The Well-Tempered Ear

The Wisconsin Union Theater closes its 2020-21 season with only one online concert this weekend. Sō Percussion on Saturday night has been CANCELED. The Wisconsin Sound all-Beethoven concert with the Pro Arte Quartet will take place at noon on Sunday.

April 30, 2021
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By Jacob Stockinger

Two online concerts this weekend were supposed to close the 2020-21 season at the Wisconsin Union Theater.

On Saturday night at 7:30 p.m., the usual subscriber season was supposed to wind up with an online concert by the Sō Percussion Ensemble with the contemporary Pulitzer Prize-winning American composer Caroline Shaw.

That concert has been CANCELED. No reason is listed.

On this Sunday, May 2, at noon CDT, however, the University of Wisconsin-Madison’s acclaimed string quartet, the Pro Arte Quartet (below top), will by joined by pianist and UW-Madison graduate Thomas Kasdorf (below bottom) in an all-Beethoven concert.

This will be the last concert of the WUT’s innovative Wisconsin Sounds – they feature local performers– this season.

Here are more details: 

PROGRAM and PERFORMERS

The “Beethoven in C Minor” program will feature two works:

String Trio in C minor, Op. 9, No. 3 (1797-98). Performers are Sally Chisholm, viola; Parry Karp, cello; and David Perry, violin.

Piano Trio in C Minor, Op. 1, No. 3 (1793-4). Performers are: Suzanne Beia, violin; Parry Karp, cello; and Thomas Kasdorf, piano. You can hear the opening movement in the YouTube video at the bottom.

The Pro Arte Quartet’s performance of early works by the young Beethoven (below) is part of the Wisconsin Sound Series, which showcases and supports local musicians and artists during the coronavirus pandemic.

Learn more about the series.

To learn more about the Pro Arte Quartet, go to the group’s Website or page on Facebook

TICKETS

Tickets cost $15 and are available at the Wisconsin Union Theater box office. You can purchase tickets and also see more information about the program and performers here: https://union.wisc.edu/events-and-activities/event-calendar/event/pro-arte-quartet/

For ticket buyers who purchase a ticket less than two hours before the event start time, the link to view the concert will be in the confirmation email you will receive immediately following your purchase. This link will be accessible for seven days following the initial broadcast.

For all other purchases, all emails will come from https://union.wisc.edu/visit/wisconsin-union-theater/theater-tickets/

If you do not receive your email to your inbox, please check your junk or spam folder in case it was filtered there. If you have questions or problems, the box offices phone number is (608) 265-ARTS (2787).


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The Wisconsin Chamber Orchestra starts its four-concert Winter Chamber Series TONIGHT at 7:30. Tickets are $30 for one-time access from Friday night to Monday night

January 22, 2021
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By Jacob Stockinger

The new semester of virtual online concerts begins tonight with the inauguration of the Winter Chamber Series by the Wisconsin Chamber Orchestra (WCO, below in a photo by Mike Gorski).

Tonight’s program features music by Giovanni Gabrieli, Valerie Coleman, Alec Wilder, Craig Russell and Franz Schubert. (In the YouTube video at the bottom, you can hear the first movement of the Schubert Cello Quintet, played by the Chamber Music Society of Lincoln Center.)

The programs are short and feature classic works as well as new music and neglected composers. Often single movements or excerpts rather than complete works are performed.

Concerts all debut on Fridays and remain available through Monday night. Debut dates are TONIGHT, Jan. 22; Feb. 26; March 26; and April 16. A ticket entitles the purchaser to one viewing.

Here is a description of the chamber music series from the WCO:

“While full orchestras remain sidelined, the WCO is excited to present the Winter Chamber Series. This new series will feature chamber works for multiple ensembles ranging from trios to octets, showcasing the versatility and caliber of the WCO’s 34 world-class musicians.

“Patrons will enjoy the four-concert series in the comfort of their own home, streaming each concert on WCO Live on-demand starting at 7:30 p.m. on the evening of the concert launch.

“All programs will be 60–75 minutes in length, with not only music but also stories from the WCO’s own musicians on their journey to becoming professional musicians.

“Also included is a pre-concert talk with maestro Andrew Sewell and Norman Gilliland, as well as a post-concert reflection with musicians of the WCO.” 

Here is a link to the concerts, with programs plus notes by music director and conductor Sewell (below in a photo by Alex Cruz) as well as a link to purchase tickets from the Overture Center box office: https://wcoconcerts.org/concerts-tickets/winter-chamber-series

In addition, the WCO has started a musician’s relief fund. It seeks donations to pay musicians for the wages they have lost due to postponed or canceled concerts.

