The Well-Tempered Ear

Classical music: Combining a ticket to a live music performance with a book or recording that is tied to the concert’s program makes a great holiday gift

December 20, 2018
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

The holidays seem to arrive earlier each year.

The Ear isn’t sure why that is.

Whatever the reason, a lot of holiday gift shopping can by now seem last-minute and somewhat frantic.

But if you are shopping for a classical music fan, you are in luck if you go local.

The best way to please the recipient and also to support the local arts is to give a ticket to a live concert – always the most powerful and exciting musical experience — perhaps coupled to a related book or recording. (Below is UW-Madison pianist Christopher Taylor in a photo by Michael R. Anderson).

This blog doesn’t have room to list separately all the many musical groups in the area. But here are some samples that might interest you.

Through Monday, Dec. 24, the Madison Symphony Orchestra (below, in a photo by Greg Anderson) is once again offering a special deal for the remainder of the season. Tickets to both the “Beyond the Score” program and the remaining four season concerts, including Mahler’s mammoth “Symphony of a Thousand,” have been reduced to two price ranges: $10 and $25 for the former; $25 and $50 for the latter.

For more information, go to: https://madisonsymphony.org/concerts-events/buy-tickets/offers-discounts/holiday-tickets-sale/

If you want to see what other performers and presenters are offering – say, the Wisconsin Chamber Orchestra (below), the Oakwood Chamber Players, the Madison Bach Musicians, the Middleton Community Orchestra, the Wisconsin Baroque Ensemble, the Bach Dancing and Dynamite Society, the Willy Street Chamber Players, the Wisconsin Union Theater, the Overture Center and the Madison Opera, to name just a few of the more prominent names – just go to Google and type in their name to search and go to their home page on the web.

Many of them have all sorts of other discounts for students, seniors, subscribers, groups and others.

Don’t forget that Madison features many FREE concerts, especially at the University of Wisconsin-Madison.

True, a few of the most attractive and gift-worthy UW concerts are ticketed ($17 for adults, $7 for UW students) – including the annual Schubertiade, the yearly recital by pianist Christopher Taylor and the world premiere of the new Viola Sonata by John Harbison (below). But you could offer to take someone to a free chamber music or orchestral concert and provide companionship, transportation and maybe even dinner.

Here is a link to the very busy lineup and informative previews at the UW-Madison’s Mead Witter School of Music: https://www.music.wisc.edu

To top it off, you could add one of two outstanding local books The Ear puts at the top of the holiday gift guide.

The first is John Harbison’s “What Do We Make of Bach” (below top) which is short, very readable, thoroughly engaging and wonderfully informative in an autobiographical way that helps us celebrate both the 80th birthday of Harbison and the upcoming 334th birthday of Johann Sebastian Bach.

The second book, now in its second printing, is a comprehensive history of the Pro Arte Quartet (below) done by John W. Barker, who often writes for this blog as well as Isthmus.

Of course, a CD with one of the composers or works on a program also makes a fine complement, whether it is a Mahler symphony, a Bach suite or Schubert’s “Swan Songs” from his final year.

Finally, The Ear wants to know: What are your suggestions for a for holiday gift of classical music?

It could be a live concert or a recording, either something new or an old favorite.

It could be a particularly informative and enjoyable or entertaining book, including biographies of Leonard Bernstein (including one by his daughter Jamie Bernstein, below), whose centennial has been celebrated this season.

Over the next few days, The Ear will post suggestions  and Top 10 lists by professional critics. But in the end, it is the audience, the ordinary public, that many people want to hear from.

So perhaps you will leave your ideas in the COMMENT section.

Thank you! And have Happy Holidays — a Merry Christmas, a joyous Kwanzaa and a Happy New Year.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Wisconsin Chamber Choir excelled in Bach’s “Christmas Oratorio” despite questionable acoustics and cutting. A second performance is this afternoon at UW-Whitewater

December 16, 2018
3 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

On Saturday night, the Wisconsin Chamber Choir (below) gave Madison a proper gift for the holiday season with Johann Sebastian Bach’s Christmas Oratorio

Or with four-sixths of it, to be accurate.

