The Well-Tempered Ear
Classical music: The Wisconsin Chamber Choir celebrates 20 years with a retrospective concert and alumni singers this Saturday night
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By Jacob Stockinger
This Saturday night, the Wisconsin Chamber Choir (below) will celebrate its 20th anniversary with a retrospective concert that includes alumni.
The performance is at 7:30 p.m. in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive.
The program features favorite works from the choir’s history.
Founding conductor Gary McKercher (below top) will join current artistic director Robert Gehrenbeck (below bottom) – who directs choral activities at the University of Wisconsin-Whitewater — to lead the choir in this special performance.
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Familiar composers such as Felix Mendelssohn, Sergei Rachmaninoff and Franz Joseph Haydn share billing with Jean Belmont Ford (below), whose Sand County, a setting of Aldo Leopold’s words, will be performed.
Also on the program are a set of pieces by Howard Helvey (below top) that the WCC commissioned in 2002, and the U.S. premiere of Utyos by longtime WCC member Albrecht Gaub (below bottom).
Alumni of the choir will participate as guest singers in the final two works on the program: Haydn’s humorous Eloquence; and Gregg Smith’s serene Now I Walk in Beauty, which is based on a Navajo prayer and can be heard in the YouTube video at the bottom.
Immediately following the performance, audience members are invited to join the singers for cake and refreshments to celebrate this milestone in the history of one of Madison’s premiere music ensembles.
Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Johann Sebastian Bach, George Frideric Handel, Wolfgang Amadeus Mozart and Johannes Brahms; a cappella works from various centuries; and world premieres of commissioned works.
Artistic director Gehrenbeck has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.
Advance tickets for the April 13 performance at are available for $15 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets.
Tickets are also available in Madison from Orange Tree Imports, all three Willy Street Co-op locations, and from members of the choir. Tickets at the door will be available for $20 for adults and $10 for students.
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Classical music: You can celebrate Valentine’s Day this Thursday, Feb. 14, with live concerts of new music or old music in a large hall or a small cafe
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By Jacob Stockinger
If you are looking to celebrate Valentine’s Day on this coming Thursday, Feb. 14, with live classical music, there are at least two excellent choices facing you.
The larger event is a FREE concert at 7:30 p.m. in Mills Hall by the UW Symphony Orchestra (below top) under the award-winning conductor and professor Chad Hutchinson (below bottom) and two graduate student conductors, Michael Dolan and Ji Hyun Yim.
The program features the “Valse Triste” (Sad Waltz) by Finnish composer Jean Sibelius and the Symphony No. 39 in E-flat Major, K. 543, by Wolfgang Amadeus Mozart.
But the main focus will be on two works by the living American composer Augusta Read Thomas (below), who lives in Chicago and whose music is widely performed because of its accessible style.
The two works by Thomas are “Of Paradise and Light” and “Prayer and Celebration.”
Thomas, who this week will be doing a residency at the UW-Madison’s Mead Witter School of Music, will also hold a free and open master class in Music Hall, at the base of Bascom Hill, from 2 to 5 p.m. that same day. (You can listen to her discuss how she composes in the YouTube video at the bottom.)
For more information about the concert, the program and especially about Thomas – including an audio sample — go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/
A BAROQUE VALENTINE’S DAY
On Valentine’s Day, baroque chamber music enthusiasts can hear the music of the Kim-Kielson Duo as they perform a program on period instruments, titled Canons, Chaconnes and Chocolate!
Longtime friends and performers, baroque violinist Kangwon Lee Kim and recorder player Lisette Kielson (below top, right and left respectively) will be joined by viola da gambist James Waldo (below bottom).
The concert is on this Thursday, Feb. 14, at 7 p.m. at Chocolaterian Cafe, 6637 University Ave., in Middleton.
You can name your own ticket price — $20-$35 per person is suggested, payable in either cash or check.
There also will be Special Valentine’s Day Chocolate available for purchase.
The program celebrates the popular baroque forms of the canon and chaconne as composed by Italian, German and French masters.
The duo will perform three chaconnes by Tarquinio Merula, Antonio Bertali and Marin Marais plus canonic duos by Georg Philipp Telemann as well as an arrangement of canons from The Art of Fugue, BWV 1080, by Johann Sebastian Bach.
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Classical music: Rediscovering the music of composer Florence Price is a great way to start the celebration of Black History Month
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By Jacob Stockinger
February is Black History Month.
There are a lot of African-American performers and composers to emphasize during the month. Check out this exhaustive listing – conveniently organized into categories such as composers, conductors and pianists — in Wikipedia:
https://en.wikipedia.org/wiki/Category:African-American_classical_musicians
But this year one of the best ways to mark the event is to rediscover the composer Florence Price (below, in photos from the University of Arkansas Libraries).
Much of her work was until recently hidden in 30 boxes in her abandoned and dilapidated summer home located 70 miles south of Chicago.
A good introduction to Price (1887-1953) – who was famous in her day and was the first African-American woman composer to be performed by the Chicago Symphony Orchestra — can be found in the Deceptive Cadence blog of National Public Radio (NPR).
https://www.npr.org/2019/01/21/686622572/revisiting-the-pioneering-composer-florence-price
Here is a link to an excerpt from a new Albany recording of her two violin concertos:
And if you want to hear more of what her music sounds like check out the YouTube video at the bottom that has excerpts from the new Naxos recording, in the American Classics line, with her Symphonies Nos. 1 and 4.
You can also find quite a bit more of Price’s music, including a piano concerto, a piano sonata and orchestral suites, on YouTube.
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Classical music: “Just Bach” — a monthly mid-day FREE concert series — starts this Thursday at 1 p.m. in Luther Memorial Church. Plus, the FREE fifth annual UW Brass Fest takes place Friday and Saturday
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ALERT: This Friday and Saturday, the UW-Madison’s Mead Witter School of Music will host Brass Fest V. It features guest artists and the faculty group The Wisconsin Brass Quintet. Events are FREE and OPEN to the public. For a schedule and more information about events and performers, go to: https://www.music.wisc.edu/event/brass-fest-v-alumni/
By Jacob Stockinger
A new and noteworthy monthly event starts this Thursday. Here is an announcement:
“Just Bach” is a new monthly mid-day concert series in Madison. It celebrates the music of Johann Sebastian Bach (below).
The series of hour-long concerts kicks off at 1 p.m. this Thursday, Sept. 27,at Luther Memorial Church (below), 1021 University Avenue.
Admission is free, but goodwill offerings will be accepted.
The Madison series, inspired by a model and successful program established by conductor Julian Wachner at the Trinity Wall Street Church in New York City, will offer monthly concerts at Luther Memorial Church, presenting programs curated from Bach’s sacred vocal repertoire.
As in New York City, the concerts will open with all present singing a hymn, followed by an organ solo, with the rest of the program devoted to cantatas, motets, and possibly oratorios or passions. An important component of the initiative will be the training and inclusion of local singers for the chorus. The period-instrument orchestra will include local and regional players.
Audience members may take in food and beverage for their lunch, which can be consumed during the program.
This Thursday afternoon, organist Mark Brampton Smith (below) will play the “Little” Fugue in G Minor, BWV 578 (heard, with a graphic depiction, in the YouTube video at the bottom); and the choir and orchestra will perform two beautiful cantatas: O heileges Geist- und Wasserbad (O Bath of Holy Spirit and Water), BWV 165; and Liebster Jesu, mein Verlangen (Dearest Jesus, My Desire), BWV 32.
Adds the organizer Marika Fischer Hoyt (below), who also directs the annual Bach Around the Clock event in March: “The goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large.
“The period-instrument orchestra will bring the music to life in the manner and style that Bach would have conceived. Members of the artistic team will prepare local singers to perform alongside seasoned professionals and develop a familiarity and love of the repertoire.
“The audience will be invited to sing along during the opening hymns and the closing cantata chorales.
“The dream team bringing this venture to Madison consists of four individuals who have each dedicated a significant portion of their careers to the music of J.S. Bach: soprano Sarah Brailey, who did her master’s at the UW-Madison and won the Handel Aria Competition; mezzo-soprano Cheryl Bensman-Rowe; UW-Madison professor and bass-baritone Paul Rowe; and modern and baroque violist Marika Fischer Hoyt who also performs with the Madison Bach Musicians, Sonata à Quattro and the Madison Symphony Orchestra.
The vocal soloists for the concert on this Thursday will be Sarah Brailey (below), Cheryl Bensman-Rowe, tenor Wesley Dunnagan, and Paul Rowe. The period orchestra of local and regional baroque players will be led by concertmaster Kangwon Kim.
After the debut, Just Bach dates go to Wednesdays and will take place at 1 p.m. on Oct. 31, Nov. 28 and Dec. 12.
Our Facebook page is at https://www.facebook.com/SingetdemHerrn
Our Instagram account is at https://www.instagram.com/_just_bach_/
A website is in the process of being constructed.
We are extremely grateful to Pastor Brad Pohlman and the congregation of Luther Memorial Church for hosting the series this Fall.
We invite the Madison community to come spend a lunch hour with the sublime music of J.S. Bach – feed your body and soul!”
Tags: #BachAroundtheClock, #BachCantata, #BaroqueEra, #BaroqueMusic, #BlogPost, #BlogPosting, #BrassFest, #BrassMusic, #CherylBensman-Rowe, #ChoralMusic, #ChristianChurch, #ChristianReligion, #ConcertSeries, #FacebookPost, #Free-of-Charge, #GeorgeFridericHandel, #HandelAriaCompetition, #HolySpirit, #HolyTrinity, #HolyWater, #HomeWebsite, #InstagramVideo, #JesusChrist, #JohannSebastianBach, #JulianWachner, #JustBach, #KangwonKim, #LittleFugue, #LunchHour, #LutherMemorialChurch, #MadisonBachMusicians, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #Mid-day, #NewYorkCity, #OrganMusic, #PaulRowe, #PeriodInstrument, #SacredMusic, #SarahBrailey, #SonataaQuattro, #TheEar, #TheWell-TemperedEar, #Thursdayafternoon, #TrinityWallStreetChurch, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VocalMusic, #WallSt., #WallStreet, #Wednesdayafternoon, #WisconsinBrassQuintet, #YouTubevideo, admission, Arts, audience, Bach, Bach Around the Clock, baritone, Baroque, bass, beverage, blog, Blog post, brass, brass fest, Cantata, celebrate, Cello, Chamber music, Cheryl Bensman Rowe, choral music, Chorale, chorus, Christian church, church, Classical music, composer, Concert, concert series, concertmaster, congregation, depiction, desire, Early music, Facebook, faculty, fall, food, free, Friday, fugue, George Frideric Handel, goodwill, graphic, Handel Aria Competition, holy, holy water, host, hosting, hymn, information, Instagram, Jacob Stockinger, Jesus, Jesus Christ, Johann Sebastian Bach, Julian Wachner, Just Bach, Kangwon Kim, life, local, Love, lunch, lunch hour, Luther Memorial Church, Madison, Madison Bach Musicians, Madison Symphony Orchestra, Mead Witter School of Music, Mezzo-soprano, modern, monthly, motet, Music, new, New York City, night, offering, oratorio, Orchestra, organ, organist, organizer, Passion, pastor, Paul Rowe, player, professional, professor, program, regional, repertoire, sacred, Sarah Brailey, Saturday, schedule, singer, Singing, soloist, Sonata, Sonata à Quattro, soprano, symphony, tenor, The Ear, Thursday afternoon, training, Trinity Wall Street Church, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal, vocal music, water, Website, Wednesday afternoon, Wisconsin, Wisconsin Brass Quintet, YouTube
Classical music: Here are the winners of Friday night’s sixth annual Handel Aria Competition
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By Jacob Stockinger
The sixth annual Handel Aria Competition took place Friday night in Mills Hall on the UW-Madison campus at the Mead Witter School of Music.
It was, as usual, much fun.
Such serious fun deserved a bigger audience. But The Ear suspects that the opening night of the Bach Dancing and Dynamite Society at the Overture Center and the aria competition cut into each other’s audience. Maybe that scheduling conflict can be avoided in the future.
Everyone seems to agree that every year, as word of the competition continues to spread far and wide, the singers get better. This year, the seven finalists – five sopranos and three mezzo-sopranos chosen from 113 international applicants — were all terrific.
Special thanks should also go to the Madison Bach Musicians, who in a short amount of rehearsal time turned in outstanding accompaniment in music that can be hard to follow because or ornaments and embellishments as well as subjective interpretations and the Baroque singing style.
The wide repertoire included recitatives and arias from “Semele,” “Giulio Cesare,” “Rodelinda,” “Theodora,” “Hercules,” “Ariodante,” “Judas Maccabeus” and “Ricardo Primo, re d’Inghilterra” (Richard the First, King of England).
