The Well-Tempered Ear

Can American film director Ron Howard make a sensitive and accurate biopic of Chinese superstar pianist Lang Lang? Or is it a cultural appropriation that deserves to be condemned?

September 27, 2020
6 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The self-appointed PC diversity police have struck again.

This is getting silly and tiresome, insulting and embarrassing.

Some advocates of cultural diversity are crying foul over the latest project of the American and Academy Award-winning Hollywood film director Ron Howard: making a biopic of the superstar Chinese classical pianist Lang Lang (below).

The script will be drawn from the pianist’s bestselling memoir “Journey of a Thousand Miles” — which has also been recast as an inspirational children’s book — and the director and scriptwriters will consult with Lang Lang.

It seems to The Ear a natural collaboration, as well as a surefire box office hit, between two high-achieving entertainers. Check out their bios:

https://en.wikipedia.org/wiki/Lang_Lang

https://en.wikipedia.org/wiki/Ron_Howard

But some people are criticizing the project in the belief that because Ron Howard  (below) is white and Western, he cannot do justice to someone who is Chinese or to Asian culture.

Here is an essay, found on the website of Classic FM, by one objector. She is Chinese film director Lulu Wang (below), who says she has no interest in doing the project herself: https://www.classicfm.com/artists/lang-lang/pianist-biopic-ron-howard-faces-criticism-lulu-wang/

Talk about misplaced alarm over “cultural appropriation.”

Don’t you think that Lang Lang will have a lot to say about how he is depicted?

Do you wonder if Wang thinks cultural appropriation works in reverse?

Should we dismiss Lang Lang’s interpretations of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Schumann, Brahms, Tchaikovsky, Rachmaninoff, Prokofiev and Bartok simply because he is non-Western and Chinese rather than German, French or Russian?

Of course not. They should be taken on their own merits, just as the interpretations of any other Asian classical musician, and artists in general including Ai Weiwei, should be.

But however unfairly, cultural appropriation just doesn’t seem to work in reverse.

Mind you, The Ear thinks that cultural appropriation is a valid concept and can indeed sometimes be useful in discussing cross-cultural influences.

But it sure seems that the concept is being applied in an overly broad and even misdirected or ridiculous way, kind of the way that the idea of “micro-aggressions” can be so generously applied that it loses its ability to be truthful and useful.

Take the example of the heterosexual Taiwanese movie director Ang Lee. He certainly proved himself able to depict American culture in “The Ice Storm” and the gay world in “Brokeback Mountain.”

Let’s be clear. The Ear is a piano fan.

But if he objects to the project, it is because he doesn’t like Lang Lang’s flamboyant playing, his Liberace-like performance manners and showmanship, and his exaggerated facial expressions.

Yet there is no denying the human appeal of his story. He rose from a young and suicidal piano student (below) who was emotionally abused by his ambitious father – shades of the lives of young Mozart and Beethoven and probably many other prodigies – to become the best known, most frequently booked and highest paid classical pianist in the world. 

Yet not for nothing did some critics baptize him with the nickname Bang Bang.

Still, the Curtis Institute graduate does all he can to foster music education, especially among the young and the poor.

And there is simply no denying his virtuosity. (See Lang Lang playing Liszt’s Paganini etude “La Campanella” in the YouTube video at the bottom.)

So there is plenty to object to about Lang Lang the Piano Star besides the ethnicity of Ron Howard, who also did a biopic of opera superstar Luciano Pavarotti, in telling his story.

What do you think?

Is it culturally all right for Ron Howard to direct a film about Lang Lang?

Do you look forward to the movie and seeing it?

What do you think of Lang Lang as a pianist and a celebrity?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Bach Dancing and Dynamite Society cancels its “Riches to Rags” chamber music season this June and postpones it until next June

April 10, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement to post:

The Bach Dancing and Dynamite Society’s 29th season will become our 30th season celebration next year. We’ll re-engage and present our entire 2020 season, as closely as possible, with the same stellar musicians, in 2021.

We would love nothing more than present our 29th season to you live and in person as we planned. But, dear friends, never fear!

