The Well-Tempered Ear

Classical music: The opera world is divided over accusations of sexual harassment against superstar tenor Placido Domingo. Here is how John DeMain reacted. How do you react and what do you believe?

August 24, 2019
4 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

By now, you have probably heard about the allegations of sexual harassment recently made anonymously against the still-active superstar Spanish tenor Placido Domingo (below), 78, who holds the record for the most opening-night appearances at the Metropolitan Opera.

What you might not have heard is how divided the opera world is over those accusations, which are now being formally and independently investigated.

Much of that division falls along lines of Europe versus the United States. The former has so far not cancelled upcoming appearances while the latter was quick to. And Domingo has been defended by famed Russian soprano Anna Netrebko (below, with Domingo).

In the wake of the #MeToo movement, sexual misconduct and sexual assault continue to be perhaps the most controversial issues amid many similar or more serious criminal allegations against conductors James Levine, Charles Dutoit and Daniele Gatti as well as many teachers and orchestra players.

Perhaps the best account of the divided reactions came in a story from The New York Times. Here it is:

https://www.nytimes.com/2019/08/18/arts/music/placido-domingo-opera-harassment.html

One sign of the difficulty in dealing with the situation can be found in the carefully worded, balanced and empathetic Facebook comment by maestro John DeMain, the music director of the Madison Symphony Orchestra and the artistic director of the Madison Opera.

DeMain has often worked with Domingo, perhaps most notably in the famous 1992 Concert for Planet Earth in Rio de Janeiro, which DeMain conducted. (You can hear Domingo singing an aria by Puccini and see DeMain conducting the orchestra in the YouTube video at the bottom.)

Says DeMain (below in a photo by Prasad): “Thinking about the Placido Domingo controversy. While I’m not in a position to take sides in this very sad situation, I would just like to say that in my many interactions with this great tenor over many decades, I personally never witnessed him do anything that was inappropriate. He was always a kind and gentle person to me and my family. I wish him and his family well through this difficult time.”

Here is a link to DeMain’s Facebook page if you would like to read comments from others or leave one of your own: https://www.facebook.com/jldemain

How do you react to the accusations?

What do you believe should happen to Domingo?

The Ear wants to hear.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Concerts on the Square begin this Wednesday night – and half of the six concerts feature classical music

June 25, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The 36th annual FREE summer series of six Concerts on the Square, performed by the Wisconsin Chamber Orchestra (below) and guest soloists, will begin this Wednesday night, June 26, at 7 p.m. on the King Street Corner of the Capitol Square in downtown Madison.

Each concert draws an average of 30,000 people.

But if you think it is largely a pops concert event, think again.

One of the many outstanding achievements that WCO music director Andrew Sewell (below) has brought to the event – billed as “the Biggest Picnic of Summer” — over the past 20 years is an increased emphasis on classical music, perhaps to help build new audiences for the WCO’s winter Masterworks concerts.

The opening concert, for example, has become a tradition, a chance to introduce to the public the latest winner of the WCO’s young people’s concerto competition – and this year is no different.

Three of the six concerts will be also all-classical – and that’s not counting Tchaikovsky’s “1812 Overture” that will be featured on the Fourth of July program on July 3.

There will also be pops music of course, including a tribute to the 50th anniversary of The Beatles’ iconic album “Abbey Road”; patriotic fare for Independence Day; and an evening of movie scores, most composed by John Williams, with concertmaster Suzanne Beia as violin soloist in the theme from “Schindler’s List.”

All concerts are on six consecutive Wednesday nights from June 28 through July 31. Performances begin at 7 p.m. on the King Street corner of the Capitol Square. They usually last about two hours.

To find out more, including the programs and biographies of performers for each program, go to: https://wisconsinchamberorchestra.org/performance-listing/category/concerts-on-the-square

Once there, if you click on a specific date, on the right hand side you will also find information about concert etiquette, seating on the Capitol lawn, weather cancellations, catering menus, food vendor sales and other information, including details about volunteering and donating. Here is a link to general guidelines:

https://wisconsinchamberorchestra.org/performances/concerts-on-the-square/attending-the-concert/ 

Here are the three classical concerts:

JUNE 26

“East Meets West” features the WCO’s concerto competition winner pianist Sakurako Eriksen (below) – a Madison native now living in Milwaukee — in the popular and virtuosic Piano Concerto No. 3 by Sergei Prokofiev.

Also on the program are “Francesca da Rimini” by Russian composer Peter Ilyich Tchaikovsky; “Noble and Sentimental Waltzes” by French composer by Maurice Ravel; and an unnamed work by Spanish composer Isaac Albeniz.

JULY 10

“Finlandia” features the Russian-born and Moscow Conservatory-trained accordion virtuoso Sergei Belkin (below).

On the program are unnamed works by Czech composer Antonin Dvorak and Alexander Glazunov; “Oblivion” by Argentinian composer Astor Piazzolla; the “Sabre Dance” by Russian composer Aram Khachaturian; and “Finlandia” by Finnish composer Jean Sibelius.

