The Well-Tempered Ear

Classical music: The Madison Bach Musicians will give their eighth annual Baroque Holiday Concert this Saturday night

December 3, 2018
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By Jacob Stockinger

The Madison Bach Musicians will give their eighth annual Baroque Holiday Concert (below in a 2014 photo by Kent Sweitzer) on this coming Saturday night, Dec. 8, at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

The critically acclaimed and well attended annual concert will follow the usual format with a 7:15 p.m.  lecture by founder, artistic director and keyboardist Trevor Stephenson (below) followed by the concert at 8 p.m.

A critically acclaimed chamber ensemble of voices and period instruments will perform masterworks from the 16th, 17th and 18th centuries.

Performers include: Hannah De Priest, soprano; Margaret Fox, mezzo-soprano; Ryan Townsend Strand, tenor; Matthew Chastain, bass-baritone; Arash Noori, theorbo; Katherine Shuldiner, viola da gamba; and Trevor Stephenson, harpsichord.

The Ear asked Stephenson: Why are vocal music and Baroque music both so popular during the holiday season?

He answered: “Many holiday traditions focus on soulfulness and reflection. So, as my great-grandmother used to say, “Pay attention to the singing, it is closest to the soul.””

“On top of this, Baroque music—as one of the great achievements of Western culture—is a natural when reflecting upon the past,” Stephenson adds. “Baroque music is also festive and uplifting, and there is, I believe, some message within its intricacies and design that suggests that there is “a beautiful crystalline structure within which we all live.” (These words come from my colleague Norman Sheppard.)

“This concert marks the Madison Bach Musicians’ eighth consecutive year in the magnificent setting of the First Congregational Church. I simply cannot imagine a better acoustic and spiritual ambiance for this music. (Below is a performance from the 2016 concert in the same church.)

“The program will progress in chronological order from the very early 16th century up to the middle 18th century, from Josquin des Prez to Johann Sebastian Bach.

“We’ll start with the Kyrie and Gloria movements from one of Josquin’s last completed masterworks, the Missa Pange Lingua (c. 1515). Martin Luther’s praise for Josquin’s compositional genius was boundless: “Joaquin (below)  is the master of the notes. The notes must do as he wills; as for other composers, they have to do as the notes will.”

“MBM is thrilled that virtuoso lutenist Arash Noori (below) from New York City will join us for this concert; second on the program, Noori will perform (on theorbo, which is a mega-lute) Niccolo Piccinni’s sparkling Toccata Chromatic and Gagliarda Prima published in the early 17th century.

“We’ll follow this with three musical gems for vocal quartet and continuo from the Kleine geistliche Konzerte (Short Spiritual Concerts, 1636−1639) that Heinrich Schütz (below) composed specifically for small ensembles, which were all that were available during the devastation of the Thirty Years’ War (1618−1648).

“The second half of the program is devoted to works by Bach. We’ll start with the exquisite Sonata in G major for Viola da Gamba and Harpsichord; gambist extraordinaire Kate Shuldiner (below) from Chicago will be featured and I’ll accompany her at the harpsichord.

“We’ll follow this with two Christmas songs from the Schemelli Songbook—a collection published in 1736 of more than 60 spiritual songs for which Bach wrote most of the harmonizations and contributed several great original tunes to boot.

“Soprano Hannah De Priest (below top) and mezzo-soprano Margaret Fox (below bottom) will be featured in the bouncy and charming duet, Wir eilen mit schwachen, doch emsigen Schritten (from Cantata 78, “We hasten, with weak, yet eager steps, O Jesus, O Master, to You, for help!”), which you can hear in the YouTube video at the bottom.) Bach not only worshipped God, but also felt comfortable enough in the relationship to occasionally party; this work is an ingenious fusion of high art and polka romp!

“The concert will conclude with Bach’s glorious motet, Lobet den Herrn, alle Heiden (Praise the Lord, All Ye Nations). It was Mozart who — when he journeyed to Leipzig in 1789, or 39 years after Bach’s death, and heard the Thomaskirche choir perform a Bach motet, from memory, no less  — exclaimed, “Now here is something one can learn from!””

TICKET INFORMATION

Advance-sale discount  tickets are $30 general admission.

