The Well-Tempered Ear

Classical music: Rediscovering old piano technique is altering how the music of the classical Old Masters sounds and how easily it is played

August 26, 2016
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By Jacob Stockinger

Sure, for a long time musicology has traced how musical styles, forms and instrumentation have changed.

But now some researchers are using computers to investigate – and revive – an older keyboard technique from the 19th century that differs dramatically from the more modern technique generally in use. (Below is a photo by Alexander Refsum Jensenius.)

old piano technique CR Alexander Refsum Jensenius

It turns out not to be as outdated or useless as many assume.

It changes not only how the music of Mozart, Haydn, Beethoven, Schubert and Chopin sounds but also the ease with which the performer can play it.

Here is a story from The New York Times that the Ear had stashed from about a year ago.

But he thinks it still seems timely – and fascinating.

And he hopes you do too.

Here is a link:

http://www.nytimes.com/2015/07/21/science/playing-mozart-piano-pieces-as-mozart-did.html

See what you think and leave a comment.

The Ear wants to hear.


Classical music: Madison Youth Choir’s sixth annual Boychoir Festival is this Saturday. Plus, the Wisconsin Brass Quintet performs this Sunday at the Chazen Museum of Art

January 29, 2016
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ALERT: This month’s Sunday Afternoon Live From the Chazen, to start at 12:30 p.m. this Sunday, features the Wisconsin Brass Quintet from the University of Wisconsin-Madison School of Music

The program includes music by  Johann Sebastian Bach, Giovanni Gabrieli, Ira Taxin, Ingolf Dahl and UW-Madison alumnus Andrew Rindfleisch.

Since Wisconsin Public Radio no longer carries the concerts live, you must either attend it FREE in the Brittingham Gallery No. 3 in the Chazen Museum of Art or stream it live on your computer. Here is a link to the museum’s web site to reserve seats and to listen live:

http://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-at-the-chazen-feb.-7-with-the-wisconsin-brass-quintet

By Jacob Stockinger

The Ear has received the following note from the Madison Youth Choirs:

“The Madison Youth Choirs, in partnership with Madison Metropolitan School District, will present the sixth annual FREE Madison Boychoir Festival this Saturday, Jan. 30, in the Stevens Gym at Madison West High School, 30 Ash St., starting at 12:30 p.m. 

(Below is a photo of middle school singers, conducted by Margaret Jenks, from last year’s festival. You can also hear excerpts in the YouTube video at the bottom.)

Boychoir Festival 2015 Elem School Choir

“The festival is a day-long celebration of choral music for boys in grades 2-12, culminating in a free concert for the community.”

“We’re expecting a record number of well over 400 young men, ages 7-18, from across southern Wisconsin at this year’s festival, and recently also broke a new record for enrollment in MYC’s three yearlong performing boychoirs – a great sign for the culture of boys’ singing in our community!”

The program usually includes classical music, folk music and crossover or pop music. This year’s is no different. Here is the line-up:

COMBINED CHOIRS

Plato’s Take (sing in Greek) by Randal Swiggum

YOUTH CHOIR

Margaret Jenks, conductor; Andrew Johnson, piano/percussion

Banaha — Congolese folk song

MIDDLE LEVEL CHOIR

Randal Swiggum, conductor; Steve Radtke, piano; Zachary Yost, piccolo; Andrew Johnson, snare drum

“Riflemen of Bennington  Revolutionary War song, arr. Swiggum

 HIGH SCHOOL MEN’S CHOIR

Albert Pinsonneault, Michael Ross, conductors; Jess Salek, piano

Byker Hill, Traditional, arr. Sandler

THE MADISON BOYCHOIR

Randal Swiggum, Margaret Jenks, Michael Ross, conductors

Intonent Hodie, Anonymous (ca. 12th century)

COMBINED CHOIRS

Unity, by Glorraine Moore/Freddie Washington, arr. Cason

“Over 400 young singers, joined by the men of the Madison Choral Project (MCP), will present repertoire from a variety of cultural traditions and historical eras, exploring beyond notes and rhythms to discover the context, meaning and heart of the music. (Below is a photo of elementary school singers from the 2014 festival, conducted by Randal Swiggum.)

Boychoir Festival 2014 Middle School Choir

“This project is supported in part by the Madison Arts Commission, by the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, and by Dane Arts with additional funding from the Endres Mfg. Company Foundation.”

About Madison Youth Choirs (MYC)

“Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

“Cultivating a comprehensive music education philosophy that inspires self -confidence, personal responsibility and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.”

For further information, visit www.madisonyouthchoirs.org or call (608) 238-7464


Classical music: Today is Cyber Monday. Here are some gift guides and links to local music organizations if you want to buy tickets and look into performers, concerts and dates.

November 30, 2015
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By Jacob Stockinger

Today is Cyber Monday, which follows on the heels of Thanksgiving, Black Friday and Small Business Saturday.

Just look at those names of Institutionalized Shopping Days. Are we a consumer society or what?

All the news stories that the Ear hears and sees seem to agree: Online buying is by far the fastest growing segment of the holiday retail market.

In that spirit, here are two links to various gifts guides.

First, BBC Music Magazine and the Telegraph newspaper:

https://welltempered.wordpress.com/2015/11/27/classical-music-here-are-the-best-classical-music-cds-of-2015-according-to-the-bbc-music-magazine-and-the-telegraph-newspaper/

And The New York Times:

https://welltempered.wordpress.com/2015/11/28/classical-music-its-small-business-saturday-here-are-classical-music-gift-suggestions-from-the-critics-for-the-new-york-times/

But just as important are the local music makers and concert promoters. The Ear thinks that tickets to future concerts make a great gift – especially if you agree to accompany someone and provide companion or maybe even transportation is the person is older.

And you don’t have to buy today.

The important thing is to USE YOUR COMPUTER OR SMART PHONE to browse and shop, to assist you in shopping.

Computers

smart phone

Some of the local groups are even offering major and minor holiday discounts. Or the past several years, the Madison Symphony Orchestra has offered has reduced price tickets. (This year, the MSO tickets sale of seats for $20 or $48 takes place Dec. 12-24.) This year, the Wisconsin Union Theater is waiving handing fees (but not discounting tickets) for the month of December and through Jan. 2. And other deals are likely, given the competitive nature of the performing arts in Madison.

And if you don’t buy them today or the sales come later, at least you can do the research right now and find out what you might want to buy later.

In some cases, as with the FREE Friday Noon Musicales at the First Unitarian Society of Madison, performers and programs are not listed much in advance. And the terrific new ensemble Willy Street Chamber Players won’t announce its new dates and programs until the spring.

The Ear thinks that combining a ticket to a live performance with a recording of the music or a book about music makes a superb holiday gift. And you will be supporting local businesses and local musicians.

So here are some links. But please forgive The Ear if the list is not exhaustive. There are so many classical music groups now in Madison and the surrounding area, it is hard to keep up.

If you want to ask something, please put the name and a link in the COMMENT section. The Ear will be grateful, and so will other readers.

The Ear hopes you find it useful.

A drumroll, please!

University of Wisconsin-Madison School of Music:

http://www.music.wisc.edu/events/

MAYCO in MIlls June 2015 JWB

Edgewood College:

http://www.edgewood.edu

Edgewood Chamber Orchestra poster Sept 12

Madison Symphony Orchestra:

https://www.madisonsymphony.org

MSO playing

Madison Opera (a scene from “La Boheme” in a photo by James Gill):

http://www.madisonopera.org

Boheme Madison Opera USE Mimi and Rodolfo GILL

Wisconsin Chamber Orchestra:

http://www.wcoconcerts.org

WCO lobby

Overture Center for the Arts:

http://www.overturecenter.org

OvertureExteior-DelBrown_jpg_595x325_crop_upscale_q85

Wisconsin Union Theater:

http://www.uniontheater.wisc.edu

Shannon Hall UW-Madison

Wisconsin Youth Symphony Orchestras:

https://www.wysomusic.org

WYSO Youth Orchestra

Oakwood Chamber Players:

http://www.oakwoodchamberplayers.com

Oakwood Chamber Players 2015-16

Madison Bach Musicians:

http://madisonbachmusicians.org

Kangwon KIm with Madison Bach Musicians

Wisconsin Baroque Ensemble:

http://www.wisconsinbaroque.org

Wisconsin Baroque Ensemble 2014

Middleton Community Orchestra:

http://middletoncommunityorchestra.org

Middleton Community Orchestra press photo1

Con Vivo:

