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By Jacob Stockinger
Today — Sunday, Feb. 12, 2023 — is Super Bowl LVII.
Or as we say in ordinary English — “57.”
(It airs at 5:30 p.m. Central Standard Time on Fox.)
The Ear thinks it is pretentious for the NFL to use Roman numerals, which are esoteric and incomprehensible to many members of the public.
Does anyone else think so?
Using the Roman numerals in sports also seems unpractical.
Imagine the NBA using the same antiquated number system to record LeBron James’ new record for a lifetime basketball score — 33,388 points. According to Google, it would be XXXIIICCCLXXXVIII.
How convenient! And silly, no?
It seems the same kind of pretentious authenticity The Ear hears too often in Classical music where authentic foreign pronunciations often seem a sort of status symbol that says “Look at what I know and you don’t, but should.”
Not exactly the kind of effort at reaching out that classical music needs to draw bigger and younger audiences.
It’s like when non-Hungarian, American speakers say “Budapesht” when in English it is simply Budapest. And this often comes from the same people don’t usually say München for Munich, or Roma for Rome, or Paree for Paris.
Can American speakers just speak plain American English for the sake of clarity and simplicity?
And can the NFL just use either English numbers or, like the Olympics, the year to show which competition it is?
Anyway, despite such preciousness and pretentiousness, we can enjoy today’s 57th or 2023 Super Bowl championship game in Phoenix between the Philadelphia Eagles and the Kansas City Chiefs.
Here’s another easier equivalency: a beautiful long pass and a beautiful javelin throw.
Which why The Eater is offering the classical music piece “Javelin” in the YouTube video at the bottom, played by Yoel Levi conducting the Atlantic Symphony Orchestra.
Written on commission for the Atlanta Olympics by the Wisconsin-born composer Michael Torke, it soars with a grace and an energy that is made all the more understandable and moving for its lack of words and numbers.
Whatever quarterback does it, winner or loser, here’s to the thrower of the most beautiful pass today.
What do you think of the music? And of the comparison between passing a football and throwing a javelin?
And what do you think about using Roman numerals is sports and foreign pronunciations in classical music
The second half of the current concert season is getting off to a terrific, if crowded and competitive, start.
Take this weekend.
At least five individuals and groups are playing very appealing concerts. In some cases, there is time to get from one to another.
But there is also a good chance you will have to pick and choose, then be disappointed at what you miss as well as pleased with what you go to.
Here is a roundup:
SATURDAY
From 8:30 a.m. until 7 p.m., the University of Wisconsin-Madison School of Music will hold the 54th annual Wisconsin Day of Percussion. It features workshops, clinics, presentations and concerts for percussionists and fans of percussion at all levels.
All-day admission is $15 and is available at the door. For more information about attending and participating, go to:
At 1:30 p.m. in the relaxed and cozy venue of A Place to Be, 911 Williamson Street, the Willy Street Chamber Players (below) will offer a 90-minute program of string quartets by Franz Joseph Haydn (String Quartet in D Major, Op. 20, No. 4), Felix Mendelssohn Four Pieces for String Quartet), Astor Piazzolla (Four for Tango) and Daniel Bernard Roumain String Quartet No. 5 “Rosa Parks”) as a prelude to the group’s third summer season this July. Admission is $20.
You may recall that last month The Ear named the Willys as Musicians of the Year for 2016. That post had details about the program and the group’s history. Here is a link:
Finally, one of the Willys assures The Ear that the Sunday performance will be over early enough to allow audience members to go watch the Green Bay Packers championship football game.
At 7 p.m. the Oakwood Chamber Players will give an adventurous concert of unusual works by Maurice Ravel, Arnold Schoenberg, Byron Adams, Gabriel Jackson and Francis Poulenc at the Oakwood Village West Auditorium, 6002 Mineral Point Road on Madison far west side.
Here is a link to a story with more details about the program and how it fits into the yearlong series of concerts:
At 1:30 p.m., the Willy Street Chamber Players repeat their Saturday concert. See the information above for Saturday.
Also at 1:30 p.m., the Oakwood Chamber Players repeat their concert. See the information above for Saturday.
At 4 p.m. in Mills Hall, UW-Madison faculty members violinist Soh-Hyun Park Altino (below top) and pianist Christopher Taylor (below bottom) will give a recital of two violin sonatas: Sonata No. 1 in A major, Op. 13, by Gabriel Faure and the prize-winning 1963 Sonata for Violin and Piano by the contemporary American composer John Corigliano. (You can hear the lovely slow movement of the Corigliano sonata in the YouTube video at the bottom.)
Admission is $15, $5 for children and non-UW School of Music students.
Also at 4 p.m., pianist Catherine Kautsky (below) will perform a Schubert-themed program on the Salon Piano Series at Farley’s House of Pianos, 6522, Seybold Road, on Madison’s far west side near West Towne.
Her program includes the Sonata in D major and Twelve German Dances by Schubert; the Schubert-inspired “Valses nobles et sentimentales” (Noble and Sentimental Waltzes) by Maurice Ravel; Prelude and Fugue in E Major, from Book 2 of “The Well-Tempered Clavier” by Johann Sebastian Bach; and “Idyll and Abyss: Six Schubert Reminiscences” (20213) by the German composer Jeorg Widmann.
Admission is $45.
Kautsky has concertized on five continents. You may recall, she came to teach for several years at the UW-Madison from Lawrence University Conservatory of Music in Appleton, Wisconsin, and then returned to Lawrence where she heads the keyboard department and this year received an Excellence in Teaching award.
Call more information and tickets, call (608) 271-2626.
You can also go to this link to get more information about this concert and forthcoming concerts in the Salon Piano Series: