The Well-Tempered Ear
Here are the nominees, winners and trends of the 2023 classical music Grammys
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Chances are good you have already heard about Beyoncé and Lizzo, about Bonnie Raitt and Harry Styles, and how they won their Grammy awards last Sunday night.
But it is not by chance that you have to scroll way, way, way down the list of Grammy nominees and winners to find the ones for classical music. (It comes a third from the end, just before the list of short-form and long-form videos.)
No doubt it is in part a question of respect. Classical is not even listed with other “Musical Genres” on the Grammys’ home website while you will find: Pop; Rock; R&B; Country; Rap; Latin; Global; Gospel and Contemporary Christian; New Age; Jazz; and Alternative.
It seems like the most important thing to say about classical music is that pop star Beyoncé (below above) surpassed the record for individual Grammys previously held for decades by the late Hungarian-born conductor Sir George Solti (below bottom). He had won 31, she has won 32. But it seems like an unfair comparison since The Ear suspects many more categories are open to Beyoncé and her pop music than were open to Solti and classical music.
But even more than respect, it is a question of popularity and money.
We mustn’t forget that the Grammys are above all an industry event designed to reward those who make the commercial recording industry flourish.
Still, there are trends to take note of.
You’ll notice that quite a few of the nominees and winners have performed had their music performed in Madison. They include composers Caroline Shaw and Kevin Puts; the Imani Winds and Valerie Coleman; the Attacca Quartet; singer Will Liverman; Third Coast Percussion; Hilary Hahn; and producer Judith Sherman (below, in 2016)), who has overseen recent recordings by the UW-Madison’s Pro Arte Quartet and won many such Grammys.
Also, just as in Madison this has also been a big year for performers and composers of color — Black, Indigenous, Latin and Asian — as well as women composers and performers. Florence Price, Valerie Coleman and Jessie Montgomery (below and in the YouTube video at the end of her composition “Strum”), who is now composer-in-residence at the Chicago Symphony Orchestra and was just named Composer of the Year by Musical America; and Valerie Coleman.
Local presenters and performers can be proud of reflecting the same priorities. They include: the University of Wisconsin-Madison School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); the Madison Symphony Orchestra; the Madison Opera; the Wisconsin Union Theater; the Wisconsin Chamber Orchestra; the Willy Street Chamber Players; the Bach Dancing and Dynamite Society; Edgewood College; and Wisconsin Public Radio and WORT-FM among others.
See for yourself which ones you caught and which ones you missed.
Here is a list of the classical music winners of the 65th annual Grammy awards. It is provided by the insightful Australian arts and culture journal Limelight Magazine:
The 2023 Grammy Awards: Classical winners announced
And here is the complete list of the Grammy nominees along with the winners, so you can compare them all, find out details and judge for yourself. The Ear thinks many of the nominees are often just as worthwhile to check out and listen to as the winners:
https://www.grammy.com/awards/65th-annual-grammy-awards-2022
What do you think of the Grammy nominees and winners?
The Ear wants to hear.
Tags: #African-AmericanMusic, #BachDancingandDynamiteSociety, #BlogPost, #ChristianMusic, #ClassicalRecording, #FacebookPost, #FacebookPosting, #FlorencePrice, #GeorgeSolti, #GospelMusic, #HarryStyles, #Hip-hopmusic, #JessieMontgomery, #KevinPuts, #LimelightMagazine, #MadisonOpera, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MusicalGenre, #PeopleofColor, #TheEar, #TheGrammys, #TheUW-Madison, #WillyStreetChamberPlayers, #WisconsinPublicRadio, #WorldMusic, #WORT-FM89.9, #YouTubevideo, 2023, Adele, African American, alternative, Arts, Asia, asian, audience, Australia, Bach, Bach Dancing and Dynamite Society, Baroque, BDDS, Beethoven, Beyonce, BIPOC, black, blog, blues, Bonnie Raitt, Caroline Shaw, Cello, Chamber music, Chicago Symphony Orchestra, China, Chinese, choral music, Christian, Classical music, composer, Concert, concerto, country, culture, Early music, Edgewood College, Facebook, Florence Price, genre, George Solti, global, gospel, gospel music, Grammys, Harry Styles, Hillary Hahn, hip-hop, Hispanic, Imani Winds, Indigenous, industry, Jacob Stockinger, Jazz, Jessie Montgomery, Johann Sebastian Bach, Judith Sherman, Kevin Puts, Latin, Limelight, Limelight magazine, link, listen, Lizzo, Ludwig van Beethoven, Madison, Madison Opera, Madison Symphony, Madison Symphony Orchestra, magazine, Mead Witter School of Music, money, Mozart, Music, Musical America, New Age, nominee, opera, Orchestra, Overture Center, people of color, Piano, pop, popularity, Pro Arte Quartet, R&B, rap, recording, respect, Rock, share, Sonata, String quartet, symphony, tag, The Ear, trend, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, VALERIE COLEMAN, Viola, Violin, vocal music, Website, Willy Street Chamber Players, winner, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, World music, WORT, WORT-FM 89.9, WPR, WYSO, YouTube
Wisconsin Baroque Ensemble performs a FREE live-streamed concert this Sunday afternoon
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
After a year of canceled events, the Wisconsin Baroque Ensemble (below) will perform a live-streamed concert this Sunday afternoon, Feb. 21, at 3 p.m. CST.
The concert will take place at the First Congregational Church in Beloit as part of the Musica Maxima concert series.
(A concert scheduled for this Saturday night, Feb. 21, at St. Andrew’s Episcopal Church in Madison has been CANCELED.)
On the program are: six duos for two cellos, Op. 18, by Tommaso Giordani (below top), played by Charlie Rasmussen and Anton TenWolde (you can hear the same performers play the second of the six duos in the Centaur recording featured in the YouTube video at the bottom); and the sonata for viola da gamba and harpsichord obbligato (WQ 88) by Carl Philipp Emanuel Bach (below bottom) performed by Eric Miller and Max Yount, respectively.
There will be no live audience.
The link to the free concert as well as a full program can be found at our home webpage: http://www.wisconsinbaroque.org
There is no charge, but please consider making a donation to the Wisconsin Baroque Ensemble to help defray our expenses. Go to: http://www.wisconsinbaroque.org/donate.html
In case you are unable to watch the live broadcast, the concert will remain posted for viewing for several weeks.
