers and semester-end papers behind them.

So some celebration seems in order.

The Ear knows of two pieces that are surefire in the way they capture the spirit of the event.

For overall mood, The Ear thinks it is hard to top the upbeat energy of the “Academic Festival” Overture — heard below conducted by Leonard Bernstein in a YouTube video — which Johannes Brahms wrote on the occasion of receiving an honorary degree. It even includes an old Latin student drinking song.

The other piece is the “Pomp and Circumstance” March No. 1 (of 5) by Sir Edward Elgar — heard below in a YouTube video with a chorus singing “Land of Hope and Glory.”

Sure, it is overplayed for everything from elementary school to graduate school. But that is only because it fits the occasion so perfectly and captures the stately poignancy of the moment when you leave one life behind and turn to face another.

Are the two pieces “warhorses”?

Probably.

Make that certainly.

But The Ear thinks some old standards remain standards because they are just that good, not just that old.

Yet if you have other favorite works or you know of other worthy pieces – say, Franz Joseph Haydn’s “Oxford” Symphony that he wrote when he received an honorary degree –please leave word and a YouTube link in the COMMENT section.

Cheers and congratulations to all!

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Classical music education: On Sunday, the Madison Youth Choirs presents “Hide and Seek: Cracking the Musical Code” with music by Bach, Handel, Grieg, Poulenc, Britten, Holst, Copland and others

May 10, 2017
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ALERT: This week is the season’s last FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Featured are violinist Maureen McCarty and keyboardist Mark Brampton Smith in music of Jan Pieterszoon Sweelinck, Antonio de Cabezon, Johann Sebastian Bach, Johann Pachelbel, Jules Massenet and Spirituals. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

The Madison Youth Choirs have sent the following announcement to post:

This spring, Madison Youth Choirs singers are sharpening their critical thinking, analytical and investigative skills as they identify patterns, puzzles and secret structures in a variety of complex musical compositions by artists including Johann Sebastian Bach, Francis Poulenc, Gustav Holst, Benjamin Britten, Georg Frideric Handel, Aaron Copland, and other composers. The results will be presented this Sunday in “Hide and Seek: Cracking the Musical Code.”

MYC’s Cantabile and Ragazzi choirs will also present excerpts from a world premiere score by Wisconsin-based composer Scott Gendel (below) inspired by the beloved novella The Snow Goose.

Please join us as we dive deep into these classical and contemporary choral works, discovering the great rewards of seeking brilliance and beauty wherever they hide.

The concerts are at the First Congregational United Church of Christ, 1609 University Ave., near Camp Randall Stadium.

Here is a schedule of times for various groups to perform:

Sunday, May 14, 2017

1:30 p.m. Girlchoirs

4 p.m. Boychoirs

7 p.m. High School Ensembles.

Tickets are available at the door. General admission is $10, $5 for students 7-18, and free for children under 7. A separate ticket is required for each performance. 

See below for complete programs.

These concerts are generously supported by the American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation, the John A. Johnson Foundation, a component fund of the Madison Community Foundation, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation. This project is also supported by the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. 

About the Madison Youth Choirs (MYC):

Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond. (You can hear a sample of them singing in the YouTube video at the bottom.)

For more information, go to www.madisonyouthchoirs.org

Here are the concert programs for this Sunday:

1:30 p.m. Concert (Featuring MYC Girlchoirs)

Choraliers

Lachend…Cesar Bresgen

Two Childhood Songs…Randall Thompson

Fairest Lady (from The Nursery Rhyme Cantata)…Nick Page

Con Gioia

O Lovely Peace (from Judas Maccabeus)…George Frederic Handel

Ewig Dein…Ludwig van Beethoven

Kentucky Jazz Jam…Traditional folk songs, arr. David J. Elliott

Capriccio

Musica est Dei donum optimi…Orlando di Lasso

Herr, du siehst statt gutter Werke auf (BWV 9)…Johann Sebastian Bach

Camino, Caminante…Stephen Hatfield

Think on Me…James Quitman Muholland

Amavolovolo…Traditional Zulu, arr. Rudolf de Beer

Cantilena

Bonny Wood Green…Traditional Irish Ballad, arr. Stephen Hatfield

Ah! Si mon moine voulait danser…Folk song from Quebec, arr. Donald Patriquin

Cantabile

Love is a Rain of Diamonds…Gwyneth Walker

No Time…Traditional camp meeting songs, arr. Susan Brumfield

Combined Choirs and Audience

Blowin’ in the Wind…Bob Dylan

4 p.m. Concert (Featuring MYC Boychoirs)