Tickets are also available at  Orange Tree Imports and the Willy Street Coop East and West.

You can also purchase advance tickets online: www.madisonbachmusicians.org

Tickets at the door are  $33 for general admission, $30 for seniors 65 and over. Student Rush tickets are $10 and will be on sale 30 minutes before the 7:30 p.m. lecture.

For more information, go to: www.madisonbachmusicians.org

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Classical music: The Winter Concert Series by the Madison Youth Choirs next Saturday and Sunday feature the theme of “Resilience” with guest artist Tony Memmel

December 2, 2018
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By Jacob Stockinger

The Ear has received the following announcement to post:

This semester, the Madison Youth Choirs welcome guest artist Tony Memmel, a singer-songwriter and guitarist whose story of ingenuity and resilience will inspire young singers and audience members alike.

Born without a left forearm or hand, Memmel (below) taught himself to play guitar by building a homemade cast out of Gorilla Tape, and has become an internationally acclaimed musician, thoughtful teacher and ambassador for young people with limb differences. (You can hear Memmel talk about  himself in the YouTube video at the bottom.)

On this coming Saturday night, Dec. 8, and Sunday afternoon, Dec., 9, at the Middleton Performing Arts Center that is attached to Middleton High School at 2100 Bristol Street, Memmel will join the Madison Youth Choirs in a Winter Concert Series called “Resilience” because it focuses on the ability to overcome challenges both visible and invisible, and along the way discover the limitless possibilities that exist inside each of us.

Here is the schedule:

Saturday, Dec. 8, at 7:00 p.m. – Purcell, Britten, Holst and Ragazzi choirs

Sunday, Dec. 9, at 4:00 p.m. – Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile choir

Tickets will be available at the door, $10 for general admission; $5 for students 7-18; and free for children under 7.

These concerts are generously endowed by the Diane Ballweg Performance Fund with additional support from our sponsors, American Girl’s Fund for Children, BMO Harris Bank, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation. This project is also supported by the Madison Arts Commission and the Wisconsin Arts Board with funds from the National Endowment for the Arts.

About Madison Youth Choirs (MYC): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

For more information about supporting or joining MYC, go to: https://www.madisonyouthchoirs.org

HERE IS THE COMPLETE REPERTOIRE OF THE MYC 2018 WINTER CONCERT SERIES “RESILIENCE”:

SATURDAY, DEC.  8, at 7:00 p.m. Concert (featuring MYC Boychoirs)

Combined Boychoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

“Though My Soul May Set in Darkness,” text by Sarah Williams, composer unknown

 Purcell

“Who Can Sail” Scandinavian Folk Song, arr. Jeanne Julseth-Heinrich

“Hine Ma Tov” Hebrew Folk Song, arr. Henry Leck

Britten   

“Jerusalem,” poem by William Blake, music by Sir Hubert Parry

“This Little Babe” from A Ceremony of Carols by Benjamin Britten

Holst

“Keep Your Lamps,” traditional spiritual, arr. André Thomas

“Out of the Deep” by John Wall Callcott

“Shosholoza,” Traditional song from Zimbabwe, arr. Albert Pinsonneault

Combined Boychoirs

“Angels’ Carol” by John Rutter

Tony Memmel

Selections to be announced

Ragazzi

“Wie Melodien” (Op. 5, No. 1) by Johannes Brahms

“The Chemical Worker’s Song” by Ron Angel, arr. after Great Big Sea

“Abraham Lincoln Walks at Midnight” by Abbie Betinis

Combined Boychoirs with Tony Memmel (below)

“America to Go” by Tony Memmel

SUNDAY, DEC. 9, at 4:00 p.m. Concert (featuring MYC Girlchoirs)

Combined Girlchoirs with Tony Memmel

“Clenched Hands, Brave Demands” by Tony Memmel

Choraliers

“Be Like a Bird,” Text from Victor Hugo, music by Arthur Frackenpohl

“Art Thou Troubled” by George Frideric Handel

“Blustery Day” by Victoria Ebel-Sabo

Con Gioia

“Bist du bei mir” by Johann Sebastian Bach from “The Notebook of Anna Magdalena Bach”

“I Heard a Bird Sing” by Cyndee Giebler

“Ask the Moon” from Three Settings of the Moon by Ron Nelson

“I’ll Overcome Someday” by C.A. Tindley

“We Shall Overcome” arr. by Marie McManama and Con Gioia

“i shall imagine” by Daniel Brewbaker, text by e.e. cummings

South African National Anthem by E.M. Sontonga and M.L. de Villiers

Capriccio

“Resilience” by Abbie Betinis

“Be Like the Bird” by Abbie Betinis

“Esurientes” from Magnificat in G minor by Antonio Vivaldi

“And Ain’t I a Woman!” by Susan Borwick, adapted from a speech by Sojourner Truth

Tony Memmel

Selections to be announced by Tony Memmel

Cantilena

“Vanitas vanitatum” by Jan Pieterszoon Sweelinck

“Chant for a Long Day” by Stephen Hatfield

“Wir eilen mit schwachen doch emsigen Schritten”(from BWV 78) by Johann Sebastian Bach

“The Storm is Passing Over” by Charles Albert Tindley, arr. Barbara Baker

Cantabile

“Ich weiss nicht”(Op. 113, No. 11) by Johannes Brahms, text by Friedrich Rueckert

“Widmung” (Op.25, No. 1) by Johannes Brahms, text by Friedrich Rueckert

“I Never Saw Another Butterfly” by Charles Davidson

Combined Choirs with Tony Memmel

“America to Go” by Tony Memmel


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Classical music: This weekend also brings holiday brass music, string music and new chamber music with voice to the UW. Plus, live radio broadcasts from the Metropolitan Opera start this Saturday on Wisconsin Public Radio

November 30, 2018
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ALERT: This Saturday, Dec. 1, sees the start of the “Live From the Met” opera broadcasts on Wisconsin Public Radio with Arrigo Boito’s opera “Mefistofole.” The weekly series, now in its 88th year, will continue through May 11. Starting time is usually noon. Here is a link to the radio broadcast season: https://www.wpr.org/metropolitan-opera-begins-its-88th-season

By Jacob Stockinger

As usually happens towards the end of the semester, concerts are backing up, especially on the weekends.

Yesterday, information about the two performances of the annual UW-Madison Winter Choral Concert on Sunday afternoon was posted. Here is a link: https://welltempered.wordpress.com/2018/11/29/classical-music-two-performances-of-the-uw-madisons-popular-winter-choral-concert-takes-place-this-sunday-afternoon/

But much more is going on.

Take a look and listen:

SATURDAY

Non-music majors, take heart. If you attend the University of Wisconsin-Madison, you can still play and perform while pursuing other studies.

At 4 p.m. in Mills Hall, the All-University Strings (AUS) will perform a FREE concert that is open to the public.

The group (below, in a photo by Jeff Miller for the UW-Madison) is comprised of two non-major string orchestras (named Orchestra One and Orchestra Too), and is open to all interested string players. No audition is required, seating order is voluntary, and there is no ranking within the sections.

The AUS program endeavors to be a true learning community, serving students from virtually every department and major with the goal of nurturing lifelong engagement in music and the arts.

Pedro Oviedo is the conductor, and the guest artists are The Hunt Quartet. (The string quartet is made up of graduate students at the UW-Madison’s Mead Witter School of Music: Chang En Lu and Ava Shadmani, violins; Fabio Saggin, viola; and Alex Chambers-Ozasky, cello. They will be joined by Max Herteen, double bass.)

The appealing program includes:

Norman Leyden: Serenade for Strings

Karl Jenkins: Allegretto from “Palladio” (A neo-Baroque piece you might recognize from a De Beers “Diamonds Are Forever” ad. Listen to it in the YouTube video at the bottom.)

Eric WhitacreOctober

Modest Mussorgsky, orchestrated by Maurice Ravel: “The Hut on Fowl’s Legs (Baba Yaga)” and “The Great Gate of Kiev” from Pictures at an Exhibition

Astor PiazzollaLa muerte del angel (The Death of the Angel)

Ralph Vaughan Williams: Concerto Grosso

SUNDAY

At 12:30 p.m. the UW Horn Choir (below) will present its annual holiday concert at the Chazen Music of Art as part of the Sunday Afternoon Live at the Chazen series.