Tags: #AntonTenWolde, #BaroqueMusic, #BaroquePeriod, #BeloitWisconsin, #BlogPost, #BlogPosting, #CarlPhilippEmanuelBach, #CelloMusic, #CentaurRecords, #CentralStandardTime, #CentralTime, #ChamberMusic, #CharlieRasmussen, #ChristianChurch, #ChristianReligion, #CityofMadison, #ClassicalRecording, #ConcertProgram, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #CPEBach, #EricMiller, #FacebookPost, #FacebookPosting, #FirstCongregationalChurch, #HarpsichordContinuo, #HistoricallyInformedPerformancePractices, #HomeWebpage, #HomeWebsite, #JacobStockinger, #LiveStreaming, #MaxYount, #MusicaMaxima, #NaxosRecords, #OnlineConcert, #PeriodInstruments, #RecordedMusic, #St.Andrew'sEpiscopalChurch, #Sundayafternoon, #TheEar, #TheHarpsichord, #TommasoGiordani, #TravelExpenses, #VioladaGamba, #VirtualConcert, #WisconsinBaroqueEnsemble, #YouTubevideo, Anton TenWolde, Arts, audience, Bach, Baroque, Baroque music, Beloit, blog, Broadcast, cancel, Carl Philipp Emanuel Bach, Cello, cello music, Centaur Records, Central Standard Time, Central Time, Chamber music, charge, Charlie Rasmussen, Christian church, Christianity, church, Classical music, composer, Concert, concert series, consider, coronavirus, CPE Bach, CST, defray, donation, duet, duo, Early music, Eric Miller, event, expense, Facebook, Facebook post, Facebook posting, First Congregational Church, forward, harpsichord, historically informed performance practices, home website, Jacob Stockinger, like, link, live, live-stream, Madison, Max Yount, Music, Musica Maxima, Naxos, Naxos Records, new, obbligato, online, pandemic, perform, period instruments, play, post, posting, program, recorded music, recording, Religion, share, Sonata, St. Andrew's Episcopal Church, subscriber, Sunday afternoon, tag, The Ear, Tommaso Giordani, United States, view, viewing, viola da gamba, virtual, watch, Website, weeks, Wisconsin, Wisconsin Baroque Ensemble, year, YouTube, YouTube video
The Wisconsin Baroque Ensemble cancels all fall concerts due to coronavirus pandemic
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following note to post:
We regret to announce that the Wisconsin Baroque Ensemble has canceled its October and November concerts.
The musicians and the Board of Directors unanimously decided that this is the most responsible course of action in response to the COVID-19 epidemic.
As a consolation, we have made a recording of our 91-minute concert on Oct. 7, 2017 in Saint Andrew’s Episcopal Church (below) in Madison available on our website. (Editor’s note: It is also in the YouTube video at the bottom.)
The full program — which includes works by Handel, Telemann, Rameau and Caccini and more — is listed there as well. You can find it at: https://nam12.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.wisconsinbaroque.org%2Flisten.html&data=02%7C01%7C%7C583b299aec0d4259741308d8656e682c%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637370872145078203&sdata=pZ9bY1aVlvAHIp9OfG2yOsLUoRgAdl3p34wW1fF17Hw%3D&reserved=0.
This recording was done and made available by Nathan Giglierano, our violinist.
We also created a special page that lists CD’s recorded by some of our musicians and where they can be obtained: https://nam12.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.wisconsinbaroque.org%2Frecordings.html&data=02%7C01%7C%7C583b299aec0d4259741308d8656e682c%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637370872145078203&sdata=S%2B%2FLHUXhI0Z37W%2BxzslAhXcwzrWT1ze8x2IZ1QwzR3g%3D&reserved=0
We plan to reevaluate the situation and make a decision about our spring 2021 concerts at a later date.
For updates and more information, go to the Wisconsin Baroque Ensemble’s new website: http://www.wisconsinbaroque.org
Tags: #BaroqueCello, #BaroqueChamberMusic, #BaroqueFlute, #BaroqueMusic, #BaroqueRecorder, #BaroqueViolin, #BlogPost, #BlogPosting, #BoardofDirectors, #ChamberMusic, #ChamberMusicians, #ChristianChurch, #CityofMadison, #ClassicalRecording, #CoronavirusPandemic, #COVID-19, #Epidemic, #FacebookPost, #FacebookPosting, #GeorgeFridericHandel, #GeorgPhilippTelemann, #HarpsichordContinuo, #HarpsichordMusic, #JacobStockinger, #Jean-PhilippeRameau, #JesusChrist, #MadisonWisconsin, #RecordedMusic, #St.Andrew'sEpiscopalChurch, #TheEar, #VocalMusic, #WisconsinBaroqueEnsemble, #YouTubevideo, 2020, 2021, action, all, announcement, Arts, audience, available, Baroque, blog, Board of Directors, Caccini, cancel, cellist, Cello, Chamber music, Christ, Christian church, church, Classical music, composer, Concert, consolation, coronavirus, course, create, date, decide, Early music, earlymusic, editor, Facebook, fall, find, flute, full, Georg Philipp Telemann, George Frideric Handel, Handel, harpsichord, include, information, Jacob Stockinger, Jean-Philippe Rameau, Jesus, Jesus Christ, like, link, list, Madison, Music, musicians, news, note, November, October, page, pandemic, performer, plan, post, posting, program, Rameau, recorded music, recorder, recording, reevaluate, regret, response, responsible, Season, share, sing, singer, special, Spring, St. Andrew's Episcopal Church, tag, Telemann, The Ear, unanimous, United States, update, Violin, violinist, vocal music, Website, Wisconsin, Wisconsin Baroque Ensemble, work, YouTube
Classical music: As superstar Itzhak Perlman turns 75, a critic assesses his virtues and shortcomings in playing both the violin and his audiences
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Last Monday, Aug. 31, superstar violin virtuoso Itzhak Perlman (below, in a photo by Yael Malka of The New York Times) turned 75.
To celebrate, Sony Classical released a boxed set of 18 CDs (below) with many performances by Perlman – solo, chamber music and concertos – recorded over many years.
On the occasion of Perlman’s birthday, critic Corinna da Fonseca-Wollheim of The New York Times wrote a retrospective review of Perlman’s long career. (You can hear his most popular performance ever — with more than 6 million hits — in the YouTube video at the bottom.)
The Ear finds the opinion piece both brave and truthful, pointing out Perlman’s mastery of the Romantic repertory but also criticizing his stodgy treatment of Vivaldi and other Baroque music that has benefitted from the period-instrument movement and historically informed performance practices
Yet the essay, which also touches on ups and down of Perlman’s career, always remains respectful and appreciative even when discussing Perlman’s shortcomings.
Offering many historical details and photos as well as sample videos, the critical assessment of Perlman seems perfectly timed.
The Ear hopes you enjoy it as much as he did. Here is a link: https://www.nytimes.com/2020/08/26/arts/music/itzhak-perlman-violin.html
If you have heard Itzhak Perlman either on recordings or live – at the Wisconsin Union Theater, the old Civic Center or Overture Hall — let us know what you think.
The Ear wants to hear.
Tags: #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #BostonSymphony, #BoxSet, #ChamberMusic, #CivicCenter, #ClassicalRecording, #CompactDisc, #ConcertPianist, #CorinnadaFonseca-Wollheim, #DanceMovement, #DisabilityRights, #DorothyDeLay, #EricLeinsdorf, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FilmScore, #FourSeasons, #HistoricallyInformedPerformancePractices, #IsraeliMusician, #ItzhakPerlman, #JacobStockinger, #JeanSibelius, #Jewishmusician, #JohannesBrahms, #JohannSebastianBach, #JohnWilliams, #JuilliardSchool, #KlezmerMusic, #LudwigVanBeethoven, #MauriceRavel, #MaxBruch, #MovieMusic, #MusicCritic, #MusicEducation, #NewYorkTimes, #NiccoloPaganini, #OvertureCenter, #PablodeSarasate, #PeriodInstrument, #PeterIlyichTchaikovsky, #PeterTchaikovsky, #RobertSchumann, #RomanticMusic, #Schindler'sList, #SergeiProkofiev, #SesameStreet, #SonyClassical, #StevenSpielberg, #TheEar, #TheHolocaust, #TheViolin, #ViolinConcerto, #ViolinistVirtuoso, #VirtuosoViolinist, #VladimirAshkenazy, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #Yo-YoMa, #YouTubevideo, 75, acrobatic, Antonio Vivaldi, appreciative, Arts, assessment, audience, audiences, Audio, Bach, Baroque, Baroque music, Beethoven, benefit, birthday, blog, Boston Symphony Orchestra, bow, Box set, Brahms, brave, Bruch, career, CDs, celebrate, cellist, Cello, Chamber music, charm, Classical music, classicalmusic, communicate, Compact Disc, Concert, concerto, Corinna da Fonseca-Wollheim, critical, de Sarasate, details, disability, disability right, disability rights, disappointment, discuss, Dorothy DeLay, downs, Early music, enjoy, Eric Leinsdorf, ever, Facebook, fans, Felix Mendelssohn, Film score, forward, Four Seasons, hear, historical, historically informed performance practices, hit, Holocaust, hope, intonation, Israel, Itzhak Perlman, Jacob Stockinger, Jean Sibelius, Jewish, Johann Sebastian Bach, Johannes Brahms, John Williams, Juilliard School, Juilliard School of Music, klezmer, legend, like, link, long, Ludwig van Beethoven, Madison, Master, mastery, Maurice Ravel, Max Bruch, Mendelssohn, million, movement, movie music, Mozart, Music, music critic, Music education, New York City, New York Times, Nicolo Paganini, offer, offering, old, opinion, Orchestra, Overture Center, Overture Center for the Arts, Paganini, PBS, performance, period instruments, Peter Ilyich Tchaikovsky, photo, Pianist, Piano, piece, play, polio, popular, post, posting, Prokofiev, Ravel, recital, recording, remain, repertoire, repertory, respectful, retrospective, review, rights, Robert Schumann, Romantic, Sarasate, Schindler's List, Schumann, self-assurance, Sergei Prokofiev, Sesame Street, share, shortcomings, Sibelius, solo, Sonata, SONY, Sony Classical, Steven Spielberg, Student, superstar, tag, Tchaikovsky, Teacher, Television, The Ear, the violin, tone, truthful, TV, United States, ups, vibrant, video, vigorous, Violin, violinist, virtue, virtuoso, Vivaldi, Vladimir Ashkenazy, Wisconsin, Wisconsin Union Theater, Wolgang Amadeus, Yo-Yo Ma, YouTube
Classical music: This summer the Token Creek Festival goes online. The music starts TODAY at 4 p.m. Concerts run daily through Sept. 15 and remain up for this month
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The annual Token Creek Chamber Music Festival normally occurs in the final weeks of summer, just before Labor Day, in the welcoming rustic comfort of the beautifully converted barn (below) located on the rural farm property of composer John Harbison and violinist Rose Mary Harbison.
With its normal concert season canceled due to Covid-19, the festival is pleased to announce an alternative for the summer almost ended.
Slightly later than usual, “MUSIC FROM THE BARN” is a two-week virtual season, a retrospective of concert compilations from 30 years of performances.
The topical programs will be released daily over the period Sept. 1–15 at 4 p.m. (CDT), and will remain posted and available to “attendees” throughout the month. From anywhere in the world, you can revisit whole programs or individual pieces.
The goal of the series has been to achieve the broadest possible representation of repertoire and artists who have graced the Token Creek stage since the series began in 1989.
To festival-goers, it will come as no surprise that the virtual season emphasizes music of Bach, Mozart, Haydn, and Beethoven, vocal music, works by artistic director John Harbison and his colleagues, and, of course, jazz.
In addition to the welcoming beauty of the barn and festival grounds, with sparkling creek and abundant gardens and woods, and the convivial intermissions at every concert, one of the features most beloved by audiences is the concert introduction by Pulitzer Prize-winning composer, MacArthur “Genius Grant” recipient and MIT professor John Harbison (below) that begins each program. Happily, these remain a feature of the virtual season as well.