Combined Boychoirs

Das Hexen Einmal-Eins (The Witch’s One-Times-One)…Franz Joseph Haydn

Purcell

Wind on the Hill…Victoria Ebel-Sabo

Mangwani M’pulele…Traditional Zulu, arr. Theodore Bikel

The Old Carrion Crow…Nova Scotian folk song, arr. Mary Goetze

Britten   

Missa Brevis in D…Benjamin Britten

Wenn Sorgen auf mich dringen…J.S. Bach

I’se the B’y…Newfoundland folk song, arr. John Govedas

Holst

Tourdion…Anonymous, 16th century, arr. Pierre Attaignant

Bawo Thixo Somandla (sung in Xhosa)…Mxolisi Matyila

A Miner’s Life…Traditional Irish song, arr. Seth Houston

Ragazzi

Zion’s Walls…Setting by Aaron Copland, arr. Glen Koponen

Seigneur, je vous en prie…Francis Poulenc

Brothers, Sing On…Edvard Grieg

Combined Boychoirs

Blowin’ in the Wind…Bob Dylan

7 p.m. Concert (Featuring High School Ensembles)

Cantilena

Domine Deus (from Mass in G Major, BWV 236)…J.S. Bach, arr. Doreen Rao

maggie and milly and molly and may…Vincent Persichetti

Bonny Wood Green…Traditional Irish Ballad, arr. Stephen Hatfield

Ah! Si mon moine voulait danser…Folk song from Quebec, arr. Donald Patriquin

Ragazzi

Zion’s Walls…Setting by Aaron Copland, arr. Glen Koponen

Seigneur, je vous en prie…Francis Poulenc

Brothers, Sing On…Edvard Grieg

Cantabile

Suscepit Israel (from Magnificat in D, BWV 243)… J.S. Bach

Love is a Rain of Diamonds…Gwyneth Walker

No Time…Traditional camp meeting songs, arr. Susan Brumfield

Cantabile and Ragazzi

Excerpts from The Snow Goose…Scott Gendel

Hark, I Hear the Harps Eternal…Traditional shape-note, arr. Alice Parker

Combined Choirs and Audience

Blowin’ in the Wind…Bob Dylan


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Classical music: Madison Choral Project gives a concert of new music focusing on the social and political theme of “Privilege” this Friday night and Sunday afternoon

April 20, 2017
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ALERT: This week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features David Miller, trumpet; Amy Harr, cello; and Jane Peckham, piano. They will play music by Bach, Schmidt, Piazzolla, Honegger and Cooman. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

Call it activist beauty or beautiful activism.

It sure seems that political and social relevance is making a comeback in the arts during an era in which inequality in race, gender, ethnicity, wealth, education, health, employment, immigration status and other issues loom larger and larger.

For the Madison Choral Project (below), for example, singing is about more than making music. It can also be about social justice.

Writes the Project:

“The Madison Choral Project believes that too often the classical music concert is simply a museum of the beautiful. Yet the worlds of theater, art and literature can so brilliantly combine beauty with material that provokes contemplation and understanding.

“Our world is increasingly complicated, and we seek to provide voices exploring important emotional and social concerns of today.”

That means that, in its two concerts this weekend, the Madison Choral Project will explore the concept of privilege in two performances this weekend.

The repertoire is all new music or contemporary music by living composers.

The Madison Choral Project, under the direction of Albert Pinsonneault (below), who formerly taught at Edgewood College and is now at Northwestern University, presents their 10th Project – Privilege – on this Friday night, April 21, at  8:30 p.m. (NOT 7:30, as originally announced, because of noise from a nearby football game); and on Sunday afternoon, April 23, at 3 p.m.

Both performances are at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

General admission is $24 in advance and online; $28 at the door; and $10 for students either in advance or at the door. A limited number of preferred seats are offered for $40.

