The Well-Tempered Ear
A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more
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By Jacob Stockinger
With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.
Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule
The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra
Here is a day-by-day lineup. All times are Central Daylight Time:
TONIGHT, MARCH 25
The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.
The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.
The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)
Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8
For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/
FRIDAY, MARCH 26
At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.
Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.
Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii
At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu
The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.
Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.
SATURDAY, MARCH 27
At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.
Here is a link: YouTube.com/GracePresentsConcerts
You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/
At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert.
Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A
Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/
At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8
And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/
SUNDAY, MARCH 28
From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.
The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.
Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/
From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:
“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.
“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.
Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200
At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.
Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/
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Classical music: The 16th annual all-day Wisconsin Flute Festival will be held this Saturday and will present a FREE public concert on Saturday afternoon
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By Jacob Stockinger
The Ear has received the following announcement to post:
The 16th annual Wisconsin Flute Festival will be held on this coming Saturday, April 6, at the Pyle Center, 702 Langdon Street, at the University of Wisconsin-Madison.
The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin, the greater Midwest, and across the country, for an engaging and educational day celebrating everything flute.
The festival includes: workshops; lectures; performances; junior, youth, and collegiate artist competitions; master classes and an extensive exhibit hall.
This year’s festival will feature guest artist Bonita Boyd (below in a photo by Kate Lemmon), an internationally renowned performer and Professor of Flute at the Eastman School of Music. (You can hear a sample of her teaching in the YouTube video at the bottom.)
The festival will begin at 8 a.m. at the Pyle Center at the University of Wisconsin-Madison and will culminate in a FREE 90-minute public concert beginning at 5:30 p.m. in Music Hall, at the bottom of Bascom Hill and a short walk from the Pyle Center.
The free evening concert will be performed by featured guest artist Bonita Boyd with Madison guitarist Christopher Allen (below).
Workshop topics will include yoga for flutists, orchestral audition preparation, recording techniques, a repair clinic, piccolo techniques, and more.
Participants will also have the opportunity to participate in an interactive session with low flutes including; alto flutes, bass flutes, and a contrabass flute, and take part in two flute choir reading sessions.
Performances during the day will feature an eclectic mix of music performed by professional and student flutists.
Festival attendees will hear music by composers from around the globe and from a variety of periods. Compositions by living composers will feature prominently in many of the recitals at the festival. Solo flute, flute and piano, flute quartet, and flute with mixed ensemble can be heard.
For flutists shopping for an instrument, music or accessories, companies from across the U.S. will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs. Confirmed exhibitors include Burkart Flutes and Piccolos, Flute Specialists, Inc., Flute World, the Geoghegan Company, Heid Music and Verne Q. Powell Flutes.
Tickets range from $30 to $40 for festival participants. Tickets for non-flutist family members of participants (parents, siblings, etc.) are available for at a special rate of $7. Registration is now open and information is available online at https://wisconsinflutefestival.org. Tickets can also be purchased at the festival.
The evening concert, beginning at 5:30 p.m., will be held in Music Hall at the UW-Madison and is FREE and open to the public.
The program will include Mountain Songs by Robert Beaser, Histoire du Tango by Astor Piazzolla, Canyon Echoes by Katherine Hoover, Entr’acte by Jacques Ibert and Pièce en form de Habenera by Maurice Ravel.
The 2019 Flute Festival – which is a program of the Madison Flute Club — is sponsored by Heid Music. Major funding is provided by Verne Q. Powell Flutes, American Printing, Eric and Tobi Breisach, Distillery Marketing and Design, and Karl Sandelin – in memory of Joyce Sandelin.
Additional funding is provided by Audio for the Arts, Breisach Cordell PLLC, Dr. Danielle and Jeffrey Breisach, Madison Classical Guitar Society, Wisconsin Youth Symphony Orchestras, and Jessica and Jim Yehle.
ABOUT THE MADISON FLUTE CLUB
The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.
To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County. These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute — the first such instrument in Wisconsin — and performing at the National Flute Association Convention.
Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, on WORT 89.9 FM in Madison and in the publication The Flutist Quarterly.
For more information about the Madison Flute Club, go to: http://www.madisonfluteclub.org
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Classical music: This weekend the Madison Symphony Orchestra and Grammy-winning guitarist Sharon Isbin will perform Spanish music and a new concerto by Chris Brubeck
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By Jacob Stockinger
This weekend, the Madison Symphony Orchestra (MSO), with music director John DeMain conducting, will present the third concert of its 92nd season.
“Troubadour: Two Faces of the Classical Guitar” features Grammy-winning guitar virtuoso Sharon Isbin (below) playing two works: one written for Isbin by American composer Chris Brubeck; and the other by the Spaniard Joaquin Rodrigo. (Isbin will also give a FREE and PUBLIC master class on Thursday from 10 a.m. to noon in Morphy Recital Hall on the UW-Madison campus in the Humanities Building on North Park Street.)
In addition the MSO will perform two 20th-century ballet suites — The Three-Cornered Hat by Spanish composer Manuel De Falla and Billy the Kid by American composer Aaron Copland.
The concerts (below, in a photo by Peter Rodgers) are in Overture Hall at the Overture Center, 201 State Street on Friday, Nov. 17, at 7:30 p.m.; Saturday, Nov. 18, at 8 p.m.; and Sunday, Nov. 19, at 2:30 p.m.
Tickets are $18-$90. Details are below.
Invoking a sense of the American heartland, Billy the Kid was written by Copland (below) as a ballet following the life of the infamous outlaw. This piece is most well-known for the memorable “cowboy” tunes and American folk songs that paint a vivid picture of the Wild West.