We, at Bach Dancing & Dynamite Society, have always been light on our feet, nimble in the face of challenge, flexible throughout changing fortunes and venues, and we have a few tricks up our sleeve.

Stephanie Jutt and Jeffrey Sykes (below) are already planning for new musical treats as soon as we are permitted. You can look forward to some creative collaborations that we’re cooking up for August — if it’s safe to do so — and a special celebratory mini-season over the holidays in late December. We’ll get there together!

All of us in the arts community have been upended by postponements and cancellations, but BDDS will survive this tsunami because of the unending and generous support of so many of you.

We have been buoyed by so many ticket orders and we ask for your consideration for unused tickets:

  1. Make your tickets, or a portion thereof, a tax-deductible donation to BDDS (benefitting you and us!). Per Wisconsin law, if we don’t hear from you in 90 days (July 8), we are permitted to assume that you want your tickets donated back to BDDS and we will send you a letter for tax purposes. Or simply click on the address below and provide your contact information and your preference.
crownover@bachdancinganddynamite.org
  1. Request a refundWe’re happy to provide your money back, and look forward to seeing you again in 2021!

Samantha Crownover, Executive Director

Bach Dancing & Dynamite Society: Chamber Music with a Bang!

P.O. Box 2348

Madison, WI  53701

608.255.9866 office

bachdancinganddynamite.org


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon

March 10, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.

But this year a new collaboration will take place.

On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.

Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.

WYSO says the Friday night concert is close to selling out.

Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.

They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.

WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)

Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”

The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:

https://www.wysomusic.org/diane-ballweg-winterfest-concerts/

For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:

https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/

SATURDAY

On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.

11:30 a.m. — Opus One and Sinfonietta (below)

1:30 p.m. — Harp Ensemble (below) and Concert Orchestra

4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra

The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.

The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: On Saturday and Sunday, the Madison Savoyards and Central Wisconsin Ballet team up in Gilbert and Sullivan’s “Pineapple Poll” and “Trial by Jury.” Plus, the first Stoughton Chamber Music Festival starts Saturday

August 15, 2019
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT: The two concerts of the first Stoughton Chamber Music Festival will take place on this Saturday afternoon, Aug. 17, at 3 p.m. and on Monday night, Aug. 19, at 7 p.m. at the Stoughton Opera House, 381 East Main Street. Admission is FREE with a suggested donation of $15.

Featured is music by Johann Sebastian Bach, Johannes Brahms, Samuel Barber, Edvard Grieg, George Gershwin and Paul Schoenfield as well as Norwegian folk music. The Ear did not receive details, but here is more information from a story in Isthmus: https://isthmus.com/events/stoughton-chamber-music-festival/

By Jacob Stockinger

This weekend, the Madison Savoyards and Central Midwest Ballet Academy team up to present two of the less well-known works by Gilbert and Sullivan: the comic ballet Pineapple Poll and the operetta Trial by Jury (below, in a photo by Kat Stiennon).

The performances of the two one-acts are in the Mitby Theater at Madison College (formerly Madison Area Technical College), located at 1701 Wright Street on Madison’s east side, at 7:30 p.m. on Saturday night, Aug. 17, and at 3 p.m. on Sunday afternoon, Aug. 18.

Tickets are $30 for adults; $28 for seniors; and $15 for young people and students. Children 3 and under get in for free.

For more information, call the Mitby Theater Box Office at (608) 243-4000 or got to: www.TrialbyPineapple.com

The music director and conductor of the professional orchestra, who is making his debut with the Madison Savoyards, is Sergei Pavlov (below), who teaches at Edgewood College and directs the Festival Choir of Madison.

The “Pineapple Poll” choreography is by Marguerite Luksik (below) of the Central Midwest Ballet Academy.

The stage director of “Trial by Jury” is J. Adam Shelton (below).

PROGRAM NOTES

Here are some program notes provided by The Madison Savoyards:

In an age of international copyright and patent tension, Pineapple Poll ballet suite is an intriguing story. The composer, Arthur Sullivan, had died in 1900. The 50-year copyright moratorium on his music expired in 1950, but his librettist partner, W.S. Gilbert, died in 1911. So in 1950, the leading 20th-century conductor, the late Sir Charles Mackerras (below), could only use the work of the former to create a new work in their honor.