The Privilege concerts feature the work Privilege by Ted Hearne (b. 1982), which Hearne (below) writes “are settings of little texts questioning a contemporary privileged life (mine).”

With texts that range from the inequality of educational experiences, to the unfair playing field brought through race, the work sets thought-provoking texts in a beautiful and musically accessible way. (NOTE: You can hear it in the YouTube video at the bottom.)

The program also includes the world premiere of a new piece of music from Wisconsin composer and UW-Madison graduate D. Jasper Sussman (b. 1989, below), whose piece Work: “What choice?” is a contemplation of society’s confusing and hypocritical demands on women, their bodies and their appearance.

Sussman writes “I have never identified as a feminist. It’d be impossible, however, for me to remain ignorant of the clumsily uneven climate of our world, and certainly of this country. Work: “What Choice?” is an attempt at telling a common story shared by many.”

Included on the concert are two works of Pulitzer Prize-winning composer David Lang (b. 1957, below), whose new minimalism includes sonorities influenced by rock and popular music, but with layered repetition that gives the pieces a meditative and contemplative quality.

Also featured is When David Heard by Eric Whitacre (b. 1970, below), a gorgeous and devastating monologue contemplating the death of one’s child.

For more information and tickets, go to www.themcp.org

You can also go to a fine story in The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/with-privilege-madison-choral-project-sings-on-social-justice/article_1d4ecf46-3347-5950-a655-eb270449fb96.html

The Madison Choral Project is Wisconsin’s only fully professional choir. All the singers on stage are paid, professional musicians.


Con Vivo performs rarely heard chamber music by Milhaud, Medtner and Zemlinsky this Sunday afternoon. Plus, a FREE concert of flute music is this Friday at noon

February 9, 2017
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison features Danielle Breisach and Taya König-Tarasevich playing music for baroque and modern flutes. They will play works by Johann Sebastian Bach, Georg Philipp Telemann, Jacques-Martin Hottetere and Yuko Uebayashi. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

“Con Vivo! … music with life,” (below) continues its 15th season with a chamber music concert entitled “Capital Europeans” on this Sunday afternoon, Feb. 12, at 2:30 p.m. at First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.

con-vivo-2016

Tickets can be purchased at the door. Admission is $18 for adults and $15 for seniors and students.

The winter concert, called, “Capital Europeans,” features pieces from three distinct European composers, each with his own style.

Representing Paris, the program includes selections from the Organ Preludes by French composer Darius Milhaud.

darius milhaud

Representing Vienna is the Trio for Clarinet, Cello and Piano by Austrian composer Anton Zemlinsky. (You can sample Zemlinsky’s Clarinet Trio in the YouTube video at the bottom.)

Alexander Zemlinsky

The concert will end with a piece that was 46 years in the making: from Moscow, the Piano Quintet for strings and piano by Russian composer Nikolai Medtner (below).

nikolai-medtner

Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.

Adds Con Vivo’s artistic director Robert Taylor: “With this concert, we are performing a Sunday matinee with three unique composers, each with his own musical language. Our Madison audience will be able to hear our musicians up close and personal playing music of extreme delight and depth.”

Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and various other performing groups familiar to Madison audiences.

con-vivo-on-the-balcony

For more information about Con Vivo and its upcoming concerts, go to: http://www.convivomusicwithlife.org


Classical music: The Madison Choral Project celebrates receiving tax-exempt status with a fundraiser on Nov. 2 and announces its new season, which features the renowned choral conductor Dale Warland.

October 10, 2014
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ALERT: This week’s FREE Friday Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, will run 12:15 to 1 p.m. and feature classical guitarist Steve Waugh (below) playing music of Johann Sebastian Bach, Jorma Kaukonen, Francisco Tarrega, Rodgers and Hart, and more. This concert is in the Landmark Auditorium.

Steve Waugh

By Jacob Stockinger

Albert Pinsonneault (below), who founded and directs the Madison Choral Project, writes:

Albert Pinsonneault 2

Dear Friends,

I am so proud to share with you some amazing news:

The Madison Choral Project is the newest official 501(c)(3) tax-exempt non-profit in the state of Wisconsin!

We couldn’t have done it without you!  All future donations to us are tax-exempt — as are past donations, retroactive to August of 2013.

Help us celebrate!