The virtuosity and versatility of multiple Grammy Award-winner Sharon Isbin is on display in this program of contrasts: the jazz idioms of the American composer Chris Brubeck’s “Affinity: Concerto for Guitar and Orchestra,” written for Sharon Isbin, alongside the lush romanticism of the Spaniard Joaquin Rodrigo’s “Concierto de Aranjuez.” (You can hear Sharon Isbin play the beautiful slow movement of the Rodrigo concerto in the YouTube video at the bottom.)
The piece by Brubeck (below) contains strong hints of the jazz influence of his father, noted pianist and composer Dave Brubeck. Inspired by the gardens at Palacio Real de Aranjuez, Rodrigo’s composition attempts to transport the listener to another place and time through the evocation of the sounds of nature.
Isbin’s performances of Chris Brubeck’s “Affinity: Concerto for Guitar and Orchestra” have received wide acclaim: “The concerto takes off with Isbin delivering rapid-fire virtuosity with infectious themes. The slow middle is a tender jazz-based tribute to Dave Brubeck, and Isbin played with heartfelt warmth and tenderness. The finale was an infectious rhythmically driven journey through myriad styles. It was as intriguing as it was moving … Isbin is much more than a virtuoso; she is an artist of depth.”
The Three-Cornered Hat by De Falla (below) is based on a story written by Pedro de Alarcón about a Corregidor (magistrate) who tries, without success, to seduce the pretty wife of the local miller.
One hour before each performance, Michael Allsen (below, in a photo by Katrin Talbot), professor at UW-Whitewater, MSO trombonist and writer of MSO’s program notes, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.
For more background on the music, please read Allsen’s Program Notes at: http://www.allsenmusic.com/NOTES/1718/3.Nov17.html.
The Symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk (free for all ticket-holders).
Single Tickets are $18-$90 each and are on sale now at https://www.madisonsymphony.org/singletickets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, go to: https://www.madisonsymphony.org/groups
Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets. More information is at: https://www.madisonsymphony.org/studentrush
Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Discounted seats are subject to availability, and discounts may not be combined.
ABOUT SHARON ISBIN
Acclaimed for her extraordinary lyricism, technique, and versatility, Sharon Isbin has been hailed as “the pre-eminent guitarist of our time.” Recipient of numerous prestigious awards, her debut concert with the MSO comes after over 170 solo performances with orchestras including the New York Philharmonic, National Symphony, London Symphony, Baltimore Symphony, Orchestre National de France, and the Tokyo Symphony.
Isbin is the subject of a one-hour documentary presented by American Public Television. Seen by millions on over 200 PBS stations throughout the US, it is also available on DVD/Blu-ray and won the 2015 ASCAP Television Broadcast Award. “Sharon Isbin: Troubadour” paints the portrait of a trailblazing performer and teacher who over the course of her career has broken through numerous barriers to rise to the top of a traditionally male-dominated field.
The following is a dedicated website where you can view the trailer, read rave reviews, and see detailed broadcast dates: www.SharonIsbinTroubadour.com
Major funding for the September concerts is provided by: NBC-15, the Madison Symphony Orchestra League, and Elaine and Nicholas Mischler. Additional funding provided by Scott and Janet Cabot, John DeLamater and Janet Hyde, Steven Weber, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
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Classical music: Saturday night brings the Grammy Award-winning Los Angeles Guitar Quartet to the Wisconsin Union Theater and a concert of chamber works by the Wisconsin Baroque Ensemble. Plus tonight’s concert by the Madison Choral Project is at 8:30 p.m. — NOT 7:30 as originally announced.
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URGENT CORRECTION: The time for tonight’s performance of “Privilege” by the Madison Choral Project has been moved from 7:30 p.m. to 8:30 p.m. due to noise from a nearby football game in Camp Randall Stadium. For more about the concert, go to:
THIS JUST IN: Hi Jake: We’ve got cellist Karl von Huene and bassist John Dowling at the Malt House, at 2609 East Washington Avenue on the corner of Milwaukee Street, again this Saturday, from 3-5 p.m. Karl says the pieces they’ll play are by J.S. Bach, W. A. Mozart, Arcangelo Corelli, S. Lee, F. J. Haydn, G.F. Handel, Dmitri Kabalevsky, and Francesco Durante. It should be fun! Cheers, Bill Rogers
BIG ALERT: This is a reminder that, in this busy week of music, one stand-out concert is by the Grammy Award-winning Los Angeles Guitar Quartet. It will perform the annual Fan Taylor Memorial Concert this Saturday night at 8 p.m. in Shannon Hall of the Wisconsin Union Theater. (You can hear a sample of the Brandenburg Concerto No. 6 they will play in the YouTube video at the bottom.)
The acclaimed quartet will perform music by Bach, Bizet, Debussy, and Villa-Lobos as well as 17th-century Spanish music from the age of the novelist Cervantes For more information about the group, the program and tickets ($10-$48), go to: https://union.wisc.edu/events-and-activities/event-calendar/event/los-angeles-guitar-quartet/
By Jacob Stockinger
The Wisconsin Baroque Ensemble will give a concert of baroque chamber music on Saturday night, April 22, at 7:30 p.m.
It will take place in Saint Andrew’s Episcopal Church, 1833 Regent Street.
