The Well-Tempered Ear

Classical music: A revived 12-hour marathon Bach Around the Clock celebration is seeking musicians to mark Johann Sebastian’s 332nd birthday on Saturday, March 18

January 20, 2017
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By Jacob Stockinger

Here is some news that The Ear is overjoyed to announce: An annual Bach Around the Clock celebration is being revived this year in Madison.

batc-logo-1-2017

For three years, a similar event, inspired by celebrations in New Orleans, was sponsored by Wisconsin Public Radio and coordinated by its music director Cheryl Dring. But when she left in 2013, and so did WPR.

But now baroque and modern violist Marika Fischer Hoyt (below right), who plays with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Ancora String Quartet and the Madison Bach Musicians, has undertaken to revive it.

So let’s help resume the tradition and call it Bach Around the Clock 4.

Ancora Trio 2 2014 Robin Ryan, Benjamin Marika Fischer Hoyt Whitcomb

The place has changed.

But the concept remains the same.

The event is now looking for musicians -– professional and amateurs, teachers and students – to sign up to participate.

Bach1

Here are particulars:

Bach Around The Clock 2017

Saturday, March 18

12 Noon to 12 Midnight

St. Andrew’s Episcopal Church (below)

1833 Regent St., Madison, WI 53726

St. Andrew's Episcopal Madison Front

The event is FREE and OPEN TO THE PUBLIC.

Bach Around The Clock is a 12-hour celebration of the music of Johann Sebastian Bach (1685-1750). Held on the Saturday closest to Bach’s birthday, it offers all members of the musical community, from young students to seasoned professionals, the opportunity to perform selections by this sublime composer.

This year’s BATC takes place in the sanctuary (below) of St. Andrew’s Church, and will be opened with an organ work and a performance by the St. Andrew’s Chancel Choir, under the leadership of music director and organist Ken Stancer.

St. Andrew's Church interior

NOTE: The entire event will be recorded, and audio/video live streaming will be available for those unable to attend.

Birthday cake will be served at midnight!

The month of March has been designated as the official ‘Early Music Month’ by the organization Early Music America <www.earlymusicamerica.org/endeavors/early-music-month>, and the Madison Bach Around The Clock is listed on their website as one of the many partners participating in this annual nationwide celebration.

BATC 3 audience

For more information on BATC, or to request a time to perform, please visit the website <https://bacharoundtheclock.wordpress.com>, or email batcmadison@gmail.com

BATC 3 Sked 1

The Ear — who himself played solo piano works and accompanied a famous Siciliano movement from a flute sonata — has such great memories of past ones.

Those memories include hearing whole studios of young piano students performing; duos and trios done by siblings and friends, by parents and children, by teachers and students; accomplished professional and amateur instrumentalists, including UW-Madison faculty members; church choirs in cantatas; lots of intriguing arrangements including the solo cello suites on the saxophone and a flute and bassoon duo performing some Two-Part Inventions (in the YouTube video at the bottom)  as well as Bach on the accordion and bagpipes. And on and on.

BATC 3 Confident kids

BATC1MarcMayes

BATC 3 Sean Michael Dargan bagpiper

And to give you the flavor of the event, here links to the events, complete with photos, to the past Bach Around the Clock celebrations when they were sponsored by Wisconsin Public Radio and held at the Pres House near the UW-Madison campus:

From 2010:

https://welltempered.wordpress.com/2010/03/20/classical-music-events-here-is-the-line-up-for-saturdays-bach-around-the-clock/

From 2011:

https://welltempered.wordpress.com/2011/03/21/classical-music-review-the-marathon-“bach-around-the-clock”-concert-is-now-officially-a-tradition-in-madison-wisconsin/

From 2012:

https://welltempered.wordpress.com/2012/03/23/classical-music-here-are-8-lessons-i-learned-from-my-day-of-berlitz-bach-at-wisconsin-public-radios-bach-around-the-clock-3-last-saturday/


Classical music: Meet J’Nai Bridges who went from the dream of playing professional basketball to the reality of singing professional opera

January 13, 2017
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By Jacob Stockinger

Baseball season is done.