From this legal oddity came the only ballet based on the works of Gilbert and Sullivan (below) and, according to The Times of London, one of the best loved of English ballets. It was first performed in the United States in 1970 by the Joffrey Ballet in New York City; and, most recently, in El Paso, Tulsa, Pittsburgh, Seattle, Livermore, Sarasota and Northampton, Mass.

The music for Pineapple Poll,as a suite, has been played in numerous venues in the U.S., including a performance with band director Mike Leckrone at the UW-Madison in 2008 and at the UW-La Crosse in 2015, thus indicating a strong Wisconsin interest in the music alone.

From its opening notes leaping off the pages of Mikado, Pineapple Poll is a vigorous listen and a visual delight. Clement Crisp of the Financial Times called it, “that rarest of delights, a true balletic comedy.” The National Association for Music Education had identified it as a model piece for elementary school children. In 2003, Christopher Rawson of the Pittsburgh Post-Gazette observed that, in its pairing with Trial by Jury, “if there’s ever been a Gilbert and Sullivan show for people who don’t like Gilbert and Sullivan, this is it.”

Trial by Jury contrasts with the non-verbal Pineapple Poll, showcasing Gilbert’s lyric style in songs that tell the Victorian tale of marital promissory breach with the resulting farcical trial ending in marriage. It was Gilbert and Sullivan’s second collaboration and established their successful reputations. (In photos by Aimee Broman, below top shows Thore Dosdall playing the defendant Edwin (at left) getting the feeling that the jury is not on his side. Below bottom shows the plaintiff Angelina, played by Megan McCarthy).

The Central Midwest Ballet Academy’s Marguerite Luksik and Michael Knight have created original choreography for Pineapple Poll, and performances will feature students from the Academy’s pre-professional level.

In contrast to the tragic-dramatic plots of traditional ballets, the lighthearted nature of Pineapple Poll appeals to a broader audience. Pineapple Poll presents a combination of balanced spectacle and the challenge of experimental work.

Yoked to Trial by Jury, the two productions spark social and artistic novelty, critique and entertainment.

It is worth noting that the performances this weekend are a new collaboration between two homegrown Madison troupes. The Savoyards have been performing every summer since 1963, while Central Midwest Ballet has been active since 2015.

Here is an example of the Sullivan operetta tunes patched together in the Opening Dance of “Pineapple Poll.” (You can hear the Overture in the YouTube video at the bottom):

    1. The Mikado, Opening Act 1.
    2. Trial By Jury, “Hark, the hour of Ten is sounding.”
    3. The Mikado, “So please you, sir, we much regret” (“But youth, of course, must have its fling. . .”
    4. Patience, “The Soldiers of our Queen.”
    5. Trial by Jury, “He will treat us with awe” (“Trial-la- law”).
    6. The Gondoliers, “Good Morrow, Pretty Maids” (orchestral accompaniment).
    7. Trial By Jury, “Hark, the hour of Ten is sounding.”
    8. The Mikado, “So please you, sir, we much regret.”


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The second LunART Festival will spotlight women in the performing and creative arts. Here is Part 2 of 2 with more about new music, comedy and a full schedule

June 3, 2019
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: The second Van Cliburn Junior Piano Competition resumes today — Monday, June 3 — in Dallas at 2:20 p.m. CDT. The young players range from 13 to 17 and come from around the world, and they are terrific. Plus the quality of the live streaming is outstanding, especially for the camera work of the keyboard. It’s all FREE. If you want to see it, here is a link: https://www.cliburn.org. You might also be interested to know that among the jurors are Alessio Bax, who has performed in Madison at Farley’s House of Pianos, and Philippe Bianconi, who has soloed several times with the Madison Symphony Orchestra.  All that and you get to vote for the Audience Award too! 