Though Bach conceived of it as an integral composition, it is nevertheless cast in the form of six cantatas — one for each of the six days of the Christmas liturgical sequence, from the Nativity through Epiphany. Each cantata was meant to be self-sufficient by itself, in Bach’s conventional form for such works, with numerous chorales (in which the congregation could well have joined).

Artistic Director and conductor Robert Gehrenbeck (below) chose, however, to omit Cantatas 4 and 6. Allowing that the performers could be glad for the extra respite, I think this was an unnecessary omission. The evening would still not be that long, at least for an audience ready to welcome more. (I will note that Gehrenbeck did turn a repeat of the festive opening chorus of Cantata 3 as a makeshift finale of Cantata 5.)

I counted 14 soloists, many from among the choir itself, a few modestly serviceable, but most really very good. Most recognizable would be tenor Wesley Dunnagan, who sang both as the Evangelist and as tenor soloist.

The chorus itself, a total of 51 in number here, was just a bit large for the work, but was handsomely drilled by the conductor. The orchestra of 23 players (11 on strings), called the Sinfonia Sacra, was contrastingly small but played with verve and eloquence. (You can hear the irresistibly energetic opening of the Christmas Oratorio in the YouTube video at the bottom.)

I have great praise for the performance itself.  But I fear it was rather compromised by the venue.

Bach intended this cycle of cantatas for his sizable Lutheran church in Leipzig. But the Luther Memorial Church (below) is a much larger and loftier building than that with which Bach worked.  Its acoustics are big and reverberant. The choir, spread out before the altar, and the widely dispersed soloists, were far from much of the audience.

Their sound projected variously, rolling out into the big space in beautiful blurs. For much of the audience, that could well have been enough: lovely sounds and rhythms. But almost all the words were muddled or lost.

Now, words mattered to Bach (below), and to his congregation.  With the presence of the words all but lost, the messages of these cantatas are badly compromised. In that sense, this performance was successful sonically but not as sacred music.

Musicians obviously give thought to the settings for their performances. Their concern is very much about how well they can hear each other. But careful attention to what their audiences hear, and how that does justice to the performances. On that count, then, I found this event a mixed success.

On the other hand, I must praise the splendid program booklet, handsomely laid out, with good information, the full texts and translations, and particularly good notes on the work by J. Michael Allsen, who also did the English translations.

A second performance is this afternoon at 3 p.m. in the Young Auditorium at the UW-Whitewater. For more information and tickets, go to https://www.wisconsinchamberchoir.org


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Need a break from holiday shopping or final exams? A FREE “Just Bach” midday concert TODAY marks Christmas. On Friday at noon a free concert features violin music of Mozart and Ravel.

December 12, 2018
2 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Need a  break from holiday shopping or final exams this week? Today’s post brings announcements of two short and appealing midday concerts:

TODAY

Just Bach is a new monthly series of hour-long concerts in Madison celebrating the music of Johann Sebastian Bach.

The series continues with an end-of-semester performance at 1 p.m. TODAY, Wednesday, Dec. 12, at Luther Memorial Church, 1021 University Ave.

Admission is free with goodwill offerings accepted. Audience members are permitted to eat and drink during the performance.

Next semester’s dates are Jan. 23, Feb. 20, March 13, April 24 and May 29.

The orchestra of baroque period-instrument specialists will be led by concertmaster Kangwon Kim.

The goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach (below) would have conceived.

The audience will be invited to sing along during the opening hymns and the closing cantata chorales.

Here is the complete program for today’s concert:

BWV 729: In dulci jubilo (Mark Brampton Smith, organ)

Chorale: Wie soll ich dich empfangen (How shall I embrace You?) from Part I of the Christmas Oratorio (All sing)

BWV 61: Nun komm, der Heiden Heiland (Now come, Savior of the Heathen)

Chorale: Ich will dich mit Fleiss bewahren (I will cherish you assiduously) from Part III of the Christmas Oratorio (All sing)

Aria from BWV 213: Schlafe, mein Liebster (Sleep, my beloved)

Chorale: Schaut hin, dort liegt im finstern Stall (Look there, there He lies in a dark stall) from Part II of the Christmas Oratorio (All sing)

Duet from BWV 110: Ehre sei Gott (Glory be to God)

SELECTIONS FROM PART IV OF BACH’S “CHRISTMAS ORATORIO”:

Recit and Chorale: Immanuel, o suesses Wort! (Emmanuel, oh sweet word!)

Aria: Floesst, mein Heiland, floesst dein Namen (My Saviour, Your name instills)

Recit and Chorale: Wohlan, dein Name soll allein (Well then, Your name alone)

Aria: Ich will nur dir zu Ehren leben (I will live only to honor You)

Chorale: Brich an, o schoenes Morgenlicht  (Break forth, oh beautiful morning light) from Part II of the Christmas Oratorio (All sing). You can hear it in the YouTube video at the bottom, performed by the critically acclaimed Sir John Eliot Gardiner, the English Baroque Soloists and the Monteverdi Choir, sung to pictures of Bach’s own manuscript.

Singers are Sarah Brailey and Elisheva Pront, sopranos; Cheryl Bensman-Rowe, mezzo-soprano; Wesley Dunnagan, tenor; and UW-Madison Professor Paul Rowe, bass.

The orchestra includes: Kangwon Lee Kim (below) and Nathan Giglierano, violins; Marika Fischer Hoyt and Micah Behr, violas; James Waldo, cello; and Mark Brampton Smith, organ.

FRIDAY

This Friday, Dec. 14, from 12:15 to 1 p.m. the FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, will features violinist Wendy Adams and pianist Ann Aschbacher.

The  duo will perform Wolfgang Amadeus Mozart’s Violin Sonata No. 35, K. 526 – which you can hear in the YouTube video at the bottom — and Maurice Ravel’s Violin Sonata No. 2

Here is some background:

The First Unitarian Society of Madison presents “Friday Noon Musicales,” a distinguished artist recital series now in its 31st season.

Talented area musicians play most every Friday, from October through May. Mostly classical music, but Broadway, jazz, folk and other styles are presented at times as well. Enjoy complimentary coffee, tea and live music.

Concerts are free and open to the public. No ticket is required. All performances 12:15–1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive.

Visit https://fusmadison.org/music for upcoming featured artists.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: This weekend also brings holiday brass music, string music and new chamber music with voice to the UW. Plus, live radio broadcasts from the Metropolitan Opera start this Saturday on Wisconsin Public Radio

November 30, 2018
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This Saturday, Dec. 1, sees the start of the “Live From the Met” opera broadcasts on Wisconsin Public Radio with Arrigo Boito’s opera “Mefistofole.” The weekly series, now in its 88th year, will continue through May 11. Starting time is usually noon. Here is a link to the radio broadcast season: https://www.wpr.org/metropolitan-opera-begins-its-88th-season

By Jacob Stockinger

As usually happens towards the end of the semester, concerts are backing up, especially on the weekends.

Yesterday, information about the two performances of the annual UW-Madison Winter Choral Concert on Sunday afternoon was posted. Here is a link: https://welltempered.wordpress.com/2018/11/29/classical-music-two-performances-of-the-uw-madisons-popular-winter-choral-concert-takes-place-this-sunday-afternoon/

But much more is going on.

Take a look and listen:

SATURDAY

Non-music majors, take heart. If you attend the University of Wisconsin-Madison, you can still play and perform while pursuing other studies.