The biggest disappointment – in truth not very big — was that the competition had no male voices. There were no tenors, countertenor, baritones or basses to add to the variety. (You can hear the 2017 Audience Favorite, tenor Gene Stenger, in the YouTube video at the bottom.)
But that is how judging on merit works, so who can argue?
Once again, The Ear and many of his voice-savvy friends disagreed with the three professional judges. That seems to happen every year. But there will be more about that, as well as some other observations, another time.
In the meantime, let us celebrate the results.
Here, from left to right in a photo by David Peterson, are this year’s winners: soprano Sarah Hayashi, Second Prize; soprano Suzanne Karpov, First Prize; mezzo-soprano Lindsay Metzger, Audience Favorite; and mezzo-soprano Sarah Coit, Third Prize.
All of the performances will be posted on YouTube at a later date, which The Ear will announce when it happens.
For more information about the seven finalists and the three professional judges, as well as updated news and how you can support the ever-expanding competition, go to:
https://handelariacompetition.com
https://handelariacompetition.com/2018-competition/
Tags: #BachDancingandDynamiteSociety, #BaroqueMusic, #BaroqueOpera, #BaroqueSingingStyle, #GeorgeFridericHandel, #HandelAriaCompetition, #HandelOpera, #JohannSebastianBach, #KingofEngland, #LindsayMetzger, #MadisonBachMusicians, #MadisonWisconsin, #MeadWitterSchoolofMusic, #NewsUpdate, #OrchestralAccompaniment, #OvertureCenter, #RehearsalTime, #SarahCoit, #SarahHayashi, #SchedulingConflict, #SuzanneKarpov, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #YouTubevideo, accompaniment, aria, Ariodante, Arts, audience, baritone, Baroque, bass, celebrate, Cello, Chamber music, Classical music, Competition, composer, conflict, countertenor, Early music, earlymusic, embellish, embellishment, England, favorite, George Frideric Handel, Giulio Cesare, Hercules, international, interpretation, Jacob Stockinger, Johann Sebastian Bach, Judas Maccabeus, judge, King, Madison, Madison Bach Musicians, merit, Mezzo-soprano, Music, news, Orchestra, ornament, photo, photograph, prize, recitative, rehearsal, results, Ricardo Primo, Richard the First, Rodelinda, Semele, soprano, style, subjective, support, tenor, Theodora, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, Viola, Violin, vocal music, Wisconsin, YouTube
Classical music: Today is the first day of Spring. What piece of music best suits the season? Then take a quiz to see what composer and which spring music best suits you
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By Jacob Stockinger
Today is the Vernal Equinox – the first of day of Spring 2018.
It arrives at 11:15 a.m. CDT.
A lot of classical composers have written works inspired by Spring, which often appears in the title.
Here is a link to a YouTube video with almost two hours of Spring music – including works by Vivaldi, J.S. Bach, Mozart, Beethoven, Strauss, Tchaikovsky and Grieg:
https://www.youtube.com/watch?v=sfe3MUMdWKQ
But recently a close friend reminded The Ear that spring-like music doesn’t have to allude specifically to spring. And the friend said that the “Trout” Quintet by Franz Schubert fits the bill perfectly.
So the Request Line is open, and here, for The Ear’s good friend, is the “Trout” Quintet, with pianist Yuja Wang, in the YouTube video at the bottom. It does indeed seem ideally Spring-like with its freshness, liveliness and bubbliness.
What music do you think best celebrates the coming of Spring?
Leave the composer, the work’s title and, if possible, a link to a YouTube performance, in the COMMENT section.
Why do you like it?
Moreover, did you choose correctly?
Here is a fun quiz, from the famed radio station WQXR in New York City, that can help you determine which composer’s piece of music about spring best fits you and your personality:
https://www.wqxr.org/story/quiz-which-spring-themed-classical-music-piece-are-you/
Tags: #AntonioVivaldi, #EdvardGrieg, #FranzSchubert, #JohannSebastianBach, #JohannStrauss, #LudwigVanBeethoven, #NewYorkCity, #PeterIlyichTchaikovsky, #TroutQuintet, #WolfgangAmadeusMozart, #YujaWang, Arts, Bach, Baroque, bass, Beethoven, bubbly, celebrate, Cello, Chamber music, Classical music, Compact Disc, composer, concerto, double bass, Early music, equinox, Franz Schubert, fresh, fun, Grieg, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, link, lively, Madison, Mozart, Music, New York City, Orchestra, past, personality, Peter Ilyich Tchaikovsky, Piano, quintet, quiz, Radio, Sonata, Spring, station, Strauss, symphony, title, Trout Quintet, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vernal equinox, Viola, Violin, Vivaldi, Waltz, Wolfgang Amadeus Mozart, work, WQXR, WQXR-FM, you, YouTube, Yuja Wang
Classical music: It’s Valentine’s Day 2018. Let us now praise musical couples and say what music we would play to celebrate romantic love
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ALERT: If you are a fan of new music, you might not want to miss a FREE concert this Thursday night at 8 p.m. in Mills Hall by the UW-Madison Contemporary Chamber Ensemble.
The program of “Ideas and Landscapes,” assembled and directed by UW’s award-winning composer Laura Schwendinger, includes works by UW students and alumni as well as a world premiere of a work for solo oboe by Schwendinger herself.
For more details about the composers, the performers and the complete program, go to:
https://www.music.wisc.edu/event/contemporary-chamber-ensemble/
By Jacob Stockinger
It is Valentine’s Day 2018, and music plays a big role in celebrating the holiday — as the portrait of Cupid (below) expresses.
This week, musician and teacher Miles Hoffman was featured by National Public Radio (NPR) on the program “Morning Edition” with a most appropriate story about famous musical couples who were also linked romantically.
The Ear was particularly pleased that a same-sex couple – British composer Benjamin Britten (below left) and British tenor Peter Pears (below right) — was recognized during this time when the homophobic administration of President Donald Trump and Vice-President Mike Pence keeps attacking the rights of lesbian, gay, bisexual and transgender (LGBT) people under the guise of protecting and promoting religious tolerance. The leaders use the concept of religious freedom as camouflage for bigotry, zealotry and prejudice.
But more conventional and traditional couples were also recognized, and deservedly so.
Here is a link to the story that also contains some wonderful musical samples:
And here is what The Ear wants to know:
First: Can you think of other musical couples – especially local ones — to single out for recognition on Valentine’s Day? The Karp family as well as pianists-singers Bill Lutes and Martha Fischer plus singers Cheryl Bensman Rowe and Paul Rowe, conductor Kyle Knox and Madison Symphony Orchestra concertmaster Naha Greenholtz, and violinist Soh-Hyun Park Altino and cellist Leonardo Altino all come immediately to mind. But surely there are others The Ear has overlooked.
Second: What piece of classical music would you listen to or play in order to express love for your Valentine?
Leave the names and information, with a YouTube link if possible, in the COMMENT section.
Happy Valentine’s Day!!
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Classical music: Bach Around the Clock 2018 will be March 10. Here is a year-end update with impressive news and important changes
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By Jacob Stockinger
Violist Marika Fischer Hoyt, who last March successfully revived Bach Around the Clock after Wisconsin Public Radio dropped it five years ago, has sent the following year-end update that is full of impressive news, including this year’s date and a smart change of hours to 10 a.m. to 10 p.m. instead of noon to midnight:
“Bach Around The Clock,” the annual community celebration of the music of Johann Sebastian Bach (1685-1750), exceeded all expectations in 2017.
“Approximately 80 performers were seen by almost 600 audience members. The performers ranged from beginning students (below top is a photo of the Suzuki Strings of Madison) to adult amateurs (below bottom is amateur pianist Tim Adrianson) to seasoned professionals including the Wisconsin Chamber Choir and the Madison Bach Musicians.
“The audience ran from around 300 persons at the church to 267 live-stream viewers, some from as far away as London, England.
“BATC gratefully acknowledges the valuable support received from Early Music America (EMA). In registering as a Partner of Early Music Month (an EMA initiative), BATC joined nearly 270 individual and organization Partners across the country whose events during the month of March were showcased on EMA’s website and social media.
“The enthusiastic Madison community response to BATC 2017 furnished strong supporting materials for an application for EMA’s coveted Outreach Grant. BATC, one of five organizations to win the award, received $500 and national recognition.
“As artistic director, I flew to Boston in June to attend the award ceremony, presided over by EMA Executive Director Ann Felter (below). The award will help cover the cost of the sound engineers who record and live-stream the 2018 event.
“While in Boston Marika was able to consult extensively with harpsichordist and internationally recognized Bach scholar Raymond Erickson (below), who kindly offered insights and perspective on how to build a successful Bach festival.
“BATC 2018 — to mark Bach’s 333rd birthday — is scheduled for Saturday, March 10, from 10 a.m. to 10 p.m., again at St. Andrew’s Episcopal Church (below), 1833 Regent Street. Local luminaries will again take shifts as onstage emcees.
“The program will open once again with individuals and ensembles from the St. Andrew’s congregation, and continue with musicians from the Madison community and far beyond.
“In 2017, BATC attracted performers (below) from Milwaukee, Dubuque, Oshkosh and Chicago. For 2018 we’ve already been contacted by a pianist from North Carolina who wants to come perform The Well-Tempered Clavier, Book II. It’s safe to say that the festival’s impact has expanded!
“New this year is the Ensemble-In-Residence, Sonata à Quattro, which will perform as a featured ensemble, and also play a supporting role for singers wanting to perform an aria, or solo instrumentalists wanting to play a concerto. (In the YouTube video at the bottom, you can hear the gorgeous slow movement of the Keyboard Concerto No. 5 in F minor.)
Led by violinist Kangwon Kim (below), the core ensemble includes strings and harpsichord, and will add obbligato instruments as necessary. Sonata à Quattro will also offer a Fringe Concert during the Madison Early Music Festival at the UW-Madison in July.
“Partner organizations this year will include EMA, as well as the UW Chazen Museum of Art, where BATC ensembles will perform a preview concert on March 4, on the “Sunday Afternoon Live” series. Radio interviews on WORT-FM 89.9 and Wisconsin Public Radio are also in the works. Details will be announced in the coming weeks.
“St. Andrew’s will again make their beautifully remodeled Parish Hall available as a place for performers and audience members to enjoy refreshments, fellowship, restrooms, comfortable couches, and free wi-fi. Many thanks are due to the church staff and congregation, for providing BATC with a home.
“BATC is also in the process of establishing its status as a 501(c)(3) nonprofit organization, which should help secure donations and funding. Completion of this process is expected in the next week or so, and will be announced on the BATC website and Facebook page.
“In addition, a board of directors is also being assembled, which should help ensure the survival on BATC by sharing the workload and responsibilities.”
Here is a link to the website, which has other links and information:
https://bacharoundtheclock.wordpress.com
Tags: adult, amateur, Ann Felter, aria, Artistic director, Arts, award, Bach, Bach Around the Clock, birthday, blog, Board of Directors, Boston, celebrate, Cello, ceremony, Chamber music, charity, Chazen, choral music, church, Classical music, Compact Disc, composer, concerto, donation, Early music, Early Music America, engineer, England, ensemble, Episcopal, Facebook, fellowship, festival, finances, Great Britain, harpsichord, impact, individual, instrument, international, interview, Jacob Stockinger, Johann Sebastian Bach, live, live-stream, London, Madison, Madison Bach Musicians, Madison Symphony Orchestra, march, Music, non-profit, nonprofit, obbligato, Orchestra, partner, performer, Piano, preview, professional, Radio, Raymond Erickson, recognition, record, refreshment, restroom, scholar, solo, Sonata, Sound, St. Andrew, St. Andrew's, stage, stream, Student, Sunday Afternoon Live, survival, Suzuki, Suzuki Strings of Madison, symphony, UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Website, wi-fi, wifi, Wisconsin, Wisconsin Chamber Choir, Wisconsin Chamber Orchestra, wisconsin public radio, work, WORT-FM 89.9, YouTube
Classical music: The Wisconsin Baroque Ensemble celebrates its 20th anniversary with concerts this Friday night in Milwaukee and Sunday afternoon in Madison
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By Jacob Stockinger
Here, as elsewhere in the U.S. and around the world, the period instrument movement has become more and more mainstream over the years.
The instruments and the historically informed performance practices have expanded.
The repertoire has also grown, extending both back to Medieval and early Baroque music and forward to the Classical, Romantic and even more modern periods.
Historical research into early music, along with performances and recordings, has influenced even modern music groups such as the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, which now sound lighter, clearer and faster when they play Handel operas, Bach concertos and Beethoven symphonies.
Twenty years ago, the Madison Bach Musicians did not exist. Neither did the Madison Early Music Festival or the fully developed early music program at the UW-Madison.
But the Wisconsin Baroque Ensemble (below) was there, having grown out of other period instrument ensembles and performers who pioneered the long-lived and now very successful early music revival.
And the WBE, with changes in personnel, continues strong.
This coming Sunday you can help celebrate the ensemble’s 20th anniversary by attending a concert of mixed baroque chamber music.
The concert is on this Sunday, Nov. 26, at 2 p.m. in Saint Andrew’s Episcopal Church (below), at 1833 Regent Street on Madison’s near west side. (The Wisconsin Baroque Ensemble will also perform the same program in Milwaukee this Friday night at 7:30 p.m. at the Charles Allis Museum. See the WBE website, below, for details)
Performers are Brett Lipshutz, traverse flute; Eric Miller, viola da gamba; Sigrun Paust, recorder, Consuelo Sañudo, mezzo-soprano; Monica Steger; traverse flute and harpsichord; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
Tickets at the door are $20, $10 for students.
A free reception will be held after the concert at 2422 Kendall Ave., second floor.
The program is:
Luigi Rossi – “Io lo vedo, o luci belle” (I see, O beautiful lights)
Georg Philipp Telemann – Trio Sonata for two recorders and basso continuo, TWV 42:F7 (The two opening movements can be heard in the YouTube video at the bottom.)
Marin Marais – Pièces de viole, movements from Book 2 (viol pieces)
Jacopo Peri – “Solitario augellino”(lonely little bird) “O miei giorni fugaci”(O my fleeting days)
Alexander Munro – Bony Jeane, from A Collection of the Best Scots Tunes Fited to the German Flute (1732)
INTERMISSION
Benedetto Marcello – Sonata for recorder and basso continuo, Op. 2, No. 1
Michel Pignolet de Montéclair – “Les Syrenes” (The Sirenes)
Jakob Friedrich Kleinknecht – Sonata in G major for two flutes and basso continuo
Francisco de Santiago – “Ay, como flecha la Niña Rayos” (Like Arrows, the Girl Rays)
For more information, call (608) 238-5126 or email info@wisconsinbaroque.org, or visit www.wisconsinbaroque.org
Tags: Alexander Munro, anniversary, Arts, Bach, Baroque, basso continuo, beautiful, Beethoven, Benedetto Marcello, celebrate, Cello, Chamber music, change, Charles Allis Museum, church, Classical, Classical music, composer, Concert, concerto, continuo, Early music, Episcopal, flute, Francisco de Santiago, free, Georg Philipp Telemann, Germany, globe, Handel, harpsichord, historically informed performance practices, international, Italian, Italy, Jacob Friedrich Kleinknecht, Jacob Stockinger, Jacopo Peri, Johann Sebastian Bach, light, long-lived, Ludwig van Beethoven, Luigi Rossi, Madison, Madison Bach Musicians, Madison Early Music Festival, Madison Symphony Orchestra, mainstream, Marin Marais, Medieval, Mezzo-soprano, Michel Pignolet de Monteclair, Milwaukee, modern, movement, opera, Orchestra, period instruments, personnel, pioneer, reception, recorder, repertoire, revival, Romantic, Scots, series, Sonata, St. Andrew's, symphony, traverse, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, viol da gamba, Viola, Violin, vocal music, Wisconsin, Wisconsin Baroque Ensemble, Wisconsin Chamber Orchestra, world, YouTube
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Classical music: The Well-Tempered Ear surpasses 2 million hits. Thank you, all!!
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
For a variety of reasons, The Ear has not posted anything new in a few days.
That is unusual for this blog.
Some of the reasons were personal.
But the largest reason simply had to do with success and marking a milestone.
Last week, the blog The Well-Tempered Ear surpassed 2 million hits.
Fittingly, the historic moment came while The Ear was attending the outstanding concert by the Madison Symphony Orchestra that featured three of its principal players.
In the beginning, when The Ear started the blog at the request of the Wisconsin Union Theater, such a landmark was never expected and seemed wholly unattainable.
But email subscriptions grew and readership grew – the blog is now read around the world – and such success is even more gratifying than surprising.
So The Ear wants to thank all of his readers and especially his many subscribers as well as the many musicians and presenters who have cooperated and made this endeavor a success.
He has spent the past few days wondering what piece of music he could post that would express his gratitude.
Sad to say, no one piece came to mind.
So he will simply say a huge and heartfelt THANK YOU to all his loyal readers and followers.
He will add that he welcomes comments and suggestions about the contents of the blog and about what piece of music should be posted to celebrate getting 2 million hits!
Again, thank you.
And continued happy reading.
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