The Well-Tempered Ear
Classical music: After 54 years at the UW-Madison, the Wisconsin Youth Symphony Orchestras (WYSO) will move this fall to the new McFarland Performing Arts Center.
11 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Starting this fall, the Wisconsin Youth Symphony Orchestras (WYSO, below) will have a new home for classes, rehearsals and performances.
The news of moving to the McFarland Performing Arts Center (below) is very good for WYSO. But The Ear feels sad to see the University of Wisconsin-Madison and WYSO parting ways after a partnership of 54 years.
It feels like the UW, a distinguished public institution, is backing away from the Wisconsin Idea of public service to the citizens who fund the university. It is embodied in the saying that “the boundaries of the university are the boundaries of the state.” (Editor’s note: For more about the Wisconsin Idea and its Progressive Era history, go to: https://en.wikipedia.org/wiki/Wisconsin_Idea)
It feels, in short, like a setback to community engagement by the UW-Madison and its Mead Witter School of Music, where WYSO once had offices and used Mills Concert Hall.
Be that as it may, here is a WYSO email newsletter’s account of what led up to the decision and move.
“The news from University of Wisconsin-Madison started trickling in a little at a time.
“First, Mills Hall (below), where WYSO had rehearsed almost every Saturday since the Humanities Building opened, was scheduled for transformation from a concert hall into a lecture hall. (You can see WYSO performing in Mills Hall in the YouTube video at the bottom.)
“Then the UW began to reconsider whether pre-college programs should actually share space with university departments.
“And there was the growth of WYSO itself — from one full orchestra to three, plus two string orchestras, a chamber music program (below top), a full array of ensembles, and the community-impact Music Makers (below bottom).
“Meanwhile, 12 minutes away, the town of McFarland opened an amazing 841-seat, state-of-the-art performing arts center (below).
“And incredibly, the adjacent middle school and high school campus (below) had enough parking and enough rehearsal space to accommodate the entire WYSO program with room to grow — all of the student musicians, all of the orchestras, and all rehearsing at the same time.
“In a unique move of creative place-making, McFarland’s School Superintendent Andrew Briddell reached out to WYSO and suggested all of the above opportunities, plus collaboration with the McFarland schools, staff and community, and the ability to build on the creative history of the town itself.
“Passionate about music and education, Andrew Briddell, earned a double major in music and English from Indiana University, a Master’s degree in bassoon from Temple University, and a doctorate in Educational Leadership and Policy Analysis from the UW-Madison.
“”A talented bassoon player, Briddell (below) played with the Alabama Symphony Orchestra and was music director of the Youth Symphony Orchestra of Birmingham.
“What a perfect match for this collaboration!
“It was an invitation too good to pass up. So starting in the fall of 2020, the Wisconsin Youth Symphony Orchestras will be in residence at the new McFarland Performing Arts Center.”
To read more details about WYSO’s new home, including design and acoustics, go to: https://www.wysomusic.org/the-wyso-weekly-tune-up-april-17-2020-wysos-new-home/
What do you think about the new move WYSO?
The Ear wants to hear.
Tags: #AlabamaSymphonyOrchestra, #AndrewBriddell, #BlogPost, #BlogPosting, #ChamberMusic, #ConcertHall, #DoctoralDegree, #DoubleMajor, #EmailNewsletter, #FacebookPost, #FacebookPosting, #HarpEnsemble, #HighSchool, #HumanitiesBuilding, #IndianaUniversity, #JacobStockinger, #LectureHall, #Master'sDegree, #McFarlandHighSchool, #McFarlandPerformingArtsCenter, #MeadWitterSchoolofMusic, #MiddleSchool, #MillsHall, #MosseHumanitiesBuilding, #MusicDirector, #MusicEducation, #MusicMakers, #PassUp, #PercussionEnsemble, #PerformingArts, #PerformingArtsCenter, #PublicService, #SchoolSuperintendent, #StringMusic, #StringOrchestra, #StudentMusicians, #SymphonyOrchestra, #TempleUniversity, #TheEar, #Wikipediabiography, #Wikipediaentry, #WisconsinIdea, #WisconsinYouthSymphonyOrchestras, #YouthSymphonyOrchestraofBirmingham, #YouTubevideo, ability, accomodate, account, acoustics, Alabama, analysis, Andrew Briddell, Arts, audience, bassoonist, Birmingham, blog, border, boundary, build, Campus, Chamber music, citizen, classes, Classical music, collaboration, community, Concert, concerto, concerto hall, creative, degree, department, design, detail, doctorate, double major, downtown, Education, educational, email, embody, English, ensemble, entire, Facebook, fall, forward, full, fund, good, grow, grown, high school, History, Home, humanities, humanities building, impact, Indiana University, institution, invitation, Jacob Stockinger, leadership, lecture hall, like, link, Madison, major, masters degree, match, McFarland, McFarland High School, McFarland Performing Arts Center, Mead Witter School of Music, Middle school, Mills Hall, Mosse Humanities Building, move, Music, Music director, Music education, Music Makers, new, newsletter, oepn, opportunities, Orchestra, PAC, parking, partnership, pass, pass up, percussion, perfect, perform, performance, performer, Performing arts, Performing Arts Center, Piano, player, policy, post, posting, pre-college, program, progressive, Progressive Era, public, public service, rehearsal, residence, room, saying, schedule, school, school superintendent, share, sharspace, space, staff\, state, state-of-the-art, string music, String Orchestra, student musicians, symphony, symphony orchestra, tag, talented, Temple University, The Ear, think, town, transformation, unique, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, up, UW-Madison, Wisconsin, Wisconsin Idea, Wisconsin Youth Symphony Orchestras, WYSO, years, Youth Symphony Orchestra of Birmingham, YouTube
Classical music: Wisconsin Chamber Orchestra music director and conductor Andrew Sewell launches his own website
5 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Just two weeks before he mounts the podium on Friday, Jan. 25, for the first Masterworks Concert by the Wisconsin Chamber Orchestra this season, maestro Andrew Sewell (below) has launched his own website.
Sewell, who was born in New Zealand and became a naturalized American citizen, is the music director and conductor of the WCO, and is also now in his second season as music director and conductor of the San Luis Obispo Symphony in California. Plus, he has many guest appearances, from London to Hong Kong, and numerous awards to his credit. (You can hear an interview with Sewell in the YouTube video at the bottom.)
The homepage of his new website, which features becoming black-and-white photos of Sewell, looks deceptively simple to navigate.
But there is much more than is apparent at first to learn there.
Under BIO you can read about his life in detail and also listen and watch archival videos of him conducting the Wichita and the San Luis Obispo orchestras in major works by Haydn, Beethoven, Berlioz and Brahms, along with critical praise for his performances and programming.
Under SCHEDULE, you see concert dates and soloists but no programs — at first. But if you click on the yellow words for PURCHASE TICKETS and either MASTERWORKS or CONCERT, you will be directed to full information about all the concerts by both of the orchestras he heads.
And by clicking on GALLERY you will find a generous montage of color photos, both serious and playful, of the friendly and talented Sewell at work and at ease.
Here is a link to the website:
https://www.andrewsewell.net/?fbclid=IwAR3zaRVX5psZMfYQNBW2XKIj6AvgY5fiVMQXZw-yOALDQDmZTvBElX6U3us
The Ear finds this a useful and appealing tool to learn more about a Madison maestro whose achievements have consistently stood out for almost 20 years and have altered the landscape of local music-making for the better.
The handsome new website is a job well done, and is well worth your time to check out, bookmark and use regularly.
Bravo, maestro!
Tags: #AmericanCitizen, #AndrewSewell, #BlogInterview, #BlogPost, #BlogPosting, #ChamberOrchestra, #ClassicalComposers, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GuestConductor, #HectorBerlioz, #HomeWebsite, #HongKong, #HongKongChina, #JohannesBrahms, #LudwigVanBeethoven, #MusicCritic, #MusicReview, #NewZealand, #SanLuisObispo, #SanLuisObispoSymphony, #UnitedStates, #WichitaKansas, #WisconsinChamberOrchestra, America, American, Andrew Sewell, Arts, audience, Audio, award, Baroque, Beethoven, Berlioz, biography, blog, Brahms, bravo, California, chamber orchestra, China, choral music, citizen, Classical era, Classical music, composer, conductor, date, Early music, Facebook, Franz Schubert, Friday, guest, Haydn, Hong Kong, interview, Jacob Stockinger, Japan, Johann Sebastian Bach, Johannes Brahms, Kansas, link, Ludwig van Beethoven, Ludwig van Bethoven, Madison, Maestro, masterwork, Mozart, Music, music critic, Music director, music review, New Zealand, Orchestra, performer, post, posting, program, programming, San Luis Obispo, San Luis Obispo Symphony, schedule, Season, share, soloist, symphony, tag, talent, ticjet, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, Website, Wichita, Wichita Symphony Orchestra, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, word, YouTube
Classical music education: Here are two blogs that allow you to follow the tour of Peru by the Youth Orchestra of the Wisconsin Youth Symphony Orchestras
Leave a Comment
By Jacob Stockinger
The Youth Orchestra (below top) of the Wisconsin Youth Symphony Orchestras has landed in Peru, and has already rehearsed, and will officially launch its 10-day tour — which includes the capital city of Cusco and the ancient Incan city of Machu Picchu (below bottom) — with a performance tonight in Lima.
And thanks to the foresight of the WYSO staff, you can follow the young musicians, along with retired WYSO music director and conductor James Smith, each step of the way until the tour ends on July 15:
Here is a link to a typical kind of blog:
https://wysoperutour.wordpress.com
Here is another version about the tour on Instagram:
www.instagram.com/wysoperutour/
And here is a link to more about the tour — including repertoire by Leonard Bernstein , Malcolm Arnold and Dmitri Shostakovich — and to the group, which gave its send-off concert this past Tuesday night at Olbrich Botanical Gardens:
Check them out and forward this tour blog story, or a link to it, to friends and family, classmates and the community at large.
You can leave a COMMENT and words of encouragement and praise,
They are making Wisconsin proud — and at a time when the United States could sure use some goodwill ambassadors around the world.
Tags: #BrassMusic, #Cusco, #DmitriShostakovich, #IncanCivilization, #InstagramVideo, #InternationalTour, #JamesSmith, #LeonardBernstein, #Lima, #MachuPicchu, #MalcolmArnold, #MusicDirector, #MusicEducation, #OlbrichBotanicalGardens, #OlbrichGardens, #OrchestralMusic, #PercussionMusic, #UnitedStates, #WindMusic, #WisconsinYouthSymphonyOrchestras, #YouthOrchestra, ambassadors, ancient, Arts, blog, brass, Cello, citizen, city, Classical music, classmate, community, composer, Concert, conductor, encouragement, Family, friends, goodwill, Inca, Incan, Instagram, Jacob Stockinger, Leonard Bernstein, Madison, Malcolm Arnold, Music, Musician, Orchestra, percussion, performance, Peru, praise, pride, rehearsal, repertoire, Shostakovich, South America, symphony, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, video log, Viola, Violin, vlog, winds, Wisconsin, Wisconsin Youth Symphony Orchestras, WordPress, world, WYSO, young
Classical music: Today is the Fourth of July. Independence Day is the right time to celebrate American classical composers and patriotic concert music. Here are three ways to do that
7 Comments
By Jacob Stockinger
Today is the Fourth of July – Independence Day.
That makes it exactly the right time to think about American composers and American patriotic music – both of which have been receiving well-deserved airplay all week on Wisconsin Public Radio.
Here are three items that seem appropriate because they pertain to American composers and American classical music.
ITEM 1
Tonight at 7 p.m. on the King Street corner of the Capital Square in downtown Madison, guest conductor Huw Edwards (below) will lead the Wisconsin Chamber Orchestra in its Concert on the Square for the Fourth of July.
The “American Salute” program includes: “American Salute” by Morton Gould; the Overture to “Candide” by Leonard Bernstein; “Wisconsin Forward Forever” by march king John Philip Sousa; and, of course, “The 1812 Overture” by Peter Ilyich Tchaikovsky.
Blankets can go down on the ground starting at 3 p.m. For more general information about attending the concert including weather updates, rules and etiquette, and food caterers and vendors, go to:
https://wisconsinchamberorchestra.org/performances/concerts-on-the-square-2-2/
ITEM 2
Can you name 30 American classical composers? The Ear tried and it’s not easy.
But thanks to Capital Public Radio in Sacramento, California – which will also play and stream (click on the Listen tab) such music today — it isn’t hard.
Here is a link:
You can click on the link “Playlist for Independence Day” and see the photo of the composers and the titles of compositions that will be played.
You can also click on the composer’s name in the alphabetized list and see a biography in Wikipedia.
Can you think of American composers who didn’t make the list? Leave the name or names – Henry Cowell and Virgil Thomson (below) come to mind — in the COMMENT section.
The Ear wants to hear.
ITEM 3
Finally, given the controversial political issues of the day surrounding immigration, The Ear offers this take on perhaps the most virtuosic piano transcription of patriotic music ever played.
It was done by someone who immigrated permanently to the U.S. in 1939 and then became a naturalized citizen in 1944. He also raised millions through war bonds during World War II.
He was the Russian-born pianist Vladimir Horowitz, here playing his own celebrated virtuoso arrangement – done in 1945 for a patriotic rally and war bonds concert in Central Park — of ”The Stars and Stripes Forever” by John Philip Sousa.
Here is a link to his biography in Wikipedia:
https://en.wikipedia.org/wiki/Vladimir_Horowitz
And here is the YouTube audio of his own performance of the Sousa piece, with the score, including all the special technical demands, especially lots of Horowitz’s famous octaves, to follow along with. It’s a performance that has become justifiably legendary:
Tags: #AmericanCitizen, #Americancomposers, #AmericanMusic, #AmericanSalute, #CentralPark, #ConcertsontheSquare, #FoodCaterer, #FoodVendor, #FourthofJuly, #HenryCowell, #HuwEdwards, #IndependenceDay, #JohnPhilipSousa, #LeonardBernstein, #MortonGould, #NaturalizedCitizen, #OrchestraConductor, #PatrioticMusic, #PeterIlyichTchaikovsky, #PoliticalControversy, #PublicRadio, #StarandStripesForever, #StateCapitol, #VirgilThomson, #VladimirHorowitz, #Wikipediaentry, #WisconsinChamberOrchestra, #WisconsinPublicRadio, @1812Overture, American, Arts, biography, California, Candide, caterer, Cello, Chamber music, choral music, citizen, Classical music, composer, composers, conductor, controversy, demands, etiquette, food, Fourth of July, guest, Henry Cowell, Hew Edwards, Horowitz, immigration, Independence Day, Jacob Stockinger, John Philip Sousa, listen, Madison, march, Morton Gould, Music, New York City, octave, Overture to Candide, patriotic, patriotic music, patriotism, Pianist, Piano, playlist, Politics, program, public radio, rule, Sacramento, score, Sousa, Stars and Stripes Forever, symphony, Tchaikovsky, technical, technique, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vendor, Viola, Violin, Virgil Thomson, vocal music, weather, Website, Wikipedia, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin State Capitol, YouTube
Classical music: Tonight is that start of six weekly Concerts on the Square with the Wisconsin Chamber Orchestra and guest artists under conductor Andrew Sewell. Here’s what you need to know
3 Comments
By Jacob Stockinger
Tonight marks the first of this summer’s Concerts on the Square, performed by the Wisconsin Chamber Orchestra (below) and guest artists under the baton of music director Andrew Sewell.
The FREE community event was first proposed by famed “American Girl” dolls creator, businesswoman and philanthropist Pleasant Rowland decades ago when she worked downtown and lamented how abandoned the Capitol Square got after dark. This is the 34th season of the popular Concerts on the Square. Each concert now draws tens of thousands of listeners.
The concerts will take place on the King Street corner of the Capitol Square. They run from 7 to 9 p.m. on six consecutive Wednesdays (rain dates are Thursdays). But of course people gather hours earlier to socialize and picnic.
Although pop,rock, folk and film music is often featured, tonight’s program is mostly classical – composers are Leonard Bernstein, Louis Moreau Gottschalk and Otto Nicolai — and performing will be this year’s winner of the WCO teenage concerto competition. She is violinist Emily Hauer (below) and she hails from Appleton, Wisconsin, where she has studied at the Lawrence University Conservatory of Music.
Here is a link to all you need to know about tonight, from the programs and a performer’s detailed biography to vendor menus, the way to volunteer and the ground rules for concert etiquette:
https://wisconsinchamberorchestra.org/performances/concerts-on-the-square-1-2/
You can see and hear a sampler of Concerts on the Square in the YouTube video at the bottom.
For future planning, here is a link to all six concerts with similar information:
https://wisconsinchamberorchestra.org/performance-listing/category/concerts-on-the-square
Should you want to know more about WCO maestro Andrew Sewell (below), music director since 2000 — and who has also just been named the music director of the San Luis Obispo Symphony in California — here are some profiles and interviews that make for good reading while you wait for the music to start.
Here is an excellent profile done by Sandy Tabachnik in 2014 for Isthmus:
http://isthmus.com/music/andrew-sewell-the-malleable-maestro-of-the-wisconsin-chamber-orchestra/
And here is some background about the New Zealand-born Sewell, who became an American citizen 10 years ago, along with links to other news stories about his latest appointment:
https://welltempered.wordpress.com/tag/sewell/
And from the “Only Strings” blog of Paul Baker, who hosts a show of the same name on WSUM 91.7 FM, the student-run radio station at the UW-Madison, here is an interview with ever-gracious Sewell:
https://onlystringswsum.wordpress.com/author/pbaker/page/3/
Tags: American, American Girl, American Girls, Andrew Sewell, Appleton, Arts, Baroque, Beethoven, Bernstein, biography, Business, California, Capitol Square, Cello, Chamber music, citizen, Classical music, Compact Disc, competititon, concerto, Concerts on the Square, creator, decade, dolls, etiquette, film, folk, ground rules, interview, Isthmus, Jacob Stockinger, Lawrence University, Lawrence University Conservatory of Music, Louis Moreau Gottschalk, Ludwig van Beethoven, Madison, Maestro, menu, Mozart, Music, Music director, New Zealand, news, Only Strings, opera, Orchestra, Otto Nicolai, Paul Baker, performer, philanthropy, philantropist, Piano, Pleasant Rowland, pop, pops, profile, program, Rock, San Luis Obispo Symphony, Student, symphony, teenage, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, vendor, Viola, Violin, vocal music, volunteer, winner, Wisconsin, Wisconsin Chamber Orchestra, woman, WSUM 91.7 FM, YouTube
Classical music: Maestro Andrew Sewell has been named the new music director of the San Luis Obispo Symphony in California while retaining his longtime post as music director of the Wisconsin Chamber Orchestra
2 Comments
By Jacob Stockinger
The Wisconsin Chamber Orchestra‘s longtime music director Andrew Sewell (below) has been named the new music director of the San Luis Obispo Symphony in California.
The news comes in between the end of a critically acclaimed and very successful Masterworks season in the Capitol Theater of the Overture Center and the start of the upcoming and always popular summer Concerts on the Square on Wednesday evenings from June 29 through Aug. 2.
Sewell, who was born and trained in New Zealand, has been an American citizen for the past 10 years. He led the Wichita Symphony Orchestra for 10 years and the Mansfield Symphony Orchestra in Ohio, and he also guest conducts in Hong Kong and many other cities in the U.S. and abroad.
Asked if the move means there will be guest conductors for the WCO, Sewell told The Ear:
“I will be conducting all concerts this year. The schedules for both orchestras work surprisingly well together.
“The situation is not unlike the first 10 years of my tenure in Madison when I was music director of the Wichita Symphony concurrently with the Wisconsin Chamber Orchestra. I’ll share my time between both communities.”
For more about Sewell’s impressive and extensive background, go to:
https://wisconsinchamberorchestra.org/about/andrew-sewell/
Here is a statement from the WCO:
“When Maestro Sewell raises his baton at Concerts on the Square this month, he will also be embarking on a new position as music director of the San Luis Obispo Symphony. (At bottom, he seen conducting the San Luis Obispo Symphony.)
“Fans of the Wisconsin Chamber Orchestra need not worry, though, as he will retain his position and residence here in Madison.
“We’re very proud of Andrew and what he has accomplished here in Madison, around the nation and abroad” said Mark Cantrell, CEO of the WCO. “This appointment reinforces what we already know about Andrew, that he is an exciting and impressive director and musician.
“We’re fortunate to retain him here as music director, and we look forward to many more years of him behind the baton with the Wisconsin Chamber Orchestra. We wish him the best of luck in San Luis Obispo.”
For more about this story, use the following links:
Here is a WCO posting about the news:
Global Search Yields Symphony’s Ninth Conductor
And here is a newspaper story with many details about Sewell and his plans for the new position, including where he will live, as well as his plans for sharing repertoire and guest soloists:
SLO Symphony has a new director
Tags: abroad, American, Andrew Sewell, Arts, Bach, Baroque, Beethoven, California, CEO, Chamber music, citizen, Classical music, community, Concerts on the Square, Early music, Franz Schubert, George Frideric Handel, Hong Kong, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, Kansas, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Mark Cantrell, masterwork, Mozart, Music, Music director, New Zealand, Ohio, repertoire, San Luis Obispo, San Luis Obispo Symphony, soloist, summer, symphony, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Wichita, Wichita Symphony Orchestra, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, world
Classical music: UW Choral Union and UW Symphony Orchestra resurrect Paul Hindemith’s long-neglected 20th-century secular Requiem with fine singing and committed playing
Leave a Comment
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photographs below.
By John W. Barker
It is unusual that, within the space of a few days, we have parallel performances of two very untraditional Requiems, ones setting vernacular texts rather than liturgical Latin ones.
The UW Choral Union and UW Symphony(below) performed Paul Hindemith’s “When Lilacs Last in the Dooryard Bloom’d: A Requiem For those we love” last weekend. And the Madison Symphony Chorus and Orchestra will give us Johannes Brahms’ Ein deutsches Requiem (A German Requiem) this coming weekend, May 5-7.
(NOTE: Here is a link with more information about the three MSO performances this coming weekend:
It is hard to resist the temptation to compare them.
They were, of course, composed about a century apart, in the contexts of very different stylistic eras. They reflect very different aesthetics: High Romantic warmth for Brahms, conservative modernism for Hindemith.
The different texts chosen also determine crucial differences. Brahms selected Luther’s German translations of passages from Scripture, as a broad collage of human consolation and solace, whereas the German-born Hindemith, a naturalized American citizen who fled from Hitler’s Nazism, in a patriotic commemoration of the death of President Franklin Delano Roosevelt, chose the long poem of grieving that Walt Whitman (below) wrote over the death of President Abraham Lincoln.
The relatively concise Scriptural texts allowed Brahms to develop rich melodic and contrapuntal elaborations. Hindemith’s determination to set Whitman’s complete poem, of 208 verses in altogether irregular free verse, committed him to keep things in constantly moving continuity, with little chance for pausing and elaborating.
To be sure, Hindemith (below) was never a distinguished lyricist, for all his skills, so his writing is endless declamation by the soloists, backed by strongly cast choral statements. (You can hear famed baritone Dietrich Fischer-Dieskau and the chorus sing the opening of the Hindemith requiem in the YouTube video at the bottom.)
There are many lovely and powerful moments, but they pass by quickly and leave little of memorable expressiveness. There is much clever music here, but in sum total it is more dutiful than beautiful.
The performance in Mills Hall — I heard the one Sunday night — showed a stage packed with musicians. There were two soloists, a chorus of exactly 100 singers, and an orchestra (the UW Symphony) of 67 players, 46 of them on strings. UW choral director and conductor Beverly Taylor (below) drew from all of them deeply committed musical results.
Of the two soloists, soprano Jennifer D’Agostino (below left) sang with beauty and expression, but it was baritone James Held (below right) who stole the show, with a ringing voice, superb diction, and a genuine eloquence.
The huge chorus was quite magnificent, well unified, fully serious in its enunciation, and capable of some truly musical sound — and Hindemith, though nowhere near Brahms as a choral composer, gave them some serious challenges. The orchestra sounded a bit rough at the very beginning, but settled into participating strongly in the performance.
Whatever reservations one may have about Hindemith’s score, this Whitman Requiem, one of his last important works and premiered in 1946, is a significant piece. It is far less frequently heard than that by Brahms, and so it is very good that UW choral director Beverly Taylor has brought it to our attention.