The FREE and public concert, directed and conducted by horn Professor Daniel Grabois, takes place in Brittingham Gallery No. 3.

The event will also be streamed live. Here is a link to the streaming portal as well as information about the program, which includes Bach and Mahler, the players and how to reserve seats:

https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-with-the-uw-horn-choir/

At 8 p.m. in Morphy Hall, a FREE concert of chamber music by distinguished guest artists will be held.

The Brooklyn-based soprano-violin duo Cipher Duo (below top, Justine Aronson and Sarah Goldfeather) will team up with cellist Nicholas Photinos(below bottom), a member of the Grammy-winning chamber music ensemble eighth blackbird, for an evening-length performance of both new and reimagined music.

The program will include works by Sarah Goldfeather, Amy Beth Kirsten, David T Little, Dolly Parton and more.

On Monday, the performers will also give public master classes:

The Cello Master Class is Monday, Dec. 3, 12:15-2:15 p.m. in Morphy Hall.

The Violin-Voice Master Class: Monday, Dec. 3, 1:15-3:15 p.m. in Music Hall.

For more information about the program and performers, go to: https://www.music.wisc.edu/event/guest-artists-nicholas-photinos-cello-and-cipher-duo-voice-and-violin/


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Classical music: The FREE midday Just Bach concert series will continue through the second semester. November’s concert is TODAY at 1 p.m.

November 28, 2018
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By Jacob Stockinger

The new Just Bach series of hour-long, midday concerts (below, in a photo by John W. Barker) has reason to celebrate this holiday season.

It has been a success and has just announced that it will continue through the second semester. Next semester’s dates – all Wednesdays–are Jan. 23, Feb. 20, March 13, April 24 and May 29.

As usual, they will run from 1 to about 2 p.m. in Luther Memorial Church, 1021 University Avenue. Admission is FREE with good-will donations accepted. And audiences are permitted to eat and drink during the concert.

Two more concerts are left in this semester.

November’s concert takes place TODAY. The next concert is Dec. 12.

The program includes opening with organist Mark Brampton Smith (below playing the Fantasia in G Major, BWV 572. (You can hear the piece, with a scrolling score, in the YouTube video at the bottom.)

Soprano Sarah Brailey (below top) will be featured in the famous Cantata 82a “Ich habe genug” (I Have Enough). Brailey will then be joined by UW-Madison bass-baritone Paul Rowe (below bottom, in a photo by Michael R. Anderson) in Cantata 173a, “Durchlauchster Leopold” (Most Serene Leopold), a secular work written in 1722 for the birthday of Bach’s employer, Prince Leopold von Anhalt-Koethen.

The orchestra of baroque period-instrument specialists will be led by concertmaster Kangwon Kim (below), and will include traverso flutists Linda Pereksta and Elizabeth Marshall, who play modern piccolo and flute, respectively, in the Madison Symphony Orchestra.

The goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach (below) would have conceived.

Members of the artistic team will prepare local singers to perform alongside seasoned professionals and develop a familiarity and love of the repertoire.

The audience will be invited to sing along during the opening hymns and the closing cantata chorales.

Adds founder and director Marika Fischer Hoyt (below), who plays baroque viola with Just Bach, Sonata a Quattro and the Madison Bach Musicians plus modern viola with the Madison Symphony Orchestra: “We are deeply grateful to Pastor Brad Pohlman and the congregation of Luther Memorial Church for hosting the series this Fall. We invite the Madison community to come spend a lunch hour with the sublime music of J.S. Bach – feed your body and soul!”

For more information, here is a link to the website: https://justbach.org

And if people want to follow Just Bach on Facebook, they can like our page at https://www.facebook.com/JustBachSeries


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Classical music: A busy week at the UW-Madison brings an early opera and an all-Bernstein brass and winds program plus orchestral and choral concerts that will be LIVE-STREAMED

November 14, 2018
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By Jacob Stockinger

A busy week brings an early opera plus orchestral and choral concerts with live streaming to the UW-Madison’s Mead Witter School of Music.

Here are details:

On Thursday and Saturday nights, the UW-Madison Mead Witter School of Music will LIVE STREAM concerts by the UW Symphony Orchestra and the UW Concert Choir.