Season Schedule
Tues., Sept. 1: Welcome and introduction from the artistic directors (below and in the link to the YouTube video at the bottom)
TODAY, Wed., Sept. 2: Founders Recital
Thurs., Sept. 3: Haydn Piano Trios
Fri., Sept. 4: Bach I: Concertos
Sat., Sept. 5: A Vocal Recital (I)
Sun., Sept. 6: Beethoven
Mon., Sept. 7: Contemporaries
Tues., Sept. 8: Early Modernists
Wed., Sept. 9: A Vocal Recital (II): Schubert and Schumann
Thurs., Sept. 10: Jazz 2003-2019
Fri., Sept. 11: Neo-classicists: Pizzetti, Martinu, Stravinsky
Sat., Sept. 12: Schoenberg and His Circle
Sun., Sept. 13: Mozart
Tues., Sept. 14: John Harbison: Other Worlds
Wed., Sept. 15: Bach II: Preludes, Fugues, Arias, Sonatas
Programs will be posted on Token Creek’s YouTube Channel, accessible from the festival website (https://tokencreekfestival.org), which will also host concert details: works, artists, program notes and other information.
All concerts are FREE and open to the browsing public.
In addition to the virtual concert season, the Token Creek Festival is pleased to release two new CDs.
A Life in Concert (below) features music written for Rose Mary Harbison by John Harbison, and performances of diverse music by the two of them. It includes the world premiere recordings of Harbison’s Violin Sonata No. 1 and Crane Sightings: Eclogue for Violin and Strings, inspired by frequent encounters with a pair of sandhill cranes at the Wisconsin farm.
Wicked Wit, Ingenious Imagination (below) offers four piano trios by Haydn, a beloved genre the festival has been surveying regularly since 2000. CDs will be available at the festival website by mid-September.
For more information, go to: https://tokencreekfestival.org
https://tokencreekfestival.org/2020-virtual-season/welcome/#
Tags: #ALIfeinConcert, #AmericanJazz, #ArnoldSchoenberg, #ArtisticDirector, #AtonalMusic, #BachCantata, #BaroqueMusic, #BlogPost, #BlogPosting, #BohuslavMartinu, #ChamberMusic, #ClassicalRecording, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #CraneSightings, #FacebookPost, #FacebookPosting, #FacultyMember, #FranzJosephHaydn, #FranzSchubert, #GeniusGrant, #IgorStravinsky, #InstrumentalMusic, #JacobStockinger, #JohannSebastianBach, #JohnHarbison, #LaborDay, #LudwigVanBeethoven, #MacArthurFellow, #MacArthurFoundation, #MassachusettsInstituteofTechnology, #Musicfaculty, #MusicFromtheBarn, #MusicProfessor, #NeoClasssicalMusic, #NewMusic, #OnlineConcert, #PianoTrio, #ProgramNotes, #PulitzerPrize, #RobertSchumann, #RoseMaryHarbison, #SandhillCranes, #StateOfWisconsin, #StringMusic, #TheEar, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #TwelveTone, #UWProfessor, #ViolinSonata, #VirtualConcert, #VocalMusic, #Wicked Wit, #WolfgangAmadeusMozart, #WorldPremiere, #YouTubeChannel, #YouTubevideo, A Life in Concert, abundant, alternative, announce, annual, anywhere, aria, Arnold Schoenberg, Artistic director, artists, Arts, atonal, attendee, Bach, barn, Baroque, beautiful, beauty, Beethoven, blog, Bohuslav Martinu, broad, browsing, canceled, Cantata, CDs, cellist, Cello, Chamber music, channel, co-artistic director, colleagues, comfort, compilation, composer, concert season, concerti, concertos, contemporary, converted, convivial, coronavirus, crane, creek, daily, details, diverse, diversity, early, Early music, Eclogue, emphasize, encounter, end, Facebook, faculty, farm, feature, festival, festival-goers, forward, founders, Franz Joseph Haydn, Franz Schubert, free, fugue, Garden, gardens, genius grant, goal, grace, grounds, Haydn, Holiday, Igor Stravinsky, imagination, individual, information, ingenious, Ingenious Imagination, IngeniousImagination, instrumental music, intermission, introduction, Jacob Stockinger, Jazz, Johann Sebastian Bach, John Harbison, Labor Day, later, life, like, link, Ludwig van Beethoven, Martinu, Massachusetts Institute of Technology, MIT, modern, modernists, month, Mozart, Music, Music From the Barn, music professor, neoclassical, neoclassicists, New Music, normal, normally, occur, online, online concert, open, other, pair, pandemic, performance, period, Piano Trio, piece, Pizzetti, pleased, post, posting, Prelude, program, program notes, property, public, Pulitzer Prize, recipient, recital, recording, release, remain, repertoire, repertory, representation, retrospective, revisit, Robert Schumann, Rose Mary Harbison, rural, rustic, sale, sandhill cranes, schedule, Schoenberg, Schubert, Schumann, Season, sell, September, share, sighting, singer, Singing, Sonata, sparkling, stage, Stravinsky, string music, strings, summer, surprise, tag, The Ear, today, Token Creek Chamber Music Festival, Token Creek Festival, topical, twelve tone, two, usual, Viola, Violin, Violin Sonata, violinist, virtual, vocal, vocal music, week, welcome, welcoming, whole, Wicked, Wisconsin, wit, Wolfgang Amadeus Mozart, Woods, works, world, world premiere, years, YouTube
Will the public pay for online virtual concerts? Will you? Consider the fate of newspapers
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
More and more local classical musicians and music presenters are moving concerts and music-making to virtual online events, at least for the fall and early winter – and quite possibly for the rest of the season. (Below is Shannon Hall in the Wisconsin Union Theater.)
And although we are still waiting for details, it seems all but certain that many of them will be pay-per-view and require tickets.
True, the move from free streaming to pay-for-view might be very useful in helping performers earn a much-needed living.
But it could also be disastrous – or at least extremely disruptive and disappointing.
Anthony Tommasini (below), the senior music critic for The New York Times, recently wrote a long story defending the move from being free to becoming paid for both livestreams and pre-recorded music concerts.
Tommasini — whose profession demands that he follow wherever the music goes — thinks it will, or should, work.
Here is a link to his story that includes concerts at The Metropolitan Opera and elsewhere with international stars such as soprano Renée Fleming (beow top) and pianist Daniil Trifonov (below bottom).
https://www.nytimes.com/2020/08/11/arts/music/classical-music-livestream.html
But The Ear isn’t so sure.
For one thing, many listeners might find alternatives. They might like watching outstanding performances of the same works by great and even historical performers on YouTube for free.