Football season is almost over.

Basketball season is here.

So it seems an appropriate time for The Ear to share a great story about sports and classical music that he recently saw on the PBS NewsHour.

It is also a good story about good luck to run today, on Friday the 13th, a date that is traditionally synonymous with bad luck.

The story concerns J’Nai Bridges (below) who started out wanting to be a professional basketball player.

jnai-bridges

That dream fell apart dramatically and suddenly — though she doesn’t reveal if it was an injury or some other cause.

But then good luck unexpectedly stepped in.

During her senior year in high school, she signed up for choir as an elective and her teacher immediately recognized her gift.

She started late, but she had the right attitude to stay open to new discoveries and new possibilities.

Turns out she possesses a world-class mezzo-soprano voice. (In the YouTube video at the bottom, you can hear Bridges singing an aria from “Carmen” by Georges Bizet .)

And now she has gone on to a career in opera and is a rising star singing major roles in major opera houses around the world.

The Ear thinks that Bridges’ words reflect wisdom that others should share in.

For one, her moving story also highlights the importance of a liberal arts education, where you can try out many different subjects you have no idea about and see what you like and how you do. That gives students a chance to explore their untapped interests and potential.

It also runs contrary to some of the current politicians who want to reform secondary and higher education into a kind of trade school or vocational training ground for work and careers.

It also is a fine summary of the role that music plays both for the performer and for the audience.

Here is a link to the moving and informative story:

http://www.pbs.org/newshour/bb/sports-gave-way-singing-rising-star/


Classical music education: Wisconsin Youth Symphony Orchestras performs “Sounds of the Season” with area high school choirs on TV once again on Christmas Eve and Christmas Day. Plus, WYSO names Randal Swiggum as its new interim music director

December 23, 2016
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras has two pieces of news to report:

As in past years, WYSO will perform its popular one-hour, commercial-free “Sounds of the Season” concerts on TV on NBC 15 this weekend. 

Three WYSO groups will be featured: the Youth Orchestra (below top), the Youth Brass Choir (below middle) and the Percussion Ensemble (below bottom).

WYSO Youth Orchestra James Smith conducting 2015

WYSO Brass Choir

WYSO Percussion Ensemble 2012

There will be one performance on Christmas Eve at 10 p.m., and then two performances on Christmas Day at 8 a.m. and 12:30 p.m.

The orchestra and ensembles will also be joined by choirs from area high schools. Sorry, but The Ear can’t find word of which ones.

You can hear part of Leroy Anderson’s “Sleigh Ride” as performed by WYSO on “Sounds of the Season” in the YouTube video at the bottom.

For more information, photos and audiovisual clips from a last year’s “Sounds of the Season,” go to:

http://www.nbc15.com/content/misc/NBC15-Sounds-Of-The-Season-2016-406076915.html

wyso-sounds-of-the-season-logo

In addition WYSO has named an interim replacement for outgoing music director James Smith (below), who is retiring from WYSO as well as from the University of Wisconsin-Madison at the end of this season.

james smith Jack Burns

Here are details from WYSO’s executive director Bridget Fraser:

“WYSO is very pleased to announce that Randal Swiggum (below) has been appointed WYSO Interim Artistic Director and Youth Orchestra Conductor for the 2017-2018 season.

“Randy is well-known to many WYSO students already, whether through Summer Music Clinic, the recent Wisconsin Middle Level Honors orchestra, or Suzuki Strings of Madison. He prepared the WYSO Youth Orchestra for its 2012 Overture Center performance of “To Be Certain of the Dawn,” and has subbed in with Philharmonia Orchestra and chamber music rehearsals.

Randall Swiggum

“Randy is in his 19th season as Artistic Director of the award-winning Elgin Youth Symphony Orchestra, a large program similar to WYSO, which draws students from 70 different communities in suburban Chicago.

“Under his direction, the EYSO has collaborated with renowned artists like Midori, Yo-Yo Ma and Rachel Barton Pine, as well as Grammy-winning chamber ensemble eighth blackbird. The EYSO has appeared on NPR’s “From the Top” and at the Ravinia Festival, where they will return to perform again in 2018.

“The Illinois Council of Orchestras has twice named him Conductor of the Year and awarded its prestigious Programming of the Year Award to the EYSO.

“A frequent guest conductor of orchestral and choral festivals, Randy recently conducted the Scottish National Youth Symphony in Glasgow, All-State Orchestras in Georgia and Illinois, the American Mennonite Schools Orchestra Festival, Northern Arizona Honors Orchestra, the APAC Orchestra Festival in Seoul, and both the Wisconsin Middle Level Honors Choir and Orchestra, among many others.

“Randy also works with a number of professional orchestras, designing and conducting concerts for young people. Last year, he led the Madison Symphony in his original “Symphony Safari: What Nature Teaches Us About the Orchestra,” attended by several thousand middle school students in Overture Hall.

“Next February, he returns for a fourth season with the Milwaukee Symphony Orchestra in its acclaimed “Teen Partner” series, conducting the Gloria by Francis Poulenc.

“He also appears next spring with the Chippewa Valley Symphony, conducting his “Beethoven Superhero” concert, which has been popular with teachers, students and parents alike, with the Elgin Symphony and The Florida Orchestra (Tampa).

“As an author and lecturer, Randy works with teachers around the country and internationally, most recently with international school teachers in Hong Kong and at Carnegie Hall, where last summer he returned for a fourth season teaching its Music Educator Workshops, and leading members of the National Youth Orchestra of the USA.

“Randy is a proud UW-Madison graduate and lives in Madison, where you can find him on Monday nights working with the Madison Boychoir (in the Madison Youth Choirs) alongside colleague Margaret Jenks.

“WYSO is truly fortunate to have such a dedicated and tireless educator guiding its artistic vision next season.”


Classical music: The Wisconsin Chamber Choir performs a varied holiday concert of all-classical music this Saturday night

December 15, 2016
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By Jacob Stockinger

The Ear has received the following notice to post:

The Wisconsin Chamber Choir (below) will perform “O Wondrous Mystery” this coming Saturday night, Dec. 17 at 7:30 p.m. in the Bethel Lutheran Church, 312 Wisconsin Ave., in Madison.

Tickets are $15 (for students, $10) in advance; $20 ($12) at the door. Advance tickets are available from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports and Willy Street Coop (East, West and North locations).

Wisconsin Chamber Choir Magnificats 1

Explore the magic and mystery of the holiday season with the Wisconsin Chamber Choir, whose program highlights the beloved Latin chant ”O magnum mysterium” in musical settings by Tomas Luís de Victoria and Francis Poulenc. (You can hear Poulenc’s setting, conducted by the legendary Robert Shaw, in the YouTube video at the bottom.)

Rounding out the performance are the remainder of Poulenc’s Four Christmas Motets along with seasonal works spanning five centuries by William Byrd, Heinrich Schütz, Johannes Brahms, Herbert Howells and Bob Chilcott, plus the world premiere of “Methinks I See a Heavenly Host” by Peter Bloesch (below).

Peter Bloesch

The 50-voice choir will be joined by organist Mark Brampton Smith (below top) of Grace Episcopal Church, and Madison Symphony Orchestra trombonist and program annotator J. Michael Allsen (below bottom, in a photo by Katrin Talbot), who will accompany the Schütz selections on the sackbut, the Renaissance ancestor of the trombone.

Mark Brampton Smith

J. Michael Allsen Katrin Talbot

Founded in 1998, the Madison-based Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart, and Brahms; a cappella masterworks from six centuries; and world premieres.

Robert Gehrenbeck (below), who heads the choral program at the UW-Whitewater, is the Wisconsin Chamber Choir’s artistic director.

Robert Gehrenbeck new headshot 2013 USE


Classical music: The UW Choral Union delivers an eclectic non-seasonal program of music by Beethoven, Brahms and Bernstein with power and lyricism

December 12, 2016
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

John-Barker

By John W. Barker

Eschewing any seasonal or holiday connections, the UW-Madison Choral Union (below) gave its December concert last Friday night with a program of three “B’s”.

uw-choral-union-with-chamber-orchestra-and-soloists-dec-2016-jwb

Well, two of the B’s are familiar ones. But in place of Bach, we got Leonard Bernstein, taking first place in reverse chronological order — his Chichester Psalms, dating from 1965.

This three-movement work probably represents Bernstein’s most important choral score. It sets texts in the original Hebrew, the middle movement calling for a boy treble to represent the young David in the rendering of Psalm 131 — a function here filled bravely by young Simon Johnson (below, front left) of the Madison Youth Choirs.

uw-choral-union-dec-2016-jwb-simon-johnson-of-myc

The platoon of percussionists in the first two movements confirms the composer’s flashy “modernism.” To be sure, there are some characteristic melodic twists that proclaim the composer familiar to us, and the swaying melodic tune of the third movement is really lovely.

But Bernstein (below) did not know what to do with it besides repeating it obsessively. Bernstein simply was not a savvy master of choral writing, and I firmly believe that this work—a trivial cross between Igor Stravinsky’s Symphony of Psalms and Bernstein’s own Broadway musical West Side Story—would not merit much attention were it not for Bernstein’s name on it.

(EDITOR’S NOTE: You can decide on the work’s merits for yourself by listening to the live performance, conducted by the composer himself, in the YouTube video at the bottom.)

Leonard Bernstein composing in 1955

Just how inadequate Bernstein’s choral sense was emerged clearly with the next work, the short ode for chorus and orchestra by Johannes Brahms, Nänie, Op. 82.

The title adapts a Greek word for a lament, and Friedrich Schiller’s German text evokes the death of beauty in the death of Achilles. Brahms was among the supreme choral masters, and this particular example is one of several of his “minor” choral works that we hear too rarely.

brahmsBW

The second half of the program was devoted to Ludwig van Beethoven’s Mass in C major, Op. 86. No, not the monumental Missa solemnis of the composer’s last years when (as with the Ninth Symphony’s finale) he had transcended the realities of choral writing. This earlier Mass setting, dating from 1807, was in the direct line of Mass settings for the Esterházy family composed by the aged Haydn.

But to Haydn’s incorporation of symphonic structure into Mass composition, Beethoven (below) brought his own strongly progressive personality, and a remarkable quality of melodic and thematic invention. This is a lovely work, and choirs who fling themselves doggedly against the Missa solemnis ought sometimes to revel in this beautiful work instead.

Beethoven big

The forces arrayed included a solo quartet (below, in the front from left) are bass John Loud, tenor Jiabao Zhang and sopranos Jessica Kasinski and Anna Polum.

uw-choral-union-dec-2016-soloists

The UW Chamber Orchestra proved able. But the star was, of course, the Choral Union chorus itself. Its diction worked from indistinguishable Hebrew through respectable German to really lucid Latin. Above all, it made mighty, full-blooded sound that bolstered Beethoven’s lyricism with powerful projection.

Once again, conductor Beverly Taylor (below) has gone beyond stale conventions to bring us valued exposure to music outside the conventional boundaries.

Beverly Taylor MSO portrait COLOR USE


Classical music: Broadcasts of operas from the Met and string quartets by the UW-Madison’s Pro Arte Quartet are featured on old media and new media this Saturday and Sunday. Plus, the 89th Edgewood college Christmas Concert is tonight and tomorrow afternoon.

December 2, 2016
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ALERT: Edgewood College will present its 89th Annual Christmas Concerts tonight at 7 p.m. and Saturday afternoon at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.

Now expanded to two performances, the holiday concert features the Edgewood College choirs and Concert Band, along with audience sing-alongs, prelude music by the Guitar Ensemble, and a post-concert reception featuring the Jazz Ensemble.

Tickets are $10, and seating is limited for this very popular annual event. Tickets should be purchased online in advance.

By Jacob Stockinger

Classical music meets old media and new media this weekend through opera and chamber music.

SATURDAY

This Saturday marks the beginning of the LIVE RADIO broadcasts of operas from the Metropolitan Opera (below) in New York City. This will be the 86th season for the radio broadcasts, which educated and entertained generations of opera lovers before there were DVDs, streaming and the “Live in HD From the Met” broadcasts to movie theaters.

Metropolitan Opera outdoors use Victor J. Blue NYT

Met from stage over pit

The performances will be carried locally on Wisconsin Public Radio, WERN-FM 88.7. This Saturday, the starting time for Puccini’s “Manon Lescaut” with Russian superstar soprano Anna Netrebko (below, in a photo by Richard Termine for The New York Times), is 11:30 CST. Other operas will have different starting times, depending their length.

This season runs from Dec. 3-May 15.

Radio has certain strengths, The Ear thinks. For one, it allows the listeners to focus on the music, to be less distracted or less enriched – depending on your point of view – by sets, costumes, lighting, the physicality of the acting and other stagecraft that is left to the imagination.

This season, there will be lots of standard fare including: Verdi’s “La Traviata” and “Aida”; Puccini’s “La Boheme”; Bizet’s “Carmen”; Beethoven’s “Fidelio”; Wagner’s “Tristan und Isolde” and “The Flying Dutchman”; Richard Strauss’ “Der Rosenkavalier” and “Salome”; and Mozart’s “Idomeneo.”

But you can also hear the new music and less frequently staged operas. They include the 2000 opera “L’amour de loin” (Love From Afar) by Finnish composer Kaija Saariaho, which will receive its Metropolitan Opera premiere next week, on Dec. 10.

Here is a link to the complete season along with links to information about the various productions. Starting times are Eastern Standard Time, so deduct an hour for Central Standard Time or a different amount for your time zone:

http://www.metopera.org/Season/Radio/Saturday-Matinee-Broadcasts/

met-manon-lescaut-anna-netrebko-cr-richard-termine-nyt

SUNDAY

On this Sunday afternoon, the Pro Arte Quartet (below, in a photo by Rick Langer), longtime artists-in-residence at the University of Wisconsin-Madison School of Music, will wrap up the first semester of “Sunday Afternoon Live From the Chazen,” which used to air weekly on Wisconsin Public Radio but now is presented once a month, on the first Sunday of the month, directly by the museum.

The program this Sunday features the “Italian Serenade” by Hugo Wolf; the String Quartet No. 3 in F Major by Dmitri Shostakovich; and the String Quartet in A-Flat Major, Op. 105, by Antonin Dvorak.

Pro Arte Quartet new 2 Rick Langer

The FREE concert takes place from 12:30 to 2 p.m. in Brittingham Gallery No. 3 of the Chazen Museum of Art and the University of Wisconsin-Madison.

Donors to the museum can reserve seats. Concerts by the Pro Arte Quartet, kind of the house quartet of the museum, are usually “sold out.”

But the concert can also be streamed live via computer or smart phone by clicking on the arrow in the photo and using the portal on the following website:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-12-4-16/

sal-pro-arte-12-4-16

You might also want to arrive early or stay late to see the historic and rare First Folio edition (below) of the plays by William Shakespeare that is on display at the Chazen Museum through Dec. 11 to mark the 400th anniversary of the death of the Bard.

First Folio


Classical music: UW Concert Choir performs a FREE concert with dancers on Friday night. Friday at noon a piano, viola and cello trio gives a FREE concert

November 17, 2016
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ALERT: The week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features cellist Morgan Walsh, violist Shannon Farley and pianist Kyle Johnson in music by Tchaikovsky, Schumann and Rebecca Clarke. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

At 8 p.m. on Friday night in Mills Hall, the UW-Madison Chamber Choir (below top), under the direction of Beverly Taylor (below bottom), who heads the choral program at the University of Wisconsin-Madison School of Music, will give a FREE concert.

Guest dancers will join the singers.

Concert Choir

Beverly Taylor MSO portrait COLOR USE

Here is the program:

Laudibus in sanctis (Paraphrase of Psalm 150) by William Byrd

Choral Dances from “Gloriana” by Benjamin Britten (Text by William Plomer), as seen in the YouTube video at bottom

“Totentanz” (Dance of Death) by Hugo Distler (original dialogue by Johannes Klockig after the Lübeck Totentanz)

“Dance to My Daddy,” English folksong, arranged by Goff Richards

“Begin the Beguine” by Cole Porter, arranged by Andrew Carter

“Der Tanz” (The Dance) by Franz Schubert

“Verano Porteño” by Astor Piazzolla, arranged by Oscar Escalada

“Fa una canzone” by Orazzio Vecchi


Classical music: Edgewood College’s FREE Fall choral concert is this Sunday afternoon. Plus, three sopranos sing for FREE this Friday at noon

October 20, 2016
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ALERT: This week’s FREE Friday Noon Musicale, at the First Unitarian Society of Madison, 900 University Bay Drive, features sopranos Susan Savage Day, Rebekah Demure and Arianna Day in music by Wolfgang Amadeus Mozart, John Corigliano, Ottorino Respighi, Richard Strauss and others. It runs from 12:15 to 1 p.m.

By Jacob Stockinger

Edgewood College will present its Fall Choral Concert at 2:30 p.m. this Sunday in the St. Joseph Chapel, 1000 Edgewood College Drive.

Admission is FREE.

The Women’s Choir and the Chamber Singers, under the direction of Kathleen Otterson (below top) and Sergei Pavlov (below bottom), will feature a wide variety of musical selections.

Kathleen Otterson color

isSergei Pavlov

The eclectic program includes the Johann Sebastian Bach-Charles Gounod setting of “Ave Maria,” heard in the YouTube video at the bottom; Sydney Carter’s beautiful arrangement of “Lord of the Dance”; and music of Pentatonix.

The Chamber Singers is the College’s premier a cappella choral ensemble, open to students of all majors. The choir performs literature from the medieval period to the 21st century, participating in multiple concerts throughout the school year.

Edgewood College Chamber Singers

The Women’s Choir performs a wide variety of traditional and modern music specifically for women’s voices.

Edgewood College Women's Choir


Classical music: The last of this summer’s FREE Farmers’ Market organ concerts takes place this Saturday at 11 a.m. in Overture Hall

August 9, 2016
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By Jacob Stockinger

The last of the three monthly FREE organ concerts that the Madison Symphony Orchestra puts on during the summer for the Dane County Farmers’ Market on Saturdays will take place this Saturday at 11 a.m. in Overture Hall of the Overture Center.

Overture Organ close up CRE ZaneWilliams

The hour-long program will feature local musician Mark Brampton Smith (below).

Mark Brampton Smith

Brampton Smith holds degrees in organ performance from the Eastman School of Music and the University of Michigan. Past teachers have included William Watkins, Russell Saunders, and Robert Glasgow (organ); Vincent Lenti (piano); and Edward Parmentier (harpsichord).

Currently the organist at Grace Episcopal Church (below), he has served on the music staff of churches in seven states. He has won prizes in the Fort Wayne, Ann Arbor and American Guild of Organists National Competitions.

grace episcopal church ext

As a collaborative pianist, he has worked with numerous singers, instrumentalists and ensembles, including the Ann Arbor Cantata Singers, University of Michigan choirs, Colgate University Chorus, and the Wisconsin Chamber Choir.

His program includes music by Felix Mendelssohn, Jean Roger-Ducasse, Wolfgang Amadeus Mozart and others. Sorry, but specific titles of the works to be performed were not sent to The Ear. But you can hear a sample of Jean-Roger Ducasse in the YouTube video at the bottom.

For more information about this and other Farmers’ Market organ concerts, go to:

http://www.madisonsymphony.org/farmers


Classical music education: Let us now praise K-12 music teachers as an elementary music teacher in Whitewater wins an award for Excellence in Music Education

May 31, 2016
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By Jacob Stockinger

The Memorial Day holiday is over and now we start winding down the academic year in public and private K-12 schools.

That makes it a great time to catch up with news that reminds us how important music education and education in the arts, humanities and liberal arts, can be to the development of the whole child or young person and to lifelong learning.

It helps us to realize that, despite what many legislators say, education should never be a trade school that provides vocational education or career preparation, and that education is not always all about the so-called STEM subjects – science, technology, engineering and mathematics – deemed so useful to business, industry and individual wealth accumulation. (You can hear educator Richard Gill give a popular TED Talk about the value of music education in the YouTube video at the bottom.)

So here is open important reminder via a press release:

The Madison Symphony Orchestra (MSO) and Ward-Brodt Music have awarded their 2016 Award for Excellence in Music Education to Whitewater music teacher Christine Hayes of Lincoln/LINCS Elementary School at a choir concert for grades 2-5.

The presentation was held on Tuesday, May 17, in the Whitewater High School Auditorium.

This annual award celebrates an educator who displays leadership, passion, dedication, and innovation within the music classroom, positively affecting the lives of his or her students and the community at large, and is designated for one outstanding music educator in southern Wisconsin.

The MSO and Ward-Brodt developed the award to recognize that cultivating the artistic growth of young students is one of the unique and challenging jobs for teachers in Wisconsin.

Christine Hayes (below) has dedicated her life to enriching young people and the communities around her through music education. In her 29 years of working in the Whitewater Unified School District and by contributing to music in her community in a variety of ways, she’s changed the lives of many students and her colleagues. She believes that “inspiring and challenging children today will lead to their embracing music for their lifetime.”

Christine Hayes

In the nominations by parents, teaching colleagues, church members, and school administrators, Hayes was described as “a power house of creative energy” who “encourages children to express their feelings through music.”

Her students at Lincoln/LINCS Elementary School, where she has spent the last 19 years, can take part in diverse musical experiences including world drumming, playing guitar and recorder, composing music, and singing in many languages. All of these experiences for children make her classroom “an exciting, musical adventure.”

She has also taught elementary and middle school band, middle school guitar, keyboards and general music.

A former colleague who nominated her wrote, “Mrs. Hayes leads by example by continuing to find ways to improve as an educator by constantly pursuing her own education. She recently completed a trip to Ghana in order to learn about their musical culture.”

In her own words, Hayes said, “My goal is for each student to imagine themselves in musical experiences, provide them authentic learning situations where they create, respond, perform and connect, then collaborate with those students to apply their knowledge and skills to discover their personal musical path.”

Outside the classroom, she founded an after-school orchestra where she volunteers her time as coordinator allowing children to enrich their music education. Currently in its eighth year, the Whitewater Unified School District Strings Program has touched the lives of many school children, with 72 students participating this past year, ranging from fourth grade to high school.

She is also a music leader in her community. Hayes has been serving as the Choir Director for the First United Methodist Church in Whitewater for the past 20 years and served on the board of directors of the Whitewater Arts Alliance for five years.

In her free time she plays clarinet with the University of Wisconsin-Whitewater Community Band.

Hayes has also been deeply involved with developing Wisconsin state standards for music education by serving on the writing committee for the National Common Core Music Standards from 2012 to 2014.

In 2015, she was asked to join the Steering Committee for the Wisconsin Music Educators Association (WMEA), continuing her work to improve music education in Wisconsin. Hayes has served as the Chair of the NAfME National Council for General Music Education and as a President of the WMEA.

She earned her bachelor’s degree in music education from Central Michigan University and a master’s degree in music from Northwestern University. She currently resides in Whitewater, Wisconsin.

In 2007 she won the Wal-Mart Wisconsin Teacher of the Year award and in 2008 the Herb Kohl Fellowship Award.

Hayes will be awarded a commemorative plaque and a $500 prize. These prizes have been made possible through the generosity of Ward-Brodt Music of Madison, Wisconsin.  To be qualified for the award, a nominee must have taught within a 75-mile radius of Madison in a public or private K-12 school and instructed a band, orchestra, choir or general music course.

Colleagues, current or former students, parents of students, or friends were eligible to nominate a music educator for the award.

The review panel consisted of representatives from public and private school administration, veteran teachers, university staff and knowledgeable community members. (For the sake of full disclosure, The Ear sat on the committee that reviewed the many impressive nominations and decided the winner of the award.)

For more information regarding the Award for Excellence in Music Education, visit http://madisonsymphony.org/award.


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