Members of the WBE are: Mimmi Fulmer, soprano; Nathan Giglierano, baroque violin; Brett Lipshutz, traverse flute; Eric Miller, viola da gamba; Sigrun Paust, recorder; Monica Steger, traverse flute and harpsichord; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
The program includes:
Georg Philipp Telemann – Quartet for two traversi, recorder and basso continuo, TWV 43:d1
Mr. De Machy – Pièces de Violle, Suite No. 3 (Pieces for Viol)
Francesca Caccini – “Lasciatemi qui solo” (Leave me here alone)
Quentin – Trio Sonata for two traversi and basso continuo, Op. 13, No. 3
INTERMISSION
Johannes Hieronymus Kapsberger – “Interrotte Speranze” (Vain Hope)
Johann Christoph Pepusch – Trio Sonata for recorder, violin and basso continuo
Georg Philipp Telemann (below) – Nouveaux Quatuors (Paris Quartets), No. 6 in E minor
Giulio Caccini – “Odi, Euterpe” (Hear, Euterpe)
Tickets at the door are $20, $10 for students.
A post-concert reception will be held after the concert at 2422 Kendall Ave, second floor.
For more information, go to: www.wisconsinbaroque.org
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Classical music: The Madison Symphony Orchestra announces its 2017-2018 season of nine concerts of “favorites combined with firsts”
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By Jacob Stockinger
Here is the official announcement of the 2017-18 season by the Madison Symphony Orchestra:
The 2017-18 season of the Madison Symphony Orchestra (MSO, below, in a photo by Greg Anderson) presents nine programs that invite audiences to “listen with all your heart” and “feel the emotion, power and majesty” of great classical music.
Subscriptions are available now, and single tickets for all concerts go on sale to the public Saturday, Aug. 12, 2017.
For more information about tickets and ticket prices plus discounts for new subscribers and renewing subscribers, go to:
http://www.madisonsymphony.org/17-18
MSO music director John DeMain, who will be marking his 24th season with the MSO, has created an exciting season that features favorites combined with firsts.
Says DeMain (below, in a photo by Prasad): “I must point out two monumental firsts: the MSO debut of the great violinist Gil Shaham, renowned and sought after the world over, whose appearance Madison has waited for for many years; and the Madison premiere of the Glagolitic Mass by Czech composer Leos Janacek, a gargantuan work for chorus and orchestra with a prominent role for our “Colossal Klais,” the Overture Concert Organ.”
Performances are in Overture Hall of the Overture Center at 7:30 p.m. on Fridays; 8 p.m. on Saturdays; and 2:30 p.m. on Sundays.
The 2017-2018 subscription series concerts begin on Sept. 15, 16 and 17 with “Orchestral Brilliance”—proudly presenting the Madison Symphony Orchestra performing the Johann Sebastian Bach/Leopold Stokowski version of the organ Toccata and Fugue in D minor; Felix Mendelssohn’s Reformation Symphony and Hector Berlioz’s “Harold in Italy” with MSO principal viola Christopher Dozoryst (below, in a photo by Katrin Talbot) as soloist. (You can hear Leopold Stokowski conduct his own transcription of the work by Bach, which was used in Walt Disney’s film “Fantasia,” in the YouTube video at the bottom.)
“From the New World” on Oct. 20, 21 and 22 features the return of beloved pianist Olga Kern (below), a gold medalist in the Van Cliburn competition, performing Samuel Barber’s Piano Concerto, and the MSO performing Antonin Dvorak’s Symphony No. 9 “From the New World” and Maurice Ravel’s Mother Goose Suite.
On Nov. 17, 18, and 19 “Troubadour: Two Faces of the Classical Guitar” features sensational guitar virtuoso Sharon Isbin (below) playing two works, one by American composer Chris Brubeck, and the other by the Spaniard Joaquin Rodrigo, with the MSO performing two Suites—Manuel DeFalla’s The Three-Cornered Hat and Aaron Copland’s Billy the Kid.
The cherished kickoff to the holiday season, “A Madison Symphony Christmas,” returns on the first weekend in December — the 1, 2, and 3. Guest artists Emily Pogorelc, soprano, and Eric Barry, tenor, join John DeMain, the MSO, the Madison Symphony Chorus (below), Madison Youth Choirs and Mount Zion Gospel Choir on stage for the family-friendly celebration.
The MSO season subscription continues in 2018 with the long awaited appearance of violinist Gil Shaham (below) with the MSO—“Gil Shaham Plays Tchaikovsky” on Jan. 19, 20 and 21. This program features works by three of the most popular Russian composers of all time— Sergei Prokofiev’s The Love for Three Oranges Suite, Sergei Rachmaninoff’s Symphony No. 3 and Peter Tchaikovsky’s Violin Concerto.
“Richly Romantic” concerts take place on Feb. 16, 17 and 18 when one of MSO’s favorite cellists, Alban Gerhardt (below), returns performing the lyrical William Walton’s Cello Concerto, and the MSO presents Johannes Brahms’ Symphony No. 1 and Gioachino Rossini’s Overture to Semiramide.
Spring arrives April 13, 14, and 15 with “String Fever” featuring Robert Schumann’s Symphony No. 1, Spring, Benjamin Britten’s Sinfonia da Requiem and Grammy Award-winning violinist Augustin Hadelich (below) performing the Antonin Dvorak’s Violin Concerto.
The season finale, “Mass Appeal,” takes place on May 4, 5 and 6. Star of NPR’s From the Top, pianist Christopher O’Riley (below), will open the program with Mozart’s Piano Concerto No. 22. The MSO premiere of the monumental Glagolitic Mass by Czech composer Leos Janacek features the Overture Concert Organ and the Madison Symphony Chorus, along with soloists Rebecca Wilson, soprano, Julie Miller, mezzo-Soprano, Roger Honeywell, tenor, and Benjamin Sieverding, bass.
The MSO’s 17-18 season includes the popular multimedia production of Beyond the Score®, “Edward Elgar: Enigma Variations,” featuring live actors and visuals in the first half, with the entire work performed in the second half. Joining the orchestra are American Players Theatre actors James Ridge (below), Colleen Madden and Brian Mani, along with Wisconsin Public Radio’s Norman Gilliland of Wisconsin Public Radio as the Narrator. This single performance takes place on Sunday, March 18, 2018*.
NOTE: *Advance tickets for Beyond the Score® are available only to MSO 17-18 season subscribers prior to single tickets going on sale to the general public on Saturday, Aug. 12, 2017. Beyond the Score® is a production of the Chicago Symphony Orchestra. Gerard McBurney, Creative Director for Beyond the Beyond the Score®
ABOUT THE MADISON SYMPHONY ORCHESTRA
The Madison Symphony Orchestra celebrates its 92nd season in 2017-2018 and its 24th season under the leadership of music director John DeMain.
The MSO has grown to be one of America’s leading regional orchestras, providing Madison and south central Wisconsin with cultural and educational opportunities to interact with great masterworks and top-tier guest artists from around the world.
Find more information at madisonsymphony.org
Tags: Aaron Copland, Actor, Alban Gerhardt, America, American Players Theatre, Arts, Augustin Hadelich, Bach, Barber, Baroque, Berlioz, Beyond the Score, Billy the Kid, Brian Mani, Cello, Chicago Symphony Orchestra, choral music, Chris Brubeck, Christmas, Christopher Dozoryst, Christopher O'Riley, classical guitar, Classical music, Colleen Madden, Concert, concerto, Czech, Disney, Dvorak, Edward Elgar, emotion, Enigma Variations, Fantasia, Felix Mendelssohn, film, From the New World, From The Top, fugue, Gil Shaham, Glagolitic, Grammy, guitar, Harold in Italy, heart, Holiday, Jacob Stockinger, James Ridge, Joaquin Rodrigo, Johann Sebastian Bach, Johannes Brahms, John DeMain, Klais, Leopold Stokowski, Leos Janacek, Love of Three Oranges, Madison, Madison Symphony Chorus, Madison Symphony Orchestra, Madison Youth Choirs, majesty, Manuel de Falla, mass, Mother Goose, movie, Mozart, Mt. Zion Gospel Choir, multimedia, Music, narrator, New World Symphony, Norman Gilliland, NPR, Olga Kern, Orchestra, organ, Overture, Overture Center, Peter Ilyich Tchaikovsky, Piano, power, Prokofiev, Rachmaninoff, Ravel, Reformation Symphony, Rossini, Schumann, Semiramide, Sharon Isbin, singer, singers, soloists, soprano, Spring, string, subscription, Suite, symphony, tenor, Three-Cornered Hat, ticket, toccata, Toccata and Fugue in D minor, transcription, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Van Cliburn, Van Cliburn International Piano Competition, Viola, Violin, virtuoso, visual, vocal music, Walt Disney, William Walton, Wisconsin, wisconsin public radio, Wolfgang Amadeus Mozart, YouTube
Classical music: This week brings some appealing solo recitals and chamber music performances for piano, violin, cello, guitar and piano trio.
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By Jacob Stockinger
This coming week has some big musical events, including the Madison Opera’s production of Giacomo Puccini’s opera “La Bohème” on Friday night and Sunday afternoon; and the annual two days of fall concerts by the Wisconsin Youth Symphony Orchestras on Saturday and Sunday. Both of those events will be previewed at length later this week.
But there is also some very appealing music on a smaller scale, including a solo piano recital, a violin and piano recital, a guitar recital, and a chamber music concert that features piano trios.
Here are the four stand-out events:
TUESDAY NIGHT
On Tuesday night at 8 p.m. in Mills Hall, Canadian-born pianist Joel Hastings will give a FREE guest artist concert.
His program features five transcriptions by Franz Liszt (1811-1886): Il m’aimait tant – Mélodie; Die Gräberinsel der Fürsten zu Gotha – Lied von Herzog Ernst, zu Sachsen-Coburg- Gotha; Spanisches Ständchen – Melodie von Graf Leó Festetic Romance du Comte Mikaïl Wielhorsky; Die Zelle in Nonnenwerth – Elegie/ Also included is piano music by Jean Roger-Ducasse (1873-1954) including Barcarolle No. 1, Chant de l’Aube, Sonorités and Rythmes; and Twelve Etudes, Op. 8, by Alexander Scriabin (1872-1915).
Joel Hastings (below), who teaches at Florida State University in Tallahassee, was the winner of the 2006 Eighth International Web Concert Hall Competition and the 1993 International Bach Competition at the Kennedy Center in Washington, D.C. After his performance at the 10th Van Cliburn International Piano Competition in Fort Worth, Texas, one reporter designated Hastings the “audience favorite” while another declared, “the kinetic fingers of this young Canadian reminded me strongly of his late countryman, Glenn Gould.”
Hastings will also give a FREE and PUBLIC master class on Wednesday, Nov. 11, from noon to 2 in Morphy Hall.
For more information about events at the UW-Madison including student performances, visit:
http://www.music.wisc.edu/events/
WEDNESDAY
The UW-Madison Guitar Ensemble (below) will perform a FREE concert at 7:30 p.m. in Morphy Hall under director Javier Calderon. Sorry, The Ear has received nothing specific about the program.
Undergraduates Erik Anderson, left, and Anthony Caulkins perform a duet during a UW Guitar Ensemble music concert in Mills Hall at the Mosse Humanities Building at the University of Wisconsin-Madison during spring on April 17, 2013. The photograph was created for #UWRightNow, a 24-hour multimedia and social-network project. (Photo by Jeff Miller/UW-Madison)
FRIDAY
At 8 p.m. in Mills Hall, Soh-Hyun Park Altino (below, in a photo by Caroline Bittencourt), the new professor of violin at the University of Wisconsin-Madison School of Music, will make her local debut. (She is seen below teaching in a photo by Michael R. Anderson.)
Altino (left), with freshman violinist Lydia Schweitzer, has developed a specialty in addressing overuse injuries.
Her must-hear program features the Sonata No. 3 in C Major for Solo Violin, BWV 1005, by Johann Sebastian Bach (which you can hear performed by Hilary Hahn in a YouTube video at the bottom); the Sonata No. 2 for Violin and Piano by Johannes Brahms; the Romance, Op. 23, by American composer Amy Beach; and the Sonata No. 2 for Violin and Piano by American composer Charles Ives. UW professor of collaborative piano Martha Fischer will perform with her. Admission is $12 for the public; free for all students.
For more information, visit these sites:
http://www.music.wisc.edu/event/debut-faculty-concert-soh-hyun-park-altino-violin/
For a Q&A:
http://www.music.wisc.edu/2015/07/31/welcoming-new-faculty-violinist-prof-soh-hyun-park-altino/
For a fine background story and preview about a “world-class talent” from Isthmus:
http://www.isthmus.com/music/violin-professor-soh-hyun-park-altino/
SATURDAY
This Saturday afternoon, Nov. 14, at 3 p.m., St. Andrew’s Episcopal Church (below), located at 1833 Regent Street in Madison, will host a performance by participants in The Leonard Sorkin International Institute of Chamber Music.
Parking is on the street and admission is a free-will offering.
The Leonard Sorkin International Institute of Chamber Music (ICM) offers a concentration in chamber music performance for advanced level graduate students and young professional musicians. The program is based at University of Wisconsin-Milwaukee and is directed by violin professor Bernard Zinck.
The program prepares students for careers in performance with a combination of weekly masterclasses, coaching and private lessons as well as financial and facility support. ICM students enjoy a rehearsal space and office dedicated to their use, mentors on self-management or advice on seeking professional management, and contest travel finances in addition to generous fellowships which pay tuition plus a modest stipend.
Typically, individual students form chamber ensembles such as string quartets or piano trios, give one group recital each semester, and use the repertoire from these recitals in outreach presentations, concerts and competitions.
The program to be performed at St. Andrew’s is: Piano Trio, Op. 33, in E-flat major by Louise Farrenc; Sonata for Cello and Violin by Maurice Ravel; and Piano Trio No. 3 in C Major, Op. 87, by Johannes Brahms.
For more information and biographies of the performers, go to an scroll down:
http://www.standrews-madison.org/saint-andrews-concert-series.html
Tags: arrangement, Arts, Bach, Bach-Werke-Verzeichnis, background, barcarolle, Baroque, Bernard Zinck, Canada, Cello, Chamber music, classical guitar, Classical music, etude, Fines Arts Quartet, Glenn Gould, guitar, Hilary Hahn, International Bach Competition, International Web Concert Hall Competition, Isthmus, Ives, Jacob Stockinger, Javier Calderon, Jean Roger-Ducasse, Johann Sebastian Bach, Johannes Brahms, Kennedy Center, La bohème, Leonard Sorkin, Leonard Sorkin Institute for Chamber Music, Liszt, Louise Farrenc, Madison, Madison Opera, Milwaukee, Music, opera, Piano Trio, preview, Ravel, Romance, Scriabin, Soh-Hyun Park Altino, Sonata, transcription, Undergraduate education, United States, University of Wisconsin-Madison School of Music, University of Wisconsin-Milwaukee, University of Wisconsin–Madison, UW-Milwaukee, Van Cliburn International Piano Competition, Violin, Washington D.C., Wisconsin, YouTube
Classical music: It’s a very busy week at the UW-Madison School of Music. Here is a roundup of the mostly FREE concerts, master classes and other events.
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By Jacob Stockinger
You always know when we are coming down to the end of a semester or the end of the school year. The music events start stacking up over the University of Wisconsin-Madison School of Music likes planes stacked up over O’Hare.
Talk about Train Wreck Weekends! And this is just the UW. There is plenty more to come, as you will see here over the course of this week.
In a way, it is a testament to the vitality of the music scene here in the Madison area.
But it is also too bad to the degree that so many events almost guarantee that some audiences will be smaller than they might otherwise be because people just can’t keep up with so many things that are so closely scheduled that they compete with each other for listeners’ free time. And we are not even talking about big draws like the three performances of the annual concert and show by the UW-Madison Varsity Band.
TUESDAY
Guest artists the Elaris Duo (below) will give master classes Tuesday night, April 14. The violin class with Larisa Elisha will be from 6-7:30 p.m. in Mills Hall, and the cello class will be with Steven Elisha from 8-9:30 p.m. They perform a concert Wednesday night at 8 in Mills Hall. See below.
WEDNESDAY
A FREE concert will be given by the UW-Madison Guitar Ensemble at 7:30 p.m. in Morphy Recital Hall under the direction of Javier Calderon (below top). Sorry, The Ear has received no word about the program. For more information, go to: http://www.music.wisc.edu/events/uw-guitar-ensemble-2/
$2 Broom, a FREE concert of electro-acoustic improvised music by students will be held in Music Hall, under the direction of UW-Madison horn professor Daniel Grabois (below bottom, in a photo by James Gill). For more information when it is posted, go to: http://www.music.wisc.edu/events/2-dollar-broom-2015/
A FREE concert by guest artists the Elaris Duo — husband-and-wife cellist and violinist — in Mills Hall at 8 p.m. The program includes works by Wolfgang Amadeus Mozart, Zoltan Kodaly and Erwin Schulhoff. For more information, visit: http://www.music.wisc.edu/events/elaris-duo-guest-artists/
THURSDAY
The Pro Arte Quartet (below, in a photo by Rick Langer) will perform a FREE concert at 7:30 p.m. in Mills Hall. The program includes the String Quartet in A Major, K. 464, by Wolfgang Amadeus Mozart; the String Quartet No. 4 by Leon Kirchner; and the early String Quartet in C Minor by Ludwig van Beethoven, Op. 18, No. 4. For more information about the concert and the Pro Arte Quartet, go to: http://www.music.wisc.edu/events/pro-arte-quartet_4_16/
FRIDAY
At 2 p.m. in Room 1629 of the Humanities Building, Brazilian percussionist Ney Rosauro (below) will give a master class that is open to the public. For information about the artist, go to: http://www.music.wisc.edu/events/master-class-with-brazilian-percussionist-ney-rosauro/
At 7:30 p.m. in Music Hall, the Mad City Brass Quintet, made up of UW-Madison students, will perform a FREE concert of music by UW-Madison professor emeritus of tuba and euphonium John Stevens (below) as well as by Billy Joel, Michael Kamen and Andre Lafosse. For more information, visit: http://www.music.wisc.edu/events/mad-city-brass-quintet/
At 7:30 p.m. in Luther Memorial Church, 1021 University Avenue, the UW-Madison Concert Choir, Chorale, and Madrigal Singers will perform. Bruce Gladstone will conduct. The joint concert of the three choirs is themed “O Beauty” but each ensemble will have its own section. (Below is the Concert Choir performing.)
The choirs will perform together on the following large works: Blest Pair of Sirens by C.H.H. Parry and Missa “O Pulchritudo” by Gian-Carlo Menotti.
These will be performed with UW-Madison Professor John Chappell Stowe on organ.
For information, visit: http://www.music.wisc.edu/events/uw-concert-choir-chorale-and-madrigal-singers/
SATURDAY
At 3:30 in Morphy Recital Hall, the Perlman Trio (funded by local philanthropist Kato Perlman) and two guest artists (below in a photo by Tori Rogers) will perform a FREE concert. The piano trio members (three in the front) are SeungWha Baek, piano; Valerie Sanders, violin; and Daniel Ma, cello. Guests are Keisuke Yamamoto, violin, and Jeremy Kienbaum, viola.
The program includes: Piano Trio in E-flat Major, Hoboken XV: 29, by Franz Joseph Haydn; the Piano Quintet in D Major, Op. 51, by Anton Arensky; and the Piano Trio in B Major, Op. 8 (original version) by Johannes Brahms. For information, go to: http://www.music.wisc.edu/events/perlman-trio-recital/
At 4 p.m. in Mills Hall, the Low Brass Ensemble will offer a FREE concert. Sorry, no other details are available. When they are, go to: http://www.music.wisc.edu/events/low-brass-ensemble/
At 6 p.m. in Morphy Recital Hall. UW-Madison bassoonist-conductor Marc Vallon (below top, in a photo by James Gill) and Madison Bach Musicians founder, director and keyboard player Trevor Stephenson (below bottom) will host a demonstration of early music practices and period instruments, featuring performers from the Madison Bach Musicians. The event is part of the year-long “Rediscovering Rameau” music festival.
Later this week there will be two semi-staged performances of Rameau’s 1748 ballet-opera “Pygmalion” that Stephenson and the Madison Bach Musicians will give at the First Unitarian Society of Madison this Friday night at 6:45 p.m. and Sunday afternoon at 2:45 p.m. Go to: http://www.music.wisc.edu/events/pygmalion-madison-bach-musicians/
![Marc Vallon 2011 James Gill (baroque & modern)[2]](https://welltempered.files.wordpress.com/2012/03/marc-vallon-2011-james-gill-baroque-modern2.jpg)
At 6:30 p.m. in Mills Hall, the gala concert of the 12th annual Madison Flute Festival, “Flutes Down Under,” will take place. Admission is $5 for those not taking part in the day-long festival. It is held by the Wisconsin Flute Club and the flute studio of UW Professor Stephanie Jutt, who is Principal Flute of the Madison Symphony Orchestra and also a co-founder and co-director of the Bach Dancing and Dynamite Society.
The Madison Flute Club is winding up a fund-raising drive — nearly $15,000 — for the purchase of a contra bass flute. This instrument was made by Eva Kingma in the Netherlands, and is in transit now. This instrument will be the first contra bass flute in Wisconsin.
The Madison Flute Club also recently sponsored a composition contest for the contra bass flute, and the winning piece will be performed at the Flute Club’s Spring Recital May 9 at Midvale Lutheran Church.
At the conclusion of the Flute Festival this week, the public is invited to hear a performance featuring the family of low flutes. This concert will present pieces by Gary Shocker, Vaughan McAlley and many other composers writing for the low flutes. Attendees will hear performances on alto, bass, contra bass and subcontrabass flute –an extremely rare instrument.
Other festival events take place at the UW-Madison Pyle Center. The festival features guest artist Peter Sheridan (below), low flutes specialist visiting from Australia. Activities include flute choir reading sessions, master class, performances, presentations, vendors and competitions featuring monetary prizes. For more information, go to: http://www.madisonfluteclub.org/FluteFestival.html
and
http://www.music.wisc.edu/events/gala-concert-wisconsin-flute-festival/
SUNDAY
At 3:30 p.m., the winners of UW-Madison’s annual Beethoven Piano Sonata Competition will perform. A reception will follow. The event is made possible by the generosity of former UW-Madison Chancellor Irving Shain (below bottom). For word on the winners and the sonatas to be performed, go to: http://www.music.wisc.edu/events/beethoven-competition-recital/
Tags: Anton Arensky, Arts, Australia, Bach, ballet, Baroque, Bassoon, bassooon, Beethoven, Billy Joel, Brahms, brass, Brazil, Cello, Chamber music, choral music, classical guitar, Classical music, composer, Concert Choir, Early music, Erwin Schulhoff, Euphonium, flute, Gian-Carlo Menotti, guitar, Haydn, historically informed performance practices, Jacob Stockinger, Johann Sebastian Bach, John Stevens, Keyboard, Kodaly, Leon Kirchner, low flute, Ludwig van Beethoven, Madison, Music, opera, organ, Parry, percussion, Piano, Piano Quintet, Piano sonata, Piano Trio, Pro Arte Quartet, Pygmalion, Rameau, Sonata, String quartet, Tuba, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Wolfgang Amadeus Mozart
Classical music: Today is Veterans Day in the U.S. and this week brings Remembrance Day in the Commonwealth nations including Great Britain, Canada and Australia. To honor veterans -– both military and civilian — The Ear plays the “Nimrod” section from Sir Edward Elgar’s “Enigma Variations.” What music would you play?
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ALERT: On this Wednesday night at 7:30 p.m. in Mills Hall, the UW-Madison Guitar Ensemble, under the direction of UW-Madison professor Javier Calderon, will give a FREE concert of music by Heitor Villa-Lobos, Mario Castelnuovo-Tedesco, Gilbert Bibarian and others.
By Jacob Stockinger
He may be wrong, but The Ear does not think that Veterans Day — and Remembrance Day in the Commonwealth nations of the former British Empire — is just about war. And there is plenty of music one could play that aims to depict war and conflict.
But Veterans Day -– which was originally Armistice Day and was intended to mark the end of that vicious meat-grinder World War I that started 100 years ago this year and officially ended on the 11th hour of the 11th day of the 11th month of 1918 –- is more about people and loss. So is Remembrance Day.
Given the way “total war” has evolved and been waged since World War I — just look at the Middle East and ISIS these days — one has to wonder: Shouldn’t civilians, including women and children, also be honored? When war is waged, usually all suffer and all sacrifice.
Not that the armed forces don’t come at the head of the line and hold a special place in our thoughts.
But these days a Requiem for All seems fit and appropriate.
That is why The Ear can’t think of a more moving and quietly appropriate piece of music than the “Nimrod” section from the Edwardian era British composer Sir Edward Elgar’s “Enigma” Variations.
That is probably why the prize-winning and popular documentary filmmaker Ken Burns also used the same music, arranged for solo piano, in his 2007 epic film about World War II called, simply, ‘The War.”
Here it is, played by conductor Daniel Barenboim and the Chicago Symphony Orchestra in a popular YouTube with more than 2.5 million hits — as a salute to all those who suffered and who served:
Tags: A World Requiem, armed forces, Arts, Australia, Canada, Chicago Symphony Orchestra, children, civilians, classical guitar, Classical music, Commonwealth, Commonwealth of Nations, Daniel Barenboim, documentary, Edward Elgar, England, Enigma Variations, film, First World War, Great Britain, guitar, Heitor Villa-Lobos, ISIS, Jacob Stockinger, Javier Calderon, Ken Burns, Kenneth Burns, Madison, Mario Castelnuovo-Tedesco, Middle East, Music, Orchestra, Remembrance Day, Remembrance Sunday, Second World War, soldiers, The War, total war, United States, Veterans Day, Villa-Lobos, women, World War I, World War II, YouTube
Classical music: The Carnegie Hall of Madison — the renovated Wisconsin Union Theater on the University of Wisconsin campus — will reopen next fall with a gala concert by cellist Yo-Yo Ma and other classical stars.
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By Jacob Stockinger
The Ear likes to call the Wisconsin Union Theater (below) “The Carnegie Hall of Madison.”
The reason is simple. Ever since the historic WUT opened, that is where the really great classical music talents of the 20th century performed, especially long before there was a Madison Civic Center or an Overture Center.
Two seasons ago, the Wisconsin Union Theater closed for repairs and started holding concerts in Mills Hall at the University of Wisconsin-Madison School of Music.
But the renovations are almost completed. For more information about the two-year renovation, visit:
http://unionreinvestment.wisc.edu
So the Wisconsin Union Theater has announced a gala and celebratory 2014-2015 Concert Series in the renovated theater.
The press release reads: “The Wisconsin Union Theater is proud to announce its 2014-2015 Concert Series. Reopening for its 75th anniversary (and the Concert Series’ 95th anniversary) after a two-year renovation, the theater offers a magnificent series, which includes:
Yo-Yo Ma, cello, with pianist Kathryn Stott, piano on Saturday, October 18, 2014. (At the bottom, you can hear the duo perform the “Meditation” from the opera “Thais” by Jules Massenet in a YouTube video that has more than 1 million hits.)
Valentina Lisitsa, piano, who has been an Internet sensation and procured a contract with Decca Records from her millions of followers on YouTube, on Thursday, November 20, 2014.
Chanticleer singers on Saturday, February 21, 2015.
Takacs String Quartet on Saturday, February 28, 2015, for the Fan Taylor Memorial Concert.
Sharon Isbin, guitar, and Isabel Leonard, mezzo-soprano, on Saturday, March 21, 2015. Presented with the Madison Opera.
“As was promised when the theater closed for renovations, past and current subscribers are given first priority to place an order for the series and request their preferred seating area. Others can subscribe later and single tickets will be available in August.