Here is a link: https://wcoconcerts.org/support/donate

 


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The Madison Symphony Orchestra cancels the remaining orchestra and organ concerts of the 2020-21 season and postpones its Beethoven celebration until next season

December 2, 2020
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By Jacob Stockinger

The Madison Symphony Orchestra (below, in a photo by Peter Rodgers) has canceled the remaining orchestral and organ concerts of the 2020-21 season due to the coronavirus pandemic.

A free online performance of “A Virtual Madison Symphony Christmas” will take place on Dec. 16 and stay posted through Dec. 31. For more information about the program and performers, plus a link to register and to hear that performance, go to: https://madisonsymphony.org

Plans for others online events – free or paid – have not been announced, although the MSO seems to be considering such steps. It also suggests that the 2021-22 season will be a postponed version of the same concerts planned this season to celebrate the Beethoven Year.

Here is the email from executive director Richard H. Mackie that the MSO sent out Monday:

Dear Friends of the Madison Symphony Orchestra,

As you know, the continuing COVID-19 crisis has curtailed planned performances of orchestras all over the world.

As more and more orchestras face the almost certain prospect that well-attended, full-orchestra concerts indoors will not be possible for the foreseeable future, at least until a successful vaccination program has brought COVID-19 under control, the remainder of many symphony concert seasons across America are now being cancelled
.

We have previously cancelled our live, main stage concerts and education performances through January 2021 due to public health restrictions and the closure of Overture Hall.

Public Health Madison and Dane County restrictions continue to prohibit publicly attended indoor concerts. As a consequence, we have faced a painful decision in recent months regarding the fate of the rest of our 2020–2021 season.

I am grieved to announce that, under the present conditions — which offer no reasonable prospect of abatement until the summer, at least — we deem it an unfortunate necessity to cancel all previously scheduled Madison Symphony Orchestra concerts, Education and Community Engagement Programs, and Overture Concert Organ performances through May 2021.

Our June 2021 Concert on the Green remains on our schedule at this time.

We are prepared to issue refunds to our subscribers as we did in the fall. We will be communicating directly with our subscribers to provide options, including the option to donate the value of their tickets.

As we consider alternative programming opportunities for the spring, we will continue to welcome donations to our Musicians’ Relief Fund.

When we planned a joyous celebration of Ludwig van Beethoven’s 250th birthday, we could scarcely have imagined the devastation of the coronavirus in almost every aspect of our lives. But we are finding solace in successfully rescheduling this epic season just one year hence.

The emerging promise of vaccine development has rekindled our enthusiasm for making great music on a grand scale for our community with our Beethoven celebration. We all look forward to a new beginning with John DeMain (below, in a photo by Greg Anderson) and the orchestra in September 2021. (You can hear the original promotional preview in the YouTube video at the bottom.)

Please stay tuned for some exciting news about next season. In the meantime, should there be a breakthrough opportunity to restore any of the cancelled orchestra or organ concerts, or educational and community services to the schedule, we will be prepared to do so.

We are committed to helping our orchestra and keeping great music alive in Madison. Thank you for your interest and continuing support.

Sincerely,

Richard H. Mackie, Executive Director

 


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The Wisconsin Chamber Orchestra cancels its first Masterworks concert and launches an online virtual Winter Chamber Series in January

November 22, 2020
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By Jacob Stockinger

With the surge in the coronavirus pandemic, the dominos are starting to fall again — this time for the spring series of live, in-person concerts that had been planned.

Friday night brought important news from the Wisconsin Chamber Orchestra (below, in photo by Mike Gorski).

The Wisconsin Chamber Orchestra (WCO) has canceled its first Masterworks concert, with guest cellist Amit Peled, in late January. In its place the WCO is launching its first-ever digital Winter Chamber Series.

The virtual, online series of digital concerts will feature the ensemble’s 34 players in smaller groups of four to eight, That will be safer for both players and audiences during the COVID-19 pandemic.

Four home-viewable virtual online concerts are planned: Jan. 22, Feb. 26, March 26, and April 16. Programs are not available except for the first concert.

Also included are a pre-concert talk with WCO music director and maestro Andrew Sewell (below top, in a photo by Alex Cruz) and Wisconsin Public Radio host Norman Gilliland (below bottom), and post-concert reflections with musicians of the WCO.