At 4 p.m. in Mills Hall, the All-University Strings (AUS) will perform a FREE concert that is open to the public.

The group (below, in a photo by Jeff Miller for the UW-Madison) is comprised of two non-major string orchestras (named Orchestra One and Orchestra Too), and is open to all interested string players. No audition is required, seating order is voluntary, and there is no ranking within the sections.

The AUS program endeavors to be a true learning community, serving students from virtually every department and major with the goal of nurturing lifelong engagement in music and the arts.

Pedro Oviedo is the conductor, and the guest artists are The Hunt Quartet. (The string quartet is made up of graduate students at the UW-Madison’s Mead Witter School of Music: Chang En Lu and Ava Shadmani, violins; Fabio Saggin, viola; and Alex Chambers-Ozasky, cello. They will be joined by Max Herteen, double bass.)

The appealing program includes:

Norman Leyden: Serenade for Strings

Karl Jenkins: Allegretto from “Palladio” (A neo-Baroque piece you might recognize from a De Beers “Diamonds Are Forever” ad. Listen to it in the YouTube video at the bottom.)

Eric WhitacreOctober

Modest Mussorgsky, orchestrated by Maurice Ravel: “The Hut on Fowl’s Legs (Baba Yaga)” and “The Great Gate of Kiev” from Pictures at an Exhibition

Astor PiazzollaLa muerte del angel (The Death of the Angel)

Ralph Vaughan Williams: Concerto Grosso

SUNDAY

At 12:30 p.m. the UW Horn Choir (below) will present its annual holiday concert at the Chazen Music of Art as part of the Sunday Afternoon Live at the Chazen series.

The FREE and public concert, directed and conducted by horn Professor Daniel Grabois, takes place in Brittingham Gallery No. 3.

The event will also be streamed live. Here is a link to the streaming portal as well as information about the program, which includes Bach and Mahler, the players and how to reserve seats:

https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-with-the-uw-horn-choir/

At 8 p.m. in Morphy Hall, a FREE concert of chamber music by distinguished guest artists will be held.

The Brooklyn-based soprano-violin duo Cipher Duo (below top, Justine Aronson and Sarah Goldfeather) will team up with cellist Nicholas Photinos(below bottom), a member of the Grammy-winning chamber music ensemble eighth blackbird, for an evening-length performance of both new and reimagined music.

The program will include works by Sarah Goldfeather, Amy Beth Kirsten, David T Little, Dolly Parton and more.

On Monday, the performers will also give public master classes:

The Cello Master Class is Monday, Dec. 3, 12:15-2:15 p.m. in Morphy Hall.

The Violin-Voice Master Class: Monday, Dec. 3, 1:15-3:15 p.m. in Music Hall.

For more information about the program and performers, go to: https://www.music.wisc.edu/event/guest-artists-nicholas-photinos-cello-and-cipher-duo-voice-and-violin/


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Two performances of the UW-Madison’s popular Winter Choral Concert takes place this Sunday afternoon. On Friday, composer Melinda Wagner gives a free public master class

November 29, 2018
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: On Friday, Nov. 30, from 11:45 a.m. to 1 p.m. in Morphy Hall, the Pulitzer Prize-winning composer Melinda Wagner will discuss her music in a master class, which is FREE and open to both students and the public. (You can hear an interview with her in the YouTube video at th bottom.)

For more information about the acclaimed composer, including a video interview, go to: https://www.music.wisc.edu/event/guest-artist-master-class-melinda-wagner-composer/

By Jacob Stockinger

On this Sunday afternoon, Dec. 2, one of the most popular FREE and PUBLIC events at the University of Wisconsin-Madison’s Mead Witter School of Music will take place.

Two FREE performances of the annual Winter Concert, which always draws full houses, will take place at 2 p.m. and 4 p.m. at the Luther Memorial Church (below), 1021 University Avenue.

Six of seven UW-Madison choirs — Chorale, Concert Choir (below top), Madrigal Singers, University Chorus, Women’s Chorus (below bottom) and Masters Singers — will perform in the charity concert.