They might like exploring their own collections of recordings, or listening to the radio and watching TV, or even making more music as amateurs.
The Ear also suspects that now that the habit of going to live concerts has been interrupted, many people will simply find that they miss going to live performances much less than they thought they would – or than various arts groups hoped they would. (Below is the Wisconsin Chamber Orchestra in a photo by Mike Gorski.)
In addition, even since the coronavirus pandemic lockdown last March, listeners have become used to the free events that many organizations offered if only to keep a presence in the public’s mind.
The strategy was understandable and made sense at the time.
But The Ear thinks of what happened with newspapers.
In the early days of the internet, newspapers offered online stories for free, as a kind of extra attraction or added benefit to secure subscribers.
But as the newspapers lost both advertisers and subscribers and tried to “monetize” their online editions, they found that the horse was already out of the barn.
Many viewers did indeed subscribe to digital editions, but many others abandoned newspapers and instead turned to free online media for their news.
So what will happen in cases less prestigious than what Tommasini describes?
What do you think?
Will local pay-per-view concerts, perhaps with bigger volume if lower individual ticket prices, be successful?
Will you pay to “attend” such virtual online events?
The Ear wants to hear.
Tags: #AnthonyTommasini, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ClassicalRecording, #COVID-19, #DaniilTrifonov, #DigitalMedia, #EdgewoodCollege, #FacebookPost, #FacebookPosting, #JacobStockinger, #LiveStreaming, #MeadWitterSchoolofMusic, #MetropolitanOpera, #Music-Making, #MusicCritic, #NewMusic, #NewYorkCity, #OperaMusic, #OrchestralMusic, #OvertureCenter, #RenéeFleming, #ShannonHall, #shelter-at-home, #SopranoSinger, #TheEar, #TheInternet, #TheMet, #TheNewYorkTImes, #TicketPrice, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinUnionTheater, #WORT-FM89.9, #YouTubevideo, abandon, added, advertiser, alternative, Anthony Tommasini, Arts, attraction, audience, barn, be, benefit, bigger, blog, case, CDs, certain, Chamber music, choral music, Classical music, classicalmusic, collection, composer, Concert, Daniil Trifonov, days, defend, demand, describe, details, digital, early, Early music, Edgewood College, edition, explore, extra, Facebook, fall, free, go, great, habit, happen, hear, help, historical, horse, individual, Internet, interrupt, Jacob Stockinger, job, kiving, like, link, listener, livelihood, livestream, living, local, lockdown, lower, Madison, Madison Symphony Orchestra, Mead Witter School of Music, media, Metropolitan Opera, mind, monetize, move, Music, music critic, New Music, New York City, news, newspapers, offer, online, opera, Orchestra, orchestral music, organization, outstanding, Overture Center, own, paid, pay-per-view, performances, Pianist, Piano, post, posting, pre-recorded, presenter, prestigious, price, profession, public, radi, Radio, recital, recording, Renée Fleming, require, rest, Season, secure, senior, Shannon Hall, share, singer, soprano, star, stars, stories, story, subscriber, successful, symphony, tag, The Ear, the Met, The New York Times, theor, think, ticket price, tickets, TV, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, useful, UW-Madison, virtual, vocal music, volume, waiting, want, watch, what, winter, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, work, WORT-FM 89.9, you, YouTube
Classical music: UW-Madison piano virtuoso Christopher Taylor performs a free virtual recital of impromptus by Schubert and Scriabin this Wednesday afternoon
5 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
A note from The Ear: Thank you to the many blog followers who left a message of encouragement when I had computer troubles last week. The problem seems to be solved, at least temporarily. And I am healthy, despite the fears that some of you expressed that I was covering for coming down with the coronavirus virus or Covid-19.
By Jacob Stockinger
A friend has passed along the following note from Christopher Taylor, the piano virtuoso who won a bronze medal at the Van Cliburn International Piano Competition and who has been teaching for many years at the UW-Madison Mead Witter School of Music.
Taylor (below) writes:
“Despite having my performance schedule ravaged, like everyone else, I do actually have one positive morsel of news to relay regarding a “recital” coming up in the near future, which I wanted to you know about.
“It is being hosted by the Chautauqua Institution, where I’ve performed a few times in the past. Unsurprisingly, they’ve had to switch to an online format this summer.
“Just last week I made the actual recording, playing four impromptus by Scriabin, and Four Impromptus, Op. 142, by Schubert in the Mead-Witter Foundation Concert Hall (below, with the UW Choral Union and UW Symphony Orchestra), which seemed like a propitious setting. (Editor’s note: In the YouTube video at the bottom, you can hear the third impromptu in the set by Schubert performed by Vladimir Horowitz during his historic 1986 recital in Moscow.)
“Under the circumstances I think the video turned out pretty well. The actual streaming, which will include the 45 minutes of music plus a little live interview before and afterwards, takes place this Wednesday – Aug. 5 – at 3 p.m. CDT.
You can get there by way of the following link: https://porch.chq.org/ue/event/6518/
“Apparently there is a brief registration form one has to fill out prior to viewing the show, but basically getting in should be a free and painless process for all and sundry.
“Hope you get a chance to join in, and that you enjoy it!”