“We plan to do more live streaming of ensemble groups,  especially large ones, and of non-ticketed events,” says concert manager Katherine Esposito. “It is more and more becoming the norm for music schools.”

Here is the all-purpose Live Streaming link where you can see what events will be live-streamed: https://www.music.wisc.edu/video/

At 7:30 p.m. on Thursday night, Nov. 15, in Mills Hall, the UW Symphony Orchestra (below top) will perform a FREE concert under director Chad Hutchinson (below bottom).

The program is American composer Jennifer Higdon’s “Blue Cathedral” and the Symphony No. 5 by Peter Ilyich Tchaikovsky.

For information about the program and the concert, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-2/

On Saturday night, Nov. 17,  at 8 p.m. in Mills Hall, the Concert Choir (below) will perform a FREE concert featuring the “Hymn to St. Cecilia” by British composer Benjamin Britten and “Lamentations of the Prophet Jeremiah” by Argentinian composer Alberto Ginastera as well as works by several other composers.

Conductors will be Beverly Taylor (below), the director of choral activities at the UW-Madison, and graduate student Michael Johnson.

For details about the program and individual performers, go to: https://www.music.wisc.edu/event/uw-concert-choir-2/

On Friday night, Nov. 16, at 7:30 p.m. in Music Hall there is the first of three performances by the University Opera of Italian baroque composer Claudio Monteverdi’s “The Coronation of Poppea,” directed by David Ronis (below, in a photo by Luke Delalio).

Other performances are on Sunday afternoon, Nov. 18,  at 2 p.m. and Tuesday night, Nov. 20, at 7:30 in Music Hall. (Sorry, no photos of the UW production. But you can hear a famous duet from another professional production in the YouTube video below.)

Tickets are $25 for adults, $20 for seniors and $10 for students.

Chad Hutchinson will conduct the orchestra.

For more information about the plot of the opera, comments by the two singers playing Emperor Nero, the production and tickets, go to: https://www.music.wisc.edu/event/university-opera-monteverdis-the-coronation-of-poppea/

And here is a link to a press release about the opera: https://www.music.wisc.edu/2018/10/09/university-opera-poppea2018/

On Sunday night, Nov. 18, at 7 p.m. in Mills Hall, the UW Brass Ensemble and the Winds of Wisconsin join forces under conductor Scott Teeple for an FREE all-Leonard Bernstein (below) program. For details, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-and-winds-of-wisconsin-joint-concert/


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Classical music: Ken-David Masur, son of famed conductor Kurt Masur, is the new music director of the Milwaukee Symphony Orchestra

November 13, 2018
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By Jacob Stockinger

Ken-David Masur (below), a critically acclaimed associate conductor of the Boston Symphony Orchestra and son of the late German conductor Kurt Masur, has been named the new music director of the Milwaukee Symphony Orchestra.

Masur, who was chosen after a 36-month international search to find the successor to Edo de Waart, will start his duties next season and expand the number of concerts he conducts the following season. His contract runs through the 2022-23 season.

Masur, who also performs new music, sounds appealing and accomplished. It makes The Ear hope that the Masur brings the Milwaukee Symphony Orchestra to perform at the Wisconsin Union Theater, as has been done in the past. 

Here are some links to stories and web sites with more information about appointment of the Grammy Award-nominated Masur (below, in a photo by Beth Ross Buckley), which was announced Monday.  (You can hear him conducting the dramatic opening of the “Romeo and Juliet” ballet suite by Sergei Prokofiev in the YouTube video at the bottom. His work is well represented on YouTube.)

Here is a long and very informative story, with a lot of detail and background, from the Associated Press: https://www.apnews.com/61dace4d8fe346cba3c36c9c25cd62ca

Here is a link to the online story in the Milwaukee Journal-Sentinel, along with spoken introductions he gave to performances in Milwaukee of the Symphony No. 2 by Johannes Brahms and the Piano Concerto No. 2 by Sergei Rachmaninoff: https://www.jsonline.com/story/entertainment/arts/2018/11/12/milwaukee-symphony-names-ken-david-masur-its-new-music-director/1963446002/

And here is a link to his own web site: http://ken-davidmasur.com


Classical music: Wisconsin Youth Symphony Orchestras perform the Evelyn Steenbock fall concerts TODAY and next Friday night. The Edgewood Chamber Orchestra performs this Sunday afternoon

November 10, 2018
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ALERT: This Sunday afternoon, Nov. 11, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its fall concert. Conducted by Blake Walter, the chamber orchestra will play Franz Joseph Haydn’s “The Word on the Moon” Overture, Arthur Honegger’s Pastorale D’été (Summer Pastoral) and Symphony No. 1 in C minor by Felix Mendelssohn. Tickets are $5 for general admission, free with Edgewood College ID.

By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below) will present their first concert series of the 2018-19 season, the Evelyn Steenbock Fall Concerts TODAY, Saturday, Nov. 10, and next Friday, Nov. 16.

WYSO orchestras will perform works by Igor Stravinsky, Aram Khachaturian, Soon Hee Newbold and more. The Youth Orchestra concert will include a performance of Tchaikovsky’s “Rococo” Variations with special guest cellist Joseph Johnson.

“Joseph Johnson is an extraordinary artist and person and it will be a treat for us all to hear and collaborate with someone of his stature,” says Youth Orchestra Conductor Kyle Knox (below).

Johnson has been heard throughout the world as a soloist, chamber musician and educator. Principal cellist of the Toronto Symphony Orchestra since the 2009-10 season, he previously held the same position with the Milwaukee Symphony Orchestra. (You can hear an interview with Joseph Johnson in the YouTube video at the bottom.)

He also serves as principal cellist of the Santa Fe Opera, and during the 2008-2009 season was acting principal cellist of the Honolulu Symphony Orchestra. Prior to his Milwaukee appointment, Johnson was a member of the Minnesota Orchestra cello section for 11 years.

“The Youth Orchestra couldn’t be more excited to present a program of all-Russian music for our first concert of the season,” Knox says. “We will begin with a rarely performed gem by 20th-century composer Igor Stravinsky, followed by one of the great solo works in the cello repertoire, the “Rococo” Variations by Tchaikovsky. Finally, we will finish the evening with the mighty Symphony No. 4 by Tchaikovsky, one of the most famous orchestral works in history, which features all sections of the orchestra.”

TODAY’S concerts begin at 11:30 a.m. in Mills Hall at the UW-Madison’s Mead Witter School of Music, 455 North Park Street, Madison.

The Nov. 16 Youth Orchestra concert with guest soloist Joseph Johnson begins at 7:30 p.m. at the Middleton Performing Arts Center, 2100 Bristol Street, next to Middleton High School, with a reception to follow.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available at the door.

Full concert repertoire is available at https://www.wysomusic.org/evelyn-steenbock-fall-concerts-repertoire/

To learn more about Joseph Johnson, go to: www.joecello.com.

Evelyn Steenbock Fall Concerts

Saturday, Nov. 10, Mills Concert Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Harp Ensemble & Concert Orchestra
4 p.m. Percussion Ensemble (below) and Philharmonia Orchestra

Friday, Nov. 16, Middleton Performing Arts Center
7:30 p.m. Youth Orchestra, reception to follow
With guest artist Joseph Johnson, cello


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Classical music: This week at the UW-Madison highlights choral music

November 7, 2018
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, featurestwo local musicians: oboist Laura Medisky and pianist Vincent Fuh.

The program features solo works for oboe, oboe d’amore and piano by Johann Sebastian Bach, Grażyna Bacewicz, and Camille Saint-Saens. Food and drink are allowed. The concert runs from 12:15 to 1 p.m. Due to construction, Friday Musicale concerts are being held in the Atrium auditorium through December.

By Jacob Stockinger

Two choral concerts are the big events this week at the University of Wisconsin-Madison’s Mead Witter School of Music.

Here are the details:

FRIDAY

On this Friday night, Nov. 9, at 8 p.m. in Mills Hall, the UW Chorale, under director and conductor of Bruce Gladstone (below in a photo by Katrin Talbot), will present a FREE concert.

The program features “Lament of Gilboa” by Arthur Honegger (below top) and “Into the Silent Darkness” by Elizabeth Alexander (below bottom).

According to the School of Music’s website: “This concert explores opposites in a variety of ways (cold/hot, slow/fast, laughing/crying, life/death), inviting the listener to think about the gray areas in between.”