JULY 31

“Rockin’ Rachmaninov” features Russian pianist Ilya Yakushev (below), a frequent WCO guest artist who teaches at the Mannes College of Music in New York City.

The program includes the Piano Concerto No. 2 in C minor, Op. 18, by Sergei Rachmaninov; the Overture to the opera “The Magic Flute” by Wolfgang Amadeus Mozart; the 1944 “Cornish Rhapsody” piano concerto score, composed by English composer Hubert Bath for the World War II film “Love Story”; and a Suite from “The Firebird” by Igor Stravinsky.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Tomorrow’s JUST BACH concert has been CANCELED

January 22, 2019
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

Here is a NEWS UPDATE:

Tomorrow’s Just Bach concert at Luther Memorial Church, posted earlier today here, as been CANCELED due to bad weather and the expected snowstorm.

The Ear has been told that organizers will try to perform the same program on another date.

The next Just Bach concert is Feb. 20 when UW baritone Paul Rowe will sing the famous cantata “Ich Have Genug” (I Have Enough).

For more information and updates, go to: https://justbach.org


Classical music: This Saturday’s “Live From the Met in HD” features a new and controversial production of Puccini’s “Tosca.” Here is some background plus a review

January 26, 2018
Leave a Comment

By Jacob Stockinger

This Saturday starting at 11:55 a.m., “Live From the Met in HD” will broadcast the Metropolitan Opera’s new production of the popular and classic opera about love and politics, “Tosca” by Puccini.

In Madison, the production will be screened at the Point Cinemas on the far west side and the Marcus Palace Cinemas on the east side in Sun Prairie.

(The recorded encore presentation at both cinemas is next week,  on Wednesday, Jan. 31., at 1 and 6:30 p.m.)

Running time is 3 hours 35 minutes including two intermissions.

Admission is $22, $18 for seniors.

The opera will be sung in Italian with supertitles and subtitles in English, German, Spanish and Italian.

The production — previewed below by the director Sir David McVicar — has been a history of controversy, especially given various cast changes and cancellations.

For this performance, the leads are soprano  Sonya Yoncheva as Tosca (singing the aria “Vissi d’arte” in the YouTube video at the bottom), tenor Vittorio Grigolo as Cavaradossi and baritone Zeljko Lucic as Scarpia.

Here is a link to background provided by the Met:

http://www.metopera.org/Season/2017-18-Season/tosca-puccini-tickets/

Here is a link to a synopsis and cast notes:

http://www.metopera.org/metoperafiles/season/2017-18/operas/tosca/Tosca_HDsynopsis_Global_dates.pdf

The New York Times published a big preview and background story:

https://www.nytimes.com/2017/12/28/arts/music/tosca-met-opera-james-levine.html

And here is a review, also from The New York Times:

https://www.nytimes.com/2018/01/01/arts/music/tosca-metropolitan-opera.html


Classical music: Acclaimed conductor Charles Dutoit cancels concerts and loses orchestra affiliations amid allegations of sexual assault

December 23, 2017
10 Comments

By Jacob Stockinger

The scandal of sexual misconduct — ranging from discomfort and harassment to abuse and rape – keeps mushrooming.

Now Swiss-born conductor Charles Dutoit (below), who won multiple Grammy awards and led the Montreal Symphony Orchestra and Philadelphia Orchestra for many years, has been accused of sexual assault by three opera singers and one musician.

One of the accusers is soprano Sylvia McNair (below), who has performed in Madison with the Wisconsin Chamber Orchestra. The other three have remained anonymous.

So far, Dutoit has not responded to the allegations. But as a result, the 81-year-old has seen the cancellation of concerts later this winter and spring with the Chicago Symphony Orchestra and Cleveland Symphony Orchestra.

In addition, the Boston Symphony Orchestra, the San Francisco Symphony Orchestra and the Royal Philharmonic Orchestra, where he is artistic director and principal conductor, have also severed ties with Dutoit.

Here is a link to the story from the BBC:

http://www.bbc.com/news/world-europe-42452715

And here is a story from The New York Times:

https://www.nytimes.com/2017/12/21/arts/music/charles-dutoit-sexual-misconduct.html

And here is a link to the original story by the Associated Press:

https://apnews.com/278275ccc09442d98a794487a78a67d4

In classical music, longtime Metropolitan Opera conductor James Levine was the first big name to be caught up in the current sexual misconduct allegations. Levine was accused of sexually abusing teenage boys who were apprentices.

And here is a link to the story in The New York Times about Metropolitan Opera artistic director and conductor James Levine:

https://welltempered.wordpress.com/2017/12/04/classical-music-accusations-of-sexual-harassment-sexual-discrimination-and-sexual-abuse-extend-to-classical-music-including-former-metropolitan-opera-maestro-james-levine/

Given the egotistical reputation of so many conductors and the patriarchal, authoritarian nature of the “maestro culture” of many performers and teachers, The Ear is sure that other names of important figures will soon emerge.

Who will be next?


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,213 other followers

    Blog Stats

    • 2,105,164 hits
    December 2019
    M T W T F S S
    « Nov    
     1
    2345678
    9101112131415
    16171819202122
    23242526272829
    3031  
%d bloggers like this: