The Well-Tempered Ear

Classical music: The prize-winning critic Alex Ross grieves to Brahms. What composer and piece would you choose to mourn the tragedies of the past week?

May 30, 2020
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By Jacob Stockinger

This past week feels like a week that deserves mass grieving.

Of course, there was the life-changing, historic landmark of surpassing, in only a few months, more than 100,000 deaths from COVID-19 during the coronavirus pandemic in the United States.

There were the spikes in new COVID-19 cases and deaths following the opening up from lockdowns and the mass gatherings over the Memorial Day holiday weekend, such as the party at the Lake of the Ozarks (below) in Missouri.

Then there was the tragic, racist death — an alleged murder — of George Floyd by the police and the ensuing rioting, violence and additional death in Minneapolis as well as the seven shootings among protesters in Louisville.

And depending of your political point of view, there were the incidents of White House threats against social media, especially Twitter, for simply telling the truth or at least directing viewers to it.

So what can one say about these sad events and sad times with music?

Well, not too long ago Alex Ross (below), the prize-winning and internationally respected music critic for The New Yorker magazine, wrote an engaging and moving essay about why he finds Brahms to be the perfect composer for grieving and mourning.

He mentions other composers as possibilities, including Bach, Haydn, Mozart, Beethoven and Schubert.

But Ross still finds Brahms more suited for several reasons. He even cites a favorite performance of a Brahms short, late Intermezzo by the Romanian pianist Radu Lupu. (You can hear that performance in the YouTube video at the bottom.)

Here is a link: https://www.newyorker.com/culture/cultural-comment/grieving-with-brahms

What composers – and what pieces or performances – do you find best for grieving? For marking loss?

Read the essay, listen to the music.

Then let us know in the comment section what music – perhaps Samuel Barber’s Adagio for Strings? – that you would want to listen to during sad occasions.

The Ear wants to hear.


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Classical music: The Wisconsin Chamber Orchestra uses a new website and a new brochure to announce its new Masterworks season plus other innovations

May 23, 2020
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By Jacob Stockinger

In many ways, there is much that is familiar or tried-and-true about the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) and its new Masterworks season for 2020-21.

But in other ways it seems as if the WCO is reinventing and rebranding itself – perhaps under the direction of its new CEO Joe Loehnis – as the ensemble starts a double anniversary: its 60th season of existence and its 20th year under the baton of music director Andrew Sewell (below in a photo by Alex Cruz).

As in past years, the WCO programs feature a mix of familiar composers and works with new and neglected ones. It also features both new and returning guest soloists.

Start with what’s new.

The new WCO home website – like the new brochure that has been mailed out — has been redesigned, with more visuals and more information about the 34-member orchestra. The Ear finds both the new brochure and the new home page to be more attractive, better organized and easier to use. Take a look for yourself: https://wcoconcerts.org

There also seems to be a heightened emphasis on donations and raising money, including a new organization called “Friends” that brings special benefits for $30 or even more perks at $8 a month.

And the website seems more customer-friendly. There is a section on the website about “What to Expect,” which includes how to choose seats, how to dress, when to applaud and so forth. There is also a portal for streaming events and concerts.

There is more, much more, including the pre-concert dinners for the Masterworks concerts and the culturally diverse programs for the postponed Concerts on the Square (below), to run this summer on Tuesday nights at 6 p.m. (NOT the usual Wednesdays at 7 p.m.) from July 28 to Sept. 1.

There seems to be more emphasis on Sewell, who this year provides extensive first-person notes about each program and the guest artists. (In the YouTube video at the bottom, you can hear Sewell discuss the new Masterworks season with Wisconsin Public Radio host and WCO announcer Norman Gilliland.)

This season will see two performances of Handel’s “Messiah”: one on Saturday, Dec. 19, at the Blackhawk Church in Middleton; and another downtown on Sunday, Dec. 20, at the UW-Madison’s Hamel Music Center.

The Masterworks series of concerts – held on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center – will begin in late November rather than in late January. The six concerts include five new ones and the postponed appearance of harpist Yolanda Kondonassis, whose appearance this season was canceled because of the COVID-19 pandemic, on May 14.

Two of the concerts – on two Saturdays, Feb. 20 and April 10 – will also be performed in the Milwaukee suburb of Brookfield at the Sharon Lynn Wilson Center for the Arts (below).

You can read more about the community outreach and music education programs, especially the Youth and Education programs. They include the free Family Series and “Side by Side” concerts (below, in a photo by Mike DeVries for The Capital Times, WCO concertmaster Suzanne Beia, right, tutors a WYSO student); the Super Strings educational program; and the Young Artists Concerto Competition for grades 9-12.

Here are the Masterworks series:

NOV. 20Pianist John O’Conor (below) returns in a program of the Piano Concerto No. 5 “Emperor” by Beethoven; the Septet by Igor Stravinsky; and the Symphony No. 1 in D Major by Luigi Cherubini.

JAN. 15Cellist Amid Peled (below, in a photo by Lisa Mazzucco) returns in a program of Cello Concerto No. 1 by Dmitry Kabalevsky and the Andante by Jacques Offenbach; plus the Wind Serenade in D minor by Antonin Dvorak; and the Symphony No. 34 by Mozart.

FEB. 19Violinist Alexander Sitkovetsky (below) in returns in Antonio Vivaldi’s “Four Seasons” and Astor Piazzolla’s “Four Seasons in Buenos Aires”; plus the Suite for Strings by Leos Janacek.

MARCH 19Grammy-winning Spanish guitarist Mabel Millán (below) making her U.S, debut in an all-Spanish program that features the Concierto del Sur (Concerto of the South) by Manuel Ponce; the Sinfonietta in D major by Ernesto Halffter; and the overture “Los Esclavos Felices” (The Happy Slaves) by Juan Crisóstomo Arriaga.

APRIL 9Pianist Michael Mizrahi (below), who teaches at the Lawrence University Conservatory of Music in Appleton, Wis., on the Piano Concerto No. 1 by Beethoven plus the Serenade No. 1 by Johannes Brahms.

MAY 14Harpist Yolanda Kondonassis (below) in the Harp Concerto by Alberto Ginastera; plus the Sinfonietta by Sergei Prokofiev and the Symphony no. 88 by Franz Joseph Haydn.

Single tickets, which go on sale in July, are $15 to $80. Season subscriptions are available now with seat preference through July 1, bring a discounted price with an extra 10 percent off for first-time subscribers.

For more information, go to the website at https://wcoconcerts.org; call 608 257-0638; or mail a subscription form to the Wisconsin Chamber Orchestra, Attn: Subscriptions; PO Box171, Madison, WI 53701-0171.

 


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Classical music: What will the fall concert season will look like? And what will the post-pandemic concert world be like?

May 18, 2020
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By Jacob Stockinger

This past week, The Ear listened to and read a lot of news about COVID-19 and the arts.

And it got him thinking: What will happen this fall with the new concert season? And even later, what will a post-pandemic concert world look like? (Below is the Madison Symphony Orchestra in a photo by Peter Rodgers.)

As you may have heard, the Tanglewood Festival, the summer home of the Boston Symphony Orchestra, has been canceled this year. So too has the Ravinia Festival, the summer home of the Chicago Symphony Orchestra.

Locally, American Players Theatre in Spring Green also just canceled its summer season.

So far, the summer season seems to be one big cancellation for the performing arts.

True, there are some exceptions.

The Token Creek Chamber Music Festival has yet to announce its plans for August.

One also has to wonder if crowds of up to 20,000 will feel safe enough to attend the Concerts on the Square (below), now postponed until late July and August, by the Wisconsin Chamber Orchestra?

Will people still want to attend the postponed Handel Aria Competition on Aug. 21 in Collins Recital Hall at the UW-Madison’s new Hamel Music Center, assuming the hall is open?

Fall events seem increasingly in question.

Last night on CBS’ “60 Minutes,” Jerome Powell, chairman of the Federal Reserve, said that sports events and concerts will be among the last mass gatherings to take place safely, probably not until next spring or summer or even later, depending on when a vaccine becomes available.

Some public health experts also offer dire predictions about how easing up lockdown restrictions too soon might lead to an even worse second wave of the coronavirus virus pandemic this autumn and winter, despite all the happy talk and blame-shifting by Team Trump.

So, what do you think will happen beyond summer?

The Ear wonders what the fallout will be from so many music groups and opera companies turning to free online performances by solo artists, symphony orchestras and chamber music ensembles.

Will season-opening concerts be canceled or postponed? What should they be? Will you go if they are held?

Will at-home listening and viewing become more popular than before?

Will the advances that were made in using streaming and online technology (below) during the lockdown be incorporated by local groups — the UW-Madison especially comes to mind — or expected by audiences?

In short, what will concert life be like post-pandemic and especially until a vaccine is widely available and a large part of the population feels safe, especially the older at-risk audiences that attend classical music events?

Will larger groups such as symphony orchestras follow the example of the downsized Berlin Philharmonic (below, in a photo from a review by The New York Times) and play to an empty hall with a much smaller group of players, and then stream it?

Will some free streaming sites move to requiring payment as they become more popular?

Live concerts will always remain special. But will subscriptions sales decline because audiences have become more used to free online performances at home?

Will most fall concerts be canceled? Both on stage and in the audience, it seems pretty hard to maintain social distancing (below is a full concert by the Madison Symphony Orchestra). Does that mean the health of both performers – especially orchestras and choral groups – and audiences will be put in jeopardy? Will the threat of illness keep audiences away?

Even when it becomes safe to attend mass gatherings, will ticket prices fall to lure back listeners?

Will programs feature more familiar and reassuring repertoire to potential audiences who have gone for months without attending live concerts?

Will expenses be kept down and budgets cut so that less money is lost in case of cancellation? Will chamber music be more popular? (Below is the UW-Madison’s Pro Arte Quartet during its suspended Beethoven cycle.)

Will fewer players be used to hold down labor costs?

Will imported and expensive guest artists be booked less frequently so that cancellations are less complicated to do? 

Will many guest artists, like much of the public, refrain from flying until it is safer and more flights are available? Will they back out of concerts?

Will all these changes leave more concert programs to be canceled or at least changed?

There are so many possibilities.

Maybe you can think of more.

And maybe you have answers, preferences or at least intuitions about some the questions asked above?

What do you think will happen during the fall and after the pandemic?

What do you intend to do?

Please leave word, with any pertinent music or news link, in the comment section.

The Ear wants to hear.


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Classical music: Trevor Stephenson announces the new season of the Madison Bach Musicians on YouTube. It features smaller concerts and familiar comfort music

May 15, 2020
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By Jacob Stockinger

At a time when so many concerts are being canceled, it is especially welcome when a local ensemble announces plans for the 2020-21 season.

To announce the 17th season of the Madison Bach Musicians — a period-instrument group that uses historically informed performance practices — the founder and artistic director Trevor Stephenson (below), who also plays the harpsichord, fortepiano and piano, has made and posted a 13-1/2 minute YouTube video.

The season will also be posted on the MBM website in early June, and will also be announced with more details about times and ticket prices via email and postal mailings.

In the video, Stephenson plays the harpsichord. He opens the video with the familiar Aria from the “Goldberg” Variations and closes with two contrasting Gavottes from the English Suite in G minor.

As usual, Stephenson offers insights in the programs that feature some very well-known and appealing works that are sure to attract audiences anxious to once again experience the comfort of hearing familiar music performed live.

One thing Stephenson does not say is that there seems to be fewer ambitious programs and fewer imported guest artists. It’s only a guess, but The Ear suspects that that is because it is less expensive to stage smaller concerts and it also allows for easier cancellation, should that be required by a continuing COVID-19 pandemic.

If the speculation proves true, such an adaptive move is smart and makes great sense artistically, financially and socially given the coronavirus public health crisis.

After all, this past spring the MBM had to cancel a much anticipated, expensive and very ambitious production, with many out-of-town guests artists, of the “Vespers of 1610” by Claudio Monteverdi. Nonetheless, MBM tried to pay as much as it could afford to the musicians, who are unsalaried “gig” workers who usually don’t qualify for unemployment payments.

“Hope and Joy” is a timely, welcome and much-needed theme of the new season.

The new season starts on Saturday night, Oct. 3, at Grace Episcopal Church downtown on the Capitol Square, and then Sunday afternoon, Oct. 4, at Holy Wisdom Monastery in Middleton.

The program is Haydn and Mozart: songs composed in English and German by Haydn plus songs by Mozart; the great violin sonata in E minor by Mozart; and two keyboard trios, one in C major by Haydn and one in G major by Mozart.

Only four players will be required. They include: Stephenson on the fortepiano; concertmaster Kangwon Kim on baroque violin; James Waldo on a Classical-era cello; and soprano Morgan Balfour (below), who won the 2019 Handel Aria Competition in Madison.

On Saturday night, Dec. 12, in the First Congregational United Church of Christ, near Camp Randall Stadium, MBM will perform its 10th annual holiday concert of seasonal music.

The program includes several selections from the “Christmas Oratorio” by Johann Sebastian Bach; a Vivaldi concerto for bassoon with UW-Madison professor Marc Vallon (below, in a photo by James Gill) as soloist; and the popular “Christmas Concerto” by Arcangelo Corelli.

On Saturday night, April 24, at Grace Episcopal Church and Sunday afternoon, April 25, at Holy Wisdom Monastery, the MBM will perform a concert of German Baroque masterworks with the internationally renowned baroque violinist Marc Destrubé (below).

The program features Handel and Bach but also composers who are not often played today but who were well known to and respected by Bach and his contemporaries.

Specifically, there will be a suite by Christoph Graupner (below top) and a work by Carl Heinrich Graun (below bottom).

There will also be a concerto grosso by George Frideric Handel and two very well-known concertos by Bach – the Brandenburg Concerto No. 3 and the Concerto for Two Violins.

Here is the complete video:

What do you think of the Madison Bach Musicians’ new season?

The Ear wants to hear.


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Classical music: During the COVID-19 pandemic, hosts at Wisconsin Public Radio suggest music that expresses gratitude and hope

May 13, 2020
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By Jacob Stockinger

The various hosts of Wisconsin Public Radio (WPR) — an indispensable companion during self-isolation at home — listen to a lot of music and think a lot about it, especially about its meaning and appeal to the public.

So it comes as no surprise that they have once again suggested music to listen to during the coronavirus pandemic and the mounting toll of COVID-19.

Almost two months ago, the same radio hosts suggested music that they find calming and inspiring. They did so on the WPR home page in an ongoing blog where they also included YouTube audiovisual performances.

Here is a link to that earlier posting, which is well worth reading and following: https://welltempered.wordpress.com/?s=Wisconsin+Public+Radio

This time, the various hosts – mostly of classical shows but also of folk music and world music – suggest music that inspires or expresses hope and gratitude. (Below is Ruthanne Bessman, the host of “Classics by Request,” which airs at 10 a.m. on Saturdays.)

Here is the genesis of the list and public service project:

“At a recent WPR music staff meeting, we talked about the many ways music can unite us and about how music can express the gratitude we feel for people and things that are important to us, often much better than words.

“That discussion led to this collection of music, which we wanted to share with you. It’s eclectic and interesting, just like our music staff.”

The composers cited include some familiar names such as Johann Sebastian Bach, Peter Ilyich Tchaikovsky, Benjamin Britten and John Williams.

But some new music, based on historical events and written by contemporary or modern composers, is also named. It includes works by the American composer Daniel Gawthrop (b. 1949, below top) and the Israeli composer David Zehavi (1910-1977, below bottom). Here are links to their biographies.

https://en.wikipedia.org/wiki/Daniel_E._Gawthrop

https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/zehavi-david

Sound-wise, it is quite an eclectic list that runs from solo harpsichord music to orchestral and choral music as well as chamber music.

Many of the performers have played in Madison at the Overture Center, with Wisconsin Chamber Orchestra, at the Wisconsin Union Theater, at the UW-Madison and on the Salon Piano Series at Farley’s House of Pianos.

They include: the Milwaukee Symphony Orchestra and Chorus; cellist Amit Peled and pianist Eli Kalman, who received his doctorate from the UW-Madison and now teaches at the UW-Oshkosh; conductor-composer John Rutter and the Cambridge Singers;  and superstars violinist Itzhak Perlman, cellist Yo-Yo Ma along with Venezuelan pianist-improviser Gabriela Montero  in a quartet that played at the inauguration of President Barack Obama.

Here is a link to the new WPR suggestions: https://www.wpr.org/wpr-hosts-share-music-gratitude-and-hope

Happy listening!

If you read the blog or listen to the music, let us know what you think in the Comment section.

The Ear wants to hear.


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Classical music: The Wisconsin Union Theater announces its new season featuring Renée Fleming’s postponed concert on Oct. 24

May 9, 2020
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By Jacob Stockinger

The Ear has received the following announcement with the lineup for next season’s concerts at the Wisconsin Union Theater (below top, with a photo of Shannon Hall below bottom), which he calls “The Carnegie Hall of Madison.”

The upcoming season of the Wisconsin Union Theater features eight performances, including a rescheduled performance on Oct. 24 by world-renowned vocalist Renée Fleming (below), who was previously scheduled to perform May 2, 2020, as part of the 100th Concert Series but had to cancel because of the COVID-19 pandemic. Fleming recorded a special message for Wisconsin Union Theater patrons: https://youtu.be/V1B4L2KFUls.

During the 101st Concert Series, patrons will have the opportunity to attend performances by the following artists. Click on the links and names to find out more:

  • Dec. 11, 2020 – Pianist Jeremy Denk (below, in a photo by Shervin Lainez)

  • Feb. 28, 2021 – Meccore Quartet (below in a photo by Arkadiusz Berbecki)

All programs are subject to change. The WUT team will announce when subscriptions and single-event tickets, along with prices, will become available for purchase at a later date.

The Wisconsin Union Theater’s Concert Series is one of the oldest uninterrupted series of its kind in the United States and has brought such talented artists as pianists Arthur Rubinstein and Vladimir Horowitz, violinists Fritz Kreisler and Itzhak Perlman, and pianists Vladimir Ashkenazy and Claudio Arrau to Madison.

The Wisconsin Union Theater holds numerous arts events throughout the year and has provided cultural experiences for community members and visitors for more than 75 years.

The student-led Wisconsin Union Directorate (WUD) Performing Arts Committee plans many of the Wisconsin Union Theater’s events, including the Concert Series.

More information — including ticket prices and programs  — about the Concert Series and other 2020-21 Wisconsin Union Theater events will be made available soon at uniontheater.wisc.edu and on the Wisconsin Union Theater Facebook page.

Tickets purchased for Fleming’s May 2, 2020, performance are valid for the Oct. 24, 2020, performance.

Violinist Gil Shaham (below), who was to perform March 28, 2020, as part of the 100th Concert Series season will instead perform as part of the 2021-22 Wisconsin Union Theater season. Ticket holders for Shaham’s previously scheduled performance date are receiving refunds.

The upcoming year of programming will undoubtedly bring new challenges, and the Wisconsin Union team will continue to make decisions with the health and safety of team members and patrons in mind while providing experiences for a lifetime.

While Memorial Union and Union South remain closed to the public until further notice, the Wisconsin Union continues to provide support services, such as Meals To-Go, and online events and activities.


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Classical music: The Willy Street Chamber Players postpone their sixth season from this summer to next summer because of the coronavirus pandemic

May 3, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the Willy Street Chamber Players, one of his favorite classical music groups, summer or winter. Their programming and performing are first-rate. Indeed, in December of 2016, The Ear named the Willys “Musicians of the Year.” For an overview of the ensemble, see the YouTube video at the bottom.

For more information and links, go to: http://www.willystreetchamberplayers.org

Dear WSCP Family,

It is with heavy hearts that we announce the postponement of this

July concert series to summer 2021.

 

Just a few weeks ago, we were hard at work putting the finishing

touches on an amazing 2020 summer season. We had no idea the

COVID-19 pandemic would soon bring everything to a screeching

halt.

 

As we have continued to monitor the situation, we have become

increasingly convinced that postponement is the best path forward.

The health and safety of our audience, musicians and community

remain paramount.

We are eager to find ways to serve our community during this

extremely difficult time and will begin by highlighting some of our

wonderful Willy Street neighbors, friends and past partnerships on

our Facebook page.

 

As a subscriber to our mailing list, you’ll also have access to some

very special video memories and unique surprises in the coming

months to thank you for for your support.

 

We are devastated we won’t be able to share our music with you

this July, and our hearts go out to everyone affected by COVID-19.

We will get through this together.

 

We know that we have created something truly special together

over the past five years and look forward to continuing our beautiful

east side tradition for years to come.

 

Stay safe, keep in touch and see you soon,

WSCP

 

 

 


Classical music: Legendary American cellist Lynn Harrell, who performed in Madison, is dead at 76

April 29, 2020
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By Jacob Stockinger

Legendary American cellist Lynn Harrell (below) died Monday at 76.

If his name sounds familiar, it could be because Harrell performed in Madison at least three times – twice with the Madison Symphony Orchestra (2007 and 2011), in concertos by Lalo and Victor Herbert, and a recital with pianist Yefim Bronfman at the Wisconsin Union Theater (1994).

No cause of death has yet been given, but various sources say it was unrelated to COVID-19 or the coronavirus pandemic.

To know more about his remarkable life and impressive career, go to his biography on Wikipedia: https://en.wikipedia.org/wiki/Lynn_Harrell 

Colleagues were quick to praise Harrell not only as a master musician – gifted with beautiful tone and sensitive, expressive interpretations — but also as a great teacher and a congenial man who made friends easily. He also cut promotional ads for National Public Radio (NPR) urging members to donate, as he himself did.

Here is an interview he did in 2011 with host Norman Gilliland for Wisconsin Public Radio:

https://www.wpr.org/shows/lynn-harrell

Here is a link to an obituary from The Violin Channel that features quotes from many musicians who admired Harrell:

https://theviolinchannel.com/cellist-lynn-harrell-has-passed-away-died-obituary-rip/

And here are tributes from many of his colleagues for British critic Norman Lebrecht’s blog “Slipped Disc”:

https://slippedisc.com/2020/04/lynn-harrell-tributes-pour-in/

A prodigy who made his Carnegie Hall debut at 17, Harrell, who studied at Juilliard and the Curtis Institute, was renowned internationally. He later taught at the Royal Academy of Music in London.

In 1994 he played a Papal Concert at the Vatican to mark the first commemoration and remembrance of the Holocaust. His performance there of Max Bruch’s “Kol Nidrei”  for cello and orchestra can be seen and heard at the bottom in the most popular of Harrell’s many YouTube videos.

 


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Classical music: Here are many more FREE online and streamed concerts to follow and listen to as you quarantine during the COVID-19 pandemic

April 25, 2020
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

During the COVID-19 public health crisis and coronavirus pandemic, live streaming of concerts has taken off. It started with daily broadcasts of past productions by the Metropolitan Opera and the Berlin Philharmonic.

Local organizations have followed suit. They include the Madison Symphony Orchestra; the “couchertos” of the Wisconsin Chamber Orchestra; the twice weekly “tiny desk concerts” by the Bach Dancing and Dynamite Society sent to email newsletter subscribers and other recorded audiovisual performances; and local recordings made by Rich Samuels and aired on WORT-FM 89.9.

Here is a compilation, from the British radio station Classic FM with many other FREE listings that also get updated: https://www.classicfm.com/music-news/live-streamed-classical-music-concerts-coronavirus/

Here is another listing of FREE live streams and archived performances from Minnesota Public Radio (MPR): https://www.classicalmpr.org/story/2020/03/16/free-online-classical-concerts

And below are several more that The Ear has checked out and recommends:

CARNEGIE HALL LIVE

Carnegie Hall (below), America’s premier concert venue, has started a series of live streams that include world music, jazz and of course classical music.

The format includes conversation and remarks from homes as well as first-rate live performances from the past. (You can also hear many of the concerts on radio station WQXR in New York City: https://www.wqxr.org)

This past week, The Ear heard an outstanding concert with three pianists, all of whom appeared in Madison last season: Emanuel Ax, who performed an all-Beethoven recital at the Wisconsin Union Theater, played the piano and acted as host; Orion Weiss, who performed a Mozart concerto with the Wisconsin Chamber Orchestra; and Shai Wosner, who gave a terrific master class and a memorable recital on the Salon Piano Series at Farley’s House of Pianos. If you missed it, it is still archived and accessible.

On this Thursday, April 30, at 1 p.m. CDT you can hear violinist Joshua Bell with pianist Jeremy Denk and cellist Steven Isserlis.

Here is a link: https://www.carnegiehall.org/Explore/Watch-and-Listen/Live-with-Carnegie-Hall?sourceCode=31887&gclid=EAIaIQobChMIsYigzumB6QIVjIbACh061Qz2EAAYASABEgJE3fD_BwE

DEUTSCHE GRAMMOPHON

Deutsche Grammophon, the world oldest record label, which was established in 1898, has several online series of live streams and archived concerts.

They include “Moment Musical” (Musical Moment) by Daniel Barenboim and guest artists, broadcast from the Pierre Boulez Saal (concert hall) in Berlin.

Barenboim, who started as a child prodigy pianist and ended up being a world-class conductor who once headed the Chicago Symphony Orchestra, has done solo piano and chamber music concerts with the Piano Quintet and two solo pieces by Robert Schumann; the epic Diabelli Variations by Beethoven; and an all-Chopin program of encores. You can also find individual ones on YouTube.

Along more promotional lines, DG also offers a “Best of” series that features movements and excerpts from their newer recordings by some of the best known artists – including pianists Lang Lang, Danill Trifonov, Yuja Wang, Vikingur Olafsson, Jan Lisiecki and Seong-Jin Cho; conductors Gustavo Dudamel, Yannick Nézet-Séguin and Andris Nelsons; opera singers Anna Netrebko and Elina Garanca.

Here is a link to DG’s homepage from where you can get to the various series: https://www.youtube.com/channel/UC34DbNyD_0t8tnOc5V38Big

MILWAUKEE SYMPHONY ORCHESTRA

Closer to home, every Friday you can listen to weekly concerts by the Milwaukee Symphony Orchestra called “Musical Journeys.”

Performers include the MSO’s new music director Ken-David Masur as well as guest conductors like Jeffrey Kahane and the past conductor Edo de Waart.

You can hear the past five episodes, and join new ones. You can also hear past concerts by the Milwaukee Symphony Orchestra (below) on Wisconsin Public Radio. Broadcast time is Sunday at 2 p.m.

Here is a link to Musical Journeys: https://www.mso.org/about/music/mso-musical-journeys-5/

VIOLINIST DANIEL HOPE AT HOME

British violinist Daniel Hope – who has performed with the Madison Symphony Orchestra — has been streaming chamber music concerts from the living room of his home in Berlin.

A prolific concert artist and 25 recordings and four Grammy Award nominations to his credit, Hope (below) has many invited guests and offers a wide range of repertoire.

Here is a link with past episodes. You can also click in upcoming episodes: https://www.arte.tv/en/videos/RC-019356/hope-home/

Are there other sites and streamed performances that you recommend?

Please leave the name and a link in the Comment section.

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
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