The Well-Tempered Ear

Classical music: Wikipedia offers a comprehensive overview of classical music in 2018. Plus, the annual New Year’s Day concert by the Vienna Philharmonic airs this morning on radio and tonight on TV

January 1, 2019
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By Jacob Stockinger

Today – January 1, 2019 – brings just two items or stories to the blog.


The first item is a kind of ALERT.

One of the most popular and beloved worldwide musical traditions is the annual Great Performances broadcast by National Public Radio (NPR) of “New Year’s Day From Vienna” with the Vienna Philharmonic.

This year’s conductor is Christian Thielemann  (below top) of the Munich Philharmonic and the host is Hugh Bonneville (below bottom in a photo by Nick Briggs) of PBS’ “Downton Abbey.”

The concert is a sold-out feast of waltzes, polkas and marches (including the famous clap-along “Radetzky March,” with Herbert von Karajan conducting in 1987, in the YouTube video at the bottom).

The radio version will be broadcast on Wisconsin Public Radio from 10 a.m. to noon THIS MORNING, Tuesday, Jan. 1, 2019.

Then at 8-9:30 p.m. TONIGHT, Wisconsin Public Television will broadcast the visual version of the event, complete with ballet and wonderful landscape, interior and architectural shots in and around Vienna. There will also be encore performances:

For a playlist and more background, go to:


The first day of the new year seems like the perfect time to look back and see what happened in classical music during the past year.

And this year, The Ear found something truly comprehensive and international.

Wikipedia has put together a year-end overview that is astonishing for its amount of detail. 

You will find a global day-by-day calendar that includes links, in blue, for more details.

You will find news items and major events – including the effect of the #MeToo movement as well as deaths and obituaries, jobs and retirements.

You will find a list of new music.

You will find a list of new operas.

You will find lists for several major awards for classical recordings.

It is a terrific resource — a good long read, both informative and entertaining. Perfect for New Year’s Day.

Here is a link:

Happy New Year!

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Classical music: This past Thursday, January 5th, was a big day for modern piano giants and birthday boys Arturo Benedetti Michelangeli, Alfred Brendel and Maurizio Pollini. Have fun and hear them at their best.

January 7, 2012
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By Jacob Stockinger

This past Thursday, January 5th, was a big day for classical pianists, with three of the most famous ones of the 20th and 21st centuries celebrating important birthdays.

Can you guess which three pianos virtuosos we are talking about?

They are: Maurizio Pollini, who turned 70 (below):

Alfred Brendel, who turned 81 (below):

And the late Arturo Benedetti Michelangeli (below) who would have turned  92:

Here is a link to a site at NPR with the answers and three sample videos of the three keyboard titans playing.

And here is a link to something I really like — a story about and appreciation of Pollini that includes the special set of recordings that  Deutsche Grammophon has reissued to mark Pollini’s birthday:

And here is the DG press release about the boxed sets, which are go on sale Jan. 10:

2012 is a momentous year for famed Italian pianist Maurizio Pollini: not only will he celebrate his 70th birthday (January 5) but the year also marks the 60th anniversary of his first public performance. (Early in his career, Pollini also studied with Michelangeli.)

“His career has spanned two generations of pianists and audiences and he continues today performing throughout North America, Europe and Asia.  Deutsche Grammophon’s relationship with the pianist extends back to his Yellow Label debut in 1971 and continues today.

“To celebrate these milestones Deutsche Grammophon has prepared a number of retrospective releases and looks forward to new recordings.

“The Art of Maurizio Pollini” (below, available January 10) is a 3-CD, deluxe package set which chronicles the breadth of Pollini’s performance and recording career. The limited-edition hardcover set includes repertoire chosen personally by Pollini and consists of complete works (not extracts) ranging from Stravinsky’s “Petrushka” and Chopin’s Op. 25 Études to complete concertos by Beethoven and Mozart.  As an added bonus, DG has included the 1960 performance of Chopin’s First Piano Concerto from the International Chopin Competition – a performance that ensured Pollini’s victory at the young age of only 18.  Click here for the complete tracklisting.

Though Pollini has not wanted to be termed a “specialist” of any one type of music, he has remained fascinated over the past 50 years notably with the music of Chopin and works written in the 20th-century.  Although the two seem rather different they speak to Pollini’s curiosity and his artistically rich childhood.

“I grew up in a house with art and artists,” Pollini told The Guardian’s Nicholas Wroe. “Old works and modern works co-existed together as part of life. It went without saying.” Here is a link to the complete story by Nicholas Wroe:

To honor these passions Deutsche Grammophon has already released two box sets: Chopin and 20th Century.  The Chopin box (below, 9 CDs) includes complete recordings of Études, Préludes, Polonaises, Sonatas Nos. 2 and 3, Nocturnes and much more.  Click here for complete information on the Chopin box.

The 20th Century box (below, 6 CDs) includes Pollini’s debut for the Yellow Label and works from composers such as Stravinsky, Prokofiev, Webern, Boulez, Nono, Manzoni, Schoenberg, Bartók and Debussy.  Click here for complete information on the 20th Century box.

Late last year, Deutsche Grammophon released Pollini’s third recording of the Brahms Piano Concerto no. 1 in D minor, op. 15 (below).  For this live recording Pollini was joined, for the first time on DG, by Christian Thielemann and the Staatskapelle Dresden.  This unique collaboration brought together two musical giants for one very special event.  This concerto is the same work that Pollini performed for his Staatskapelle debut in 1976 and 35 years later his interpretation has inevitably grown and changed.  Since that debut he has performed the work with a number of great maestros including Karl Böhm and Claudio Abbado, both of whom Pollini has previously recorded the work with on the Yellow Label.

Together Deutsche Grammophon and Pollini look forward to a new recording of works by Chopin for release later this year.  Chopin has always figured prominently in the pianist’s career and he constantly strives to find new and different meanings within the works.  At a recent recital The Guardian wrote: “… he still plays Chopin with the ease that floored even Rubinstein more than 50 years ago…”

Deutsche Grammophon is proud of its lengthy and continuing relationship with Maurizio Pollini and celebrates his tremendous artistry on the occasion of his 70th birthday.

Check out the link on both stories.


Which of the three pianists do you like the most?

Do you have favorite performances by each of them?

Let us know which pieces and which recordings?

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