Tags: A German Requiem (Brahms), Abraham Lincoln, American, American Record Guide, Arts, baritone, Beverly Taylor, blog, choral music, citizen, Classical music, collage, composer, conservative, consolation, counterpoint, critic, declamation, Dietrich Fischer-Dieskau, Early music, expressiveness, FDR, Franklin D. Roosevelt, Franklin Delano Roosevelt, free verse, German, History, Hitler, Isthmus, Jacob Stockinger, Johannes Brahms, John DeMain, John W. Barker, Latin, Latin America, lecture, liturgical, liturgy, lyric, lyricist, Madison, Madison Early Music Festival, Madison Symphony Orchestra, Medieval, melody, MEMF, memorable, modernism, Music, Nazi, Nazism, Paul Hindemith, photo, photographs, poet, Poetry, poiem, President, professor, Requiem, resurrect, reviewer, Romantic, sacred, secular, solace, soloist, soprano, symphony, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Choral Union, UW Symphony Orchestra, vernacular, verse, vocal music, Walt Whitman, WORT-FM 89.9, writing, YouTube
Recent Comments
The Well-Tempered Ear 
Here is a collaborative obituary for music critic, radio host, performer and gay pioneer Jess Anderson, who died in January at 85
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
In late January of this year, Jess Anderson (below) — a longtime friend, devoted musician and respected music critic – died at 85.
The Ear promised then that when more was known or written, it would be posted on this blog.
That time has come.
Jess was a polymath, a Renaissance Man, as the comments below attest to time and again.
For the past several years, he suffered from advancing dementia and moved from his home of 56 years to an assisted living facility. He had contracted COVID-19, but died from a severe fall from which he never regained consciousness.
Jess did not write his own obituary and he had no family member to do it. So a close friend – Ed Wegert (below) – invited several of the people who knew Jess and worked with him, to co-author a collaborative obituary. We are all grateful to Ed for the effort the obituary took and for his caring for Jess in his final years.
In addition, the obituary has some wonderful, not-to-be-overlooked photos of Jess young and old, at home, with friends, sitting at the piano and at his custom-built harpsichord.
It appears in the March issue of Our Lives, a free statewide LGBTQ magazine that is distributed through grocery stores and other retail outlets as well as free subscriptions. Here is a link to the magazine’s home webpage for details about it: https://ourliveswisconsin.com.
That Jess was an exceptional and multi-talented person is obvious even from the distinguished names of the accomplished people who contributed to the obituary:
They include:
Chester Biscardi (below), who is an acclaimed prize-winning composer, UW-Madison graduate, composer and teacher of composition at Sarah Lawrence College.
John Harbison (below), the MacArthur “genius grant” recipient and Pulitzer Prize-winning composer who teaches at MIT and co-directs the nearby Token Creek Chamber Music Festival in the summer.
Rose Mary Harbison (below), who attended the UW-Madison with Jess and became a professional performing and teaching violinist who co-directs the Token Creek Chamber Music Festival.
Steve Miller (below), a close friend who became a bookmaker and is now a professor at the University of Alabama.
The Ear, who knew Jess over many decades, was also invited to contribute.
Here is a link to the joint obituary in Our Lives magazine, a free LGBTQ periodical that you can find in local grocery store and other retail outlets: https://ourliveswisconsin.com/article/remembering-jess-anderson/?fbclid=IwAR027dzv2YqRUNlYF1cF6JyXnEcQxAwcprPYbtBQCs3rYt0Nu847W_xbjpk
Feel free to leave your own thoughts about and memories of Jess in the comment section.
It also seems a fitting tribute to play the final chorus from The St. John Passion of Johann Sebastian Bach. You can hear it in the YouTube video below. It is, if memory serves me well, the same piece of sublime music that Jess played when he signed off from hosting his Sunday morning early music show for many years on WORT-FM 89.9.
Share this:
Like this:
Tags: #AssistedLiving, #BachDancingandDynamiteSociety, #BaroqueMusic, #BaroqueRecorder, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #CoronavirusPandemic, #COVID-19, #CriticallyAcclaimed, #EarlyMusicMovement, #EdWegert, #ElliottCarter, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FerruccioBusoni, #FrancoisCouperin, #FranzLiszt, #FranzSchubert, #FredericChopin, #GayLiberationFront, #GeniusGrant, #GroceryStore, #GunnarJohansen, #Hard Work, #HardWork, #HomeWebpage, #HornSection, #IgorKipnis, #IgorStravinsky, #IsthmusNewspaper, #JacobStockinger, #JessAnderson, #JohannesBrahms, #JohannSebastianBach, #LGBTQrights, #LudwigVanBeethoven, #MacArthurFellow, #MacArthurFoundation, #MadisonOpera, #MadisonSymphonyOrchestra, #MassachusettsInstituteofTechnology, #MetropolitanOpera, #MusicCritic, #MusicCriticism, #MusicEducation, #NewYorkCity, #OrchestralMusic, #OurLives, #PerformingArts, #PianoSonata, #Prize-Winning, #ProArteQuartet, #PulitzerPrize, #RadioHost, #RenaissanceMan, #RetailStore, #RonMcCrea, #RoseMaryHarbison, #RudolfKolisch, #SalonPIanoSeries, #SarahLawrenceCollege, #SignOff, #St.JohnPassion, #SteinwayPiano, #SteveMiller, #SundayMorning, #TheEar, #TheGreatGatsby, #TheMet, #TheUW, #TokenCreekChamberMusicFestival, #UniversityofAlabama, #UniversityofIllinois-Champaign-Urbana, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinUnionTheater, #WorldPremiere, #WORT-FM89.9, #YouTubevideo, acclaimed, advance, aesthete, Africa, African, airplanes, Arts, assisted living, attend, audience, Bach, Bach Dancing and Dynamite Society, Baroque, beauty, Beethoven, birthday, blog, Book, bookmaker, Brahms, Broadcast, Buscardi, Busoni, camping, Carter, CDs, Chamber music, Chinatown, Chopin, choral music, citizen, Classical music, co-direct, co-director, collaborate, collaborative, comment, Compact Disc, composer, Composition, computer, Concert, conductor, contract, contractor, contribute, coronavirus, coronavirus pandemic, counterpoint, Couperin, criticism, death, decade, dementia, details, devoted, died, Early music, earlymusic, Ed Wegert, effort, Elliott Carter, exceptional, exuberance, Facebook, Facebook post, Facebook posting, facility, fall, Family, Farley's House of Pianos, Ferruccio Busoni, final, fitting, forward, François Couperin, Franz Liszt, Franz Schubert, Frédéric Chopin, free, French, friend, gay, Gay Liberation Front, generosity, genius grant, grateful, graudate, graudate student, grocery store, Gunnar Johansen, Harbison, harpsichord, History, hobby, Home, home webpage, host, Igor Kipnis, Igor Stravinsky, ILLINOIS, imitate, inspiration, invite, Isthmus, it, Jacob Stockinger, January, Jess Anderson, Johann Sebastian Bach, Johannes Brahms, John Harbison, joint, Kipnis, knew, know, knowledge, language, late, LGBT, LGBTQ, lifeblood, like, link, Liszt, literature, Love, Ludwig van Beethoven, MacArthur Fellow, MacArthur Foundation, Madison, Madison Opera, Madison Symphony Orchestra, magazine, Massachusetts Institute of Technology, McCrea, memories, memory, men, mentor, Met, Metropolitan Opera, Midwest, miller, MIT, model, morning, Music, music critic, Music education, Musician, nearby, New York City, obituary, opera, opinionated, Orchestra, orchestral music, Our LIves, outlet, outspoken, overlooked, pandemic, Passion, perform, Performing arts, periodical, photography, photos, Pianist, Piano, Piano sonata, piece, pioneer, play, poet, Poetry, polymath, post, posting, Pro Arte Quartet, professional, professor, programmer, Pulitzer Prize, rdio, recital, recorder, Renaissance, Renaissance man, repertoire, repertory, Retail, Ron McCrea, Rose Mary Harbison, Rudolf Kolisch, Russian, Salon Piano Series, Sarah Lawrence College, school, Schubert, Seattle, section, sign-off, Slavic, Sonata, Soulima Stravinsky, spirit, St. John Passion, statewide, Steinway, Steve Miller, store, Stravinsky, Student, sublime, submarine, subscription, success, suffer, suffering, summer, Sunday, tag, talent, talented, taste, Teacher, technology, The Ear, The Great Gatsby, thought, time, Token Creek, Token Creek Chamber Music Festival, train, tribute, United States, universal, University of Alabama, University of Illinois at Champaign-Urbana, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Violin, violinist, virtuoso, vocal music, Wegert, Wisconsin, Wisconsin Union Theater, wonderful, world premiere, World War II, WORT-FM 89.9, WWII, year, young, YouTube