We are hosting our second annual Gala Event and Fundraiser on Sunday, November 2, from 2 to 5 p.m. at Hotel RED on the corner of Monroe and Regent streets near the UW-Madison Badger’s Camp Randall Stadium.

There will be live music from MCP musicians from 3 to 4 p.m.; a silent auction with many unique items from 2:30 to 4:30 p.m.; light appetizers served and a cash bar; and many amazing people to meet!

CLICK HERE to learn more about our event and to purchase tickets!

If you have an item that you would like to donate to our silent auction, contact us by replying to this message!

With all our thanks,

The Madison Choral Project

Madison Choral Project color

THE NEW SEASON

And here is the coming three-concert season of the MCP:

The Madison Choral Project (MCP) has announced its third season, which features internationally renowned choral conductor Dale Warland (below), and notable local artists Martha Fischer, Bruce Bengtson, Noah Ovshinsky and the Madison Youth Choirs.

Dale Warland

CONCERT 1: “O Day Full of Grace,” MCP’s second annual holiday concert, opens the season on Saturday, December 20, at 7:30 p.m. in the First Congregational Church of Christ in Madison, 1609 University Ave.  It will feature an evening of traditional holiday music, secular music, narrated texts and audience singing all surrounding the theme of a transformative time, place or experience.

MCP is again partnering with Noah Ovshinsky (below), Assistant News Editor at Wisconsin Public Radio, who will narrate readings interposed amongst the musical selections.

Noah Ovshinsky

CONCERT 2: The stunning and sublime Requiem by French composer Gabriel Faure (below top) will headline the choir’s second concert, which will also feature the striking “Te Deum” of contemporary Scottish composer James MacMillan (below bottom) on Saturday, February 28, at 7:30 p.m. at the First Congregational Church. (You can hear the opening of James Macmillan’s “Te Deum” in a YouTube video at the bottom.)

faure-1

James MacMilllan

MCP is partnering with organist Bruce Bengtson, Director of Music at Luther Memorial Church in Madison, on both the Faure and MacMillan.

February is also the culmination of a period of educational exchange between MCP and the Madison Youth Choirs, and this concert will include a performance by the Ragazzi (below, in a photo by Dan Sinclair) and Cantabile ensembles of the Madison Youth Choirs, both alone and in a combined work with the MCP singers.

Madison Youth Choirs Ragazzi by Dan Sinclair

CONCERT 3: The season will close on Friday, May 29, at 7:30 p.m. at the First Congregational Church of Christ under the direction of renowned guest conductor Dale Warland, and collaborating pianist Martha Fischer (below left, with her husband pianist Bill Lutes), Professor of Piano and head of the graduate collaborative piano program at the University of Wisconsin.

martha fischer and bill lutes

This concert marks Warland’s first return to conduct in Madison in 20 years.

Dale Warland is considered one of the most influential American choral musicians of all time, and is one of only two choral conductors to be inducted into the American Classical Music Hall of Fame.

He founded the pioneering choral ensemble, the Dale Warland Singers, in 1972.  The group was nominated for a Grammy Award for Best Choral Performance in 2003, and their 29 commercial CDs remain standard issue for choral conductors and educators around the country.

Tickets for the 2014-2015 season are available online at www.themcp.org, and at the door before each concert.  Discounted student tickets are available with a valid student ID.

 

 

 

 

 

 

 


Classical music: Is there better graduation music than the old stand-by, “Pomp and Circumstance” No. 1 by Sir Edward Elgar? The Ear doubts it.

May 17, 2014
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By Jacob Stockinger

This is graduation weekend at the University of Wisconsin-Madison. This year, the biggest ceremonies will be held outdoors in Camp Randall Stadium, as in the photo below.

It started last night, Friday night, with doctoral students, MFA‘s and professional degree students including doctors, lawyers, business people and veterinarians who had their ceremony indoors at the Kohl Center.

Today, Saturday, May 17, 2014, is devoted to the largest number of graduates -– the undergraduates as well as master’s students.

UWcommencement

The Ear wants to honor all UW students who are graduating, but especially the students — both undergraduate and graduate — at the University of Wisconsin-Madison School of Music who have brought him so many hours of pleasure and memorable listening.

But what to choose to play?

Believe me, I have thought long and hard about it.