Tags: #AlexanderScriabin, #BlogPost, #BlogPosting, #BronzeMedal, #ChautauquaInstitution, #ChristopherTaylor, #ClassicalRecording, #ConcertPianist, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #FacultyMember, #FillOut, #FranzSchubert, #HamelMusicCenter, #JacobStockinger, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MoscowRussia, #Musicfaculty, #MusicTeacher, #OnlineConcert, #PerformingArts, #PianoMusic, #PianoVirtuoso, #RecordedMusic, #RegistrationForm, #StreamingService, #ThankYou, #TheCliburn, #TheEar, #UniversityofWisconsin-Madison, #UWChoralUnion, #UWSymphonyOrchestra, #VanCliburn, #VanCliburnInternationalPianoCompetition, #VirtualConcert, #VladimirHorowitz, #YouTubevideo, Alexander Scriabin, all, Arts, audience, basic, blog, bronze medal, bronze medalist, case, chance, Chautauqua Institution, Christopher Taylor, Classical music, composer, computer, coronavirus, encouragement, enjoy, everyone, express, Facebook, fear, fill out, follower, form, forward, Franz Schubert, free, friend, future, Hamel Music Center, healthy, historic, host, hosted, impromptu, interview, Jacob Stockinger, like, link, live, Madison, Madison Symphony Orchestra, Mead Witter School of Music, message, morsel, Moscow, Music, music faculty, news, not, online, operformer, Orchestra, pandemic, past, perform, performance, Performing arts, Pianist, Piano, piano music, positive, posting, posy, prior, problem, process, propitious, recital, recorded music, recording, registration, relay, Russia, schedule, Schubert, Scriabin, setting, share, show, solve, stream, streaming, sundry, swith, symphony, tag, teach, temporarily, thank you, The Cliburn, The Ear, trouble, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Choral Union, UW Symphony Orchestra, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, video, view'viewing, virtual, virtuoso, Vladimir Horowitz, Wisconsin, YouTube
Classical music: The Wisconsin Chamber Orchestra expands its Masterworks series this Friday night in Madison and Saturday night in Brookfield with piano soloist Orion Weiss and music by Mozart, Mendelssohn and Donald Fraser
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
CORRECTION: The Ear received the following correction to the story about the Wisconsin Chamber Orchestra and apologizes for the error:
“There was a change to our rollout in Brookfield. We are only repeating the fifth Masterworks concert on Saturday, May 9. at 7:30 p.m. at the Sharon Lynne Wilson Center for the Arts. We are NOT repeating this Friday’s concert in Brookfield.
“We will perform a Family Series concert of “Beethoven Lives Next Door” on Sunday, March 29, at 3 p.m. at the same Brookfield venue.”
By Jacob Stockinger
The Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) is about to take a Great Leap Forward.
This weekend will see the WCO — now in its 60th year of existence and its 20th season under music director Andrew Sewell (below bottom, in a photo by Alex Cruz) – take a major step in its evolution as a statewide music ensemble. It is a development comparable to when John DeMain took the Madison Symphony Orchestra from single performances to “triples.”
That is because, for the first time ever, the WCO is going to “doubles.” It will perform Masterworks concerts in Madison on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center. Then the WCO will repeat the same concert on the following Saturday night in the Milwaukee suburb of Brookfield at the Sharon Lynne Wilson Center for the Arts.
For a full story with lots of background and quotes about future plans for the WCO, you can’t do better than read the story by Michael Muckian that appeared last week in Isthmus:
Here is a link: https://isthmus.com/music/wisconsin-chamber-orchestra-turns-60/
The opening program has a couple of points of special interest.
First, this concert will mark the Madison debut of pianist Orion Weiss, a former student of Emanuel Ax who is increasingly booked for concerts and recordings.
Weiss (below in a photo by Jacob Blickenstaff) will solo in perhaps the most popular and famous of Mozart’s 27 piano concertos: No. 21 in C Major, K. 467. It is also known as the “Elvira Madigan” concerto because the beautiful slow movement was used as the soundtrack to the movie of that same name. (You can hear the slow movement at the bottom in a YouTube video that has more than 59 million views.)
You can learn more about Weiss at his website: https://www.orionweiss.com
Another unique facet of the WCO concert is the U.S. premiere of “Sinfonietta for Strings” (2018) by the award-winning British composer Donald Fraser, now an American resident who lives in Illinois and is married to Bridget Fraser, the executive director of the Wisconsin Youth Symphony Orchestras (WYSO).
Fraser (below) – whose music is tonal and accessible — is especially well known, not only for his original compositions but also for his orchestral arrangements of chamber music by Brahms, Elgar, Marin Marais and others. His 2018 recording of “Songs for Strings” features many of those transcriptions.
For more about Fraser, go to his website: https://donaldfraser.com/index.html
The concert will conclude with the Symphony No. 4 – the “Italian” Symphony – by Felix Mendelssohn. It is a sunny, tuneful and energetic work that is the most popular and best-known symphony by Mendelssohn. It was also used in a movie as the soundtrack to the Italian bicycle race in the coming-of-age film “Breaking Away.”
Tickets are $10-$77. For more information about the program and the soloist, as well as about pre-concert dinners and how to buy single and season subscription tickets, go to: https://wisconsinchamberorchestra.org/performances/masterworks-i-5/
Tags: #AmericanPremiere, #AndrewSewell, #Beautifulmusic, #BicycleRace, #BicycleRiding, #BlogPost, #BlogPosting, #BreakingAway, #BridgetFraser, #BritishComposer, #BrookfieldWisconsin, #CapitolTheater, #ChamberOrchestra, #Classicalera, #ClassicalRecording, #Coming-of-Age, #ConcertSeason, #ContemporaryMusic, #DonaldFraser, #EdwardElgar, #EmanuelAx, #EnglishComposer, #ExecutiveDirector, #FacebookPosting, #FelixMendelssohn, #FilmMusic, #Fridaynight, #GreatLeapForward, #GuestSoloist, #IsthmusMagazine, #IsthmusNewspaper, #ItalianSymphony, #JacobStockinger, #JohannesBrahms, #JohnDeMain, #LivingComposer, #MadisonSymphonyOrchestra, #MarinMarais, #MichaelMuckian, #MovieSoundtrack, #NewMusic, #OrionWeiss, #OvertureCenter, #PianoConcerto, #SaturdayNight, #SharonLynneWilsonCenterfortheArts, #SingleTickets, #SlowMovement, #StringMusic, #SubscriptionTicket, #TheEar, #UnitedStates, #WisconsinChamberOrchestra, #WisconsinYouthSymphonyOrchestras, #WolfgangAmadeusMozart, #YouTubevideo, accessible, Andrew Sewell, arrangement, Arts, background, Baroque, beautiful, bicycle, bicycle race, blog, Brahms, Breaking Away, Bridget Fraser, British, Brookfield, Capitol Theater, chamber orchestra, Classical era, composer, Concert, concerto, conductor, contemporary music, debut, development, dinner, Donald Fraser, double, Early music, Edward Elgar, Elgar, Emanuel Ax, energetic, English, ensemble, evolution, Executive director, existence, Facebook, facet, famous, Felix Mendelssohn, film, forward, Friday night, future, Great Leap Forward, ILLINOIS, individual, interest, Isthmus, Italian, Italian Symphony, Italy, Jacob Stockinger, Johannes Brahms, John DeMain, Kochel, KV, like, link, Living composer, lovely, Madison, Madison Symphony Orchestra, Marin Marais, Marriage, marry, Mendelssohn, Michael Muckian, Milwaukee, movement, movie, Mozart, Music, New Music, Newspaper, online, Orchestra, Orion Weiss, Overture Center, Overture Center for the Arts, perform, performance, Pianist, Piano, Piano concerto, plans, popular, post, posting, premiere, program, quote, recording, repeat, resident, Saturday night, Season, share, Sharon Lynne Wilson Center for the Arts, Sinfonietta, single, Slow movement, solo, statewide, story, string music, strings, suburb, sun, sunny, symphony, tag, The Ear, ticket, tonal, transcription, triple, tuneful, U.S., unique, United States, view, WCO, Website, week, weekend, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Youth Symphony Orchestras, Wolfgang Amadeus Mozart, WYSO, YouTube
Classical music: There was so much to like about the Grand Tour finale of the 2019 Madison Early Music Festival. But where were the high notes in Allegri’s legendary “Miserere”?