Choirs will perform choral works both as individual ensembles and jointly.

Holiday carols are part of the program, and concert-goers are invited to sing along.

Professors and graduate students Beverly Taylor (below top), Bruce Gladstone, Michael Johnson and Andrew Voth will conduct, and UW Professor John Chappell Stowe (below bottom) will play the organ.

A free-will offering is accepted at the end of the program. Proceeds after expenses will be donated to “The Road Home,” an organization that provides housing and food to homeless families.

For more information, and a list of the complete and lengthy eclectic program – which includes works by Johann Sebastian Bach and Ralph Vaughan Williams as well as traditional music, jazz, pop music and a piece by UW-Madison alumnus Scott Gendel — go to: https://www.music.wisc.edu/event/two-winter-concerts-at-luther-memorial-church/2018-12-02/


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Oakwood Chamber Players celebrate the holidays this weekend with two performances of seasonal music

November 20, 2018
2 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This weekend the Oakwood Chamber Players (below) continue their 2018-2019 season series “Vignettes” with a holiday concert on this Saturday night, Nov. 24, at 7 p.m. and Sunday afternoon, Nov. 25, at 2 p.m.

On the program is a range of musical styles and a charming story set for chamber ensemble and narrator.

The cheery holiday-themed program will include familiar seasonal music, treasured classical composers, entertaining arrangements, and some delightful musical storytelling.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: the cost is $25 for general admission, $20 for seniors, and $5 for students. For more information, go to: www.oakwoodchamberplayers.com or call (608) 230-4316.

The program includes music from two beloved classical composers: “Joseph, dearest, Joseph mine” from “Geistliches Wiegenlied” by Johannes Brahms; and Suite of Christmas Songs, Op. 72, by Felix Mendelssohn.

In 1927, “The Adoration of the Magi” (below) by Renaissance painter Sandro Botticelli, who did many scenes of that subject, inspired Italian composer Ottorino Respighi to create an evocative composition that weaves traditional carols into his musical response to the famous painting. This version has been arranged for chamber ensemble of flute, harp and cello. (You can hear the orchestral version in the YouTube video at the bottom.)

The group will be joined by special guest artist baritone Robert “Bobby” Goderich, who has appeared with the Madison Opera and the Four Seasons Theatre. He will sing an upbeat version of the traditional Welsh Gower Wassail as well as performing Silent Night set for the intimate combination of voice, clarinet and harp.

Central to the program, Goderich (below) will narrate Sweep Dreams, an enchanting tale about a lonely man who falls in love with an enchanted broom that dances in the moonlight.

The story by the late and prize-winning author Nancy Willard (below top) was set to music by the late and renowned American choral composer Stephen Paulus (below bottom), who lived in Minneapolis and created the piece while he was composer-in-residence for the Minnesota Orchestra.

Additional works on the concert are “A Winter’s Night” by American composer Kevin McKee (below) for flugelhorn and harp, Australian composer Percy Grainger’s warm-hearted setting of “Sussex Mummers’ Carol,” and two sunny woodwind quintet settings of beloved holiday songs.

The Oakwood Chamber Players will be joined by a significant array of guest artists: Margaret Mackenzie, harp; Wes Luke, violin; Ariel Garcia, viola; Brad Townsend, bass; Jennifer Morgan, oboe; John Aley trumpet and flugelhorn; Robert “Bobby” Goderich, singer/narrator; Nicholas Bonacio, percussion; and Carrie Backman, conductor.

Regular members, who play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and other local groups, include: Maggie Darby Townsend, cello; Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Anne Aley, horn; and Amanda Szczys, bassoon.

This is the second of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place in 2019 on Jan. 12 and 13; March 2 and 3; and May 18 and 19.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,196 other followers

    Blog Stats

    • 2,066,675 hits
%d bloggers like this: