The Well-Tempered Ear

Four local classical musicians perform Black women composers in a virtual holiday concert to benefit the health of Black women

December 23, 2020
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By Jacob Stockinger

The Wisconsin Ensemble (WE) Project, a quartet of local classical musicians, has announced that it will host a holiday concert to support Dane County-based non-profit, the Foundation for Black Women’s Wellness (FFBWW, below).

The concert will be the first in a series of performances to benefit local and international organizations working for social justice and human interest. 

This unique effort is rooted in the quartet’s desire to not only delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time. 

This recorded, virtual YouTube concert will be available at https://wisconsinensembleproject.com from 6 p.m. on Friday, Dec. 25, through 6 p.m. on Sunday, Jan. 3. — times are CST — where contributions will be accepted via PayPal.

Viewers will hear the story and see the face of the Foundation for Black Women’s Wellness woven through quality chamber music by Black women composers performed by WE Project artists violinists Leanne League and Mary Theodore (below ends, in a photo by Katrin Talbot); violist Christopher Dozoryst (second from right); and cellist Karl Lavine. The four play together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

Pieces they will perform include Strum (heard in the YouTube video at the bottom) and Voodoo Dolls by Jessie Montgomery (below top, in a photo by Jiyang Chen); Modes by Dorothy Rudd Moore (below center); and String Quartet in G Major by Florence Price (below bottom).

“This production offers viewers a meaningful program which leads to direct impact,” says WE Project member Mary Theodore who has been working with Foundation staff to coordinate the benefit over the last few weeks.

”We felt strongly about the work of the Foundation as we learned more about their mission to eliminate the startling health and economic disparities Black women face in our community,” adds Theodore. “When you donate and tune in to our concert, you will be helping to cover basic production costs and getting funds directly into the hands of this very worthy organization”. 

Foundation for Black Women’s Wellness CEO Lisa Peyton-Caire (below), who launched the Black women’s health advocacy organization in 2012, says the concert is a beautiful example of how community and organizations can partner to drive social change together. 

“We are elated that WE Project chose us as their first benefit recipient, and that our mission and work to transform Black women’s health in Wisconsin resonated with them,” said Peyton-Caire. “We know that ultimately it takes all of our effort to solve the inequities in our community, and this benefit concert is a beautiful example of the loving and creative ways we can join forces to do this.” 

To learn more about the concert, visit https://wisconsinensembleproject.com, where you can contribute via PayPal anytime beginning now through Jan. 3.

To listen to a recent morning coffee chat between members of the two organizations, go to: https://www.facebook.com/watch/live/?v=431169757916539&ref=watch_permalink. Click on individual profiles to hear them.

To learn more about The Foundation for Black Women’s Wellness, visit https://ffbww.org


Posted in Classical music
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Classical music: The Wisconsin Chamber Orchestra uses a new website and a new brochure to announce its new Masterworks season plus other innovations

May 23, 2020
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

In many ways, there is much that is familiar or tried-and-true about the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) and its new Masterworks season for 2020-21.

But in other ways it seems as if the WCO is reinventing and rebranding itself – perhaps under the direction of its new CEO Joe Loehnis – as the ensemble starts a double anniversary: its 60th season of existence and its 20th year under the baton of music director Andrew Sewell (below in a photo by Alex Cruz).

As in past years, the WCO programs feature a mix of familiar composers and works with new and neglected ones. It also features both new and returning guest soloists.

Start with what’s new.

The new WCO home website – like the new brochure that has been mailed out — has been redesigned, with more visuals and more information about the 34-member orchestra. The Ear finds both the new brochure and the new home page to be more attractive, better organized and easier to use. Take a look for yourself: https://wcoconcerts.org

There also seems to be a heightened emphasis on donations and raising money, including a new organization called “Friends” that brings special benefits for $30 or even more perks at $8 a month.

And the website seems more customer-friendly. There is a section on the website about “What to Expect,” which includes how to choose seats, how to dress, when to applaud and so forth. There is also a portal for streaming events and concerts.

There is more, much more, including the pre-concert dinners for the Masterworks concerts and the culturally diverse programs for the postponed Concerts on the Square (below), to run this summer on Tuesday nights at 6 p.m. (NOT the usual Wednesdays at 7 p.m.) from July 28 to Sept. 1.

There seems to be more emphasis on Sewell, who this year provides extensive first-person notes about each program and the guest artists. (In the YouTube video at the bottom, you can hear Sewell discuss the new Masterworks season with Wisconsin Public Radio host and WCO announcer Norman Gilliland.)

This season will see two performances of Handel’s “Messiah”: one on Saturday, Dec. 19, at the Blackhawk Church in Middleton; and another downtown on Sunday, Dec. 20, at the UW-Madison’s Hamel Music Center.

The Masterworks series of concerts – held on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center – will begin in late November rather than in late January. The six concerts include five new ones and the postponed appearance of harpist Yolanda Kondonassis, whose appearance this season was canceled because of the COVID-19 pandemic, on May 14.

Two of the concerts – on two Saturdays, Feb. 20 and April 10 – will also be performed in the Milwaukee suburb of Brookfield at the Sharon Lynn Wilson Center for the Arts (below).

You can read more about the community outreach and music education programs, especially the Youth and Education programs. They include the free Family Series and “Side by Side” concerts (below, in a photo by Mike DeVries for The Capital Times, WCO concertmaster Suzanne Beia, right, tutors a WYSO student); the Super Strings educational program; and the Young Artists Concerto Competition for grades 9-12.

Here are the Masterworks series:

NOV. 20Pianist John O’Conor (below) returns in a program of the Piano Concerto No. 5 “Emperor” by Beethoven; the Septet by Igor Stravinsky; and the Symphony No. 1 in D Major by Luigi Cherubini.

JAN. 15Cellist Amid Peled (below, in a photo by Lisa Mazzucco) returns in a program of Cello Concerto No. 1 by Dmitry Kabalevsky and the Andante by Jacques Offenbach; plus the Wind Serenade in D minor by Antonin Dvorak; and the Symphony No. 34 by Mozart.

FEB. 19Violinist Alexander Sitkovetsky (below) in returns in Antonio Vivaldi’s “Four Seasons” and Astor Piazzolla’s “Four Seasons in Buenos Aires”; plus the Suite for Strings by Leos Janacek.

MARCH 19Grammy-winning Spanish guitarist Mabel Millán (below) making her U.S, debut in an all-Spanish program that features the Concierto del Sur (Concerto of the South) by Manuel Ponce; the Sinfonietta in D major by Ernesto Halffter; and the overture “Los Esclavos Felices” (The Happy Slaves) by Juan Crisóstomo Arriaga.

APRIL 9Pianist Michael Mizrahi (below), who teaches at the Lawrence University Conservatory of Music in Appleton, Wis., on the Piano Concerto No. 1 by Beethoven plus the Serenade No. 1 by Johannes Brahms.

MAY 14Harpist Yolanda Kondonassis (below) in the Harp Concerto by Alberto Ginastera; plus the Sinfonietta by Sergei Prokofiev and the Symphony no. 88 by Franz Joseph Haydn.

Single tickets, which go on sale in July, are $15 to $80. Season subscriptions are available now with seat preference through July 1, bring a discounted price with an extra 10 percent off for first-time subscribers.

For more information, go to the website at https://wcoconcerts.org; call 608 257-0638; or mail a subscription form to the Wisconsin Chamber Orchestra, Attn: Subscriptions; PO Box171, Madison, WI 53701-0171.

 


Posted in Classical music
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Classical music: The Wisconsin Chamber Orchestra cancels and postpones its last two Masterworks concerts of the season in April and May. Here is information about ticket exchanges and refunds

April 2, 2020
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement from the Wisconsin Chamber Orchestra (WCO, below in a photo by Mike Gorski) about canceling the rest of its Masterworks season due to the coronavirus pandemic and COVID-19.

Dear Wisconsin Chamber Orchestra Concert Ticket Holders:

We continue to remain committed to serving you and keeping you safe during the current health crisis.

Given the Overture Center’s closing, we have postponed two concerts: Masterworks IV, scheduled for April 24; and Masterworks V, scheduled for May 8.

We thank you for your patience as we work through the details to reschedule these fantastic performances featuring our guest artists, violinist Eric Silberger (Masterworks IV, below) and trumpeter and Madison native Andrew Balio (Masterworks V in Madison and Brookfield, below).

(Editor’s Note: The WCO has also said that the cancelled Masterworks III performance in late March by harpist Yolanda Kondonassis (below) will probably be rescheduled for next season, which will be announced later this month.)

We hope you will consider exchanging or donating the cost of your ticket back to the Wisconsin Chamber Orchestra.

As an arts nonprofit, the WCO sees your support as vital to our organization during this challenging time as we navigate the significant ongoing economic impact of the COVID-19 pandemic. We are deeply grateful for your generosity and continued support.

The following ticket options are available for you:

  • Exchange your ticket(s) for a future Wisconsin Chamber Orchestra performance. All exchange fees will be waived in this situation. You can also apply the value of the cancelled ticket to a subscription ticket for next season.
  • Donate your ticket(s) and receive a tax deduction for the total ticket value.
  • Receive a refund for the value of the ticket(s).

Please respond by email, letting us know your ticket decision, along with your full name, to wco@wcoconcerts.org.

If you have any questions, please don’t hesitate to call us at (608) 257-0638 or email us at wco@wcoconcerts.org.

We will continue to keep you informed of the status of all our upcoming performances as we continue to monitor the situation closely over the coming days and weeks.

We look forward to continuing to enrich your life through music.

Thank you,

Joe Loehnis, CEO


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