The Well-Tempered Ear
The UW Symphony Orchestra performs a FREE online concert Thursday night and Friday night the Wisconsin Chamber Orchestra debuts its second chamber music concert. But in-person micro-concerts on Sunday by the the Willy Street Chamber Players are sold-out
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By Jacob Stockinger
The second half of the music season is well under way, with just about every major group performing online – or in one case even in person.
Here are three selections this week:
THURSDAY
Two of the most musically and technically impressive concerts The Ear heard last semester took place at the UW-Madison’s Mead Witter School of Music. They were by the UW-Madison Symphony Orchestra under the direction of conductor Oriol Sans (below).
First, Sans conducted a socially distanced and virtual all-strings concert (below).
Then, for the second concert, the conductor had the winds and brass – which spray dangerous aerosol droplets – record their parts individually. Then for the live performance, Sans donned earphones and masterfully combined all the forces into a full orchestra performance (below).
You can see similar results – with percussion joining for the strings for the last piece — this Thursday night, Feb. 25, at 7:30 p.m. on YouTube when the UW Symphony Orchestra live-streams a 90-muinute concert from the Mead Witter Foundation Concert Hall in the Hamel Music Center. No in-person attendance is allowed.
Here is the program:
I Crisantemi (Chyrsanthemums) by Italian opera composer Giacomo Puccini (1858-1924), with Michael Dolan, guest conductor
“Leyendas: An Andean Walkabout” by contemporary American composer Gabriela Lena Frank (b. 1972) Coqueteos (Flirtations)
“Carmen” Suite (after the opera by Georges Bizet) by Russian composer Rodion Shchedrin (b.1932): Introduction; Dance; Carmen’s entrance and Habanera Torero; Adagio; Fortune-telling; and Finale.
Here is a link to the live-streamed video: https://youtu.be/GSrMLKrjlVg
And here is a link to more information, including program notes and the names of members of the orchestra: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-2/
FRIDAY NIGHT
On Friday night at 7:30 p.m. the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) will offer the second of its Winter Chamber Series. It will run between 60 and 75 minutes.
There will be string, brass and percussion music by Mozart, Beethoven, Rossini, Steve Reich, Craig H. Russell and Thomas Siwe. Be aware that three of the works – string quartets by Mozart and Beethoven and a string sonata by Rossini — are presented in excerpts. That is not listed on the webpage.
The cost for one-time access between Friday night and Monday night is $30.
Here is a link to more information, including a link to ticket sales from the Overture Center box office and program notes by WCO music director and conductor Andrew Sewell (below, in a photo by Alex Cruz): https://wcoconcerts.org/events/winter-chamber-series-no-ii
SOLD-OUT
The Micro-concerts scheduled for this coming Sunday, Feb. 28, by the esteemed Willy Street Chamber Players (below), are SOLD-OUT.
The 10-minute private concerts for two, which require masks and social distancing for all, are perhaps the most innovative move by any local music group during the coronavirus pandemic.
The Ear, who expects concert habits to change after the pandemic, thinks such micro-concerts have a very bright future even after the pandemic is under control and audiences can return safely to mass events.
The concert are pay-what-you can but a $20 donation for two was suggested.
For more information about the micro-concerts, listen to the YouTube video at the bottom and go to: http://www.willystreetchamberplayers.org/micro-concerts.html
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Classical music: Bach Around the Clock 2020 goes virtual and wants your audio-video contribution. Plus TONIGHT, the Wisconsin Chamber Orchestra streams its Dec. 27 concert at the UW
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ALERT: TONIGHT, March 27, at 7:30 p.m., the Wisconsin Chamber Orchestra will be streaming its sold-out premiere performance (below) on Dec. 27 in the Mead Witter Foundation Concert Hall at the UW-Madison’s new Hamel Music Center. If you couldn’t get seats for the in-person performance, you can tune in for FREE tonight.
The program is: “Poet and Peasant Overture” by Suppe; the Introduction and Allegro appassionato, Op. 92, by Robert Schumann with pianist Jason Kutz; the Overture to “Orpheus in the Underworld” by Offenbach; the “Habanera” from the opera “Carmen” by Bizet and “What a movie” from the opera “Trouble in Tahiti” by Leonard Bernstein, both with mezzo-soprano Kitt Reuter-Foss; and the Violin Concerto No. 3 in B minor, Op. 61, by Saint-Saens with Rachel Barton Pine. WCO music director Andrew Sewell conducts.
For a link and portal to the streamed video, go to: https://wisconsinchamberorchestra.org/about/wisconsin-chamber-orchestra-live/
By Jacob Stockinger
The Ear has received the following message from artistic director Marika Fischer Hoyt (below) about the decision to make this year’s Bach Around the Clock a virtual event with a call for community submissions:
The BATC Board of Directors shares the keen disappointment that all music lovers feel at the sudden, shocking collapse of the current concert season.
The BATC 2020 Festival was fully booked, and we had looked forward to 12 hours of music by Johann Sebastian Bach, performed by musicians ranging from young students to adult amateurs to seasoned professionals, all to celebrate the composer’s 335th birthday.
Sadly, that was not to be.
But thinking outside of the box, the Board has decided to try something new: the BATC 2020 Virtual Festival.
We invite local musicians to submit video or audio recordings of themselves singing or playing a selection by Bach. If you’d like, you can also talk at the beginning of your recording, explaining what music by Bach (below) means to you, and why you chose this particular piece. Or feel free to write your thoughts on this subject, and we’ll include that text with your recording.
We reach out especially to those who were scheduled to perform at this year’s festival, and those who have performed with us in the past. But we are very happy to include newcomers to our BATC community as well.
Performers can click on Performers Guide for Media Submissions to find instructions for audio or video file submission.
We request that files be of musical selections 20 minutes or less. If a piece is longer than that, please record the piece in two files.
Our tech team will preview clips for technical quality, upload them to the BATC YouTube channel, and post them on our website and then on our Facebook page, for everyone to enjoy.
BATC plans to launch the Virtual Festival this Saturday, March 28, at 10 a.m., the time the original in-person Festival was scheduled to begin.
We will add new videos every day at 10 a.m., as long as submissions keep coming in. (Below are the Suzuki Strings of Madison performing during a past BATC.)
The BATC Board hopes this Virtual Festival gives local musicians an outlet for sharing their talent and passion with the warmly appreciative local community.
Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Bach is something we need, now more than ever. (Below is a performance from last year’s Bach Around the Clock.)
For more information, go to: https://bachclock.com and https://www.facebook.com/batcmadison
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Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon
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By Jacob Stockinger
Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.
But this year a new collaboration will take place.
On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.
Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.
WYSO says the Friday night concert is close to selling out.
Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.
They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.
WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)
Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”
The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:
https://www.wysomusic.org/diane-ballweg-winterfest-concerts/
For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:
https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/
SATURDAY
On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.
11:30 a.m. — Opus One and Sinfonietta (below)
1:30 p.m. — Harp Ensemble (below) and Concert Orchestra
4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra
The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.
The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.
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Classical music: The Wisconsin Chamber Orchestra and guest soloists will give a FREE public concert on Friday, Dec. 27, in the new Hamel Music Center at the UW-Madison to honor arts patrons Sandy and Jun Lee
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By Jacob Stockinger
If you are looking for a non-holiday concert to go to during Christmas week, the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) — which just performed a sold-out “Messiah” and is about to play the score for Madison Ballet’s production of “The Nutcracker” — has a surprise gift for you.
On Friday, Dec. 27, at 8 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., at the UW-Madison, the WCO and three guest soloists will give a FREE “Winter Celebration” concert that is open to the public. (Donations to the WCO are suggested.)
The occasion is to celebrate the 50th wedding anniversary of Sandy and Jun Lee (below), who are generous patrons of the arts in Madison.
The three guest artists for the concert are:
UW-Madison piano graduate Jason Kutz (below), who performs with the Willy Street Chamber players and other groups, will play the Introduction and Allegro Appassionato, Op. 92, by Robert Schumann.
Local mezzo-soprano opera star Kitt Reuter-Foss (below), who has sung at the Metropolitan Opera, will sing the “Habanera” from Bizet’s “Carmen” and “What a Movie” from Leonard Bernstein’s “Trouble in Tahiti.” (You can hear the famous “Habanera” in the YouTube video at the bottom.)
Renowned Chicago violinist Rachel Barton Pine, who has played several times with the WCO and just two months ago performed with the Madison Symphony Orchestra, will play the Violin Concerto No. 3 in B Minor, Op. 61, by Camille Saint-Saens.
In addition, the WCO, under the baton of music director Andrew Sewell (below, in a photo by Alex Cruz), will perform the “Poet and Peasant” Overture by Franz von Suppe; and the Overture to “Orpheus in the Underworld” by Jacques Offenbach.
Although the concert is free, tickets are required. You can go to this link to register by putting in your name and other required information: https://wisconsinchamberorchestra.org/performances/winter-celebration/
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Classical music: The Madison Opera performs Verdi’s popular “La Traviata” this Friday night and Sunday afternoon in Overture Hall
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By Jacob Stockinger
This weekend, the Madison Opera opens its 59th season with a traditional production of Verdi’s “La Traviata” (The Lost One), one of the most popular operas in history.
According to the website www.operasense.com — specifically at https://www.operasense.com/most-popular-operas/ — it has been the most performed opera in the world, beating out such perennial favorites as Mozart’s “The Magic Flute,” Puccini’s “La Boheme” and “Madama Butterfly,” and Bizet’s “Carmen.” (Below are photos by Matthew Staver from the production by Opera Colorado in Denver, which features the same sets and costumes that will be used in the production by Madison Opera.)
Performances in Overture Hall are this Friday night, Nov. 1, at 8 p.m. and Sunday afternoon, Nov. 3 at 2:30 p.m. The opera will be sung in Italian with projected supertitles in English. The running time, with two intermissions, is 2 hours and 45 minutes.
PRE-OPERA TALKS are on Friday at 7 p.m. and Sunday at 1:30 p.m. in the Wisconsin Studio of the Overture Center. One hour prior to performances, general director Kathryn Smith will give an entertaining and informative talk about “La Traviata.” The talks are free to ticket holders.
POST-OPERA Q&A’s are on Friday and Sunday and will also take place in the Wisconsin Studio of the Overture Center. Audience members can join general director Kathryn Smith immediately after the performance to ask questions about what they have just seen. The sessions are free to ticket holders.
Tickets are $18-$135 with student and group discounts available. For information about tickets, the production and the cast, go to: https://www.madisonopera.org
Set in mid-19th century Paris, “La Traviata” tells of Violetta, a courtesan who tries to follow her heart. But societal pressures force her to leave the man she loves, and an incurable illness takes care of the rest.
Glittering parties contrast with quiet desperation, and ravishing music underscores all-consuming emotions.
“Only a few operas ever achieve a truly beloved status — and “La Traviata” is one of them,” says Kathryn Smith (below, in a photo by James Gill). For being over 150 years old, its story is quite modern: a young woman trying to overcome the limitations that society has placed on her because of her class and gender, searching for happiness yet willing to make sacrifices.
“Plus it is full of very famous music, from the ‘Brindisi’ to ‘Sempre Libera’ and more,” Smith adds. “It’s always a pleasure to have a new generation discover this work, and to share it with opera omnivores who know it well.” (You can hear Renée Fleming sing Violetta’s signature aria “Sempre libera” (Always Free) at the Royal Opera House in the YouTube video at the bottom.)
“La Traviata” is based on the play and novel “La Dame aux Camélias” (The Lady of the Camellias) by Alexandre Dumas the son (below top), which were in turn based on his real-life relationship with the courtesan Marie Duplessis (below bottom), who died in 1847 of consumption.
The play was an instant hit when it premiered in Paris in 1852, and Verdi (below) turned it into an opera the following year.
While the first production of the opera was not a success, due to the poor singing of two cast members and the physical unsuitability of one singer, its second production was acclaimed, and the opera swiftly became one of the most performed operas in the world, a status it has not lost.
Both the opera and the play have inspired countless films, including “Camille” (with Greta Garbo), “Pretty Woman” (with Julia Roberts) and “Moulin Rouge” (with Nicole Kidman).
Madison Opera’s artistic director John DeMain (below, in a photo by Greg Anderson) says: “”La Traviata” has been a part of my artistic life since the very beginning of my career – it’s one of the reasons I so wanted to conduct opera. The heartfelt and tragic story of a love that was cut short by both health and cultural circumstances is still deeply moving today.
“The role of Violetta is a tour-de-force that ranges from high-flying coloratura to dramatic vocalism, with a strongly-etched character. I love this opera so deeply and look forward to conducting it for our audience.”
Returning to Madison Opera as Violetta is Cecilia Violetta Lopez (she played Carmen in Madison), whom The Washington Post reviewer called “as compelling a Violetta as I’ve seen.”
Mackenzie Whitney (below, who appeared in “Florencia en el Amazonas” for the Madison Opera) returns as Alfredo, the young man for whom she sacrifices everything.
Weston Hurt (below) debuts with Madison Opera as Alfredo’s father Germont, whose disapproval of his son’s relationship with Violetta has tragic consequences.
Madison Opera’s Studio Artists are featured: Kirsten Larson as Flora, Emily Secor as Annina, Benjamin Hopkins as Gastone, and Stephen Hobe as the Marquis d’Obigny.
Rounding out the cast are Benjamin Sieverding (Romeo and Juliet) as Dr. Grenvil and Benjamin Major in his Madison Opera debut as Baron Douphol.
Fenton Lamb (below) directs this traditional production in her Madison Opera debut.
Maestro John DeMain conducts the singers, the Madison Opera Chorus and the Madison Symphony Orchestra.
The Madison Opera’s production of “La Traviata” is sponsored by the Pleasant T. Rowland Foundation, Bert and Diane Adams, Carla and Fernando Alvarado, Chun Lin, Patricia and Stephen Lucas, Millie and Marshall Osborn, Kato and David Perlman, the Wallach Family, Helen Wineke, Capitol Lakes, and the Wisconsin Arts Board.
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Classical music: Saturday at noon, Bizet’s “Carmen” airs in cinemas during “Live from The Met in HD” and on Wisconsin Public Radio. Saturday night, the Pro Arte Quartet performs a FREE concert of Haydn, Schumann and Shostakovich
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ALERT: This Saturday night, Feb. 2, at 8 p.m. in Mills Hall, the University of Wisconsin-Madison’s Pro Arte Quartet performs a FREE concert. The program offers the String Quartet in D Major, Op. 50, No. 6, “The Frog” by Franz Joseph Haydn; the String Quartet No. 9 in E-flat Major by Dmitri Shostakovich; and the String Quartet in A Major, Op. 41, No. 3, by Robert Schumann. For more about the unusual history of the critically acclaimed Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-2/
By Jacob Stockinger
This Saturday, Feb. 2, the seventh production of this season’s “Metropolitan Opera Live in HD” series is Georges Bizet’s lusty, sultry and violent “Carmen,” one of the most popular operas ever composed.
Its successful world premiere was in Paris in 1875, which Bizet did not live to see. But Bizet’s masterpiece of the gypsy seductress who lives by her own rules has had an impact far beyond the opera house.
The opera’s beautiful melodies are as irresistible as the title character herself, a force of nature who has become a defining female cultural figure. (You can hear one of Carmen’s signature arias– “Love Is a Wild Bird” — in the YouTube video at the bottom.)
“Carmen” was a scandal at its premiere but soon after became a triumphal success and has remained one of the most frequently staged operas in the world.
French mezzo-soprano Clémentine Margaine reprises her acclaimed portrayal of opera’s ultimate temptress, a triumph in her 2017 debut performances.
Opposite her is the impassioned tenor Roberto Alagna (below right, in a photo by Karen Almond for The Met) as her lover, Don José.
French native Louis Langrée (below, in a photo by Jennifer Taylor), who heads the Mostly Mozart Festival and is the artistic director of the Cincinnati Symphony Orchestra, will conduct Sir Richard Eyre’s production, a Met favorite since its 2009 premiere.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
There will be encore HD showings next Wednesday, Feb. 6, at 1 p.m. and 6:30 p.m. (“Carmen” is so popular that some cities will also host a second encore showing on Saturday, Feb. 9.)
The opera will be sung in French with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults, and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus Theaters website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all Met productions this season:
https://www.metopera.org/season/in-cinemas/
Here is a link to a synopsis and cast list:
Here is a link to other information about the production of “Carmen,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/carmen/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
Tags: "Scandal", #BlogPost, #BlogPosting, #CastList, #ChamberMusic, #CincinnatiOhio, #CincinnatiSymphonyOrchetsra, #ClémentineMargaine, #CriticallyAcclaimed, #DmitriShostakovich, #EnglishLanguage, #ForceofNature, #FranzJosephHaydn, #FrenchLanguage, #Frenchsinger, #GeorgesBizet, #GermanLanguage, #Hi-Definition, #HomeWebsite, #ItalianLanguage, #LeadRole, #LiveFromtheMetinHD, #LouisLangree, #MarcusTheaters, #MetropolitanOpera, #MetropolitanOperaLiveinHD, #Mezzo-sopranoSinger, #MillsHall, #MostlyMozartFestival, #MovieTheater, #MusicCritic, #MusicReview, #OperaHouse, #PalaceCinema, #ParisFrance, #PointCinema, #ProArteQuartet, #RichardEyre, #RobertoAlagna, #RobertSchumann, #SatelliteBroadcast, #SeniorCitizen, #SpanishLanguage, #StringQuartet, #SunPrairie, #TenorSinger, #TheMet, #UniversityofWisconsin-Madison, #VideoClips, #Wikipediaentry, #World-wide, #WorldPremiere, #YouTubevideo, acclaimed, adult, air, aria, Arts, audience, audiovisual, blog, Broadcast, Carmen, Cello, Chamber music, character, children, China, choral music, Cincinnati Symphony Orchestra, cinema, cities, city, Classical music, Clémentine Margaine, compose, composer, Concert, conductor, critically, cultural, culture, date, debut, Dmitri Shostakovich, drama, encore, English, event, favorite, female, figure, force, forward, France, free, French, Georges Bizet, German, gypsy, Haydn, hi def, History, impact, impassioned, information, Israel, Italian, Jacob Stockinger, lead role, like, link, live, Live From The Met in HD, Louis Langrée, lover, lusty, Madison, Marcus Theaters, masterpiece, melodies, melody, Metropolitan Opera, Metropolitan Opera Live in HD, Mezzo-soprano, Mills Hall, money, Mostly Mozart Festival, music critic, nature, notes, opera, Orchestra, Palace Cinema, Paris, Passion, performer, Point Cinema, popular, portrayal, post, posting, premiere, Pro Arte Quartet, production, remarkable, review, Richard Eyre, Robert Schumann, Roberto Alagna, rules, Russia, satellite broadcast, Saturday, Season, seduction, seductress, senior, series, signature, sing, singer, Spanish, stage, String quartet, sultry, Sun Prairie, supertitles, surtitles, symphony, synopsis, tag, tenor, the Met, theater, ticket, title, triumph, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, violence, violent, Violin, vocal music, Website, Wikipedia, Wisconsin, world, world premiere, worldwide, YouTube
Classical music: The 13th season of “Live from The Met in HD” opens this Saturday with Verdi’s opera “Aida” starring Anna Netrekbko
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By Jacob Stockinger
PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) IF YOU LIKE A CERTAIN BLOG POST ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
This Saturday, Oct. 6, the new 10-opera season of the series “Live From the Met in HD” starts with Giuseppe Verdi’s popular late masterpiece and epic opera “Aida.”
The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City – which is a revival production with the superstar Russian soprano Anna Netrebko — starts at 11:55 a.m. and runs until 4:13 p.m. The encore showings are on next Wednesday, Oct. 10, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison and the Palace Cinema in Sun Prairie.
Here is a link to the Marcus website for address and more information:
http://www.marcustheatres.com/movies/met-aida-live
Get out your datebooks!
Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions in the 2018-19 season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly. (You can also see and hear the season trailer in the YouTube video at the bottom.)
https://www.metopera.org/season/in-cinemas/
Here is a link to a very positive review of “Aida” — Anna Netrebko as Aida is on the left in the photo by Sara Krulwich for The New York Times — by senior music critic Anthony Tommasini that appeared in The New York Times:
https://www.nytimes.com/2018/09/27/arts/music/anna-netrebko-aida-met-opera-review.html
Here is a link to a synopsis and cast list, which can be printed out:
Here is a link to other information about the production of “Aida,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/aida/
And here is a Wikipedia history of the successful broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
Tags: #AncientEgypt, #AnnaNetrebko, #AnthonyTommasini, #BlogPost, #BlogPosting, #ChineseCinema, #DialoguesoftheCarmelites, #DieWalküre, #FacebookPost, #FrancisPoulenc, #FrenchLanguage, #GaetanoDonizetti, #GeorgesBizet, #GermanLanguage, #GiacomoPuccini, #GirloftheGoldenWest, #GiuseppeVerdi, #HiDef, #ItalianLanguage, #LaTraviata, #LiveFrom the MetinHD, #LivePerformance, #MarcusTheatres, #MetropolitanOpera, #MetropolitanOperaLiveinHD, #MusicCritic, #MusicReview, #NewMusic, #NewYorkCity, #NicoMuhly, #PalaceCinemas, #PointCinemas, #PucciniOpera, #RevivalProduction, #RichardWagner, #SamsonandDelilah, #SatelliteBroadcast, #SpanishLanguage, #SunPrairie, #TheMet, #TheNewYorkTImes, #TheRingCycle, #TheValkyries, #Wikipediaentry, #YouTubevideo, afternoon, Aida, ancient, Anna Netrebko, Anthony Tommasini, Arts, audience, audiovisual, Bizet, blog, Blog post, blog posting, Broadcast, Carmen, cast, China, choral music, Cilea, cinema, Classical music, composer, conductor, date, datebook, Dialogues of the Carmelites, Die Walküre, Donizetti, Egypt, encore, epic, Facebook, famous, Francis Poulenc, Girl of the Golden West, information, Israel, Jacob Stockinger, La Traviata, late, link, live performance, Madison, march, Marnie, masterpiece, Metropolitan Opera, Metropolitan Opera Live in HD, money, Music, music critic, music review, New Music, New York City, New York Times, Nico Muhly, night, open, opera, Orchestra, Palace Cinemas, photo, Point Cinemas, print, production, Puccini, Richard Wagner, Ring cycle, Russia, Russian, Saint-Saens, Samson and Delilah, satellite, Saturday, Season, showing, sing, size, soprano, sung, superstar, supertitles, symphony, synopsis, the Met, The New York Times, The Valkyries, titles, trailer, triumph, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, Viola, Violin, vocal music, Wednesday, Wikipedia, Wisconsin, world, worldwide, YouTube
Classical music education: Before leaving for a festival in Scotland, the Madison Youth Choirs boy choirs will give a FREE send-off concert on Tuesday night. It features the world premiere of a new work by Madison composer Scott Gendel
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By Jacob Stockinger
The Ear has received the following announcement to post:
This July, 55 members of Madison Youth Choirs’ boy choirs will travel to Aberdeen, Scotland to sing in the Aberdeen International Festival of Youth Arts, a new celebration of talented young performers from across the world. (Below is the Britten boy choir.)
The festival will continue the legacy of the Aberdeen International Youth Festival (below), a tradition which had been running nearly 50 years when it was cancelled in late 2017 after Aberdeen city councilors withdrew its funding, citing budgetary concerns.
A groundswell of local and global support for the festival led to the creation of a new event, hosted by the Aberdeen Multicultural Center, which will continue to offer world-class performing opportunities for young artists.
In order to ensure that every eligible singer, including those whose families face significant financial challenges, had the opportunity to participate in this extraordinary experience, MYC undertook a major fundraising effort for the Scotland Tour Scholarship Fund, led by a generous anonymous benefactor who offered to double every dollar donated up to a total of $10,000. In total, 107 individual donors contributed to the fund, raising $20,224 to support the young singers’ journey.
Prior to their departure to Scotland, the MYC boys will present a send-off concert on Tuesday, July 24, at 7 p.m. at Good Shepherd Lutheran Church, 5701 Raymond Road, in Madison. The concert is FREE and open to the public, but donations at the door will be accepted.
The concert will feature the world premiere of a new work by UW-Madison graduate and Madison composer Scott Gendel (below), “For That Alone,” which combines text from Thomas Jefferson’s “Declaration of Independence” with text from a work that may have inspired it, the “Declaration of Arbroath,” written in 1320 to assert Scotland’s independence.
The full list of repertoire includes:
“Sumer is icumen in,” Anonymous, mid-13th century
“O là, o che bon echo” by Orlando di Lasso (1532-1594)
“No che non morira” (from Tito Manlio) by Antonio Vivaldi (1678-1741)
“Bar’chu” by Salamon Rossi (c. 1570-1630)
“Il est bel et bon” by Pierre Passereau (fl. 1509-1547)
“Hopkinton” by William Billings (1746-1800)
“The Pasture” (from Frostiana) by Randall Thompson (1899-1984)
“Gloria Tibi” (from Mass) by Leonard Bernstein (1918-1990)
“II. Adonai ro-I” from Chichester Psalms by Leonard Bernstein (1918-1990)
“For That Alone” (world premiere) by Scott Gendel (b. 1977)
“Chorus of Street Boys” from Carmen by Georges Bizet (1838-1875)
“Weevily Wheat,” American play-party song, arr. Krunnfusz
“The Plough Boy,” Traditional, arranged by Benjamin Britten (1913-1976) You can hear it for solo tenor with piano in the YouTube video at the bottom.
“Rustics and Fishermen” (from Gloriana) by Benjamin Britten
“I Will Howl” by Timothy Takach (b. 1978)
“Fugue for Tinhorns” (from Guys and Dolls) by Frank Loesser (1910-1969)
“Bonse Aba,” Traditional Zambian
“Birdsong” by Heather Masse, arranged by Randal Swiggum
“Revelation 19:1” by Jeffrey LaValley
“Anthem” (from Chess) by Benny Andersson, Björn Ulvaeus, Tim Rice, arranged by Randal Swiggum
“Will Ye No Come Back Again,” Traditional Scottish, arranged by Randal Swiggum
For more information about the Madison Youth Choirs, including how to join them and how to support them, go to:
https://www.madisonyouthchoirs.org
Tags: #AntonioVivaldi, #BenjaminBritten, #BennyAndersson, #BookofRevelation, #CatholicMass, #ChichesterPsalms, #ChristianChurch, #ChristianReligion, #DeclarationofArbroath, #DeclarationofIndependence, #FrankLoesser, #GeorgesBizet, #GoodShepherdLutheranChurch, #GuysandDolls, #LeonardBernstein, #LutheranChurch, #MadisonYouthChoirs, #MusicEducation, #OrlandodiLasso, #PierrePassereau, #RandallThompson, #RandalSwiggum, #RobertFrost, #RomanCatholicism, #SalamonRossi, #ScottGendel, #ScottishMusic, #ThePloughBoy, #ThomasJefferson, #TimothyTakach, #TimRice, #TraditionalMusic, #UnitedStates, #WilliamBillings, #WorldClass, #WorldPremiere, #YoungArtists, #YouTubevideo, Aberdeen, American, anonymous, anthem, Antonio Vivaldi, Arts, Baroque, Benjamin Britten, Benny Andersson, bird, boychoir, boys, Carmen, chess, choral music, chorus, Classical music, composer, Declaration of Arbroath, Declaration of Independence, Early music, fisherman, Frostiana, fugue, Gloriana, independence, Jacob Stockinger, Madison, Madison Youth Choirs, mass, Music, Music education, opera, Orchestra, Orlando di Lasso, party, Piano, Pierre Passereau, Plough Boy, Randall Thompson, Religion, Revelation, Robert Frost, Roman Catholic, Roman Catholicism, rustic, Salamon Rossi, Scotland, Scottish, sing, singer, song, street boys, Thomas Jefferson, Tim Rice, traditional, U.S., United States, United States Declaration of Independence, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vocal music, William Billings, Wisconsin, world, world-class, young artists, YouTube, Zambia
Classical music: Madison Opera travels to the jungle for the local premiere of the Spanish opera “Florencia en el Amazonas” this Friday night and Sunday afternoon
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By Jacob Stockinger
This weekend, the Madison Opera travels to the jungle to present the Madison premiere of Florencia en el Amazonas (with sets from the production by the Arizona Opera, below) by Daniel Catán on Friday night, April 27, at 8 p.m. and Sunday afternoon, April 29, at 2:30 p.m. in the Overture Hall at the Overture Center for the Arts, 201 State Street.
The opera will be sung in Spanish with English supertitles. Running time is 2 hours and 15 minutes with one intermission.
Tickets are $18-$130 with discounts available for students and groups. For more information about tickets and the production, go to www.madisonopera.org
Mexican composer Daniel Catan’s lush and accessible orchestral soundscape brings the Amazon River to life in this magical and mystical journey.
Set in South America at the turn of the 20th century, the story begins when Florencia Grimaldi, a famous opera singer, embarks anonymously on a voyage down the Amazon River to sing a concert in Manaus, Brazil.
She is traveling to the concert incognito; her real hope for the journey is to be reunited with the lover she left behind, a butterfly hunter.
On the boat with her are a young journalist, Rosalba, who is writing a biography of Grimaldi; a couple feeling the strain of their long marriage, Paula and Alvaro; the boat’s captain; the captain’s restless nephew, Arcadio, who falls in love with Rosalba; and a man who is a rather mystical presence, Riolobo.
Over the course of the journey, the passengers encounter a storm, piranha, and ultimately cholera.
“Florencia en el Amazons is simply gorgeous,” says Kathryn Smith (below, in a photo by James Gill), Madison Opera’s General Director. “I heard only wonderful things about it following its 1996 premiere, and when I saw the opera 10 years ago, I realized why audiences love it so much.
“The music is ravishing, the setting is physically beautiful, and the characters are fascinating. I am delighted to be presenting it in Madison, as part of our vision of sharing operas from all time periods and in all languages.”
Florencia was the third opera composed by Daniel Catán (below, in a photo by Gina Ferazzi for the Los Angeles Times) and the first Spanish-language opera to be commissioned by a major U.S. opera company. Houston Grand Opera premiered the work in 1996; it has since been performed across North America and Europe, with companies like Houston, Los Angeles, and Seattle producing it multiple times due to audience demand.
The opera’s libretto, while an original story, was inspired by the writings of the Nobel Prize-winning Colombian novelist Gabriel García Márquez (below) author of 100 Years of Solitude and Love in the Time of Cholera. Librettist Marcela Fuentes-Berain was a protégé of Márquez; according to Catán, he and Fuentes-Berain would show García Márquez parts of the libretto as they were finished. Elements of the author’s trademark magic realism pervade many parts of the opera.
Catán’s music was acclaimed for its lush writing. The New York Times said, “Mr. Catán’s writing for the voice is luxuriously lyrical; and he orchestrates with skill.” (You can hear the opera’s opening scene in the YouTube video at the bottom.)
Catán wrote two more operas before dying at age 62 of a heart attack. At his sudden death in 2011, Plácido Domingo called him “one of the great opera composers of our time, beloved by audiences and especially by the musicians who had the privilege of performing his incredible work.”
“I am so happy to have the opportunity to perform this absolutely gorgeous opera,” says John DeMain (below, in a photo by Prasad), Madison Opera’s Artistic Director. “I had the pleasure of knowing Daniel Catán, and commissioned an orchestral suite from this opera for the Madison Symphony Orchestra, which we performed in 2003.
“We all were struck by the power and sweep of the music. This story of the power of love and music in all of our lives will be sung by a great cast of singers, and the orchestral fabric will lift audiences out of their seats and transport them to the magical world of the Amazon. This is an opera written in our time, with a musical score that will leave audiences wanting to hear it again and again.”
Madison Opera’s cast features a number of returning favorites. For revealing 10-question interviews with cast members, go to the MadOpera blog at: http://madisonopera.blogspot.com
Elizabeth Caballero (below) sings Florencia Grimaldi, a role she has sung for New York City Opera and Nashville Opera. The Cuban-American soprano debuted with Madison Opera at Opera in the Park in 2007 and returned in Carmen, La Traviata,and Don Giovanni. Last month, she sang Mimì in La Bohème at the Metropolitan Opera.
Rachel Sterrenberg sings the journalist Rosalba; she debuted in Charlie Parker’s Yardbird here last season.
Adriana Zabala (below), who sang in The Tales of Hoffmann and at last summer’s Opera in the Park, sings Paula, a role she has also sung at San Diego Opera and Arizona Opera.
Nmon Ford (below, in a photo by Guy Madmoni), who sang Scarpia in Tosca with Madison Opera in 2013, sings the mysterious Riolobo.
Mackenzie Whitney, who debuted as Rodolfo in La Bohème with Madison Opera in 2015, returns as Arcadio, the Captain’s nephew. Levi Hernandez, who debuted in The Magic Flute here in 2005, returns as Alvaro. Bass Ashraf Sewailam (below) makes his Madison Opera debut as the Captain of the El Dorado.
Kristine McIntyre (below) returns to direct this Madison Opera premiere. She has directed many successful productions for Madison Opera, including Dead Man Walking and The Tales of Hoffmann. Recent work includes productions at Pittsburgh Opera, Utah Opera, Des Moines Metro Opera, and Kentucky Opera.
The production prominently features members of Kanopy Dance Company, playing spirits of the river. Lisa A. Thurrell, co-artistic director of Kanopy, has created choreography for her dancers and this production.
The set (below) comes from Arizona Opera, with costumes designed by Madison Opera’s Karen Brown-Larimore, who designed the costumes for The Abduction from the Seraglio in February.
As always, the opera features the Madison Opera Chorus and the Madison Symphony Orchestra.
Madison Opera’s production of “Florencia en el Amazons” is sponsored by the National Endowment for the Arts, Thompson Investment Management, Inc., Carla and Fernando Alvarado, Thomas Terry, the Ann Stanke Fund, Kennedy Gilchrist and Heidi Wilde, and Charles Snowdon and Ann Lindsey.
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Classical music: Madison Youth Choirs will perform music of Madison’s nine sister cities this Sunday afternoon and evening
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By Jacob Stockinger
The Ear has received the following announcement to post:
“This semester, Madison Youth Choirs singers (below) are embarking on a musical journey across the globe as they explore and perform compositions connected to the diverse cultures inhabiting Madison’s nine sister cities: Ainaro, East Timor; Arcatao, El Salvador; Camaguey, Cuba; Freiburg, Germany; Kanifing, The Gambia; Mantua, Italy; Obihiro, Japan; Tepatitlán, Mexico; and Vilnius, Lithuania.
“As we study the wide variety of musical forms that emerged from these nine regions and think about the reasons we’re drawn to establish sister city relationships, we’re examining both the common forces that drive the creative expression of artists from all cultures and the unique contributions that artists from our sister cities have made to the worldwide musical canon.
“We invite you to join us for a culminating winter concert series celebrating these international choral connections.
WHERE
Madison Youth Choirs Winter Concerts, “Sister Cities”
First Congregational United Church of Christ
1609 University Ave., Madison
WHEN
Sunday, Dec. 10, 2017
1:30 p.m. Girlchoirs
4:00 p.m. Boychoirs
7:00 p.m. High School Ensembles
Tickets available at the door: $10 for general admission, $5 for students 7-18, and free for children under 7. A separate ticket is required for each performance.
This concert is generously endowed by the Diane Ballweg Performance Fund with additional support from American Girl’s Fund for Children, BMO Harris Bank, and the Wisconsin Arts Board with funds from the state of Wisconsin and the National Endowment for the Arts.
About the Madison Youth Choirs (MYC):
Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
“SISTER CITIES” PROGRAMS
Sunday, December 10, 2017, First Congregational Church, Madison
1:30 p.m. Concert (Featuring MYC Girlchoirs)
Choraliers
“Now We Are Met” by Samuel Webbe
“Sakura” Traditional Japanese folk song
“Tecolote” Spanish lullaby, arr. Victoria Ebel-Sabo
“S’Vivon” Traditional Jewish folk song, arr. Valerie Shields
Con Gioia
“Peace Round” Traditional round, text by Jean Ritchie
“Shepherd’s Pipe Carol by John Rutter
“Murasame” by Victor C. Johnson, text: 11th-century Japanese poem
“Guantanamera” Cuban folk song, text by José Marti
Capriccio (below)
“A Circle is Cast” by Anna Dembska
“Ich will den Herrn loben alle Zeit” by Georg Philipp Telemann, arr. Wallace Depue
“Ma come bali bene bela bimba” Traditional Italian, arr. Mark Sirett
“Soran Bushi” Japanese folk song, arr. Wendy Stuart
“Yo Le Canto Todo El Dia” by David L. Brunner
4:00 p.m. Concert (Featuring MYC Boychoirs)
Combined Boychoirs
“Dance for the Nations” by John Krumm, arr. Randal Swiggum
Purcell (below)
“La Nanita Nana” by José Ramon Gomis, arr. David Eddlemann
“Es is Ein Ros entsprungen” by Melchior Vulpius
“Sakura” Traditional Japanese folksong, arranged by Purcell choir members
Britten (below)
Two Elegies by Benjamin Britten
- Old Abram Brown
- Tom Bowling
“No che non morira” (from Tito Manlio) by Antonio Vivaldi
Holst
“O Rosetta” by Claudio Monteverdi
“O là, o che bon echo” by Orlando di Lasso
“We Are” by Ysaye Barnwell
Combined Boychoirs
Chorus of Street Boys from Carmen by Georges Bizet
“Kimigayao” (The National Anthem of Japan) Melody by Hiromori Hayashi
7:00 p.m. Concert (Featuring High School Ensembles)
Cantilena
“How Can I Keep From Singing?” by Gwyneth Walker
Liebeslieder Walzer by Johannes Brahms, text by Georg Friedrich Daumer
- Wie des Abends (from Opus 52) (You can hear it in the YouTube video at the bottom.)
- Vogelein durchrauscht die Luft (from Opus 52)
- Nein, geliebter, setze dich (from Opus 65)
Ragazzi
“Bar’chu” by Salamon Rossi
“The Pasture” (from Frostiana) by Randall Thompson
“Mogami Gawa Funa Uta” by Watanabe/Goto, based on folk materials, arr. Osamu
Shimizu
Cantabile
“Angelus ad pastores ait” (from Sacrae Cantiunculae, 1582) by Claudio Monteverdi
“Gamelan” by R. Murray Schafer
“Mata del Anima Sola” by Antonio Estévez
Cantabile and Ragazzi (below)
“The Virgin Mary Had a Baby Boy” Traditional carol from Trinidad, arr. Stephen
Hatfield
Combined Choirs
“Dance for the Nations” by John Krumm
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