The ticket price for each concert, which will run 60-75 minutes, is $30 per household. A ticket entitles you to one viewing of the concert between Friday, Jan. 22, and Monday, Jan. 25. The concert will start streaming at 7:30 p.m. on Friday.

Patrons who have already purchased season subscription tickets can apply that to the full series of four concerts.

Tickets are available online at the Overture Center box office. See below.

The program for the first Winter Chamber Concert on Jan. 22 is:

Four Canzonas by the Baroque Italian composer Giovanni Gabrieli (below):

“Tzigane” (a term for music by Hungarian gypsies or Romani) for Wind Quintet by the contemporary American composer Valerie Coleman (below):

The first movement of the famed String Quintet in C major, D. 956, by the Austrian Romantic composer Franz Schubert (below):

Four Octets by the 20th-century American composer and jazz musician Alec Wilder (below), which you can sample in the YouTube video at the bottom.

To see more background about the composers, more details about the concert and purchase tickets, go to: https://www.overture.org/events/wco-chamber-series

You can also check out the series as it progressively gets announced on the WCO home website: https://wcoconcerts.org/concerts-tickets/winter-chamber-series

The concert series sounds like a terrific substitution for the regular concerts that cannot yet take place.

But The Ear wonders if the price per concert is a bit steep, given that comparable concerts by UW-Madison Mead Witter School of Music , the Wllly Street Chamber Players and Just Bach are free – although they do ask for donations — and that the Madison Opera charged $50 for its entire fall digital series while the Wisconsin Union Theater charges between $10 and $20 per virtual concert.

The Ear likes the eclectic programming, but also thinks it is kind of teasing and unsatisfying to offer just the first movement of such an organic masterpiece and profoundly beautiful work as the Schubert Cello Quintet. Doing one movement of a chamber music work somehow seems very different from doing one movement of a symphony.

It would also be nice to see the programs for all the concerts plus a series discount as an incentive.

What do you think about the WCO’s Winter Chamber Series?

What do you think about the price and the programming?

The Ear wants to hear.

 


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Edgewood College’s virtual fall concert on this Sunday afternoon, Nov. 22, has been CANCELED

November 21, 2020
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By Jacob Stockinger

The free live-streamed and pre-recorded virtual Fall Concert on this Sunday afternoon, Nov. 22, at Edgewood College’s McKinley Performing Arts Center (below) has been CANCELED due to new restrictions to prevent and contain the coronavirus. The Chamber Orchestra, Guitar Ensemble and the Wind-Percussion Ensemble were scheduled to perform.

 


Madison Opera postpones the tribute TONIGHT to Giorgio Tozzi by Kyle Ketelsen

October 24, 2020
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By Jacob Stockinger

The Ear has received word that tonight’s virtual and online tribute concert by Sun Prairie bass-baritone Kyle Ketelson to his world-renowned teacher Giorgio Tozzi (below) has been CANCELED for TONiGHT — Saturday  Oct. 24 — and POSTPONED as part of the Digital Fall series.

Here is the complete message that was posted on Instagram: 

“This weekend’s “Live From the Madison Opera Center” concert starring Kyle Ketelsen (below, in a photo by Lawrence Brownlee) has been postponed.

“We are attempting to reschedule for the following weekend and will let you know when we have details.”

For more information about this concert and $50 household subscriptions to the Madison Opera’s Digital Fall, as well as a sample of Tozzi, go to: https://welltempered.wordpress.com/2020/10/17/madison-opera-cancels-its-january-production-of-she-loves-me-tonight-is-the-last-virtual-concert-by-the-lunart-festival-of-music-and-art-by-black-women/


The Madison Symphony Orchestra seeks matching funds as it launches a musicians’ relief fund to reach $355,000 by Nov. 5

October 5, 2020
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By Jacob Stockinger

The Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers) has announced that a Musicians’ Relief Fund has been established with the goal of securing $355,000 to cover 100% of the orchestra payrolls for the canceled September through December 2020 subscription concerts.

This initiative is in addition to the compensation already provided to its musicians for canceled services from April 2020 to date.

To launch the fund, the MSO Board of Directors has committed current Symphony resources to guarantee 52% of the $355,000 total — $184,000 — and has informed the orchestra that the September and October orchestra payrolls will be paid in full.

MSO is seeking community support to help us raise another $171,000 to assure the orchestra’s compensation for the canceled November and December 2020 subscription concerts. 

All contributions to this effort will directly support the musicians. An Anonymous Donor has launched the appeal with a $50,000 lead gift. The campaign seeks to raise the additional funds by Nov. 5, 2020.

All contributions to the MSO Musicians’ Relief Fund are tax-deductible and will be used for musicians’ compensation.

Donations can be mailed to the Madison Symphony Orchestra, 222 W. Washington Ave., Suite 460, Madison WI, 53703.

An online donation form is found at madisonsymphony.org/relief-gift

To contribute gifts of appreciated stock or to discuss other options, contact Jeff Breisach, Manager of Individual Giving, at jbreisach@madisonsymphony.org.

“The 91 members of the Symphony are a core cultural asset of the greater Madison community,” said MSO Board President Ellsworth Brown (below). “We are committed to doing all we can to assist them through the challenges of the coronavirus pandemic.”

“While some MSO musicians have other day jobs, many rely heavily on the wages they earn performing with this Symphony, as well as other orchestras and ensembles in the region,” said MSO Executive Director Rick Mackie (below). “The cancellations of services have caused stress and anxiety for our artists.”

The MSO has demonstrated support of its musicians since April of this year, compensating the orchestra for all canceled rehearsals and performances. 

Generous donors, strong financial management and a federal Small Business Administration Paycheck Protection Loan enabled the Symphony to pay 100% of the orchestra payrolls for the April and May subscription concerts, the spring youth education programs, HeartStrings®, Madison Opera and Overture Presents engagements, and Concert on the Green.

These unexpected paychecks provided relief to the MSO staff and to our musicians (below, with music director and conductor John DeMain in a photo by Peter Rodgers) were forthcoming with their individual appreciation.

HERE ARE SAMPLES OF THE MUSICIANS OF THE MADISON SYMPHONY ORCHESTRA EXPRESSING THEIR GRATITUDE FOR COMPENSATION RELIEF

“I am very grateful that our organization values the health of its musicians and patrons yet also understands the financial difficulty imposed on musicians by being unable to work due to the pandemic. The MSO is a gem of an organization, and if you haven’t heard it enough lately, please let me reiterate my gratitude.” 

“WOW! I am humbled to be a part of the Madison Symphony Orchestra. Thank you so much for valuing the musicians and honoring us with payment for cancelled rehearsals and performances. The news made me cry.” 

“As someone who makes a living totally from teaching and playing, this has been an incredibly difficult time. I lost half of my students, because they do not want to study online, and of course, all gigs were cancelled. I am truly grateful to you for making this possible. You have no idea how much this will help not only financially, but mentally as well. THANK YOU!!!


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New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October

October 3, 2020
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ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.

By Jacob Stockinger

Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.

Coronavirus image CDC

There are many ways to choose among local, regional, national and international concerts.

But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.

It is an interesting and varied selection, and includes times, links and brief descriptions.

It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.

Florence Price head shot University of Arkansas Libraries

Jeremy Denk playing CR Hiroyuki Ito NYTImes

Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.

You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.

Some are one-day only events but many run from a week through a month.

Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html

Please let The Ear know if you like this kind of listing and find it useful.

And please feel free to leave in the comment section other guides or events that the public should know about.


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UW-Madison will forego in-person concerts through the fall and go virtual. The FREE online concerts start TONIGHT, Monday, Sept. 14, at 6-8:30 p.m. with a graduate student recital

September 14, 2020
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PLEASE NOTE: The following post has been updated with more information since it first appeared.

By Jacob Stockinger

In ordinary times, the yearlong schedule would be set and concerts at the University of Wisconsin-Madison’s Mead Witter School of Music would be already well underway.

But these are not ordinary times – as you can tell from the silence about the UW season that usually presents some 300 events.

It has taken time, but the music school has finally worked out the basic approach to concerts during the pandemic. It will allow worldwide listening.

Audiences will NOT be present for any Mead Witter School of Music concerts or recitals this fall. Instead, a live stream of faculty recitals and all required student recitals, many of them in the new Hamel Music Center (below), will be available.

The portal to the live streaming, along with a scheduling clock and time countdown, can be found at: youtube.com/meadwitterschoolofmusic

The concert season starts tonight at 6:30 to 8 p.m. The performer is graduate student flutist Heidi Keener (below), who is giving her recital for the Doctor of Musical Arts degree. The recital was postponed from March 23 due to the coronavirus pandemic.

On the school of music’s concert website you will find a biography and the program — just hover the computer’s cursor over the event: https://www.music.wisc.edu/event/recital-heidi-keener-dma/.

The same information will also be on the YouTube website for the actual concert. Just click on MORE: https://youtu.be/gA6S3OXUKCc

Given so few calendar listings so far, clearly the format is still a work-in-progress.

For updated listings of other events, go to: https://www.music.wisc.edu/events/

The next events are slated for Oct. 2 with a student recital and another installment of the Pro Arte Quartet’s Beethoven cycle (below).

That other programs and dates are still missing is not surprising.

The entire UW-Madison from classes to sports, is in a state of flux about how to deal with the pandemic, with in-person classes paused through Sept. 25, and possibly longer.

Many questions about concerts remain as the process plays out.

All live-stream concerts will be free. But they will NOT be archived, so they will be taken down as soon as they end.

A donation link to the UW Foundation will be included to help cover the costs of the livestreaming and also other expenses.

Will choral concerts even take place, given that singing is especially risky because the singers can’t wear masks and social distancing is nearly impossible to provide with groups?

What about chamber music groups like the Pro Arte Quartet, the Wingra Wind Quintet and Wisconsin Brass Quintet? Many faculty members, who have to teach virtually and online right now, are no doubt concerned about the possible health risks of playing in groups.

And what about the excellent UW Symphony Orchestra, which The Ear considers a must-hear local orchestral ensemble? Those musicians too will have a hard time social distancing – unless individual safe performances at home or in a studio are edited and stitched together.

So far, though, we know that the University Opera will offer “I Wish It Were So,” an original revue of the American opera composer Marc Blitzstein on Oct. 23.

Here is a link to a story with more details about the production: https://welltempered.wordpress.com/2020/08/07/classical-music-the-university-opera-announces-a-new-season-that-is-politically-and-socially-relevant-to-today-the-two-shows-are-a-virtual-revue-of-marc-blitzstein-and-a-live-operatic-version-of/

What do you think of the plans for the concert season?

Do you have any suggestions?

The Ear wants to hear.


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Classical music: The worldwide virtual and online gala fundraiser for the Handel Aria Competition starts today and runs through Oct. 1. Donations will be matched up to $2,000

September 10, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post from Orange and Dean Schroeder, the co-founders of the now well-established Handel Aria Competition.

As you may already know, the in-person competition has been postponed until 2021.

The Schroeders say that a virtual online competition for this year was considered, but then dismissed. It would have been too risky to the health of the singers, many of whom have to travel nationally and internationally to compete, and to the accompanying players from the Madison Bach Musicians.

The sound quality also did not meet the standards that the organizers say is necessary to do justice to competitors. Some of the performances are from past competitions But others are new and were done at home during lockdowns.

Perhaps most important of all, the Schroeders wanted to raise money to help the young competitors, whose careers have suffered from concert cancellations during the coronavirus pandemic.

Here is the message:

“Today – Thursday, Sept. 10 — is the start of the Handel Aria Competition’s Virtual Gala to raise funds for our past finalists. It will start at 7:30 p.m. CDT.

“The program includes performances by Morgan Balfour, Elisa Sutherland, Chelsea Shephard, Sarah Coit, Andrew Rader, Nola Richardson, Amanda Achen, Jonathan Woody (singing an aria from “Messiah” in the YouTube video at the bottom), Sarah Moyer, Corrine Byrne, Margaret Fox, Gene Stenger, Emily Yocum Black, Sarah Hayashi, Daniel Moody, Christina Kay, Jacob Scharfman, Brian Giebler and Kristin Knutson.

A performance by the Handel Aria Competition’s director and UW-Madison graduate student soprano Sarah Brailey (below) with Luthien Brackett and the musicians from the Trinity Wall Street Baroque Orchestra in New York City is the finale.

“People around the world can watch it on our Facebook page Handel Aria Competition; on YouTube; or on our website at https://handelariacompetition.org.

“It will be available for viewing ‪from 7:30 p.m. CDT today, Sept. 10, through Thursday, Oct. 1 — NOT Oct. 10 as mistakenly stated above.

“It is FREE but donations are encouraged to support the singers during Covid-19.

“Viewers can donate via Facebook or through our website. All funds will go to the singers, including a challenge grant of $2,000 that Dean and I have pledged in order to encourage others to support these talented young artists.

“The Handel Aria Competition Virtual Gala is supported by funds from Dane Arts and the Madison Arts Commission with additional funds from the Wisconsin Arts Board.”

 


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