The Well-Tempered Ear

Classical music: Does anyone else feel put off by the amount of requests for money from music organizations?

October 22, 2017
12 Comments

By Jacob Stockinger

It happened again this weekend.

The Ear got two more mailings from local music groups.

And both solicited money – again.

It seems like all communications these days include a plea for money, more money.

Up to a point, The Ear understands why charities and non-profits seek donations and he doesn’t mind it.

But it is beginning to happen so often and to feel so off-putting that it is taking the focus away from the music.

It reminds The Ear of when he used to contribute to such worthwhile groups as Amnesty InternationalDoctors Without Borders and the ACLU.

A generous yearly donation never seemed enough.

Every month some new “emergency” arose and they came back for more. After a while, you started to feel like a sucker, or at least a bottomless well in their eyes.

The only solution was to end the annual donation and get off the mailing list.

Now, much of the music business is starting to feel just that – too much business and too little music.

The commercialism is starting to feel overwhelming and alienating, especially when one already pays hefty prices for some tickets.

Is The Ear alone?

Should he feel differently?

Or do others feel the same way?

Leave your thoughts in the COMMENT section.

The Ear wants to hear.

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Classical music: Mark Adamo’s new opera “Becoming Claus” explores the commercialism and historical meaning of Christmas

December 27, 2015
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By Jacob Stockinger

By now most of the Christmas gifts have been bought, given and opened.

And soon the gift cards will be spent.

So how commercial is the holiday?

And how does one return to the true meaning of the holiday?

Those were the issues that composer and librettist Mark Adamo set out to explore in his new opera ‘Becoming Claus,” which recently received its world premiere at the Dallas Opera, where it was commissioned. (You can hear Mark Adamo discuss how he became an opera composer in the YouTube video at the bottom.)

Mark Adamo

It might interest local readers especially because the Madison Opera will stage Mark Adamo’s opera version of Louisa May Alcott‘s “Little Women” on Feb. 5 and 7 in the Capitol Theater of the Overture Center.

Here is a link to more information about that local production:

http://www.madisonopera.org/performances-2015-2016/little_women/

In fact, perhaps the new chamber opera (below) will one day be staged in Madison, where its message would be sure to resonate.

becoming claus

Here is a story, which has a terrific interview with the composer, about Mark Adamo’s new opera that appeared on the Deceptive Cadence blog of National Public Radio (NPR).

http://www.npr.org/sections/deceptivecadence/2015/12/11/459364003/re-imagining-santa-claus-from-grasping-kid-to-avatar-of-generosity


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