By Jacob Stockinger

The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 2 of two parts with more information about new music, comedy and a schedule of events. Yesterday was Part 1 — a link is below — with background and participants. 

https://welltempered.wordpress.com/2019/06/02/classical-music-starting-wednesday-the-second-lunart-festival-will-again-spotlight-women-in-the-performing-and-creative-arts-here-is-the-first-of-a-two-part-preview/

The LunART Festival, co-founded and co-directed by Iva Ugrcic and Laura Medisky, is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.

The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.

The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.

LunART’s 2019 call for scores was open to women composers of all ages and nationalities, and received an impressive 98 applicants from around the globe. Scores were evaluated by a committee of 17 LunART Festival musicians and directors, and three works were selected to be performed at each of the Gala concerts.

The winning composers are Eunike Tanzil (below top), Edna Alejandra Longoria (below middle) and Kirsten Volness (below bottom). All three will be in attendance at the festival. (In the YouTube video at the bottom, you can hear a piece for cello and piano, with the composer playing the piano, by Eunike Tanzil.)

The “From Page to Stage: Emerging Composers” educational program also returns, bringing six composers to Madison to work with flutist and composer-in-residence Valerie Coleman (below).

During the festival she will mentor participants in developing practical skills to express their creative ideas, cultivate relationships with performers and master the art of collaboration. The program culminates with a free public concert featuring their music on Saturday, June 8, at 2 p.m. in the Capitol Lakes Grand Hall, 333 West Main street, downtown and two blocks from the Capitol Square.

On Friday, June 7 at Overture Center in Promenade Hall, Meaghan Heinrich (below) presents her pre-concert lecture, “Portrait of the Artist as a Young Woman,” which explores what it means to be a woman artist in the 21st century, and how women’s experiences shape their artistic expressions.

Following the Friday gala concert is “Holding Court,” this season’s Starry Night event at Robinia Courtyard. This all-women comedy show features Midwestern comics Vanessa Tortolano (below top), Chastity Washington (below bottom), Vickie Lynn, Samara Suomi and Cynthia Marie who are blazing a trail of funny that will leave you gasping in their wake.

“The Multi-faceted Artist” panel discussion is for anyone interested in the ongoing trend and need for artists to wear multiple hats to succeed and thrive.

Coleman (composer and flutist) and Dr. Linda DiRaimondo (psychiatrist and aerial dancer, below top on top) serve as panelists along with Katrin Talbot (violist, poet and photographer, below bottom in a photo by Isabel Karp), and will lead the discussion on Saturday, June 8, at the downtown Madison Public Library’s Bubbler Room.

The festival wraps up on Sunday, June 9, from 10 a.m. to noon at Common Ground, 2644 Branch Street in Middleton, with “Mooning Around” poetry reading and artist mixer, featuring a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos (below), Eve Robillard, Rosemary Zurlo-Cuva and Katrin Talbot.

Everyone is welcome to come enjoy their morning coffee and pastries while making creative connections with other artists.

LunART Festival is supported by Dane Arts, the Madison Arts Commission, the Wisconsin Arts Board and the Open Meadows Foundation; it also won first place at the 2018 National Flute Association C.R.E.A.T.E. Project Competition and second prize at the 2018 UW Arts Business Competition.

Schedule of 2019 Festival events:

Wednesday, June 5

  • 6-8 p.m.: “Women Against Hate United by Love” exhibition opening reception @ Rotunda Stage, Overture Center for the Arts (free event)

Thursday, June 6

  • 9 a.m.-Noon From Page to Stage composition master class with Valerie Coleman @ First United Methodist Church (free event)
  • 7 p.m.: Opening Gala Concert @ Maiahaus (402 E. Mifflin St.) (Tickets: $20 general/$10 students)

Friday, June 7

  • 6 p.m.: “Portrait of the Artist as a Young Woman” pre-concert lecture by Meaghan Heinrich (free event)
  • 7 p.m.: “Portraits of Josephine” Gala Concert @ Promenade Hall, Overture Center for the Arts (Tickets: $20 general/$10 students)
  • 9 p.m.: Starry Night: “Holding Court” All-Women Comedy Show @ Robinia Courtyard (Tickets: $7 in advance/$10 at the door)