“This is just the beginning, says WUT officials. Details of the theater’s complete season will be released at a later date and will include many additional superb artists and performances.
“The season is presented by Wisconsin Union Directorate’s Performing Arts Committee.
Single ticket prices range from $25 t0 $125 for the Yo-Yo Ma concert. The others generally run from $12 to $45 or $50.
Brochures will be mailed in mid-June.
For more information visit:
http://www.uniontheater.wisc.edu
Tags: Arts, Carnegie Hall, Cello, Chamber music, Chanticleer, choral music, classical guitar, Classical music, duo, guitar, Isabel Leonard, Jacob Stockinger, Jukes Massenet, Kathryn Stott, Madison, Madison Opera, Meditation, Mezzo-soprano, Music, Overture Center, Piano, String quartet, Takacs Quartet, Thaïs, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Valentina Lisitsa, vocal music, Wisconsin, Wisconsin Union Theater, Yo-Yo Ma, YouTube
Classical music: The Wisconsin Chamber Orchestra shows its impressive mastery of many musical styles in a concert of Mozart, Castelnuovo-Tedesco and Bruckner that marks again just how superb its music-making has become. Plus, read John W. Barker’s review for Isthmus.
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By Jacob Stockinger
There are many ways to take the measure of a performing arts group. And by all the important measures you can think of, the concert Friday night in the Overture Center’s Capitol Theater by the Wisconsin Chamber Orchestra (below) succeeded superbly.
Not that we should be surprised. For many seasons now, the WCO, under the programming and baton of its longtime director Andrew Sewell (below) has been turning in higher and higher caliber performances in the Masterworks winter series.
But this concert may well mark a new highpoint.
Do you like light and easy-listening fare? Then the opening work, Mozart‘s overture to “The Impresario,” proved a perfect curtain-raiser. It possessed the right energy and articulation to make it seem, at least for a few minutes more than the things that the young Mozart (below) could toss off pretty much without thinking.
Do you like to hear the orchestra accompany a soloist? Then the Croatian guitarist Ana Vidovic (pronounced VIDO-vich, not vik) proved terrific in an ideal vehicle.
It was the Guitar Concerto No. 1 by the early 20th-century Italian composer Mario Castelnuovo-Tedesco, whose gift for accessibility, transparent structure and melody may be linked to his composing of movie scores. Take the bittersweet, heartbreaking song, Mozartean in its single-note simplicity, that opens the slow movement (at bottom, in a YouTube video).
True, Vidovic amplified her guitar And while purists might object to that, from where The Ear sat, the amplification helped maintain balance and kept the orchestra from holding back and the guitarist from forcing her sound. Plus, I am not sure the acoustics of the old refurbished Capitol Theater (below) allow for unamplified playing of the classical guitar. (Check out the microphone in the YouTube video at the bottom that comes from a live recording at a prestigious international guitar competition.)
Cutting an attractive figure with her long brunette hair, bright yellow dress and gracious stage presence, Vidovich also offered approving fans a beautiful solo encore, Francisco Tarrega‘s haunting “Remembrances of Alhambra.” The Ear expects, and hopes, we will be hearing her again in a couple of seasons, maybe in a concerto by Antonio Vivaldi or Joaquin Rodrigo.
Do you like music that is “red meat,” as a close friend of The Ear described the Symphony No. 2 in C minor by the late 19th century Romantic Anton Bruckner (below)? Then you wouldn’t have been disappointed either. In fact, this work that lasted over an hour was the only one that brought the audience to its feet -– and in a town renowned for easy standing ovations.
This particular standing ovation, I suspect, was more for the performance than for the demanding music. The audience recognized effort, force and precision when they heard them. The WCO poured itself, heart, soul and body into this work, which was clearly rehearsed long and in careful detail under Sewell’s guidance.
The work itself is early and somewhat disjointed, lurching from the dramatic to the lyrical and back again. Clearly Bruckner relies more on rhythm and pulse than on melody. I do not find that he sings all that naturally or all that much. But he certainly does engage you by the way works over the music, and especially by the way he uses the brass and percussion as well as nthe strings and winds. Bruckner sure was sone kind of orchestrator!
Bruckner’s sound is his own, whatever its historical roots or influences. I am reminded of the scratched out scrawls one sees in Beethoven’s notebooks. I suspect Bruckner, an endless reviser, worked the same way.
The deeply religious Bruckner (below) does not seduce you; sensuality is not his strong suit. Instead he forcefully grabs you and compels you to listen. We should hear more of him, and conductor Sewell, pretty much by himself, seems to be making sure that we do. And his efforts are appreciated.
Not for nothing did that the WCO, on a cold and snowy winter night, play to a full house of about 1,200. At this rate, and with this kind of mastery, one hopes that perhaps the WCO can one day justify doing double performances, maybe a matinee. The quality of the WCO’s music-making certainly deserves it. And so do we listeners.
If you want to compare and see what another critic thought, here is a link to the review the John W. Barker did for Isthmus:
http://www.thedailypage.com/daily/article.php?article=41864
Tags: amplification, amplified, Ana Vidovic, Andrew Sewell, Anton Bruckner, Antonio Vivaldi, Bruckner, Capitol Theater, chamber orchestra, classical guitar, concerto, Croatia, Francisco Tarrega, guitar, Isthmus, Jacob Stockinger, John W. Barker, Ludwig van Beethoven, Mario Castelnuovo-Tedesco, Orchestra, Overture, Overture Center, Remembrances of Alhambra, Rodrigo, Symphony No. 2, Vivaldi, WCO, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, YouTube
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