8 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Fair is fair.
Before he talks about last Saturday night’s conclusion of the successful 2019 Madison Early Music Festival – which marked its 20th anniversary — The Ear has a confession to make: He generally prefers later Baroque music and he generally prefers instrumental music to vocal or choral music.
That said, he nonetheless had a memorable and very enjoyable time on the “Grand Tour” during the well-attended All-Festival concert. There was so much to like and to admire.
The concert used the conceit of a Grand Tour by a composite 17th-century traveler going to London, Venice, Rome, Naples, Paris and Dresden to take in the local sights and local music, and included lesser-known composers such as William Lawes and William Child as well as such famous figures as Claudio Monteverdi, Giovanni Gabrieli , Jean-Baptiste Lullyand Heinrich Schütz.
Like most journeys, this one – once again assembled in an ingenious scissors-and-paste job by early music specialist Grant Herreid (below) – had many entertaining and uplifting moments.
But it also had one big disappointment.
The Ear really looked forward to hearing a live performance of the famous “Miserere” by Gregorio Allegri (below) as a high point. But those haunting, ultra-high descant notes that give you goosebumps and that you never forget hearing just never materialized.
Maybe it had to do with the different ornamentation that the MEMF forces used. Maybe it was based on a different manuscript or score. Maybe there was no one capable of singing those spellbinding and unforgettable high notes.
Whatever the reason, The Ear’s hope for a live performance of the dramatic and iconic work were dashed and the famous, even classic, recorded versions – the 1980 recording by the Tallis Scholars is heard in the YouTube video at the bottom — remain for him the unsurpassed standard.
The evening also had its ironies. That same night on the NBC TV news The Ear saw a story about “overtourism” in Europe and China. Venice, for example, has now shrunk to only about 50,000 unhappy residents who put up with some 20 million tourists a year.
But centuries ago, travel was a rare and exotic luxury of the wealthy and well-educated, not an affordable indulgence or curiosity by ever-expanding middle classes. And this metaphorical trip proved an ideal vehicle to sample 16th- and 17th-century music in England, France, Germany and Italy.
Combining high culture and low, Herreid chose witty and detailed travelogue texts that gave the audience the rich flavor of various cultures at the time.
Details mattered to the four sharp-eyed travelers on which this tour was based. So as “our hero” wandered, we got to hear about the “libidinous ladies” of Naples and the musical talented courtesans of Venice as well as the richly attired archbishop of Paris attending a feast day service in the newly finished Notre-Dame cathedral.
Such descriptions were well delivered by unnamed narrators (below) from the chorus and proved a refreshingly earthy and entertaining counterpoint to the more serious spiritual and religious music of the era.
Another big satisfaction was the exceptional quality of the ensemble playing – exhibited even in large amounts of less interesting music — by the many singers and instrumentalists on the stage of Mills Hall, and, at one point, in the hall’s balcony.
Whether the players and singers were conducted by Herreid or by assistant conductor Jerry Hui — a UW-Madison graduate who is now a tenured professor at UW-Stout — the music sounded tight, authentic and expressive.
As for more superficial pleasures, it is great visual fun watching such early versions of modern string, wind and percussion instruments being played — trombone-like sackbuts, oboe-like shawms, flute-like recorders and lute-like theorbos. (Below are cello-like viols.)
The players, both faculty and students, were particularly convincing on their own in the sound painting done to depict battle scenes and political upheaval. And who will ever forget the surprise of loud foot-stomping by all the performers and conductor?
Herreid was absolutely spot-on to keep the program to about 80 minutes with no intermission. It helped the audience stay in the spirit of the Grand Tour and added cohesion to the program.
The Grand Tour, in short, proved outstanding in concept and excellent in execution.
But was The Ear alone in missing to those high notes?
Tags: #All-FestivalConcert, #ArgentineanComposer, #BaroqueEra, #BaroqueMusic, #BaroqueOrnamentation, #BaroqueRecorder, #BaroqueSingingStyle, #BlogPost, #BlogPosting, #BlogReview, #ChineseTourism, #ChoralMusic, #ClassicalRecording, #ClaudioMonteverdi, #DresdenGermany, #EnsemblePlaying, #FacebookPost, #FacebookPosting, #FacultyMember, #FeastDay, #GiovanniGabrieli, #GrandTour, #GrantHerreid, #GregorioAllegri, #HeinrichSchütz, #HighCulture, #HighPoint, #InstrumentalMusic, #Jean-BaptisteLully, #JerryHui, #LivePerformance, #LondonEngland, #LowCulture, #MadisonEarlyMusicFestival, #MeadWitterSchoolofMusic, #Middle-Class, #MillsHall, #Musicfaculty, #MusicReview, #NaplesItaly, #NBCNews, #NotreDame, #NotreDamedeParis, #ParisFrance, #ReligiousMusic, #RomeItaly, #SaturdayNight, #Scissors-and-Paste, #Sharp-eyed, #SistineChapel, #SoundPainting, #TallisScholars, #TelevisionNews, #theorbomusic, #UniversityofWisconsin-Madison, #VeniceItaly, #VocalMusic, #WealthyPeople, #Well-Attended, #Well-Education, #WilliamLawes, #YouTubevideo, ago, All-Festival concert, anniversary, anonymous, archbishop, Arts, attire, audience, authentic, balcony, Baroque, Baroque music, battle, blog, capable, cathedral, Cello, centuries, century, China, choral music, chorus, classic, Classical music, Claudio Monteverdi, cohere, cohesion, Compact Disc, composer, composite, concept, Concert, conduct, conductor, confession, counterpoint, courtesan, culture, cultures, deliver, delivered, description, detail, detailed, disappointment, drama, dramatic, Dresden, Early music, earthy, England, enjoyable, ensemble, entertaining, era, Europe, evening, excellent, execution, exotic, expressive, Facebook, faculty, fair, famous, feast day, fine, finish, flavor, flute, foot, forces, forget, forward, France, fun, Germany, Giovanni Gabrieli, goosebumps, Grand Tour, Grant Herreid, Gregorio Allegri, haunting, Heinrich Schütz, high, high culture, high notes, high point, iconic, ideal, ingenious, instrumental, instrumental music, instrumentalists, interesting, intermission, ironies, irony, Italy, Jacob Stockinger, Jean-Baptiste Lully, Jerry Hui, journey, ladies, lesser-known, libidinous, libido, like, link, live performance, local, London, loud, low, low culture, Lully, lute, luxury, Madison, Madison Early Music Festival, manuscript, materialize, matter, Mead Witter School of Music, MEMF, memorable, metaphorical, million, Mills Hall, Miserere, moment, Music, music review, Naples, narrator, NBC, new, news, nightly, Notre Dame, Notre Dame de Paris, Oboe, Orchestra, ornamentation, outstanding, overtourism, Paris, percussion, performer, playing, pleasurer, political, post, posting, prefer, professor, program, rare, reader, recorder, recording, refreshing, religious, religious music, resident, review, rich, Rome, sackbut, sample, satisfaction, Saturday night, scene, score, serious, service, share, shawm, short, sights, singers, Singing, Sistine Chapel, Sound, sound painting, spellbinding, spirit, spiritual, stage, standard, stomp, string, successful, superficial, surprise, tag, talented, Tallis Scholars, Television, television news, tenure, texts, theorbo, tight, time, tourism, tourists, traveler, travelogue, trip, Trombone, TV, unforgettable, unhappy, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, unnamed, unsurpassed, upheaval, uplifting, UW-Stout, Vatican, vehicle, Venice, version, Viol, Viola, Violin, vocal music, watch, wealth, wealthy, well-educated, William Lawes, Wind, Wisconsin, witty, year, YouTube
Recent Comments
The Well-Tempered Ear 
Classical music: The prize-winning critic Alex Ross grieves to Brahms. What composer and piece would you choose to mourn the tragedies of the past week?
6 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This past week feels like a week that deserves mass grieving.
Of course, there was the life-changing, historic landmark of surpassing, in only a few months, more than 100,000 deaths from COVID-19 during the coronavirus pandemic in the United States.
There were the spikes in new COVID-19 cases and deaths following the opening up from lockdowns and the mass gatherings over the Memorial Day holiday weekend, such as the party at the Lake of the Ozarks (below) in Missouri.
Then there was the tragic, racist death — an alleged murder — of George Floyd by the police and the ensuing rioting, violence and additional death in Minneapolis as well as the seven shootings among protesters in Louisville.
And depending of your political point of view, there were the incidents of White House threats against social media, especially Twitter, for simply telling the truth or at least directing viewers to it.
So what can one say about these sad events and sad times with music?
Well, not too long ago Alex Ross (below), the prize-winning and internationally respected music critic for The New Yorker magazine, wrote an engaging and moving essay about why he finds Brahms to be the perfect composer for grieving and mourning.
He mentions other composers as possibilities, including Bach, Haydn, Mozart, Beethoven and Schubert.
But Ross still finds Brahms more suited for several reasons. He even cites a favorite performance of a Brahms short, late Intermezzo by the Romanian pianist Radu Lupu. (You can hear that performance in the YouTube video at the bottom.)
Here is a link: https://www.newyorker.com/culture/cultural-comment/grieving-with-brahms
What composers – and what pieces or performances – do you find best for grieving? For marking loss?
Read the essay, listen to the music.
Then let us know in the comment section what music – perhaps Samuel Barber’s Adagio for Strings? – that you would want to listen to during sad occasions.
The Ear wants to hear.
Share this:
Like this:
Tags: #AdagioforStrings, #AlexRoss, #BlogPost, #BlogPosting, #ChamberMusic, #ClassicalRecording, #COVID-19, #DonaldJ.Trump, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #FranzSchubert, #HomeWebsite, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #LakeoftheOzarks, #LouisvilleKentucky, #LudwigVanBeethoven, #MassGathering, #MemorialDay, #MinneapolisMinnesota, #MusicCritic, #NewYorkCity, #OpeningUp, #PianoMusic, #PoliceOfficers, #PresidentDonaldTrump, #PresidentTrump, #Prize-Winning, #PublicHealth, #RaduLupu, #SamuelBarber, #SocialMedia, #StringMusic, #TheEar, #TheNewYorker, #TheNewYorkerMagazine, #TheU.S., #UnitedStates, #WhiteHouse, #WolfgangAmadeusMozart, #YouTubevideo, Adagio for Strings, Alex Ross, alleged, American, Arts, audience, Bach, Barber, Beethoven, blog, Brahms, Chamber music, Classical music, comment, composer, Concert, coronavirus, critic, death, engaging, essay, event, Facebook, favorite, Franz Joseph Haydn, Franz Schubert, gathering, grief, grieve, grieving, Haydn, historic landmark, History, Holiday, intermezzo, internationally, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, lake, Lake of the Ozarks, landmark, late, life-changing, like, link, listen, lockdown, loss, Louisville, Ludwig van Beethoven, magazine, mass, mass gathering, Memorial Day, Minneapolis, mourning, moving, Mozart, murder, Music, music critic, New York City, New Yorker, occasion, opening up, Orchestra, Ozark, pandemic, party, past, performance, performer, Pianist, Piano, piano music, police, post, posting, President, protester, Public health, racist, Radu Lupu, reason, recording, respect, riot, sad, sadness, Samuel Barber, Schubert, share, shooting, shootings, simple, simply, social media, spike, string, strings, surpass, tag, tell, The Ear, The White House, threat, tragedy, Tragic, Trump, truth, Twitter, U.S., United States, violence, Website, week, weekend, White House, Wolfgang Amadeus Mozart, YouTube