The Well-Tempered Ear

Check out the 2022 classical music Grammys for trends and suggested listening

April 9, 2022
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By Jacob Stockinger

No doubt you have already heard about the 64th annual Grammy Awards, which were awarded last Sunday night.

But chances are you haven’t heard much about the classical music Grammys.

That’s just not where the money and publicity are for major record companies and for the music industry in general, compared to other, much more profitable genres such as hip-hop, rock and pop.

But the classical Grammy nominations and winners can be a good source about what composers, performers and music you might want to check out via streaming or by buying a CD.

You can also get a good idea of trends in classical music.

Contemporary or new music is big again this year, dominating the old standard classics.

Just like local, regional, national and international performers, both individuals and groups, the Grammys show an emphasis on female composers and performers, and a similar emphasis on rediscovering composers and performers of color from both the past and the present.

You might also notice that the New Orleans-born, Juilliard-trained jazz pianist and singer Jon Batiste (below) — who plays on CBS’ The Late Show with Stephen Colbert and directs the house band Stay Human and who seems a one-man Mardi Gras — was nominated for a record 11 Grammys and won five in other categories, seems to be the new Wynton Marsalis. Like Marsalis, with whom Batiste worked, Batiste seems perfectly at home in classical music as well as jazz, soul, blues and pop. And his original classical work Movement 11 was nominated for a Grammy this year.

Social activism, in short, has finally brought diversity and inclusion into the Grammys in a way that seems permanent.

Below are the nominations and winners of the 2022 classical music Grammys. Winners are boldfaced. I have also offered a few examples of those musicians who have performed in Madison and for what venue, although there are many more connections than indicated.

If you want to see the nominations and winners in other categories, here is a link:

https://www.npr.org/2022/04/03/1090342877/2022-grammys-full-list-winners-nominees

75. Best Engineered Album, Classical

  • Archetypes — Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Bill Maylone, mastering engineer (Sérgio Assad, Clarice Assad and Third Coast Percussion)
  • Beethoven: Cello Sonatas – Hope Amid Tears — Richard King, engineer (Yo-Yo Ma and Emanuel Ax) 
  • Beethoven: Symphony No. 9 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
  • Chanticleer Sings Christmas — Leslie Ann Jones, engineer (Chanticleer)
  • Mahler: Symphony No. 8, ‘Symphony Of A Thousand’ — Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Fernando Malvar-Ruiz, Luke McEndarfer, Robert Istad, Grant Gershon, Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus, Pacific Chorale and Los Angeles Philharmonic)

76. Producer Of The Year, Classical

  • Blanton Alspaugh 
  • Steven Epstein 
  • David Frost 
  • Elaine Martone 
  • Judith Sherman (below, who also recorded the UW-Madison Pro Arte Quartet’s centennial commissions)

CLASSICAL

77. Best Orchestral Performance

  • “Adams: My Father Knew Charles Ives; Harmonielehre” — Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
  • “Beethoven: Symphony No. 9” — Manfred Honeck, conductor (Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
  • “Muhly: Throughline” — Nico Muhly, conductor (San Francisco Symphony)
  • “Florence Price: Symphonies Nos. 1 and 3″ — Yannick Nézet-Séguin, conductor; Philadelphia Orchestra (below)
  • “Strauss: Also Sprach Zarathustra; Scriabin: The Poem Of Ecstasy” — Thomas Dausgaard, conductor (Seattle Symphony Orchestra)

78. Best Opera Recording

  • “Bartók: Bluebeard’s Castle” — Susanna Mälkki, conductor; Mika Kares and Szilvia Vörös; Robert Suff, producer (Helsinki Philharmonic Orchestra)
  • “Glass: Akhnaten” — Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus) 
  • “Janáček: Cunning Little Vixen” — Simon Rattle, conductor; Sophia Burgos, Lucy Crowe, Gerald Finley, Peter Hoare, Anna Lapkovskaja, Paulina Malefane, Jan Martinik & Hanno Müller-Brachmann; Andrew Cornall, producer (London Symphony Orchestra; London Symphony Chorus and LSO Discovery Voices)  
  • “Little: Soldier Songs” — Corrado Rovaris, conductor; Johnathan McCullough; James Darrah and John Toia, producers (The Opera Philadelphia Orchestra) 
  • “Poulenc: Dialogues Des Carmélites” — Yannick Nézet-Séguin, conductor; Karen Cargill, Isabel Leonard, Karita Mattila, Erin Morley and Adrianne Pieczonka; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus) 

79. Best Choral Performance

  • “It’s A Long Way” — Matthew Guard, conductor (Jonas Budris, Carrie Cheron, Fiona Gillespie, Nathan Hodgson, Helen Karloski, Enrico Lagasca, Megan Roth, Alissa Ruth Suver and Dana Whiteside; Skylark Vocal Ensemble) 
  • “Mahler: Symphony No. 8, ‘Symphony Of A Thousand'” — Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)
  • “Rising w/The Crossing” — Donald Nally, conductor (International Contemporary Ensemble and Quicksilver; The Crossing)  
  • “Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons” — Kaspars Putniņš, conductor; Heli Jürgenson, chorus master (Estonian Philharmonic Chamber Choir)  
  • “Sheehan: Liturgy Of Saint John Chrysostom” — Benedict Sheehan, conductor (Michael Hawes, Timothy Parsons and Jason Thoms; The Saint Tikhon Choir)
  • “The Singing Guitar” — Craig Hella Johnson, conductor (Estelí Gomez; Austin Guitar Quartet, Douglas Harvey, Los Angeles Guitar Quartet and Texas Guitar Quartet; Conspirare)

80. Best Chamber Music/Small Ensemble Performance

  • “Adams, John Luther: Lines Made By Walking” — JACK Quartet
  • “Akiho: Seven Pillars” — Sandbox Percussion 
  • “Archetypes” —Sérgio Assad, Clarice Assad and Third Coast Percussion 
  • “Beethoven: Cello Sonatas – Hope Amid Tears” — Yo-Yo Ma and Emanuel Ax (who have frequently performed individually and together at the Wisconsin Union Theater)
  • “Bruits” — Imani Winds
  •  

81. Best Classical Instrumental Solo

  • “Alone Together” — Jennifer Koh (below, who has performed with the Wisconsin Chamber Orchestra)
  • “An American Mosaic” — Simone Dinnerstein
  • “Bach: Solo Violin Sonatas and Partitas” — Augustin Hadelich (a favorite of the Madison Symphony Orchestra)
  • “Beethoven and Brahms: Violin Concertos” — Gil Shaham; Eric Jacobsen, conductor (The Knights)
  • “Mak Bach” — Mak Grgić
  • “Of Power” — Curtis Stewart 

82. Best Classical Solo Vocal Album

  • Confessions — Laura Strickling; Joy Schreier, pianist
  • Dreams Of A New Day – Songs By Black Composers — Will Liverman (who has sung with the Madison Opera); Paul Sánchez, pianist (below at in the YouTube video at the bottom)
  • Mythologies — Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)
  • Schubert: Winterreise — Joyce DiDonato; Yannick Nézet-Séguin, pianist
  • Unexpected Shadows — Jamie Barton; Jake Heggie, pianist (Matt Haimovitz) 

83. Best Classical Compendium

  • American Originals – A New World, A New Canon — AGAVE and Reginald L. Mobley; Geoffrey Silver, producer
  • Berg: Violin Concerto; Seven Early Songs and Three Pieces For Orchestra — Michael Tilson Thomas, conductor; Jack Vad, producer
  • Cerrone: The Arching Path — Timo Andres and Ian Rosenbaum; Mike Tierney, producer
  • Plays — Chick Corea; Chick Corea and Birnie Kirsh, producers
  • Women Warriors – The Voices Of Change — Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers  (below)

84. Best Contemporary Classical Composition

  • “Akiho: Seven Pillars” — Andy Akiho, composer (Sandbox Percussion)
  • “Andriessen: The Only One” — Louis Andriessen, composer (Esa-Pekka Salonen, Nora Fischer and Los Angeles Philharmonic)
  • “Assad, Clarice and Sérgio, Connors, Dillon, Martin & Skidmore: Archetypes” — Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers (Sérgio Assad, Clarice Assad and Third Coast Percussion)
  • “Batiste: Movement 11′” — Jon Batiste, composer (Jon Batiste)
  • “Shaw: Narrow Sea” — Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion) 
  •  


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Ukraine’s most famous living composer is now a war refugee in Germany

April 2, 2022
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By Jacob Stockinger

He fights and defends his native country with beautiful sounds.

Ukraine’s most famous living composer has had to flee his war-torn country and — like some 3 million fellow Ukrainians in various other countries — is now living as a a war refugee in Germany. 

He is Valentin Sylvestrov (below), 84, and has survived both World War II and the Nazi occupation as well as the Soviet rule experiencing democracy and freedom after the fall of the USSR and now the devastating Russian invasion five weeks ago.

The irony is that his music, which The Ear can’t recall ever hearing performed live in Madison — although Wisconsin Public Radio recently featured a beautiful choral work — seems calming and peaceful, even consoling.(Please correct me if I am mistaken.) Many people compare him to the style of Arvo Pärt, his Eastern European contemporary and colleague in Estonia.

Little wonder that his works have found a new popularity in worldwide concerts as the world hopes for the survival and victory of Ukraine — below is Ukraine’s flag — over Vladimir’s Putin’s army and war crimes. 

His works have been particularly popular at fundraisers and memorials. They underscore the long history and importance of Ukraine’s tradition of making music, which has been recounted in the news features you find in the press, on TV, on radio and elsewhere in the media including live streams and recorded videos other media, especially the Internet.

As far as The Ear can tell, his most popular work in the concert hall these days is his hauntingly beautiful 1937 “Prayer for Ukraine.” You can hear it, in  an orchestra version, in a YouTube video at the bottom.

As background here are two different interviews with the distressed and saddened Sylvestrov in exile.

The first interview, from The New York Times, is by a professor at Arizona State University who has published a book on postwar Eastern European composers and offers links to more works: https://www.nytimes.com/2022/03/30/arts/music/valentin-silvestrov-ukraine-war.html

The other interview is from the German media outlet Deutsche Welle, translated into English and featuring current photos: https://www.dw.com/en/ukrainian-composer-valentin-silvestrov-what-are-you-kremlin-devils-doing/a-61158308

The tragic occasion of the war in Ukraine could be the event that brings the soul-stirring music of Sylvestrov to a larger global public. 

He certainly deserves it — along with some live performances here — and The Ear certainly plans on posting more of his music.

Have you heard the music of Valentin Sylvestrov?

Do you have favorite works from his piano music, chamber music, choral music and many symphonies?

The Ear wants to hear.

 


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Music con Brio starts an annual Black Composers project with a FREE virtual concert

July 1, 2021
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By Jacob Stockinger

The Ear has received the following announcement from Carol Carlson, the co-founder and Executive Director of the Madison-based Music con Brio (below), who is a violinist and holds a doctorate in music from the UW-Madison:

Hello friends,

Happy summer! I hope you are able to enjoy some rest, relaxation and fun in the sun.

I am emailing you because Music con Brio embarked on an exciting new project this year, and I want to share it with you.

In an effort to diversify our repertoire and guest artists, we have launched our new “Music by Black Composers” project. Last winter, our staff chose four pieces of music by Black composers and made student-accessible arrangements of them. 

We then taught these new pieces during our online lessons this spring. On May 8, we gathered together outside at the Goodman Community Center, with four phenomenal local Black guest artists, to professionally record all four pieces.

And now, in lieu of our regular Community Concert Series this year, we are thrilled to present our first-ever Virtual Community Concert!

Click on the link to YouTube video at the bottom to watch and hear the 12-minute performance. Once there, click on Show More to see the composers, pieces and performers.

We are incredibly proud of our students and staff for all their hard work making this so successful. I’m sure you will enjoy their performance!

Please do feel free to pass the video along to anyone else you think might be interested in watching it.

And if you feel so inclined, we would really appreciate a donation in support of this work, which we plan to do every year from now on. To support Music con Brio and our Black Composers project by making a secure, tax-deductible donation, go to: https://www.musicconbrio.org/donate/ 

Thank you so much for your support! We hope to see you at a live concert again sometime soon!

If you wish to know more about Music con Brio, go to: https://www.musicconbrio.org


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To celebrate Pride month, here are lists of LGBTQ+ composers, performers and musical ensembles 

June 27, 2021
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By Jacob Stockinger

June is Pride month.

And this weekend will see Pride marches and celebrations in some major cities including New York City, Chicago, Paris and Rome.

As time passes, scholars are finding out more about the LGBTQ+ composers, performers and musical groups that have been hidden by history.

And some ironies emerge. One can only imagine the response of conservative, right-wing Evangelical Christians who find out that the composer of “Messiah” – George Frideric Handel (below) — was queer, at least according to some researchers.

For most listeners, surprises abound.

Here is a good place to start. It is the very large Wikipedia entry of LGBTQ+ composers and performers, both contemporary and historical. The Ear finds it very informative. It is organized by the kind of musicians they are and the category of their sexual identity. https://en.wikipedia.org/wiki/Category:LGBT_musicians

If you want to be more selective, try these: https://www.classicfm.com/discover-music/greatest-lgbtq-conductors-you-should-know/. They include Marin Alsop (below top) and her teacher and mentor Leonard Bernstein (below bottom).

Here is longer essay that focuses on lesbian conductors as well as gay men and reaches back to the Middle Ages: http://www.glbtqarchive.com/arts/conductors_A.pdf

And here is one with some great photos or pictures of the individuals: https://www.classicfm.com/discover-music/great-classical-composers-who-were-gay/

Finally, here are some of the international music ensembles – with audio samples of their performances — made up of LGBTQ+ singers and instrumentalists, including the Rainbow Symphony of Paris (in the YouTube video at the bottom, performing the beautiful Gloria by the gay French composer Francis Poulenc in a benefit Concert Against Homophobia for UNESCO): https://www.classicfm.com/discover-music/best-lgbtq-classical-music-ensembles/

Inevitably, some readers will react by asking: What difference does the sexual identity of composer or performer make? All that matters, they argue, is the music.

Here is a reply to that specious argument that focuses on Yannick Nézet-Séguin (below), the music director of the Metropolitan Opera, the Philadelphia Orchestra and the City Symphony of Montreal. It appeared in The New York Times: https://www.nytimes.com/2019/01/15/arts/music/yannick-nezet-seguin-met-opera-gay.html

Happy Pride – this month and every day of the year!

Do you have questions, additions or comments?

Leave them below.

The Ear wants to hear.


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Wisconsin Youth Symphony Orchestras (WYSO) will build a new $25 million home on East Washington Avenue

June 24, 2021
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By Jacob Stockinger

The Ear has received the following major announcement to post:

The Wisconsin Youth Symphony Orchestras (WYSO) has announced plans to construct a new $25 million-building in the 1100 block of East Washington Avenue in Madison, Wisconsin.

The new home will occupy three lots and will replace the historic Avenue Bar (below)

The new music center will continue WYSO’s vision to expand instrumental music education and performance opportunities for young people of diverse backgrounds and inspire excellence and a lifelong connection to music.

More than 500 young musicians from communities throughout southern Wisconsin currently participate in WYSO’s programs. 

This 500 percent growth in student numbers since the organization’s founding is driving the need for facilities large enough to support both the organization’s programs and its mission of providing transformational musical experiences and opportunities.

For more information about WYSO, go to its home website: https://wysomusic.org

The purchase of the property and the kick-off of WYSO’s capital campaign have been made possible by two lead gifts totaling $18 million from Pleasant Rowland and Jerry Frautschi, who have long been supporters of the organization. 

The planned 40,000 sq. ft- building will provide state-of-the-art rehearsal spaces sized for full orchestras; a room designed for percussion including a world-class array of percussion instruments; rehearsal rooms perfect for ensembles and chamber music; a piano laboratory; and small teaching studios for private lessons.

The building will also hold all of WYSO’s current orchestra and Music Makers programs, administrative offices, a music library— and provide opportunity to grow. 

But the building will NOT contain public performance spaces. WYSO will continue to rent and use venues that already exist.

Since the fall of 2020, the organization – which used to be located in the UW-Madison School of Music — has been without a home base and has pieced out its program in different facilities throughout the Madison area. (In the YouTube video at the bottom, you can hear the WYSO Youth Orchestra give a virtual and socially distanced performance last year of the finale of Rossini’s Overture to “William Tell.”) 

This new building will allow all of WYSO’s programs to thrive under a single roof and provide the space, location, resources and connections necessary for WYSO to become a key collaborator in a growing youth arts community.

WYSO’s new home will be around the corner from the newly constructed Madison Youth Arts (My Arts), creating a vibrant youth arts synergy on the near east side. (An architect’s renderings of the exterior and interior theater are below.)

Located on a major transit corridor for easy access with adequate parking, the building will be in proximity to area performing arts venues, with space for WYSO’s programs and community events. 

Says WYSO’s Executive Director Bridget Fraser: “Thanks to the incredible generosity of Pleasant Rowland and Jerry Frautschi, musicians of all ages will have state-of-the-art rehearsal facilities to call home. It’s a dream come true!”

WYSO has partnered with Urban Assets, city planners with experience in real estate development; Strang, an integrated architecture, engineering, interior design and planning firm with a history of designing for the civic and cultural sectors; Talaske Sound, experts in architectural acoustics; and J.H. Findorff & Son, a local construction firm passionate about youth education and the arts. 


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Just Bach free concert series seeks Interim Co-Artistic Director. Apply by July 5

June 23, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about an interim job at Just Bach:

Do you love the music of Johann Sebastian Bach (below)? 

Would you love to perform it every month in one of the most beautiful churches (below, in a photo by Barry Lewis) in Madison?

Are you a professional instrumentalist with training and experience in period performance practice?

Do you have strong organizational skills?

If the answer to all these questions is yes, then Just Bach needs you!

Because Co-Artistic Director Marika Fischer Hoyt (below) will leave on a sabbatical starting in November, Just Bach is looking for an instrumentalist to join the Artistic Team. (You can check out the typical format by using the search engine on this blog or going to Just Bach’s Facebook page or YouTube Channel.)

 

The popular monthly concert series, which made it to the final round of the 2021 “Best of Madison” awards, seeks an Interim Artistic Co-Director for its upcoming fourth season.

POSITION SUMMARY

The Interim Artistic Co-Director works with the Just Bach team and the staff at Luther Memorial Church to program, produce, promote and perform monthly Bach concerts (below) from September through May.

The Interim Co-Artistic Director helps finalize the programming, contract any remaining needed players, schedule rehearsals and performances, perform in the concerts as needed, and upload the concert video to the Just Bach YouTube channel.

The Co-Artistic Director devotes about 4 hours per month to administrative tasks, on a volunteer basis.

The Co-Artistic Director rehearses and performs as needed in the monthly concerts — and is paid $100 per concert. (You can hear and see the closing concert of this past season in the YouTube video at the bottom. Click on Show More to see other instruments, players, singers and the program.)

The current Artistic Team will provide training for this position, and will be available for assistance once the season begins.

A detailed job description is available at:: https://docs.google.com/document/d/1CDis-RSY5FUnfUGCBvYunWZ1fR4EtyfzSo3xYiMyjUs/edit#

For more information, please contact and apply to Just Bach at: justbachseries@gmail.com

APPLICATION ARE DUE BY JULY 5.


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Live music continues its comeback from the pandemic. Today is Make Music Madison with free concerts citywide of many kinds of music. Here are guides with details

June 21, 2021
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By Jacob Stockinger

Live music continues to make its comeback from the restrictions of the COVID-19 pandemic. 

The past week saw live outdoor concerts by Con Vivo, the Bach Dancing and Dynamite Society and the Middleton Community Orchestra.

Today – Monday, June 21 –is Make Music Madison 2021.

It is part of an annual worldwide phenomenon that started in France in 1982. It has since spread globally and is now celebrated in more than 1,000 cities in 120 countries.

Yet in the U.S., Wisconsin is one of only five states that celebrate Make Music Day statewide. The other states are Connecticut, Hawaii, New Mexico and Vermont. In there U.S., more than 100 cities will take part in presenting free outdoor concerts. Globally, the audience will be in the millions.

The day is intended to be a way to celebrate the annual Summer Solstice, the longest day of the year. Technically, the solstice occurred in Wisconsin last night, on Father’s Day, at 10:32 p.m. CDT.

But The Ear is a forgiving kind. This will be the first full day of summer, so the spirit of the celebration lives on despite the calendar.

You can see – the composer Igor Stravinsky advised listening with your eyes open – and hear 38 different kinds of music. The choices include blues, bluegrass, Celtic, roots music, gospel, rock, jazz, classical, folk, African music, Asian music, world music, children’s music (see the YouTube video at the bottom) and much more. It will be performed by students and teachers,  amateurs and professionals, individuals and groups.

Here is a link to a press release about the overall event: https://www.prnewswire.com/news-releases/make-music-day-2021-announces-updated-schedule-of-events-301304107.html

And here is a link to the global home website — with more background information and a live-stream video of a gong tribute to the who died of COVID — about the festival: https://www.makemusicday.org

The local events will take place from 5 a.m. to midnight. All are open to the public without admission, and safety protocols will be observed.

Here is a guide to local events that allow you to search particulars of the celebration by area of the city, genre of music, performers, venues and times. If you are a classical fan, in The Ear’s experience you might want to pay special attention to Metcalfe’s market in the Hilldale mall.

Here is a link to the home webpage of Make Music Madison: https://www.makemusicmadison.org

Here is a link to the event calendar with maps and schedules as well as alternative plans in case of rain and various menus for searching: https://www.makemusicmadison.org/listings/

Happy listening!

In the Comment section, please leave your observations and suggestions or advice about the quality and success of the festival and the specific events you attended.

The Ear wants to hear.


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Madison’s Sonata à Quattro performs TONIGHT online for the prestigious Boston Early Music Festival

June 17, 2021
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By Jacob Stockinger

The Ear has received the following note from the local early music group, Sonata à Quattro (SAQ):

We have a very exciting announcement to share.

Tonight we will be one of the featured ensembles at the 2021 Boston Early Music Festival Fringe Concerts!

The Boston Early Music Festival (BEMF) is recognized as a national and international leader in the field of early music, and SAQ is thrilled to make its first appearance at this event. 

Concert presented during the Boston Early Music Festival’s 2021 Fringe Concerts.  Learn more at https://bemf.org/2021-festival/fringe-concerts/

The online premiere of the SAQ concert video will be TONIGHT — Thursday, June 17 — at 7 p.m. ET/6 p.m. CT, and the musicians will be available to chat during and after the recorded performance.

Please join us at this link: https://www.youtube.com/watch?v=tSfzu6Q6DcU

The 50-minute concert, titled “Musical Meditation and Merriment,” features (below, from left) violinists Christine Hauptly Annin and Leanne League; cellist Charlie Rasmussen; and violist Marika Fischer Hoyt.

This period-instrument quartet will perform the following program: Quartet in G Major, TWV 43:G5 by Georg Philipp Telemann (1681-1767); Duo II in D Minor, Op. 19, No. 2, for Violin and Viola by Franz Anton Hoffmeister (1754-1812); Duetto III in G Major, Op. 1, No. 3, for Violin and Cello by Giovanni Battista Cirri (1724-1808, below); and Quartet in D Major, Op. 64, No. “The Lark” by Franz Joseph Haydn (1732-1809).

The concert was live-streamed and recorded at the United Methodist Church in Whitefish Bay, Wis., on April 13, 2021.

From the austere fugal opening of the Telemann to the jaunty Finale of Haydn’s “Lark” Quartet — heard played by the Jerusalem Quartet in the YouTube video at the bottom — this program offers a reflection on the unimaginable year we’ve just experienced, as well as the stirrings of hope, as we awake to a spring and summer of new beginnings.

The slow movements, with their gorgeous string sonorities, range from still, inner contemplation to poignant pleas, while the fast movements outdo one another in wit, verve and sheer joie de vivre.


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Con Vivo woodwind quintet plays a FREE outdoor concert TONIGHT on Madison’s west side

June 12, 2021
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By Jacob Stockinger

The Ear wants to thanks the many readers who sent congratulations and best wishes to him on the return of his blog.

He also wants to post the following announcement:

Con Vivo! … music with life has been opening its 18th season of chamber music concerts with free concerts in city parks performed by CVQ — the con vivo! woodwind quintet (below). 

The last FREE performance will take place TONIGHT – Saturday, June 12 — at 7 p.m. at Rennebohm Park (below, the exterior and interior of the shelter), 115 North Eau Claire Ave., on Madison’s west side not far where the old state DMV building used to be.

The concert will include music by Aaron Copland, Louis Moreau Gottschalk, Franz Danzi and Beethoven.

The woodwind quintet is composed of flute, oboe, clarinet, bassoon and French horn.

The event is free and everyone is welcome. So bring a lawn chair or blanket, and join us for what will prove to be an enjoyable evening of live music!

For more information, visit www.convivomusicwithlife.org or call (608) 277-8087.

This project is supported in part by Dane Arts with additional funds from the Endres Mfg. Company Foundation; The Evjue Foundation, Inc., the charitable arm of The Capital Times; the W. Jerome Frautschi Foundation; and the Pleasant T. Rowland Foundation.


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Just Bach concludes its season this Wednesday morning with highlights of the past season

May 18, 2021
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:

Greetings from Just Bach!

We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.

Our May concert features musical highlights from this extraordinary past season.

The complete program listing is below. It is organized in two parts, corresponding to the two semesters.

Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).

The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.

We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)

You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely:  https://justbach.org/concerts/

Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09

Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate

Just Bach will take a break for the summer, and concerts will resume in September.

Here is the May program:

• Welcome

Part I – Fall Semester

• Cantata 146: Sinfonia

• Violin Sonata, BWV 1001: movement 4 Presto

• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)

• Christmas Oratorio, Part II: Sinfonia

• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)

Part II – Spring Semester

• Cantata 35: Sinfonia

• Trio Sonata, BWV 526: movement 2 Largo

• Violin Sonata, BWV 1019: movement 5 Allegro 

• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto

• Cantata 42: Sinfonia

• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)

Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.

For more information, go to:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ


Posted in Classical music
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