ALERT: This Sunday night’s concert of new music for woodwinds and piano composed by UW-Madison professor of saxophone Les Thimmig, with UW-Madison pianist Jessica Johnson, has been CANCELLED.
By Jacob Stockinger
Tonight is the last debate for the Republicans before the New Hampshire primary on Tuesday. It takes place at 7 p.m. CST in Manchester, and will be broadcast on ABC-TV.
This past week also saw both a town hall meeting and a debate between the Democrats – their last before the primary election (below, in a photo by Getty Images).

Here’s a question no one has asked them during the debates: What kind of classical music do you like?
I know, I know. The question has little relevance and little popularity.
But still.
The Ear is happy that the famed New York City radio station WQXR listed such preferences in its blog.
The Ear notes a couple of trends.
No specific pieces were named.
No sonatas or concertos, no symphonies or operas.
All the names of composers were extremely mainstream except for Arcangelo Corelli by Dr. Ben Carson (below), who also named Johann Sebastian Bach and Antonio Vivaldi. Others mentioned Wolfgang Amadeus Mozart and Ludwig van Beethoven.
Bernie Sanders’ preferred composer echoes his own populist and defiantly anti-establishment, even rabble-rousing, sentiments. Can you guess which composer he favors?
Why is The Ear not surprised that Hillary Clinton remains vague about composers and pieces, but says YES of course she likes classical music and even has it on her iPod.
And former businesswoman Carly Fiorina (below, in a photo by Politifact) surprises one with her youthful plan to be a professional musician, a concert pianist. Does she still play? The Ear wants to ask.

The Ear also wonders:
Does Evangelical Ted Cruz consider classical music frivolous or even sinful?
Does the Cuban background of Marco Rubio feel ethnically distant from European classical music?
And what about Jeb Bush, Chris Christie, John Kasich and especially Donald Trump?
The Ear bets that country music, rock and pop music draw many more voters and gets many more votes.
But doesn’t anyone else think that the irresistible opening thee of Beethoven’s Fifth Symphony would be a great dramatic call to arms for a candidate?
But who knows for sure?
Anyway, here is a link tot he WQXR story:
http://www.wqxr.org/#!/story/classical-music-presidential-campaign-trail/
Now, The Ear doesn’t expect that this survey will change anyone’s vote.
Still, it is interesting as a sidelight to the much bigger and much more important issues confronting the candidates and the electorate.
And perhaps more specifics about their taste in music will emerge during the rest of the primary campaign and the then the general election.
Their individual culture quotients must matter for something.
What are your reactions?
What do you think?
Let us know.
The Ear wants to hear.
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By Jacob Stockinger
Well, well.
Tomorrow night — from 7 to 9 p.m. CDT on CNBC — there will be another presidential debate.
The always astonishing and amazing Republicans, led by the always astonishing and amazing Donald Trump and Dr. Ben Carson, will debate in Boulder, Colorado.

The Ear has watched three presidential debates so far — two Republican and one Democratic.
But he still has no idea of where the various candidates on both sides stand when it comes to government support of the arts –- including music — and the humanities.
Please tell us, Hillary Clinton and Bernie Sanders, what you think?

And you too, Donald Trump and Ben Carson and Carly Fiorina and Ted Cruz and Marco Rubio and Mike Huckabee and Rick Santorum and Chris Christie and Jeb Bush and Rand Paul and John Kasich and ….
Do you want to defund PBS?

Or defund NPR?

Or will you support these important and historic cultural commitments? Why or why not?
Along the same lines, do you want to defund, sustain or enhance the National Endowment for the Arts and the National Endowment for the Humanities?
Why or why not?
Some funny reasoning is going on here. Some of the candidates want to eliminate all subsidies to the arts, which are a form of economic development after all – at a time when a lot of conservatives don’t mind funding big rich corporations in the same name of economic development.
The arts create a lot of jobs and spark a lot of spending and stimulus. Or don’t the culture-challenged charlatans realize that?
Stop and think a minute about the local situation. The Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the Overture Center (below), public schools, the University of Wisconsin and its School of Music — all rely in part on public funding. They employ a lot of people and generate a lot of value.

Don’t these issues deserve a public airing? Doesn’t the arts consuming public have a right to know where the various candidates stand on these issues? Shouldn’t voters know what they might be getting in those areas?
As The Ear understand its, one flank of the attack has to do with the so called left-leaning liberal or progressive bias and politics of PBS and NPR.
Plus, there is the view that the art that public taxpayer money is helping to create doesn’t defend the so-called family values that the most radically conservative Republicans and Christian fundamentalists and Evangelicals want defended.
The other flank of the attack has to do with the stance that government should be smaller and that therefore should be funding less in general.
Makes you wonder just how the radical “freedom coalition” and Tea Party people in South Carolina, Texas and California feel about having a smaller government when it comes to providing aid for victims of torrential floods and devastating wildfires. And how is that kind of help for those in need different from funding education or health care?


AUSTIN, TX – MAY 25, 2015
Extreme flooding takes place in Austin, Texas May 25, 2015.
(Photo by Drew Anthony Smith/Getty Images)
Anyway, wouldn’t it be appropriate for some of the panelists to question the candidates on the issues pertaining to the arts and humanities?
The Ear is reminded of Sir Winston Churchill’s comment during World War II. Some members of the British Parliament asked him if funding for the arts shouldn’t be cut and used instead to fight Hitler and the Nazis. He said no and added, “Then what would we be fighting for?”

Tell the Ear what you think. Leave a COMMENT.
Maybe, just maybe, someone else will read it and pass it along and we will finally get a substantive discussion from the candidates about where they stand on arts and humanities funding by the federal government.
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