SUNDAY

On this Sunday afternoon, Nov. 11, at 2 p.m. in Mills Hall, there will be a FREE concert of combined choirs. Participating groups are Masters Singers, University Chorus and Women’s Chorus (below).

The program, to be performed under graduate student conductors Michael Johnson and Andrew Voth, features traditional folk music as well as works by Giovanni Battista Pergolesi, Johann Sebastian Bach, Franz Joseph Haydn, Johannes Brahms (see the YouTube video at the bottom), Ralph Vaughan Williams and Aaron Copland.

For a long listing of specific works to be sung, go to: https://www.music.wisc.edu/event/combined-choirs-concert-masters-singers-university-chorus-and-womens-chorus/


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Classical music: This weekend, the Madison Symphony Orchestra celebrates the legacy and works of Leonard Bernstein

November 5, 2018
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By Jacob Stockinger

This coming weekend, Leonard Bernstein (below, in a photo by Jack Mitchell) will be remembered, honored and celebrated by his friend and Madison Symphony Orchestra music director John DeMain in a “Remembering Lenny” concert that explores Bernstein’s musical contributions as an American composer and conductor.

Original works by Bernstein will be performed by the MSO on the first half of the concert. The MSO starts with the Overture to Candide, then moves on to On The Town, and, finally, performs his Symphony No. 2 “The Age of Anxiety,” featuring Van Cliburn Competition bronze medal winner and UW-Madison pianist Christopher Taylor.

The second half of the program features Ludwig van Beethoven’s Symphony No. 7, the last work that Bernstein (1918-1990) ever conducted during a concert at the summer Tanglewood Festival of the Boston Symphony Orchestra.

Performances will be held in Overture Hall, 201 State Street, on this Friday night, Nov. 9, at 7:30 p.m.; this Saturday night, Nov. 10, at 8 p.m.; and this Sunday afternoon, Nov. 11, at 2:30 p.m. Ticket information is below.

Says DeMain (below, in a photo by Greg Anderson): “To have my 25th anniversary with the MSO coincide with the 100th anniversary of Leonard Bernstein’s birth is special for me personally because of the unique opportunities I had to work with this great American musician.” 

DeMain, who premiered Bernstein’s opera “A Quiet Place” in Houston, adds: “The first half of the concert celebrates Lenny the composer, culminating in the first performance by the MSO of his second symphony, The Age of Anxiety, which has a dazzling and at times jazzy part for the piano, and carries with it, still, a timely social statement. Christopher Taylor (below), a Madison favorite with whom I have often enjoyed collaborating, will perform the challenging and exciting piano part.”

DeMain describes the final work in the program: “The second half of the concert pays tribute to Lenny the conductor, and his life-long love of Beethoven. Since the Symphony No. 7 in A Major, Op. 92, was the last piece Lenny conducted, I thought it would be the perfect way to celebrate Lenny and his great contribution to American musical life.” (NOTE: You can hear Bernstein conduct the famous second movement of Beethoven’s Symphony No. 7 during his last public performance, just two months before he died, in the YouTube video at the bottom.)

Here is some more background:

Bernstein’s operetta Candide is based on the 1759 novella by French philosopher Voltaire. The well-known Overture is quick-paced, with a feverish excitement that begins from the first breath of sound. Many of the meters are in seven beats, or of other non-traditional types, and quickly change. Each player of the ensemble is required to perform with simultaneously the utmost virtuosity and togetherness.

On the Town is a dance-centric musical scored by Leonard Bernstein based on Jerome Robbins’ idea for the 1944 ballet “Fancy Free.” The story depicts three American sailors on a 24-hour shore leave in New York City during wartime, where each man meets and quickly connects with the woman of their dreams. The musical is the source of the ubiquitously popular show tune New York, New York.

The Age of Anxiety was composed between 1948 and 1949, and is inspired by a poem of the same name by W.H. Auden (below). The 80-page poem follows four lonely strangers who meet in a wartime New York bar and spend the evening ruminating on their lives and the human condition. Subtitled “a baroque eclogue” (a pastoral poem in dialogue form), the characters speak mostly in long soliloquies of alliterative tetrameter, with little distinction among the individual voices.

Composed from 1811–1812, Beethoven’s Symphony No. 7 premiered with Beethoven (below) himself conducting in Vienna on December 8, 1813 at a charity concert for soldiers wounded in the Battle of Hanau.

The symphony’s dance elements, vitality and sense of celebration are conveyed principally through rhythm. It is not the melodies that are so striking and memorable as the general sense of forward movement.

The Overture lobby opens 90 minutes prior to each concert. One hour before each performance, Randal Swiggum (below) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends that concert attendees arrive EARLY for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online. Go to: http://bit.ly/nov2018programnotes

Tickets can be purchased in the following ways:

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/bernstein\through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Subscribers to 5 or more symphony subscription concerts can save up to 50% off single ticket prices. More information is available about the season at: https://madisonsymphony.org/18-19
  • Flex-Ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

Discounted seats are subject to availability, and discounts may not be combined.

Find more information at madisonsymphony.org

The Presenting Sponsor for the November concerts is Steinhauer Charitable Trust. Underwriting for Christopher Taylor is provided by Sharon Stark, “to Peter Livingston with love.” Major funding is provided by: Stephen D. Morton, The Gialamas Company, Inc., Myrna Larson, Madison Symphony Orchestra League, and Nancy Mohs. Additional funding is provided by Robert Benjamin and John Fields, Godfrey & Kahn, S.C., and Wisconsin Arts Board, with funds from the State of Wisconsin and the National Endowment for the Arts.


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Classical music: Cliburn-winning pianist Kenneth Broberg makes his Madison debut with a FREE master class this evening and a recital Sunday afternoon at Farley’s House of Pianos

November 3, 2018
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By Jacob Stockinger

A 25-year-old Minneapolis native, pianist Kenneth Broberg (below in a photo by Jeremy Enlow for The Cliburn) won the silver medal at the 2017 Van Cliburn International Piano Competition.

His 2017-2018 debut season as a Cliburn medalist included recital engagements in cities across the United States and Europe. His debut solo album was released by Decca Gold in August 2017.

This weekend, Broberg — whose playing The Ear finds impressively beautiful — makes his Madison debut at Farley’s House of Pianos, 6522 Seybold Road, on the far west side near West Towne Mall, as part of the Salon Piano Series.

Broberg will be featured in a master class with local young pianists and a solo recital.

For more about Broberg, go to: https://en.wikipedia.org/wiki/Kenneth_Broberg

And to the pianist’s home web site: https://kennybroberg.com

For more about the Salon Piano Series and the other three concerts this season, along with videos and reviews, go to: https://salonpianoseries.org

You can also hear Broberg play a lyrical and well-known Impromptu by Franz Schubert in the YouTube video at the bottom. He also has many other performances on YouTube, including some from the Cliburn competition.

Here are details about his appearances:

MASTER CLASS

Broberg will give a master class with local piano students THIS EVENING from 5 to 6:30 p.m. at Farley’s House of Pianos.

The literature being played is: Sonata in B-Flat Major, K. 333, by Wolfgang Amadeus Mozart; “Des Abends” (Evening) and “Grillen” (Whims) from “Fantasiestuecke (Fantasy Pieces) Op. 12, by Robert Schumann; and “Evocation” and “El Puerto” for the “Iberia” Suite by Isaac Albéniz

The master class is FREE and OPEN TO THE PUBLIC.  Children must be age 6 and over to attend.

SOLO RECITAL

On Sunday afternoon, Nov. 4, at 4 p.m. Broberg will perform a solo recital at Farley’s House of Pianos in the main showroom.

The program includes: Prelude, Fugue and Variation, Op. 18, by Cesar Franck and Harold Bauer; Sonata in E minor  “Night Wind,” Op. 25, No. 2, by Nikolai Medtner; Toccata on “L’Homme armé” by Marc-André Hamelin; “Children’s Corner” Suite by Claude Debussy (movements are “Doctor Gradus ad Parnassum; Jimbo’s Lullaby;  Serenade for the Doll; The Snow Is Dancing; The Little Shepherd; and Golliwog’s Cakewalk); and Three Preludes by George Gershwin.

Advance and online tickets are $45 for adults and $10 for students, and are available at brownpapertickets.com or at Farley’s House of Pianos (608) 271-2626. Tickets at the door are $50. More details are at SalonPianoSeries.org


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