And for the life of me, I still do not think there exists anything better than the old stand-by: The “Pomp and Circumstance’ March No. 1, originally written by Sir Edward Elgar (below) for the coronation of a King of England. (You can hear it in a YouTube video at the bottom.)

Edward Elgar

Of course, there are other fine marches by Elgar in the same set.

But none surpasses the really famous one, the omnipresent one at this time of year, THE Pomp and Circumstance March that captures the vitality and rush, yet also the dignity and hope of the event — and yes, all the bittersweet sadness of leaving behind close friends and mentors.

If you know of a better musical offering for graduation or commence, please leave a reply or comment with a YouTube link is possible and certainly the composer’s name and work’s title.

In the meantime, here it is again. You have no doubt heard it before probably many times. But no matter that it is a cliché or that is banal. It never fails to give me both goosebumps and tears, and it always makes me wish that I too were among those students processing through commencement.

Are you ready?

Graduates: Please line up, adjust your robe and mortar board, and smile.

Maestro, a downbeat please!

Best wishes and congratulations to all.

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Classical music news: Madison Summer Choir will go authentically Baroque this year. It holds auditions on Monday, May 14, and then starts rehearsals on May 21 with a public performance on July 1.

May 10, 2012
1 Comment

By Jacob Stockinger

It’s that time again.

The University of Wisconsin-Madison ends its spring semester with classes this week, finals next week, and graduation ceremonies on May 19 and 20.

Then comes the unofficial start of summer – when many avid community singers find themselves without an outlet.

Until recently.

For the fourth year, the Madison Summer Choir (below, performing last year) will take place, although the venue of its public concert at 7 p.m. on Sunday, July 1, will change from Mills Hall on the UW campus to the First Congregational United Church of Christ, across from Camp Randall Stadium. (NOTE: Contrary to what was earlier stated here, the July 1 concert is NOT free, as it has been for the past three years. Admission will be $8, $5 for seniors and students, and is designed to cover the cost of renting the church.)

It is a fine group that in past summers has brought memorable performances of classic and contemporary music, including major works like Saint-Saens’ “Requiem” and Morton Lauridsen’s “Lux Aeterna.” It pulls a lot together very quickly and very well.

This year, the program  “Honors the Blessed Virgin Mary” by featuring Baroque music and period instruments. That makes it a fine run-up or introduction to the Madison Early Music Festival, which follows it in July.

Here are details from the founder and director of the 80-voice Madison Summer Choir, UW alumnus Ben Luedcke (below), the talented and energetic man who is also the director of the Lake Edge United Church of Christ among other posts he holds:

Here are notes to the fascinating and eclectic program: “Madison Summer Choir presents a concert honoring the Blessed Virgin Mary with a plethora of devotional Marian texts set by inventive titans of their time, including Benjamin Britten, Franz Liszt, Edvard Grieg, William Byrd and Tomás Luis de Victoria.

“It will culminate with choral/instrumental mid-sized works by Claudio Monteverdi (below), Michael Praetorius, Domenico Scarlatti and Giovanni Gabrieli, and will feature Baroque period string instruments that use gut strings instead of metal and a different kind of bow.”

The Madison Summer Choir runs 6 weeks: May 21 through the end of June (see ** below for additional information).

Rehearsals are Mondays and Tuesdays 5:15-7:15 p.m., 1351 Mosse Humanities Building on campus.

The  Concert is on Sunday, July 1, at 7 p.m. in the First Congregational UCC (across from Camp Randall)

Members’ dues are: $30 for students; $45 for community members. Concert admission is $8, $5 for seniors and students.

**Wed., May 30, 5:15-7:15 p.m. (make-up for Memorial Day holiday)

**Wed., June 20, 5:15-7:15 p.m. (extra rehearsal)

**Thursday, June 28, 5:15-7:15 p.m. Dress Rehearsal at First Congregational United Church of Christ

Members of the UW-Madison or community auditioned ensembles do NOT need to audition; otherwise contact baluedcke@wisc.edu to set up an audition time during the evening of Monday, May 14.

If you are interested, you should RSVP and include the choir that you currently sing with (if any) and your voice part to: baluedcke@wisc.edu

For more information, go to: http://madisonsummerchoir.org/


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