Saturday, June 8

  • 10 a.m.-Noon: “The Multi-faceted Artist” Panel Discussion @ Madison Public Library Bubbler Room (free event)
  • 2 p.m.: From Page To Stage: Emerging Composers Concert @ Capitol Lakes Grand Hall (free event)
  • 7 p.m.: “Gaia” Closing Gala Concert @ First Unitarian Society of Madison Atrium Auditorium (Tickets: $20 general/$10 students)

Sunday, June 9

  • 10 a.m.-Noon: “Mooning Around” poetry reading and artist mixer @ Common Ground, 2644 Branch St., Middleton (free event)

More information can be found at lunartfestival.org

video


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: This weekend, the Madison Symphony Orchestra and other individuals and groups join forces to celebrate John DeMain’s 25th season with Mahler’s monumental “Symphony of a Thousand”

April 29, 2019
Leave a Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

By any standard, it is epic music.

The stage in Overture Hall will have more than 500 participants on it this coming weekend when the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) partners with the Madison Symphony Chorus, the Madison Youth Choirs, the UW–Madison Choral Union and eight critically acclaimed vocal soloists to bring a performance of Gustav Mahler’s massive Symphony No. 8 — or “Symphony of a Thousand.”

For the first time since 2005, MSO music director and conductor John DeMain will conduct one of the largest undertakings in the classical music repertoire as the final concert marking his Silver Anniversary Season.

Performances will be held in Overture Hall of the Overture Center, 201 State St., on Friday night, May 3, at 7:30 p.m.; Saturday night, May 4, at 8 p.m.; and Sunday afternoon, May 5, at 2:30 p.m.

Information about tickets ($18-$93) is below.

Says DeMain (below, in a photo by Greg Anderson): “I have spent 25 years with this orchestra and chorus. In that time, our collaboration on Gustav Mahler’s monumental Symphony No. 8 in 2005 stands out as perhaps the most memorable. I feel a magnetic affinity with Mahler, and began my career 25 years ago with his first symphony. I am honored and moved to conduct this work and feel it is the perfect conclusion to my 25th season.”

Composed in December 1906, Symphony No. 8 is the last work by Mahler (below) to be premiered in his lifetime. It is one of the largest-scale choral works in the classical concert repertoire, and because it requires huge instrumental and vocal forces, it is frequently called the “Symphony of a Thousand.” (Below is a photo of the final rehearsal for the world premiere performance in Munich in 1910.)

The structure of the work is unconventional; instead of the normal framework of several movements, the piece is in two parts.

Part I is based on the Latin text of a 9th-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe’s Faust.

The two parts are unified by a common idea: redemption through the power of love, a unity conveyed through shared musical themes.

Symphony No. 8 is revered as one of the greatest achievements of classical concert repertoire and expresses the composer’s confidence in the eternal human spirit. (You can hear Sir Simon Rattle conduct the Berlin Philharmonic in the famous finale of the Symphony No. 8 in the YouTube video at the bottom.)

ABOUT THE PERFORMERS

The distinguished solo singers are: soprano Alexandra LoBianco; soprano Emily Birsan (below), who just last weekend sang the title role in the Madison Opera’s production of Antonin Dvorak’s “Rusalka”; soprano Emily Pogorelc; mezzo-soprano Milena Kitic; mezzo-soprano Julie Miller; tenor Clay Hilley; baritone Michael Redding; and bass-baritone Morris Robinson.

For photos and impressive biographical information about the soloists, go to:

https://madisonsymphony.org/event/symphony-of-a-thousand/

The Madison Symphony Chorus (below top, in a photo by Greg Anderson) gave its first public performance on Feb. 23, 1928 and has performed regularly with the Madison Symphony Orchestra ever since.

The chorus is comprised of more than 150 volunteer musicians who come from all walks of life and enjoy combining their artistic talent under the direction of Beverly Taylor (below bottom), who is the director of Choral Activities at the UW-Madison’s Mead Witter School of Music.

Inclusive of members of all skill levels, the Madison Youth Choirs (below), Michael Ross director, incorporate singers from ages 7-18 into their orchestration.

The choirs aim to introduce youths interested in musical performance to collaborative forms of self-confidence and responsibility in the atmosphere of musical training. Randal Swiggum is conducting rehearsals preparing members of the choir for the MSO’s May Symphony of a Thousand concerts.

With 150 members, the UW-Madison Choral Union (below) fuses university and non-university members. Under the direction of Beverly Taylor, former associate conductor of the MSO who also teaches at the UW-Madison, the Choral Union is another testament to the musical outreach in the Madison arts.

CONCERT, TICKET and EVENT DETAILS

The lobby opens 90 minutes prior to each concert. One hour before each performance, Wisconsin Public Radio host Anders Yocom (below, in a photo by James Gill) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket-holders.

The Symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msomay19programnotes

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/event/symphony-of-a-thousandthrough the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Subscriptions for the 2019-2020 season are available now. Learn more at: https://madisonsymphony.org/19-20

Discounted seats are subject to availability, and discounts may not be combined.

Major funding provided by NBC15, Larry and Jan Phelps, Diane Ballweg, Carla and Fernando Alvarado, Johnson Financial Group, and University Research Park. Additional funding provided by DeWitt LLP, Kennedy Gilchrist and Heidi Wilde, Thomas E. Terry, Fred A. Wileman, Helen L. Wineke, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Superstar soprano Renée Fleming and pianist Emanuel Ax headline the 100th anniversary of the Wisconsin Union Theater’s Concert Series next season

March 4, 2019
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

The Ear has received the following major announcement to post about the Wisconsin Union Theater, which The Ear calls “the Carnegie Hall of Madison” for its long and distinguished history of presenting great performing artists.

The Wisconsin Union Theater (below top, with Shannon Hall below bottom) is delighted to announce the schedule for its 100th Concert Series during 2019-20.

In this celebratory year, we introduce two exciting additions: A transformative gift by Kato Perlman establishes the David and Kato Perlman Chamber Series, ensuring the world’s best chamber ensembles continue to perform as a regular feature of the Concert Series.

Additionally, two Concert Series performances will take place in the Mead Witter School of Music’s new Hamel Music Center (below). We look forward to increased collaborations with the school of music.

The 100th anniversary series was curated by the Wisconsin Union Directorate’s Performing Arts Committee, with wife-and-husband advisors pianist Wu Han and cellist David Finckel (below, in a photo by Tristan Cook), who are celebrated musicians and directors of several festivals of classical music and also serve as co-artistic directors of the Chamber Music Society of Lincoln Center. (You can hear them performing music by Johann Sebastian Bach in the YouTube video at the bottom.)

The first season of this distinguished series was in 1920-1921, and featured soprano May Peterson, violinist Fritz Kreisler and pianist Benno Moiseiwitsch.

Nineteen years later, in 1939-1940, the series moved to the newly opened Wisconsin Union Theater. The first season in the Wisconsin Union Theater featured bass singer Ezio Pinza, cellist Emanuel Feuermann, violinist Joseph Szigeti, pianist Robert Casadesus and, the highlight, contralto Marian Anderson.

Through these 99 years, numerous renowned, accomplished and prominent classical musicians have played in the series, the longest continuous classical series in the Midwest. Some made their debut here and continued returning as their fame rose.

See this article for an interview with former WUT director Michael Goldberg about the history of the series.

The schedule for the 100th Concert Series, including the inaugural David and Kato Perlman Chamber Music Series, is:

Oct. 6 – A cappella choral group Chanticleer, Hamel Music Center. Program To Be Announced

Nov. 2 – Pianist Emanuel Ax (below), Shannon Hall. All-Beethoven program, including Piano Sonatas Nos. 1, 2 and 3.

Dec. 6 – The Kalichstein, Laredo and Robinson Piano Trio (below), Shannon Hall. “Canonic Etudes” by Robert Schumann; Piano Trio No. 1 in D minor by Felix Mendelssohn; and Piano Trio in B-flat major “Archduke” by Ludwig van Beethoven.

