By Jacob Stockinger
Here is the official announcement of the 2017-18 season by the Madison Symphony Orchestra:
The 2017-18 season of the Madison Symphony Orchestra (MSO, below, in a photo by Greg Anderson) presents nine programs that invite audiences to “listen with all your heart” and “feel the emotion, power and majesty” of great classical music.
Subscriptions are available now, and single tickets for all concerts go on sale to the public Saturday, Aug. 12, 2017.
For more information about tickets and ticket prices plus discounts for new subscribers and renewing subscribers, go to:
MSO music director John DeMain, who will be marking his 24th season with the MSO, has created an exciting season that features favorites combined with firsts.
Says DeMain (below, in a photo by Prasad): “I must point out two monumental firsts: the MSO debut of the great violinist Gil Shaham, renowned and sought after the world over, whose appearance Madison has waited for for many years; and the Madison premiere of the Glagolitic Mass by Czech composer Leos Janacek, a gargantuan work for chorus and orchestra with a prominent role for our “Colossal Klais,” the Overture Concert Organ.”
Performances are in Overture Hall of the Overture Center at 7:30 p.m. on Fridays; 8 p.m. on Saturdays; and 2:30 p.m. on Sundays.
The 2017-2018 subscription series concerts begin on Sept. 15, 16 and 17 with “Orchestral Brilliance”—proudly presenting the Madison Symphony Orchestra performing the Johann Sebastian Bach/Leopold Stokowski version of the organ Toccata and Fugue in D minor; Felix Mendelssohn’s Reformation Symphony and Hector Berlioz’s “Harold in Italy” with MSO principal viola Christopher Dozoryst (below, in a photo by Katrin Talbot) as soloist. (You can hear Leopold Stokowski conduct his own transcription of the work by Bach, which was used in Walt Disney’s film “Fantasia,” in the YouTube video at the bottom.)
“From the New World” on Oct. 20, 21 and 22 features the return of beloved pianist Olga Kern (below), a gold medalist in the Van Cliburn competition, performing Samuel Barber’s Piano Concerto, and the MSO performing Antonin Dvorak’s Symphony No. 9 “From the New World” and Maurice Ravel’s Mother Goose Suite.
On Nov. 17, 18, and 19 “Troubadour: Two Faces of the Classical Guitar” features sensational guitar virtuoso Sharon Isbin (below) playing two works, one by American composer Chris Brubeck, and the other by the Spaniard Joaquin Rodrigo, with the MSO performing two Suites—Manuel DeFalla’s The Three-Cornered Hat and Aaron Copland’s Billy the Kid.
The cherished kickoff to the holiday season, “A Madison Symphony Christmas,” returns on the first weekend in December — the 1, 2, and 3. Guest artists Emily Pogorelc, soprano, and Eric Barry, tenor, join John DeMain, the MSO, the Madison Symphony Chorus (below), Madison Youth Choirs and Mount Zion Gospel Choir on stage for the family-friendly celebration.
The MSO season subscription continues in 2018 with the long awaited appearance of violinist Gil Shaham (below) with the MSO—“Gil Shaham Plays Tchaikovsky” on Jan. 19, 20 and 21. This program features works by three of the most popular Russian composers of all time— Sergei Prokofiev’s The Love for Three Oranges Suite, Sergei Rachmaninoff’s Symphony No. 3 and Peter Tchaikovsky’s Violin Concerto.
“Richly Romantic” concerts take place on Feb. 16, 17 and 18 when one of MSO’s favorite cellists, Alban Gerhardt (below), returns performing the lyrical William Walton’s Cello Concerto, and the MSO presents Johannes Brahms’ Symphony No. 1 and Gioachino Rossini’s Overture to Semiramide.
Spring arrives April 13, 14, and 15 with “String Fever” featuring Robert Schumann’s Symphony No. 1, Spring, Benjamin Britten’s Sinfonia da Requiem and Grammy Award-winning violinist Augustin Hadelich (below) performing the Antonin Dvorak’s Violin Concerto.
The season finale, “Mass Appeal,” takes place on May 4, 5 and 6. Star of NPR’s From the Top, pianist Christopher O’Riley (below), will open the program with Mozart’s Piano Concerto No. 22. The MSO premiere of the monumental Glagolitic Mass by Czech composer Leos Janacek features the Overture Concert Organ and the Madison Symphony Chorus, along with soloists Rebecca Wilson, soprano, Julie Miller, mezzo-Soprano, Roger Honeywell, tenor, and Benjamin Sieverding, bass.
The MSO’s 17-18 season includes the popular multimedia production of Beyond the Score®, “Edward Elgar: Enigma Variations,” featuring live actors and visuals in the first half, with the entire work performed in the second half. Joining the orchestra are American Players Theatre actors James Ridge (below), Colleen Madden and Brian Mani, along with Wisconsin Public Radio’s Norman Gilliland of Wisconsin Public Radio as the Narrator. This single performance takes place on Sunday, March 18, 2018*.
NOTE: *Advance tickets for Beyond the Score® are available only to MSO 17-18 season subscribers prior to single tickets going on sale to the general public on Saturday, Aug. 12, 2017. Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Beyond the Score®
ABOUT THE MADISON SYMPHONY ORCHESTRA
The Madison Symphony Orchestra celebrates its 92nd season in 2017-2018 and its 24th season under the leadership of music director John DeMain.
The MSO has grown to be one of America’s leading regional orchestras, providing Madison and south central Wisconsin with cultural and educational opportunities to interact with great masterworks and top-tier guest artists from around the world.
Find more information at madisonsymphony.org
By Jacob Stockinger
It is described as “Wisconsin Young Artists Compete.”
“The Final Forte” event is the final round of the Bolz Young Artist Competition in which the four finalists perform in a FREE concert with the Madison Symphony Orchestra that is broadcast live by Wisconsin Public Radio (WPR) and rebroadcast by Wisconsin Public Television (WPT).
“The Final Forte” will take place this Friday night at 7 p.m. in Overture Hall of the Overture Center. Seating is FREE but you must register with the Madison Symphony Orchestra. John DeMain will conduct the Madison Symphony Orchestra.
According to the Madison Symphony Orchestra, which organizes and conducts the competition:
“The Final Forte 2016 finalists (above) were selected from several young Wisconsin artists who competed in the Bolz Young Artist Competition’s two preliminary rounds. The event gave these four artists the chance to perform a movement from a concerto with the MSO.
The 2016 contestants are (below, left to right): Pianist Audrianna Wu of Madison, who will perform the third movement of the Piano Concerto in A minor by Edvard Grieg (you can hearing the famous concerto played by Norwegian pianist Leif Ove Andsnes in a YouTube video at the bottom); pianist Liam Mayo of Green Bay, who will perform the first and third movement of the Piano Concerto No. 1 by German composer Felix Mendelssohn; violinist Tabby Rhee of Brookfield, who will perform the first movement of the Violin Concerto by Finnish composer Jean Sibelius; and marimbist Robert Rockman of Sun Prairie, who will perform the “Fantasy on Japanese Prints” by American composer Alan Hovhaness.
This year’s anniversary event features special guest co-host, concert pianist Christopher O’Riley, who hosts NPR’s “From the Top” that airs here on Sunday night 8-9 p.m.
The most comprehensive information about the FREE concert, the live broadcasts, the biographies the four young contestants, the complete list of sponsors and a link to register to reserve a seat (you can also call 608 257-3734) can be found at the Madison Symphony Orchestra’s website:
According to the MSO: “This competition has captured an enormous following and numerous honors, including an Emmy nomination, First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007, and fifth most-watched program in the February 2007 Nielsen ratings.
The 2008 WPT and WPR broadcasts reached more than 60,000 viewers and listeners in the Madison market alone and the 2009 broadcasts reached an estimated 200,000 statewide.”
This event will be broadcast on: Wisconsin Public Television: Tuesday, Feb. 2, at 8 p.m. and Sunday, Feb. 7, at 12 p.m.
Milwaukee Public Television: Friday, Feb. 5, at 8 p.m. and Tuesday, Feb. 9, at 4 a.m.
Wisconsin Public Radio: Sunday, Jan. 31, at 12:30 p.m.
Here is a link to Wisconsin Public Television, which features introductory videos about each performer:
And here is a link to Wisconsin Public Radio, where Thursday right after the noon news on The Midday, Christopher O’Riley, host of NPR’s popular classical music program From The Top, chats with radio host Stephanie Elkins (below) about his show and the young musicians from Wisconsin that have appeared on his show in the past. O’Riley is in town to help celebrate the 10th anniversary of the Bolz Young Artists Final Forte.
By Jacob Stockinger
Since 1963, the Leeds International Piano Competition in England has brought us such keyboard luminaries as Radu Lupu, Murray Perahia, Mitsuko Uchida, Christopher O’Riley and Andras Schiff as well as Alessio Bax, who will perform in Madison on Sunday, afternoon, Jan. 17, this season with his wife Lucille Chung at Farley’s House of Pianos.
The competition, held every three years, has been taking place over the past two weeks. (You can hear the 2012 winner Federico Colli discuss why the Leeds is important and has helped his own career in a YouTube video at the bottom.)
This weekend you can take in the finalists in their concerto performances.
Here is a link to the competition home page:
Here is a link with an Internet portal.
But it also features some fascinating background and commentary from a judge or juror about the solo semi-finals.
By Jacob Stockinger
For many pianists, anyway, such is the case.
Steinway Hall (below is the hallmark rotunda of the famed building) is a landmark building where a historic meeting took place between composer-pianist Sergei Rachmaninoff and keyboard virtuoso Vladimir Horowitz.
For generations it is where the greatest keyboard artists have gone to select the proper instrument for the Carnegie Hall and other solo recitals, chamber music concerts and concerto appearances at other venues such as Avery Fisher Hall in Lincoln Center.
To be selected and named a “Steinway artist” was the highest professional accolade, whether you were Arthur Rubinstein or Van Cliburn or Emanuel Ax or Pierre-Laurent Aimard or Jeremy Denk or Daniil Trifonov. And there have been countless others.
But nothing can block “progress.”
Especially the progress officials call economic development.
So soon the old Steinway Hall will move to a new location, and the old Steinway Hall will be demolished to make room for upscale luxury condominiums.
Maybe it is just another example of the old real estate saying: Location, location, location.
After all, Steinway Hall is not very far from Carnegie Hall (below).
Talk about prime locations and reputable or prestigious addresses.
Here is a link to an earlier story and less complete story, with less background, from March 2013 in The New York Times. Be sure to read the Reader Comments:
By Jacob Stockinger
APPLETON, WIS. — Combining individual virtuosity into a musical collaboration that blends classical and pop music genres, cellist Matt Haimovitz and pianist Christopher O’Riley (below) open Lawrence University‘s 2012-13 Artist Series this Saturday, Oct. 27, at 8 p.m. in the historic Lawrence Memorial Chapel (exterior photo is below top; interior, in a photo by Frank S. Hada, is below bottom), located in Appleton, about 90 miles or a two-hour drive from Madison.
Tickets, at $22-$20 for adults, $19-$17 for seniors, and $17-$15 for students. Tickets are available through the Lawrence Box Office in the Music-Drama Center, or by calling 920-832-6749.
The concert will showcase the award-winning talents of Haimovitz and O’Riley as collaborators and soloists in an eclectic program featuring works ranging from J.S. Bach to Astor Piazzolla, Igor Stravinsky to Radiohead.
Since making his musical debut at the age of 13 with Zubin Mehta and the Israel Philharmonic, Haimovitz (below) has established himself as a musical pioneer and visionary, widely known for his trademark solo cello recitals, performed with many of the world’s most prestigious musical ensembles, among them the Berlin Philharmonic, the New York Philharmonic and the English Chamber Orchestra.
Performing on a 1710 Venetian cello made by Matteo Gofriller, Haimovitz drew raves for his Bach “Listening-Room” tour in which he took Bach’s beloved cello suites from the concert hall to clubs – incluing the Cafe Carpe in Fort Atkinson, Wisconsin, and the High Noon Saloon in Madison — across the U.S., Canada, and the United Kingdom.
O’Riley, who subscribes to the Duke Ellington adage, “there are only two kinds of music, good music and bad,” is one of the leading interpreters of popular contemporary music. His discography includes two CDs of his own versions of Radiohead songs, a tribute to the works of singer/songwriter Nick Drake and 2009’s “Out of My Hands,” which was inspired by the works of Nirvana, REM, Pink Floyd, Tori Amos and Portishead, among others.
O’Riley (below) began classical piano studies at the age of four but his interests eventually shifted to pop music and in the sixth grade he started his own band.
In addition to touring, O’Riley hosts the weekly National Public Radio program “From the Top” (below), which spotlights rising young classical musicians. (The NPR show airs on Wisconsin Public Radio on Sunday nights at 8 p.m. For more information, visit www.wpr.org. And Riley performed a recital of Shostakovich and Radiohead several years ago at the Wisconsin Union Theater.)
About Lawrence University
Founded in 1847, Lawrence University uniquely integrates a college of liberal arts and sciences with a world-class conservatory of music, both devoted exclusively to undergraduate education. It was selected for inclusion in the Fiske Guide to Colleges 2013 and the book “Colleges That Change Lives: 40 Schools That Will Change the Way You Think About College.” Individualized learning, the development of multiple interests and community engagement are central to the Lawrence experience. Lawrence draws its 1,450 students from nearly every state and more than 50 countries. Follow Lawrence on Facebook.