By Jacob Stockinger
The Ear has received the following notice:
Concerts are on Saturday, May 14, at 7:30 p.m. in Asbury Church, 6101 University Avenue; and on Sunday, May 15, at 3 p.m. in the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.
Tickets can be purchased in advance ($12 adult, $9 senior/student) at any of the advance ticket outlets (Cool Beans Coffee Café, Ward-Brodt Music, Metcalfe’s Market at Hilldale, and Orange Tree Imports) or at the door ($15 for adults, $12 for seniors and students).
After three very successful years of directing the choir, music director Brad Schultz (below) has resigned due to added responsibilities on the Luther College faculty starting next fall. Throughout his tenure, Brad has helped MACH’s ringers retain the spirit and skills which have led this auditioned choir to be recognized as one of the leading handbell groups in America. He introduces the concert as follows:
“Maybe it was the first time you tasted a delicious French roll, or saw the Eiffel Tower. Maybe it was an exposure to music, culture, or fashion. Maybe it was in your early ventures as a reader (“In an old house in Paris that was covered in vines, lived twelve little girls in two straight lines”), or depictions of la belle vie (the French “good life”) in the movies. We have always had a fascination with all things French; from culture to custom, from cuisine to cinema.
“There’s no denying French advancements in music, either. From the cathedral to the salon, Leonin and Pérotin to composers of chanson and popular music, France has always left a musical mark on the world.
“We invite you to join us this weekend for a celebration of all things French. Revered composers Bizet, Ravel, Debussy, Chopin and Faure will be represented, alongside pieces that remind us of French culture, landscape and architecture. We’re excited to be joined again this season by flutist Barbara Paziouros Roberts.”
Here is the complete program:
Grand Valse Brillante, Op. 18, by Frédéric Chopin, Arranged by Ruth Artman
Jubilation by Fred Gramann
The Sunken Cathedral (La cathédrale engloutie) by Claude Debussy, Transcribed by Kevin McChesney
Pavane by Gabriel Fauré, Arranged by Albert Zabel
The Ball (from “Children’s Games”) by Georges Bizet, Arranged by Betty B. Garee
Suite for Flute & Piano, Op. 116, by Benjamin Godard: II. Idylle
Danse Macabre by Camille Saint–Saéns, Arranged by Michael R. Keller
Down the River by Jason W. Krug
Fountains by Kevin McChesney
Gymnopédie No. 1 by Erik Satie, Arranged by Karen Roth
Cathedrals by Margaret R. Tucker
Autumn Leaves (Les feuilles mortes) by Joseph Kosma, Arranged by Bank Wu
MACH rings over 6 octaves of handbells and 7 octaves of handchimes, the largest assemblage of these instruments in Wisconsin. This fall, while the choir searches for a new director, MACH will be led by founder and former director Susan Udell, who retired from the group in 2010.
For more information about MACH, visit the website at http://www.madisonhandbells.org.
By Jacob Stockinger
FREE MADISON SYMPHONY CAROL SING
The Madison Symphony Orchestra (MSO) invites the entire community to a sing-along with the Overture Concert Organ (below) at a FREE Christmas Carol Sing in Overture Hall, 201 State Street, on this coming Saturday, Dec. 6, at 11 a.m. (A sample, with “Adeste Fideles” or “O Come, All Ye Faithful,” at Westminster Abbey in England is at the bottom in a YouTube video.)
All ages are welcome and the event is FREE. No registration or tickets are required.
MSO Principal Organist and Curator Samuel Hutchison (below, in a photo by Joe DeMaio) will lead the carol singing, which will last approximately 45 minutes.
For more holiday singing, come 45 minutes early to each performance of A Madison Symphony Christmas concert to hear the Madison Symphony Chorus sing Christmas carols in the festively-lit lobby of the Overture Center.
Here is a link to more information about the concert:
Those concerts are on Friday, Dec. 5, at 7:30 p.m.; Saturday, Dec. 6, at 8 p.m.; and Sunday, Dec. 7, at 2:30 p.m. in Overture Hall and tickets can be purchased at www.madisonsymphony.org/singletickets and through the Overture Center Box Office at 201 State Street or by calling the Box Office at (608) 258-4141.
With a gift from the Pleasant T. Rowland Foundation, the Madison Symphony Orchestra commissioned the Overture Concert Organ, which is the stunning backdrop of all MSO concerts.
MSO Principal Organist Samuel Hutchison programs and curates the instrument that was custom-built by Klais Organ Works in Bonn, Germany.
In addition to the Free Farmers’ Market Concerts, the instrument is featured in the annual MSO Christmas concert, along with several Free Community Hymn Sings and a Christmas Carol Sing.
Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund. For more information, please contact the MSO at (608) 257-3734 or email email@example.com.
UW-MADISON WIND ENSEMBLE
This Friday night, Dec. 5, at 7:30 p.m. in Mills Hall, the University of Wisconsin-Madison School of Music and the UW Wind Ensemble (below) will present “The Wisconsin Idea and a Premiere” with faculty soloists UW-Madison bassoonist Marc Vallon and UW-Madison baritone Paul Rowe.
The UW Wind Ensemble will give the premiere performance of “A Dialogue with Self and Soul,” a concerto commissioned by the UW-Madison from composer and conductor James Stephenson (below).
Basoonist Marc Vallon (below top, in photo by James Gill) and baritone Paul Rowe (below bottom, in a photo by Katrin Talbot) will be faculty soloists.
Closing the program will be a sneak peek of the March 2015 Carnegie Hall performance and Wisconsin premiere of “The Frozen Cathedral” by John Mackey. Also included is Elsa’s Procession to the Cathedral by Richard Wagner/Cailliet.
This concert will be streamed live on the Internet! Please check this link and sign up for a reminder preceding the concert.
Here is a link:
The ensemble’s director is Scott Teeple (below).
The Wind Ensemble is the premier wind and percussion ensemble at the UW-Madison School of Music. Repertoire varies from classical wind compositions to contemporary works. The Wind Ensemble actively commissions new works from world-renowned composers, often performing with internationally acclaimed soloists and guest conductors.