Jan. 25, 2020 – The Escher String Quartet (below), featuring David Finckel, Shannon Hall. Quartets by Franz Joseph Haydn, Fritz Kreisler and Franz Schubert.

March 5, 2020 – Chamber Music Society of Lincoln Center – featuring David Finckel, Wu Han, Paul Neubauer and Arnaud Sussman, Shannon Hall. Sonatine by Antonin Dvorak; Piano Quartet by Josef Suk; Piano Quartet No. 1 in G Minor, Op. 25, by Johannes Brahms.

March 7, 2020 – Wu Han with the UW Symphony Orchestra, Hamel Music Center. Program TBD.

March 28, 2020 – Violinist Gil Shaham (below) with pianist Akira Eguchi, Shannon Hall. Program TBD.

May 2, 2020 – Special Gala Concert with Renée Fleming (below). Shannon Hall. Mixed Recital.

All programs are subject to change.

Subscriptions will be available starting March 18, 2019. Subscribers benefits include: access to the best seats, 20% off the price of single tickets, no order fees, a free ticket to Wu Han’s performance with the UW Symphony Orchestra, and the opportunity to be first to purchase tickets to Renée Fleming’s 100th Anniversary Gala Concert.

Find more information about the series and the artists at www.uniontheater.wisc.edu. Subscriptions will be available on March 18 at www.artsticketing.wisc.edu.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Prize-winning UW-Madison conductor Chad Hutchinson talks about the FREE and unusual all-American, all-20th century concert he will perform with the UW Symphony Orchestra this Friday night

October 9, 2018
1 Comment

IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

Chad Hutchinson (below) is starting his second season at the University of Wisconsin-Madison’s Mead Witter School of Music by putting his own stamp on programming with an intriguing, all-American and all-20th-century concert that combines music for the concert hall with music for plays and films.

The FREE concert by the UW Symphony Orchestra is in Mills Hall this Friday night, Oct. 12, and starts at 8 p.m. with an informal pre-concert talk by Hutchinson (below) at 7:30 p.m.

Hutchison recently won one first prize and two second prizes from The American Prize for work he did – in opera conducting, orchestral conducting and orchestral programming — at the University of Minnesota and the University of South Dakota.

For more details, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-3/

The Ear asked Hutchinson how, after his first year, he feels about the UW-Madison.

He answered: “What makes the UW-Madison special is the camaraderie and support of the students, faculty and staff across the numerous disciplines within the Mead Witter School of Music.

“I’m thrilled to be back working with the orchestra (below), opera and conducting students and collaborating with the amazing faculty here. Seeing the “light bulb” moments when students realize and achieve a new level of competency for themselves and the ensemble is the best part of the profession.”

Here are his thoughts about the program:

“The UW-Madison Symphony Orchestra opens the 2018-2019 season with a program of three influential American composers. This concert will highlight the juxtaposition of traditional classical music and compositions heavily influenced by folk, jazz and the blues.

“A common thread throughout the concert is the idea of firsts and exploring new ideas as a composer.

“The Overture to “The School for Scandal” (1931) of Samuel Barber (below) was the first piece that he composed for full orchestra and is based on the Restoration comedy by Richard Sheridan.

“This performance will be the debut of one of the Symphony Orchestra’s new doctoral conducting students Ji-Hyun Yim (below). Ji-Hyun (Jenny) comes to Madison after completing a Master’s Degree in Orchestral Conducting from the University of North Texas.

“The second piece on the program is one that I have wanted to program for quite some time. The “Afro-American” Symphony (1930) of William Grant Still (below, in a photo by Carl Van Vechten), his first symphony, is widely regarded as the first large-scale piece of symphonic repertoire composed by an African-American and performed by a major symphony orchestra.

Each movement’s title is influenced by short poems by the 20th-century African-American poet Paul Laurence Dunbar (below, in 1890).

“Since the Barber and Still were composed within one year of each other in 1930-1931, I wanted to show the dichotomy of the straight-ahead classical world and the other side of classical music in the late 1920s and 1930s that was being heavily influenced by the more popular music of the time.

“Lastly, we feature the first and only film music that Bernstein composed. “On the Waterfront” (1954), an Oscar-winning film directed by Elia Kazan that starred Marlon Brando (below) and Eva Marie Saint, shows Bernstein writing simultaneously for the symphonic hall and the big screen.

“This work will feature UW-Madison professor of saxophone and composition Les Thimmig (below) and will showcase many soloists within the orchestra. While not programmed as often as his music from West Side Story or On the Town, I believe that Bernstein’s unique use of color, rhythm and melody in this work – heard in the YouTube video at the bottom — speak for themselves.”


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: A FREE recital by the Del Sol string quartet on Monday night honors pioneering composer Ben Johnston

May 20, 2018
Leave a Comment

By Jacob Stockinger

The Ear has been asked to post the following announcement:

The San Francisco-based ensemble the Del Sol Quartet will give a FREE public recital on Monday night, May 21, in Madison in honor of pioneer composer, teacher and mentor Ben Johnston (below).

For more information about the composer, go to: https://en.wikipedia.org/wiki/Ben_Johnston_(composer)

The recital is on the occasion of Johnston’s upcoming induction into the American Academy of Arts and Lettershttps://artsandletters.org/pressrelease/2018-newly-elected-members/

This FREE performance will be held in the new Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison, 900 University Bay Drive, on Monday night at 7 p.m.

The program will feature Johnston’s two most popular string quartets: the Fourth Quartet (based on the beloved theme “Amazing Grace”); and the Tenth Quartet (also based on a popular folk melody). In addition there will be works by some of Johnston’s contemporaries. (You can hear the Fourth Quartet of Ben Johnston in the YouTube video at the bottom.)

Johnston, 92, has made his home in the Madison area for the past 11 years, where he continues to advance the field of microtonal music composition and performance, most notably initiated in the U.S. by music legend Harry Partch, with whom Johnston studied for several years. Partch’s seminal work, “Genesis of Music,” was first published in Madison by the University of Wisconsin Press in 1949.

Winner of numerous awards and honors, including a Guggenheim Fellowship and the ASCAP Deems Taylor Award, Johnston spent most of his career at the University of Illinois at Champaign-Urbana. He had a significant role in some of the Contemporary Arts Festivals, which were annual events in the 1960s. His service, as composition teacher and mentor there, led to an honorary doctorate from that institution. He is also the author of “Maximum Clarity,” published by the University of Illinois Press.

Hailed by New York Times critic Mark Swed as “probably [America‘s] most subversive composer …able to make both radical thinking and avant-garde techniques sound invariably gracious,”Johnston’s diligent dedication recently resulted in the release of the third CD by the Milwaukee-based Kepler Quartet https://www.keplerquartet.com/ on the New World Music label https://www.newworldmusic.com/

The three CD series encompasses all of Johnston’s string quartets and took 14 years of painstaking collaboration to bring to fruition, receiving high acclaim internationally. Johnston has been well-known in experimental music circles since his second quartet came out on Nonesuch Records in 1969.

Hailed by Gramophone as “masters of all musical things they survey” and two-time winner of the top Chamber Music America/ASCAP Award for Adventurous Programming, the Del Sol String Quartet shares living music with an ever-growing community of adventurous listeners.

Del Sol (below) was founded in 1992 at Banff Centre for the Arts in Canada and is recognized as a “vigorous champion of living composers,” focusing on music that reflects the cultural diversity of the community, advocating works by both world-renowned and emerging composers, and collaborating across disciplines. Del Sol has commissioned and premiered over 100 works by a diverse range of composers.

The Quartet has performed on prominent concert series nationwide, including the Kennedy Center, Library of Congress, National Gallery of Art, Symphony Space, Cabrillo Festival, Other Minds Festival, and Santa Fe Opera.

The quartet conducts an active educational program in the San Francisco Bay Area, in addition to regular residencies at universities and music schools across the country.”

For more information, go to: http://delsolquartet.com/


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,248 other followers

    Blog Stats

    • 2,215,575 hits
    October 2020
    M T W T F S S
     1234
    567891011
    12131415161718
    19202122232425
    262728293031  
%d bloggers like this: