The Well-Tempered Ear

Classical music: This Saturday night, UW pianist Christopher Taylor will perform the virtuosic Liszt transcriptions of Beethoven’s Symphonies Nos. 1 and 9

January 28, 2020
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ALERT: The first concert by the Verona Area Community Orchestra is set for this Wednesday, Jan. 29, at 7 p.m. in the Verona Area High School’s Performing Arts Center at 300 Richard St. in Verona. A reception, with a sheet cake, will follow the concert. Admission is FREE.

Thirty-five amateur string orchestra musicians will play selections from: Johann Sebastian Bach (Brandenburg Concerto No. 3), Aaron Copland (“Rodeo”), Sir Edward Elgar (“Serenade for Strings”), Eric Whitacre (“October”), Louis Prima (“Sing Sing with a Swing”), and Peter Warlock (“Capriol” Suite).

By Jacob Stockinger

This coming Saturday, Feb. 1, will see what promises to be one of the most interesting and impressive events of The Beethoven Year in Madison.

At 8 p.m. in the Mead Witter Foundation Concert Hall, in the new Hamel Music Center at 740 University Avenue, the UW-Madison’s virtuoso pianist Christopher Taylor (below) will perform the solo piano transcriptions made by Franz Liszt of Beethoven’s Symphonies Nos. 1 and 9.

When he was just 12, the young Liszt — often considered the greatest pianist who ever lived — performed for and met Beethoven, who gave the boy his blessing.

For the rest of his life, Liszt (below top) promoted Beethoven’s piano sonatas and symphonies through the keyboard. Liszt also studied with Carl Czerny, who studied with Beethoven (below bottom).

These performances mark Taylor’s completion of the ambitious and monumental cycle of Liszt’s Beethoven symphony transcriptions.

The Ninth or “Choral” Symphony – with the famous “Ode to Joy” finale – will also have five singers to perform the solo and choral parts. They are: Mead Witter School of Music faculty members Mimmi Fulmer and Paul Rowe (below top); and graduate students Sarah Brailey (below bottom), Thore Dosdall and Benjamin Liupaogo.

(You can hear the famous Scherzo movement played by Cyprien Katsaris and see the note-filled score for it in the YouTube video at the bottom.)

Tickets are $20, except for music school faculty and students who will be admitted free on the night of the performance if space allows.

For more information about the tickets, parking, the performers and the program, go to: https://www.music.wisc.edu/event/christopher-taylor-and-friends-beethoven-symphony-extravaganza/

To just purchase tickets, go to the Campus Arts Ticketing box office in the Memorial Union, call (608) 265-ARTS (2787) or go to: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=79084672-5D75-4981-B0A3-B135EDB97FF1

For more information about the extraordinary keyboard transcriptions, go to the Wikipedia entry and be sure to read the section on History: https://en.wikipedia.org/wiki/Beethoven_Symphonies_(Liszt)

 


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Music education: Madison Youth Choirs perform their Spring Concert series “Seriously Funny” this Sunday

May 10, 2018
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By Jacob Stockinger

The Ear has received the following announcement to post:

“This spring, the Madison Youth Choirs singers (below) are exploring the unexpected ways that elements of humor, from irony and incongruity to improvisation and timing, are reflected in a wide variety of classical and contemporary musical compositions.

“We’re learning that music, like humor, is a kind of language, operating with its own sense of logic, patterns, and conventions that composers can twist to surprise us and take our musical journey to new places.

“As we study the complexity of humor as a mode of creative expression, we are discovering the power of satire, wit, and misdirection to help us reexamine our assumptions, musical and otherwise.

“In our culminating concert series, our singers will present works including “No, di voi non vo’ fidarmi” by George Frideric Handel; Timothy Takach’s “I Will Howl” by Timothy Takach; the “Fugue for Tinhorns” from Guys and Dolls; and the second movement of Chichester Psalms by Leonard Bernstein.”

The MYC Spring Concerts, “Seriously Funny: Musical Humor, Wit, and Whimsy” will take place this Sunday afternoon and evening, May 13, at the First Congregational United Church of Christ, 1609 University Ave., across from Camp Randall Stadium.

Performance are: 1:30 p.m. for Girlchoirs; 4 p.m. for Boychoirs; and 7 p.m. for High School Ensembles.

Tickets will be available at the door: $10 for general admission; $5 for students 7-18; and free for children under 7. A separate ticket is required for each performance.

This concert is supported by American Girl’s Fund for Children, BMO Harris Bank, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. This project is also supported by the Wisconsin Arts Board with funds from the state of Wisconsin and the National Endowment for the Arts.

About the Madison Youth Choirs (MYC):

Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

For further information, go to www.madisonyouthchoirs.org or call (608) 238-7464.

Here is the Repertoire List for MYC 2018 Spring Concert Series, “Seriously Funny: Musical Humor, Wit and Whimsy”

1:30 P.M. CONCERT (FEATURING MYC GIRLCHOIRS)

Choraliers

“Bee! I’m expecting you!” by Emma Lou Diemer

“A Menagerie of Songs” by Carolyn Jennings

Con Gioia

“When V and I” by Henry Purcell

“The Fate of Gilbert Gim” by Margaret Drynan

“The Cabbage-Tree Hat,” traditional Australian folk song

Capriccio (below)

“Papageno-Papagena Duet” (from The Magic Flute) by Wolfgang Amadeus Mozart

“Ich jauchze, ich lache” (from BWV 15) by Johann Sebastian Bach

“J’entends le Moulin,” French folk song, arr. Donald Patriquin

Combined Choirs

“Funiculi, Funicula” by Luigi Denza

4 P.M. CONCERT (FEATURING MYC BOYCHOIRS)

Combined Boychoirs

“Sumer is icumen in,” Anonymous, 13th century Middle English piece

Purcell Boychoir 

“When V and I” by Henry Purcell

“Modern Major-General” from The Pirates of Penzance by Gilbert and Sullivan

“Weevily Wheat,” arr. Dan Krunnfusz

Britten Boychoir  (below)

“Gloria Tibi” by Leonard Bernstein

“The Plough Boy,” Traditional, arr. Benjamin Britten

Holst Boychoir

“Il est bel et bon” by Pierre Passereau

“Hopkinton” by William Billings

Ragazzi Boychoir

“I Will Howl” by Timothy Takach

“Rustics and Fishermen,” part V of Choral Dances from Gloriana by Benjamin Britten

“Fugue for Tinhorns” from Guys and Dolls by Frank Loesser

Combined Boychoirs

“Chichester Psalms” II. Adonai ro-i by Leonard Bernstein

7 P.M. CONCERT (FEATURING HIGH SCHOOL ENSEMBLES)

Cantilena

“A Girl’s Garden” from Frosting by Randall Thompson

“Love Learns by Laughing” by Thomas Morley

“Turn, Turn, Then Thine Eyes” from The Fairy Queen by Henry Purcell

“My Funny Valentine” from Babes in Arms by Richard Rodgers and Lorenz Hart

“Etude 1 pour les cinq doigts d’après Monsieur Czerny” by Claude Debussy

Ragazzi

“I Will Howl” by Timothy Takach

“Fugue for Tinhorns” from Guys and Dolls by Frank Loesser

Cantabile

“sam was a man” by Vincent Persichetti, text by e.e. cummings

“No, di voi non vo’ fidarmi” by George Frideric Handel

“Cruel, You Pull Away Too Soon” by Thomas Morley

“This Sky Falls” by Jocelyn Hagen

“Svatba,” Traditional Bulgarian, arr. H.R. Todorov

Cantabile and Ragazzi

Choral Dances from Gloriana by Benjamin Britten

 


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