The Well-Tempered Ear

Just Bach’s FREE concert for April welcomes back woodwinds and will be posted early this Wednesday morning

April 18, 2021
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By Jacob Stockinger

The Ear has received the following notice from Just Bach about the FREE concert they will post starting at 8 a.m. this Wednesday morning, April 21.

Our April concert program opens with a welcome and overview from our co-director, Grammy-winning soprano and UW-Madison graduate student Sarah Brailey (below, in a photo by Miranda Loud).

And then comes the music: after a season of pieces for strings and keyboards, we’re delighted to welcome woodwinds back to our stage! (Below from left, in a photo by Barry Lewis, are Monica Steger, Linda Pereksta and UW-Madison Professor Marc Vallon.)

The exuberant Sinfonia from Cantata 42 was composed for the first Sunday after Easter, and its jubilant writing is the perfect way to celebrate spring and the expanded musical forces (below, in a photo by Barry Lewis) made possible by the vaccine.

Linda Pereksta follows this up with a performance of the Sonata in E Minor for Flute and Keyboard, BWV 1034. Her musical partner is harpsichordist Jason Moy (below, in a photo by Barry Lewis), making his Just Bach debut.

The program closes with our popular chorale sing-along, this time  “Der Herr ist mein getreuer Hirt” (The Lord Is My Faithful Shepherd), BWV 104. (You can hear it in the YouTube video at the bottom.)

Sarah Brailey introduces the text, Andrew Schaeffer plays the music on the organ, and then Sarah and Andrew perform it together. The music and text are displayed on the computer screen, so please join in, if you’d like!

Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels at 8 a.m. on the third Wednesday of every month: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Concert viewers are invited to a half-hour live Zoom Post-concert Reception is this Wednesday night, April 21, at 7 p.m. Chat with the performers and other audience members, via this link: https://us02web.zoom.us/j/85490470546…

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation: https://justbach.org/donate/

The final Just Bach concert of this season launches on Wednesday, May 19.

Performers are: Linda Pereksta, traverso 1; Monica Steger, traverso 2; Marc Vallon, bassoon;  Leanne League, violin 1; Aaron Yarmel, violin 2; Marika Fischer Hoyt, viola; Lindsey Crabb, cello; Jason Moy, harpsichord; Sarah Brailey, soprano; Andrew Schaeffer, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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Today’s Just Bach concert starts the 10-day Bach Around the Clock festival that runs through March 26. All events are free and online. Here are the lineups

March 17, 2021
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By Jacob Stockinger

Today — Wednesday, March 17 – brings the free monthly Just Bach concert that is online for 30 minutes.

This year that concert will also serve as the opening event of the annual Bach Around the Clock (BATC) festival to celebrate the birthday of Johann Sebastian Bach.

Here is a link to the lineup of the Bach Around the Clock events. As of this writing, many of the special morning and evening guests and events are listed. But the daytime programs and performers are listed only for today, tomorrow and the final concert. The Ear understands the rest of the listings will be up by the end of today: https://bachclock.com/concert-schedule

There might be frequent additions, changes and updates, so it is best to check back often.

The Ear has heard that, as usual, the festival will include students, amateurs and professionals; young people and adults; individuals, smaller chamber music ensembles and larger groups; and many well-known and neglected works from many genres. 

Those genres include vocal and choral music; keyboard music for clavichord, harpsichord, piano and organ; string music for violin, viola and cello; wind and brass music; and much more.

Daily festival concerts will be posted starting at 8 a.m. Central Daylight Time and evening segments will begin at 7 p.m CDT. All events and concerts will be posted and available during the entire festival.

As for today’s Just Bach concert, here is the announcement from Marika Fischer Hoyt (below), the artistic director of Bach Around the Clock and a co-founder and co-director of Just Bach:

Greetings from Just Bach! We hope this finds you well, and ready to experience more of the timeless beauty of Bach, this month in music for organ and strings.

Our concert TODAY opens with a welcome and program overview from me. We figure when Just Bach and Bach Around The Clock join forces, the Master himself (below, in a cutout, in a photo by Barry Lewis) is summoned.

Today’s program opens with organist Mark Brampton Smith (below) playing two Sinfonias from Cantata 35. 

These are arrangements of two dramatic organ concerto movements, and Mark brings off the virtuosic passages with flair, while the strings provide a spirited accompaniment. 

Then the strings take center stage – in arrangements for string quartet — bringing a yearning melancholy to the slow Andante movement of Brandenburg Concerto No. 2, BWV 1047, and energy and excitement to Brandenburg Concerto No. 3, BWV 1048.

The program closes with our popular chorale sing-along, “Befiehl du deine Wege” (Commend Your Ways), BWV 271. I will introduce the piece and the text, and my sister, soprano Barbara Fischer, will sing it — with Mark on the organ.

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen.

Do you have a question for the performers? Would you like to listen in as they chat about the program? Please join us for a half-hour live Zoom post-concert reception tonight, March 17, at 7 p.m. The link is posted on the Just Bach website: https://justbach.org/concerts/

As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series, Just Bach presents half-hour programs starting at 8 a.m. on the third Wednesday of each month and then remain posted. Remaining dates this semester: March. 17, April 21, and May 19. Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation at: https://justbach.org/donate/

Today’s performers include members of the Madison-based early music group Sonata à Quattro (below in photo by Barry Lewis) and are: Christine Hauptly Annin and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Mark Brampton Smith, organ; and Barbara Fischer, guest soprano.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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Starting TODAY, the First Unitarian Society of Madison offers three free, online mini-concerts at noon on Fridays to celebrate Women’s History Month

March 12, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about three free, online mini-concerts to celebrate Women’s History Month through the Friday Noon Musicales at the First Unitarian Society of Madison.

The concerts start today:

UPCOMING PERFORMANCES

•   To celebrate Women’s History Month, the First Unitarian Society of Madison will present three Friday Noon Musicales during March. 

•   All three will be guest produced by Iva Ugrcic. 

•   Iva Ugrcic (below) is Founding Artistic Director of the Madison-based LunART Festival, which supports, inspires, promotes and celebrates women in the arts.  

•   Each program will feature highlights from past LunART Festival performances.

•   Each program will be approximately 45 minutes long.

DATES AND PROGRAMS

Each video will become available at noon on the indicated date, and will remain available for viewing in perpetuity.

This Friday, March 12 — Works by living composers Jocelyn Hagen, Salina Fisher and Missy Mazzoli (below top), as well as Romantic-era composer Clara Schumann (below bottom, Getty Images).  Specific titles are not named.

Performers include: Iva Ugrcic, flute; Matthew Onstad, trumpet; Tom Macaluso, trombone; Elena Ross and Todd Hammes, percussion; Kyle Johnson, Jason Kutz, Satoko Hayami and Yana Avedyan, piano; Beth Larson and Isabella Lippi, violin; Karl Lavine, cello (below); ARTemis Ensemble.

Friday, March 19 — Works by living composers Linda Kachelmeier, Elsa M’bala, Doina Rotaru (below top) and Eunike Tanzil, as well as Medieval mystic Hildegard von Bingen (below bottom) and Romantic-era Fanny Mendelssohn-Hensel. Specific works are not named. (In the YouTube video at the bottom, you can hear flutist Iva Ugrcic play Doina Rotaru’s haunting “Japanese Garden.”)

Performers include: Iva Ugrcic, flute; Jose Ignacio Santos Aquino, clarinet; Midori Samson, bassoon; Breta Saganski and Dave Alcorn, percussion; Satoko Hayami (below), Jason Kutz and Eunike Tanzil, piano; ARTemis Ensemble

Friday, March 26 — Alexandra Olsavsky, Edna Alejandra Longoria, Kate Soper and Jenni Brandon as well as post-Romantic era American composer Amy Beach (below bottom). Specific pieces are not named. 

Performers include: ARTemis Ensemble; a string quartet with violinists Isabella Lippi and Laura Burns, violist Fabio Saggin, and cellist Mark Bridges (below); Jeff Takaki, bass; Vincent Fuh and Kyle Johnson, piano; Jennifer Lien, soprano; Iva Ugrcic, flute.

THREE OPTIONS FOR ATTENDING

•   Website — https://www.fusmadison.org/musicales

•   Facebook — https://www.facebook.com/fusmadison

•   YouTube — https://www.youtube.com/fusmadison > “Playlists” > “Music at FUS”

ABOUT THE “FRIDAY NOON MUSICALES” RECITAL SERIES

•   The Friday Noon Musicales at First Unitarian Society is a free noon-hour recital series offered as a gift to the community. 

•   Founded in 1971, 2020-2021 is the series’ 50th season. 

•   The series has featured some of the finest musicians in the Midwest, who flock to perform in the Frank Lloyd Wright-designed Landmark Auditorium.

•   The music performed is mostly classical, but folk, jazz and musical theater styles are presented on occasion.

•   During the pandemic, the Musicales have largely been on hiatus.

JUSTICE AND MUSIC INITIATIVE (JAM)

•   The Justice And Music Initiative (JAM) at the First Unitarian Society of Madison represents a commitment to more socially equitable and earth-friendly music practices. 

•   This commitment includes music performed on our campus, both for worship and non-worship events. 

•   To help achieve our goal, we recognize and celebrate recognition days and months with our musical selections, such as Hispanic Heritage Month (9/15–10/15), LGBT History Month (October); Native American Indian Heritage Month (November), Black History Month (February), Women’s History Month (March), and African-American Music Appreciation Month (prev. Black Music Month; June).


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The eighth annual UW Schubertiade is this Sunday afternoon. It features a FREE online retrospective of the past seven years plus a new four-hand piano performance

January 29, 2021
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By Jacob Stockinger

The University of Wisconsin has posted the following announcement:

For the eighth consecutive year, the University of Wisconsin-Madison’s Mead Witter School of Music will present its annual Schubertiade — a special concert celebrating the music of Franz Schubert (below).

Traditionally these concerts have been held around the composer’s birthday. This year’s concert will in fact occur on his birthday — this Sunday, Jan. 31, at 3-4:30 p.m. CST. The pre-recorded premiere is at: https://youtu.be/7sshhKiFPAg

You can also use the link to prepare for the concert before or during the concert. You will find the program with song titles, the original German texts and English translation, and biographies of the performers by simply clicking on “SHOW MORE” on the YouTube website and follow the links to PDFs.

BECAUSE THERE ARE NO COPYRIGHT ISSUES, ACCORDING TO UW OFFICIALS, THE POST SHOULD BE UP AND AVAILABLE INDEFINITELY AFTER ITS PREMIERE.

As in past years, founders and performers Martha Fischer (below left), professor of piano and head of the collaborative piano program at UW-Madison, and her husband Bill Lutes (below right), an independent piano teacher, and UW emeritus artist-in-residence, will host the program.

These concerts have been presented in the sprit of the first Schubertiades (below, in a painting by Julius Schmid) that took place during the composer’s lifetime (1797-1828) in the homes of his friends and fellow artists, poets and fans.

These were social as well as musical occasions with Schubert himself presiding at the piano, giving his audience a chance to hear his latest songs, piano duets and chamber music, as well as pieces that had already become favorites.

This year’s Schubertiade will be different in response to the restrictions imposed by the Covid-19 pandemic. It will be an online look back — or Rückblick — at past concerts, with songs chosen from performances that have been preserved in the audio and video archive.

The featured performers will include faculty members, students and alumni from the Mead Witter School of Music, along with special guests.

In addition, pianists Fischer and Lutes will give a “new” performance recorded for this occasion of the great Fantasie in F minor for piano duet. (In the YouTube video at the bottom, you can hear that work, performed by Dutch brothers Lucas and Arthur Jussen and recorded live in Seoul, South Korea.)

The songs have been chosen to reflect themes that were not only relevant to Schubert and his circle, but also to all of us in the midst of this challenging time: hope for a brighter future; the need for connection with others; remembrance of happier times; and the consolation to be found in nature.

Schubert left a vast and precious legacy of beauty — an enormous output of music that he composed in his short lifetime.

In a sense, each time his music is performed and heard, it is a journey from the past to our own time, the sounds speaking to us today as vividly and consolingly as they did when they were created 200 years ago.

Performers

Martha Fischer and Bill Lutes, pianists

Alumni:

Jamie-Rose Guarrine, soprano (below, in a photo by Peter Konerko)
Emily Birsan, soprano
Michael Roemer, baritone
Jennifer D’Agostino, soprano
Daniel O’Dea, tenor
Wesley Dunnagan, tenor
Sarah Brailey (alumna and current DMA student)
Sara Guttenberg

Guests:

Marie McManama, soprano
Cheryl Bensman-Rowe, mezzo-soprano

Faculty:

Mimmi Fulmer, soprano
Paul Rowe, baritone (below)
Julia Rottmayer, soprano

Staff

David Alcorn, videographer, editor, etc.
Katrin Talbot, images for audio only tracks

 


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Today is the Winter Solstice. Here is a piece to make you look forward to longer days, warmth and the Summer Solstice next year

December 21, 2020
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By Jacob Stockinger

Today – Monday, Dec. 21 — is the Winter Solstice, the longest night and shortest day of the year in the Northern Hemisphere. It arrives at 4:02 a.m. CST.

The Ear expects that Wisconsin Public Radio, among other media outlets, will be marking the event with traditional, often austere, winter music. That includes “Winter” from Vivaldi’s “The Four Seasons”; maybe some songs from Schubert’s “Winterreise” (Winter Journey); Peter Tchaikovsky’s “The Seasons” and “The Nutcracker”; and, of course, plenty of winter holiday music, including carols and the Baroque oratorios, cantatas and concertos by Bach, Handel, Telemann, Corelli and others.

But many people – strained by the coronavirus pandemic –are already eagerly looking forward to the days growing longer, which will culminate in the Summer Solstice at 10:31 p.m. CST on Sunday, June 21, 2021.

Who needs to celebrate the season’s cold and darkness? So The Ear thought that we could all use a little sonic sunlight, tonal warmth and musical hope, especially at the end of this Plague Year.

There are standards and favorites such as Mozart’s “Eine kleine Nachtmusik” and Vivaldi’s “Summer.” 

But to The Ear that work that really lifts one’s spirits, and captures the kind of joyful abandon and youthful energy of the mid-summer event, complete with animal noises and romance, is the “Overture to a Midsummer Night’s Dream” by a 17-year-old Felix Mendelssohn (below).

You can hear it below in a YouTube performance by the Gewandhaus Orchestra of Leipzig conducted by the late, great German conductor Kurt Masur, whose son, Ken-David Masur, is the new music director and conductor of the Milwaukee Symphony Orchestra.

The Ear hopes you enjoy it.

What music would you like to hear or play to mark the Winter Solstice?

Leave a suggestion with your reason and, if possible, YouTube link in the Comment section.

The Ear wants to hear.

 


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It’s Thanksgiving Day. Conductor Marin Alsop, NPR, WQXR, WFMT and Wisconsin Public Radio offer music suggestions. What piece would you choose to mark the holiday?

November 26, 2020
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By Jacob Stockinger

Today – Thursday, Nov. 26, 2020 — is Thanksgiving Day.

Right now, the U.S. has had more than 12 million cases of COVID-19 with more than 260,000 deaths plus all the alarming signs and conditions that many more cases and deaths are coming in the next several months.

We might be sad that we can’t be with the family and friends we usually celebrate with. But we nonetheless have many things to give thanks for during this strange and tragic time.

We can thank the vaccine researchers; the doctors and nurses; and the other health care workers who take care of Covid patients, even those who don’t observe precautions and bring on their own illness.

We can thank all kinds of people on the front lines — food and transportation workers, for example — who help protect us and care for us.

We can thank the friends, family and others who stay in touch and help get us through these trying times.

And we can thank technology that makes isolating a lot less unbearable because we have telephones, radios, TVs, CD players, computers, cell phones and virtual online ZOOM meetings and gatherings and various other events including live-streamed concerts.

For The Ear, music has never meant more or brought more comfort than during this difficult year. He is giving thanks for that as well as for the other people and things just mentioned.

So what music should we celebrate this year’s emotionally complicated and mixed Thanksgiving holiday with?

Well, you can Google sources and go to YouTube to find compilations of music appropriate to the holiday. (See one playlist lasting 90 minutes in the YouTube video at the bottom.)

Famed classical radio station WQXR in New York City has five suggestions for being musically grateful: https://www.wqxr.org/story/top-five-expressions-thanks-classical-music/

And WFMT in Chicago is offering 20 suggestions based on holiday food: https://www.wfmt.com/2019/11/25/a-complete-thanksgiving-feast-in-20-food-inspired-pieces/

But here are a couple of other suggestions, some local.

Wisconsin Public Radio (WPR) is always a reliable source. And tomorrow is no exception.

If WPR programming stays true to past patterns, music by American composers will be emphasized.

Plus, starting at 10 a.m. WPR will broadcast performances from the Honors Concerts (below) by middle and high school students around the state and who participate in the Wisconsin School Music Association. This year, for the first time, the performances will be virtual. But as in past years, they are sure to be moving and even inspiring.

Other fine suggestions from the world-famous conductor Marin Alsop  (below), a Leonard Bernstein protégée, who recently spoke for 7 minutes to NPR Weekend Edition host Scott Simon. 

Here is a link, but you should listen rather than just read the transcript if you want to hear the musical samples: https://www.npr.org/2020/11/21/937448472/this-thanksgiving-put-on-some-music-to-soothe

Do you like any of those suggestions? Were any new to you?

What piece of music would you choose to express gratitude on this particular Thanksgiving?

The Ear wants to hear.

 


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Today is Veterans Day. Here is some appropriate music by Beethoven to mark it. Can you guess which piece? What composer or music would you choose?

November 11, 2020
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By Jacob Stockinger

Today – Wednesday, Nov. 11, 2020 – is Veterans Day.

It started out as Armistice Day in 1918 when the end of World War I was declared to take place on the 11th hour of the 11th day of the 11th month.

It is a day to mark the service of all veterans – not just those who died in the line of duty, as is celebrated on Memorial Day.

You can find a lot of choice of classical music to play for Veterans Day. Here is one link to a compilation that features patriotic songs and marches: https://www.youtube.com/watch?v=BJepYzH1VUY

But The Ear settled on Beethoven (below, in an 1815 portrait by Joseph Willebrord Maehler).

Can you guess which piece?

It is not the memorable funeral marches on the Piano Sonata in A-Flat, Op. 26, or the Symphony No. 3 “Eroica.”

It is also not the “Sacred Hymn of Thanksgiving” in the String Quartet, Op. 132.

And it is not “Wellington’s Victory” or the “Egmont” Overture or the Piano Concerto No. 5 “Emperor” with its triumphant fast movements.

Instead it is the second movement of the Symphony No. 7 in A Major, Op. 92. (You can hear it see it represented graphically in the YouTube video at the bottom.)

That is the very well known Allegretto movement with its repetitious and almost hypnotizing, soaring theme. It seems like a funeral march, full of introspection, poignancy and sadness, that is a bit brisker and more lyrical than usual.

It is so popular, in fact, that it has been used as a soundtrack in many movies, including “The King’s Speech” and has inspired works based on it including the “Fantasia on an Ostinato” by the contemporary American composer John Corigliano.

If it seems an unexpected choice, you just need to know more about its history.

It was composed 1811-1812, and Beethoven correctly considered it one of his finest works. So did Richard Wagner who famously described as the “apotheosis of the dance” for the infectious rhythms throughout the symphony.

At its premiere in Vienna, in his introductory remarks Beethoven said: “We are moved by nothing but pure patriotism and the joyful sacrifice of our powers for those who have sacrificed so much for us.”

Beethoven (below, in 1815 as depicted in a paining the Joseph Willibrord Maehler) premiered the symphony at a charity concert in 1813 to help raise money for the Austrian and Bavarian soldiers who had been wounded at the Battle of Hanau while fighting against France during the Napoleonic Wars.

It was so popular with the first performance that the audience demanded and received an immediate encore performance of the second movement.

Here is a Wikipedia link to the history of the symphony: https://en.wikipedia.org/wiki/Symphony_No._7_(Beethoven)

To this day, the Seventh Symphony, so charged with energy, remains for many people, conductors and orchestral players their favorite Beethoven symphony.

It is ironic that Leonard Bernstein (below, in a photo by Paul de Hueck) performed the Seventh Symphony at the last concert he ever conducted – at the Tanglewood Festival in August 1990. He took the second movement at a slower-than-usual tempo and many have criticized Bernstein, who was in terrible health, and have suggested that he was using it as a funeral march or homage for himself. 

They may be right. But in retrospect the choice of Bernstein – who died two months later — finds a certain justification in the original motive for the entire symphony and especially the second movement.

Listen for yourself.

Then tell us what you think.

Does this movement justify it being played on Veterans Day?

What music would you choose to mark the day?

What do you think of the Symphony No. 7 in general and the second movement in particular?

The Ear wants to hear.

 


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University Opera’s original online video project celebrates the life and music of American composer Marc Blitzstein. It will be posted for FREE on YouTube this Friday night, Oct. 23, at 8 p.m.

October 21, 2020
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By Jacob Stockinger

This fall, University Opera presents its first project of 2020-21 in video format as it turns to the music of the American composer Marc Blitzstein (1905-1964).

“I Wish It So: Marc Blitzstein – the Man in His Music” will be released free of charge on the University of Wisconsin-Madison Mead Witter School of Music’s YouTube channel this Friday night, Oct. 23, at 8 p.m. CDT at the general site www.youtube.com/meadwitterschoolofmusic or the official specific link: https://youtu.be/77FXFZucrWc.

Director of University Opera David Ronis (below top) is the director of the original production and will give introductory remarks. UW-Madison graduate Thomas Kasdorf (below bottom) is the musical director. The production lasts 1 hour and 40 minutes, and features four singer-actors, a narrator and a piano.

Marc Blitzstein’s life story parallels some of the most important cultural currents in American history of the mid-20th-century.

Known for his musicals — most notably The Cradle Will Rock in 1937 (you can hear Dawn Upshaw sing the lovely song “I Wish It So” from “Juno” in the YouTube video at the bottom) — his opera Regina and his translation of Kurt Weill’s The Threepenny Opera, Blitzstein was an outspoken proponent of socially engaged art. Like many artists of his time, he joined the American Communist Party. But he also enthusiastically served in the U.S. Army during World War II (below, in 1943).

Nevertheless, in 1958, long after he had given up his Communist Party membership, Blitzstein (below) was called before the House Un-American Activities Committee (HUAC) where he “named no names.”

An extremely gifted yet underappreciated composer, he was a close friend of and mentor to Leonard Bernstein (below right, with Blitzstein on the left) and traveled in a close circle of American composers including David Diamond and Aaron Copland.

Although openly gay, he married Eva Goldbeck in 1933. Sadly, she died three years later from complications due to anorexia.

Blitzstein’s own death was likewise tragic. In 1964, while in Martinique working on an opera about the anarchists Sacco and Vanzetti, a commission from the Metropolitan Opera, he was robbed and badly beaten by three Portuguese sailors whom he had picked up at a bar. He died the next day of internal injuries. 

Although throughout his life and afterwards, Blitzstein’s work was championed by Bernstein and others, many claim that neither the composer nor his stunning music and beautiful lyrics ever received the attention they deserved. So University Opera is proud to present this show celebrating his life and his works.

“I Wish It So: Marc Blitzstein – the Man in His Music” is a unique production put together by David Ronis. A biographical pastiche, it tells the story of Blitzstein’s life by recontextualizing 23 songs and ensembles from his shows, juxtaposing them with spoken excerpts from his working notes and letters, and tying it all together with a narration.

The result is a dramatic, evocative and enjoyable portrait of Blitzstein’s life and his art, according to Ronis.

“We’ve discovered a lot of “silver linings” while working on this production,” says Ronis. “We were disappointed at not being able to do a normal staged show. But working with video has had tremendous artistic and educational value.

“Our students are learning on-camera technique, not to mention how to work with a green screen (below, with soprano Sarah Brailey), which allows for post-production editing and digital manipulation of backgrounds. They’re also working with spoken text as well as sung pieces. Mostly, we’re just very grateful to have a creative project to sink our teeth into during the pandemic. 

“And the music of Blitzstein is so fantastic, we’re very happy to be able to share it with our audience. This project is like none other I’ve ever done and we’re thinking that it’s going to be pretty cool.”

Research on the project was completed at the Wisconsin Historical Society, where Blitzstein’s archives are housed. University Opera gratefully acknowledges the help of both Mary Huelsbeck of the Wisconsin Center for Film and Television Research, and the Kurt Weill Foundation for their assistance with this project.

The cast features five UW-Madison graduate students: Sarah Brailey, Kenneth Hoversten, Justin Kroll, Lindsey Meekhof (below) and Steffen Silvis.

The video design was done by Dave Alcorn with costumes by Hyewon Park.

Others on the production staff include Will Preston, rehearsal pianist; Elisheva Pront, research assistant and assistant director; Dylan Thoren, production stage manager; Alec Hansen, assistant stage manager; Teresa Sarkela, storyboard creator; and Greg Silver, technical director.

The video will be accessible for 23 hours starting at 8 p.m. this Friday, Oct. 23. Although there will be no admission price for access, donations will be gratefully accepted. A link for donations will be posted with the video. 

University Opera, a cultural service of the Mead Witter School of Music at the University of Wisconsin-Madison, provides comprehensive operatic training and performance opportunities for students and operatic programming to the community. For more information, email opera@music.wisc.edu or visit music.wisc.edu.

 


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