http://www.convivomusicwithlife.org

Con Vivo group

Festival Choir of Madison:

http://festivalchoirmadison.org/seasons/events.html

Festival Choir of Madison at FUS

Madison Choral of Madison:

http://themcp.org/concerts/

Madison Choral Project color

Farley’s House of Pianos:

http://www.farleyspianos.com

Farley Daub plays

Fresco Opera Theatre:

http://www.frescooperatheatre.com

Fresco Opera Theatre cast for Opera SmackDown

Live From the Met in HD:

http://www.metopera.org/Season/In-Cinemas/

Met Live IlTrovatore poster


Classical music: Clocks in Motion and Transient Canvas perform new music for winds and percussion this Wednesday night. Plus, the Pro Arte Quartet performs a FREE concert of Mozart, Beethoven and Webern on Saturday night.

November 3, 2015
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ALERT: The Pro Arte Quartet, artists-in-residence at the UW-Madison School of Music, will give a FREE concert this Saturday night at 8 p.m. in Mills Hall. The program features: the String Quartet No. 1 in B-flat Major, Op. 18, No. 1 (1799-1800) by Ludwig van Beethoven; the Langsamer Satz (Slow Movement) for String Quartet (1905) by Anton Webern; and the String Quartet in E-flat Major, K. 428 (1783) by Wolfgang Amadeus Mozart.

By Jacob Stockinger

The Ear has received the following word from Clocks in Motion:

Clocks in Motion (below), Madison’s premier new music ensemble, welcomes the renowned bass clarinet and marimba duo Transient Canvas to Madison for a collaborative performance of new sounds, new instruments, and new music.

Clocks in Motion Group Collage Spring 2015

Featuring a world premiere by Italian-American modernist composer Filippo Santoro, as well as rarely heard works by Daniel T. Lewis, Matthew Welch, and Franco Donatoni, this concert offers a singular chance to experience the cutting edge of new music.

The performance is this Wednesday night, Nov. 4, at 7 p.m. in the DeLuca Forum (below bottom) of the Wisconsin Institutes for Discovery (below top), across from the Union South at 330 North Orchard Street.

WID_extr11_1570

SEW Forum room

It will feature Transient Canvas (below), which consists of the “dazzling” (Boston Globe) clarinetist Amy Advocat and the “expert and vivid” (Boston Musical Intelligencer) marimbist Matthew Sharrock performing thrilling repertoire commissioned for their distinctive instrumentation, as well as larger works in partnership with Clocks in Motion.

Transient Canvas close up

Tickets are $12 in advance and $15 the day of the show; $5 with a student ID. PURCHASE TICKETS

Advance tickets are available at https://www.artful.ly/store/events/7534

Praised by the Boston Globe as “superb,” Transient Canvas has been blazing its own trail in the world of contemporary music since 2011. In four years, they have premiered over 40 new works, essentially creating an entirely new repertoire for their unique instrumentation. Fearless in their programming and hungry for new collaborations, TC actively seeks out new composers who will stretch their instrumentation to its limits. (You can hear a sample in the YouTube video at the bottom)

Learn more about Transient Canvas at http://www.transientcanvas.com/

Transient canvas performing

Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds its own instruments, and breaks down the boundaries of the traditional concert program. The group Clocks in Motion consistently performs groundbreaking concerts involving performance art, theater, and computer technology.

Featuring world premieres alongside rarely performed classic works, the ensemble strives to create a new canon of percussion repertoire.

clocks in motion in concert

Clocks in Motion works passionately to educate young audiences through master classes, residencies, presentations, and school assemblies. The ensemble’s unique skill sets and specialties contain an impressive mix of rock, jazz, contemporary classical, orchestral, marching, and world styles.

Clocks in Motion has served as resident performers and educators at the Interlochen Arts Academy, Casper College, the University of Michigan, Baldwin-Wallace University, VIBES Fine and Performing Arts, Traverse City West High School, Traverse City East Middle School, Rhapsody Arts Center, and the Madison Museum of Contemporary Art.

Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’s Graduate Percussion Group, and now serves as an affiliate ensemble of the University of Wisconsin-Madison School of Music.

 


Classical music: Percussion group Clocks in Motion will explore the music of American composer Steve Reich in two concerts, both this Saturday at the Overture Center.

November 6, 2014
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ALERT: This week’s FREE Friday Noon Musicale, to be held from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, features violinists Shannon Farley, Wes Luke and Hannah Muehlbauer with pianist Gregg Punswick in two favorite Baroque works for multiple violins: the Concerto for Three Violins by Antonio Vivaldi and the Double Concerto for Two Violins in D minor by Johann Sebastian Bach.

FUS1jake

By Jacob Stockinger

This coming Saturday, the Madison-based group Clocks in Motion (below) will present “PATTERN RECOGNITION” -– a festival of contemporary American composer Steve Reich -– in two programs to be held in the Promenade Hall of the Overture Center for the Arts.

Clocks collage 2014

The concerts are on Saturday at 1 p.m. and 7 p.m.

Tickets are $22 for single concerts, or $39 for a two-concert festival pass. Student rush tickets for each concert are also available for $12.

Here are details from a press release:

Clocks in Motion, Madison’s premier contemporary percussion ensemble, will present two concerts of music by innovative composer Steve Reich. Known as a pioneer of minimalist composition, Reich and his lush works have captivated audiences since the 1960s.

Clocks in Motion welcomes stellar guest artists to collaborate on the festival and celebrate an American composer who changed the landscape of modern music.

The 1 p.m. program features Reich’s 80-minute masterpiece, Drumming (at the bottom in a YouTube video of the work’s first part . Guest vocalists Cheryl Rowe (below top) and Chelsie Propst (below middle), as well as flutist Stephanie Jutt (below bottom), who teaches at the UW-Madison and is principal  flute of the Madison Symphony Orchestra,  will join nine percussionists in a driving and mesmerizing performance. Written in 1970 after a trip to Ghana, the piece combines West-African interlocking rhythm with contemporary harmonies and rhythmic treatment.

Cheryl Rowe color 1

Chelsie Propst USE

Stephanie Jutt with flute

The 7 p.m. evening program features four shorter works from various stages in the entire career of Steve Reich (below).

Sextet showcases a gorgeous harmonic cycle, diverse tempos and energy, and interesting instrumentation such as bowed vibraphone, two pianos, and synthesizer.

Mallet Quartet is the most recent piece by Reich on the program, with swirling meters and a thrilling final movement.

Four Organs made “infamous” history when it was first performed in Carnegie Hall. Clocks will employ digital patches on four laptop computers to present this piece.

Steve Reich

Guest Pianist Rob Kovacs (below) also joins the evening program, performing Piano Phase for Solo Pianist. This work was originally scored for two musicians, and Kovacs is the first to perform it as a soloist, playing two grand pianos and two parts with one set of hands.

rob kovacsn2

New music, new instruments and new sounds define Clocks in Motion’s fresh and innovative approach to contemporary classical performance.

Hailed as “nothing short of remarkable” (ClevelandClassical.com), Clocks in Motion is a group that performs new music, builds its own instruments, and breaks down the boundaries of the traditional concert program.

With a fearless and uncompromising ear to programming challenging and adventurous contemporary percussion ensemble repertoire, Clocks in Motion consistently performs groundbreaking concerts involving performance art, theater, and computer technology. Featuring world premieres alongside rarely performed classic works, this ensemble strives to create a new canon of percussion repertoire.

Clocks in Motion overture

Clocks in Motion works passionately to educate young audiences through master classes, residencies, presentations, and school assemblies. The ensemble’s unique skill sets and specialties contain an impressive mix of rock, jazz, contemporary classical, orchestral, marching band and world styles.

Clocks in Motion has served as resident performers and educators at the Interlochen Arts Academy, Casper College, the University of Michigan, Baldwin-Wallace University, VIBES Fine and Performing Arts, Traverse City West High School, Traverse City East Middle School, Rhapsody Arts Center, and the Madison Museum of Contemporary Art.

Formed in 2011, Clocks in Motion began as an extension of the University of Wisconsin-Madison’ School of Music’s Graduate Percussion Group, and now serves as the affiliate ensemble of the UW-Madison percussion studio.


Classical music: On Day 3 in Belgium, the University of Wisconsin Pro Arte Quartet plays at the Royal Library, gives a gift to King Philippe and keeps performing a lot of hard and varied music.

May 25, 2014
12 Comments

By Jacob Stockinger

Editor’s note: The Well-Tempered Ear has asked people on the one-week tour of Belgium by the UW Pro Arte Quartet (below, in a photo by Rick Langer) to file whatever dispatches and photos they can to keep the fans at home current with what is happening on the concert stage and off.

Thanks goodness for iPads, iPhones, Androids and other smart phones, computers and digital cameras!

Here is a link to the first installment:

https://welltempered.wordpress.com/2014/05/22/classical-music-the-university-of-wisconsin-pro-arte-quartet-lands-in-belgium-gets-detained-at-customs-and-is-rescued-in-time-for-practicing-and-playing-concerts/

And here is the second installment:

Pro Arte Qartet  Overture Rick Langer

After troubles at customs and catching up from jet lag, the Pro Arte Quartet got down to the business of rehearsing and performing.

The quartet members  -– violinists David Perry and Suzanne Beia, violist Sally Chisholm, cellist Parry Karp and manager Sarah Schaffer —  and their entourage of “groupies” also spent time meeting and greeting the descendants of the original quartet members who started the ensemble over a century ago at the Royal Belgian Conservatory of Music in Brussels before World War II stranded them in Madison.

That’s when they became artists-in-residence at the University of Wisconsin-Madison School of music, where they have remained ever since.

Here are some updates on Day 3:

Read on:

Sarah Schaffer (below), who also took the photos, writes:

Sarah Schaffer mug

Day 3 — FRIDAY:

The “coats and cases” space was the room that houses the Bela Bartok archives at the Royal Library!

Here is the exterior with its name in the two official languages of Belgium: Flemish and French.

PAQ in Belgium Royal Library exterior with Flemish and French

The Bartok Room (below) has many rare and unique items – letters, photos, etc. It all rather takes one’s breath away. We each received a copy of a recent publication by the collection’s archivist, Denijs Dille.

PAQ in Belgium Bartok archives ar Royal Library

FYI, the fifth person, on the right in the photo (below) taken after the bows that followed the concert on the Arthur De Greef Auditorium — named for the early 20th-century Belgian composer — is Hubert Roisin, Counselor to the King.

PAQ in Belgium with Hubert Roisin on stage at De Greef Auditorium at Royal Library

Mr. Roisin (below, in a close-up by violist Sally Chisholm) seemed very honored to be in attendance. We were certainly honored by his presence at the concert.

PAQ in Belgium Mr Roisin for King Philippe Salky Chisholm

Here are the gifts we gave Monsieur Roisin for King Philippe: A framed photo (below top) of the original members and the current members of the Pro Arte Quartet plus an honorary letter (below bottom) from University of Wisconsin-Madison Rebecca M. Blank.

PAQ in Belgium photo gift to king

PAQ in Belgium Blank letter

PAQ played to a mostly full house and was very warmly received. Many accolades filled the air at the private reception afterwards.

PAQ in Belgium playing in De Dreef Auditorium at Royal Library

Afterwards, I pressed the willing-but-exhausted quartet into a “photo shoot” taking advantage of the spectacular architecture and gardens surrounding the library.

Then they all went off to rest.

It has been a very strenuous few days, and tomorrow is especially long, beginning with an 11 a.m. train trip to original quartet member Alphonse Onnou’s town of Dolhain, arriving in time for a 1 p.m. lunch. (Below is a photo of the Pro Arte Quartet in 1928. Alphonse Onnou is on the far left.)

Pro Arte Quartet in 1928 Onnou far left

Then it gets jam-packed with a full day of commemorations — including the municipal band offering “American” tunes in our honor — all BEFORE the 8 p.m. concert.

We will all be very glad to have Sunday “off.”

Not only is the SCHEDULE strenuous, but so also is the REPERTOIRE — with very few repeats over all these concerts.

The norm on tour is to recycle a handful of pieces.

Not so the Pro Arte Quartet, not on this trip.

They are holding up well but are, understandably, fatigués. (Below is the dual-language program notes from the concert of music by Bela Bartok and Franz Joseph Haydn — two composers the early Pro Arte Quartet was celebrated for and identified with — at the Royal Library.)

More soon.

PAQ in Belgium  program of Bartok 1 and Haydn De Greef Aditorium Royal Library

 

 

 

 

 

 

 

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Classical music: On Day 2 in Belgium, the University of Wisconsin Pro Arte Quartet is offered rehearsal time in a bar; meets descendants of the original members of the quartet; and performs its first concert to applause, appreciation and acclaim.

May 24, 2014
11 Comments

By Jacob Stockinger

Editor’s note: The Well-Tempered Ear has asked people and participants on the one-week tour in Belgium with the UW Pro Arte Quartet (below, in a photo by Rick Langer) to file whatever dispatches and photos they can to keep the fans at home current with what is happening on the concert stage and off.

Thanks goodness for iPads, iPhones and other smart phones, computers and digital cameras!

Here is a link to the dramatic first installment:

https://welltempered.wordpress.com/2014/05/22/classical-music-the-university-of-wisconsin-pro-arte-quartet-lands-in-belgium-gets-detained-at-customs-and-is-rescued-in-time-for-practicing-and-playing-concerts/

And here, below, is the second installment:

Pro Arte 3 Rick Langer copy

After troubles at customs and catching up from jet lag, the Pro Arte Quartet got down to the business of eating and sleeping, rehearsing and performing, of meeting its public and catching up with its history.

The quartet members and their entourage of groupies -– the quartet consists of violinists David Perry and Suzanne Beia, violist Sally Chisholm, cellist Parry Karp plus manager Sarah Schaffer — spent time meeting and greeting the descendants of the original quartet members who started the ensemble over a century ago at the Royal Belgian Conservatory of Music in Brussels before it became a Court quartet and then World War II stranded the quartet in Madison.

That’s when, in 1941, the quartet became artists-in-residence at the University of Wisconsin-Madison School of Music, where they have remained ever since.

Here are some updates on Day 2 of the Belgium tour:

Read on:

Sarah Schaffer writes:

Day 2 — Thursday:

Much calmer!

Today’s “crisis” is small compared to yesterday’s:

The quartet needed a place to rehearse.

We’d assumed, incorrectly it turned out, that the hotel would have something like a meeting room that might be used.

No luck.

They offered instead the BAR! It is not open mornings.

And that is where Michel Arthur Prevost (below left in my photo), the grandnephew of founding violist Germaine Prevost and the impresario of the opening concert at Flagey Hall, first encountered the quartet when he unexpectedly arrived at the hotel this morning. On the right is his brother Jean Marie Prevost.

PAQ in Belgium brothers Michael Arthur Prevost (left) and Jean Marie Prevost Sarah Shaffer

Acoustics at Flagey were fantastic, as they quartet found out when rehearsing.

PAQ in Belgium rehearsing i Flagey Hall Sarah Schaffer

The opening concert was much enjoyed by a small but extremely appreciative audience.

PAQ in Belgium Performing in Flagey Hall Sarah Schaffer

Tomorrow we meet King Philippe’s counselor, Herbert Roisin, and offer him our gift of the photos of the old and current quartet members and a letter from our new University of Wisconsin-Madison Chancellor Rebecca Blank that we carried with us to Belgium.

Plus, the Pro Arte Quartet has received media attention, the local newspaper running a story (below) in French under a headline in English:

PAQ Belgium newspaper

Adds violist Sally Chisholm, who always has an eye for the feature and the fun:

What a fine way to travel!

Here is a very professional taxi driver taking us to Flagey Hall.

Much acceleration, good humor and the local title of Place des Morts (Square of the Dead) for the number of pedestrians crossing the street.

We are now in Studio 1, safe and greeting the grandnephews of Germain Prevost and many Pro Arte friends.

PAQ in Belgium taxi driver Sally Chisholm

Here is the grandson of cellist Robert Maas, speaking with Anne Van Malderen who is writing a documentary history of the Pro Arte. He speaks no English, but is very easy to understand!

PAQ in Belgium grandson of cellist Robert Maas  speaks with Anne van Malderen who is writing a documentary study of PAQ Sally Chisholm,

And here is the great-granddaughter of Robert Maas:

PAQ Belgium great grand daughter of Robert Maas Sally Chisholm

What a wonderful hall and appreciative audience.

Here is the stage before I played the Elegy for solo viola that was composed by Igor Stravinsky for one Pro Arte member and dedicated to the passing of another, Germaine Prevost. I performed it after remarks, in French, by Dr. Prevost, grand-nephew of Germain Prevost.

PAQ Belgium Stage Sally Chisholm

And here is the brief review by Dr. Robert Graebner, a UW-Madison alumnus and retired Madison neurologist who, with his wife Linda Graebner, is following the Pro Arte on its one-week tour and who commissioned for the quartet’s centennial the String Quartet No. 6 by American composer John Harbison — who teaches at MIT and co-directs the Token Creek Chamber Music Festival near Madison each August, and who has won both the Pulitzer Prize and a coveted MacArthur “genius” grant:

We just returned from a private concert at the historic Art Deco Flagey Studio 1. (Below is a photo of the concert posters taken by Sarah Schaffer.)

The Pro Arte was in top form, and attendees included two relatives of Germaine Prevost and two relatives of Robert Maas.

PAQ in Belgium Flagey concert poster Sarah Schaffer

Tomorrow brings a concert at the Royal Library.

So stayed tuned as the Pro Arte performs again (below is the printed program from Sarah Schaffer)  and meets The Royals – or at least their reps.

PAQ in Belgiium concert prgram Sarah Schaffer 

 

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Classical music: The University of Wisconsin Pro Arte Quartet lands in Belgium, gets detained at customs and is rescued in time for practicing and playing concerts.

May 22, 2014
17 Comments

By Jacob Stockinger

Editor’s note: The Well-Tempered Ear has asked people on tour with the University of Wisconsin-Madison Pro Arte Quartet (below, in a photo by Rick Langer) to file whatever dispatches. updates and photos — from iPads, computers, cameras  and smart phones — so that they can to keep the fans back here at home current with what is happening on the concert stage and off.

Here is a link to a schedule of planned events, repertoire and venues:

https://welltempered.wordpress.com/2014/05/19/classical-music-its-final-and-official-the-university-of-wisconsin-pro-arte-quartet-will-tour-to-belgium-this-week/

Here is the first installment of the tour updates:

Pro Arte Quartet new 2 Rick Langer

For the University of Wisconsin-Madison Pro Arte Quartet, Tuesday night into Wednesday morning was spent flying across the Atlantic Ocean to a one-week tour to the group’s homeland of Brussels, Belgium, Tuesday night into Wednesday morning.

But despite reassurances from U.D. officials, complications occurred on landing and then going through customs.

Read on:

Showing her sense of humor, Pro Arte Quartet violist Sally Chisholm sends word about starting the quartet’s one-week tour in Belgium and heads it “News from a broad” in the subject line of her email:

“Today, Sarah Schaffer (below) stood eye to eye with the U.S. consulate and freed us from Belgium customs. Our passports for our instruments and bows were the first ever seen at the Brussels airport.

Sarah Schaffer mug

“Despite the initial determination that both Parry and I could not pass through customs in time for the concerts, suddenly, at 3:15 p.m. we were declared admitted by investigators (below):

PAQ Belgium investigators SALLY CHisholm

“Sarah will have details about her consulate experience! A million thanks to Sarah, once again, and to all of our supporters. We are now at our hotel just off the Grand Place, enjoying an evening of warm friendship and memorable cuisine.”

–Sally (below)

Sally Chisholm

And here is the latest from Sarah Schaffer, who works at the University of Wisconsin-Madison School of Music, heads up the Pro Arte Quartet Centennial Committee and is accompanying the quartet on tour:

“Our first afternoon was spent at American Embassy, trying to spring violist Sally Chisholm and cellist Parry Karp (below), who were both detained at the Brussels airport and refused entry into Belgium over the endangered species business about ivory and wood.

“Oh, boy.

Parry Karp

“Also called on our Belgium friends, who reached the cabinet minister in the agency overseeing CITES (Convention on International Trade in Endangered Species of Wild Flora and Fauna), and between all efforts we got them sprung.

“We’re all here at last, exhausted, a little tattered, but a much better outcome than we feared for many hours today.”

“Here is a photo of the necessary permit we finally obtained:

-Sarah

PAQ Belgium permit

And here is a link to another posting about the 1973 international law, now being strictly enforced, that has created such fuss and confusion:

https://welltempered.wordpress.com/2014/04/16/classical-music-catch-the-pro-arte-quartets-free-must-hear-concert-of-the-program-for-its-upcoming-back-to-belgium-tour-on-thursday-night-at-730-especially-sinc/

And here is a link to the official CITES website:

http://www.cites.org

And here is an informational video on YouTube about the well-intentioned, if inconvenient, CITES  law and the role of the U.S. Fish and Wildlife Service:

 

 

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