The Well-Tempered Ear
This Wednesday’s FREE Just Bach virtual online concert features holiday music from the Christmas Oratorio and other works
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from the organizers of Just Bach:
The program for Just Bach’s holiday concert this Wednesday, Dec. 16, opens with Chorale Prelude settings of Advent melodies from the Orgelbüchlein (Little Organ Book) by Johann Sebastian Bach (below), with Mark Brampton Smith on organ and soprano Sarah Brailey singing the melodies.
Violinist Nathan Giglierano follows with the beautiful, contemplative Largo from the third solo violin Sonata, along with two pieces – Two-Part Invention No. 13 and the Sinfonia from Cantata 156 — arranged for violin and viola, which he plays with his wife Gillian.
The second half of the program features selections from the Christmas Oratorio, BWV 248. The Madison-based early music group Sonata à Quattro (SAQ, below in a photo by Barry Lewis) plays the luminous Sinfonia – in an arrangement for string quartet and organ– that opens the second Cantata in this work. The performance was recorded at St. Matthias Episcopal Church in Waukesha, Wis., where SAQ is ensemble-in-residence. (You can hear the Sinfonia in the YouTube video at the bottom.)
Members of SAQ (below, in a photo by Barry Lewis) are: Christine Hauptly Annin and Leanne League, violins; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; and Mark Brampton Smith, organ.
Soprano and UW-Madison graduate student Sarah Brailey (below) — who was just nominated for a Grammy Award — returns with three chorales from the Christmas Oratorio, singing all four parts in a multi-track recording and bringing the holiday program to a high-tech conclusion.
We are thrilled to participate in the weekly ‘Music at Midday’ concert series by Luther Memorial Church. Here is a link: https://www.luthermem.org/music-at-midday.
As part of this series, Just Bach concerts take place on the third Wednesday of each month. Remaining concerts are Dec. 16, Jan. 20, Feb. 17, March 17, April 21 and May 19. Each program lasts approximately 30 minutes.
It is still too risky to have in-person audiences, so these concerts are posted on the Just Bach and Luther Memorial YouTube Channels.
Please note: Now that concerts are online instead of in person, the videos are published early Wednesday mornings, instead of at noon. Then the online post will remain up and accessible for an indefinite time.
Here is a link: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ?
Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation. https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=7A4R7CA8VDRMG&source=url
Concert viewers are invited to a half-hour live Zoom post-concert reception on Wednesday night, Dec. 16, at 7:30 p.m. Those who would like to join us and chat with the performers can follow this link: https://us02web.zoom.us/j/88960952122?pwd=NTNQY21HZmxNSEh0ODRWdmQvVTlsQT09
Just Bach concerts are typically performed in Luther Memorial’s beautiful nave (below), but that was not possible this month. The recent Emergency Order barring indoor gatherings in Dane County of people from different households inspired some special creativity.
The program was recorded by musicians in their respective homes, and at a church in Waukesha County, and in some cases, some high technology was involved.
Dave Parminter was the videographer.
Just Bach’s social media links are:
youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ?
Tags: #AdventMusic, #BachCantata, #BaroqueOratorio, #BarqoueMusic, #BarryLewis, #BlogPost, #BlogPosting, #ChamberMusic, #CharlieRasmussen, #ChoralePrelude, #ChoralMusic, #ChristianChurch, #ChristineHauptlyAnnin, #ChristmasMusic, #ChristmasOratorio, #CityofMadison, #ClassicalMusician, #ClassicalMusicians, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #DaneCounty, #DaveParminter, #EarlyMorning, #EmergencyOrder, #Ensemble-in-residence, #FacebookPost, #FacebookPosting, #GillianGiglierano, #GraduateStudent, #GrammyAward, #HighTechnology, #HistoricallyInformedPerformancePractices, #HolidayConcert, #HolidayMusic, #HolidayProgram, #HomeWebsite, #husband-and-wife, #InPerson, #InstrumentalMusic, #JacobStockinger, #JesusChrist, #JohannSebastianBach, #JustBach, #LeanneLeague, #LittleOrganBook, #MarikaFischerHoyt, #MarkBramptonSmith, #MeadWitterSchoolofMusic, #Multi-track, #MusicatMidday, #NathanGiglierano, #OnlineConcert, #OrganMusic, #PeriodInstruments, #RecordedMusic, #SarahBrailey, #SixtyMinutes, #SocialMedia, #SoloViolin, #SoloViolinSonata, #SonataaQuattro, #SopranoSinger, #St.MatthiasEpiscopalChurch, #StringQuartet, #TheEar, #TheUW, #Two-PartInvention, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalMusic, #WaukeshaWisconsin, #Wife-and-Husband, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, Advent, approximately, arrangement, audience, Bach, bar, Baroque music, Barry Lewis, beautiful, blog, BWV, Cantata, cases, cellist, Cello, Chamber music, Charlie Rasmussen, chat, choral music, Chorale, chorale prelude, Christ, Christian, Christian church, Christine Hauptly Annin, Christmas, Christmas music, Christmas Oratorio, church, Classical music, classicalmusic, concert series, conclusion, contemplative, coronavirus, creativity, Dane County, Dave Parminter, different, donation, early, Early music, earlymusic, emergency order, Facebook, Facebook post, Facebook posting, forward, free, gathering, Gillian Giglierano, graduate student, Grammy, Grammy Award, group, help, high tech, historically informed performance practices, Holiday, holiday music, holiday program, Home, home website, household, husband, in person, indefinite, indoor, inspired, instrumental, Jacob Stockinger, Jesus, Johann Sebastian Bach, join, Just Bach, lasts, Leanne League, like, link, Little Organ Book, live, luminous, Madison, Marika Fischer Hoyt, Mark Brampton Smith, Mead Witter School of Music, melodies, members, minutes, month, morning, Music, Music at Midday, musicians, muti-track, Nathan Giglierano, nave, noon, online, oratorio, organ, organ music, organist, Orgelbüchlein, pandemic, part, participate, pay, People, performance, performer, performers, period instruments, pieces, play, post, post-concert, posting, published, reception, recorded, recorded music, remain, remaining, risky, Sarah Brailey, selections, series, setting, share, sinfonia, singer, Singing, social media, solo, solo violin sonata, Sonata, Sonata à Quattro, soprano, special, St. Matthias Episcopal Church, String quartet, tag, tax-deductible, technology, The Ear, thrilled, time, Two-Part Invention, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, videographer, Viola, Violin, Violin Sonata, violinist, violist, virtual, vocal music, Waukesha, we, Website, Wednesday, wife, YouTube, Zoom
Classical music: On this Memorial Day, The Ear honors not only soldiers but also civilians, COVID-19 victims and all those responders and workers who serve the public
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today is Memorial Day 2020.
It is of course a largely military holiday. Most of the planned public events will be to honor those who died in service to their country. That usually means fallen soldiers and deceased veterans.
It also means that military cemeteries – like Arlington National Cemetery, below — will be decorated with American flags.
But The Ear doesn’t think we should forget that there are many ways to serve your country and protect the public, many kinds war and self-sacrifice.
Let’s not forget civilians, especially since worldwide more than twice the numbers of civilians died in World War II than did members of the armed forces. Lives are taken as well as given.
A larger definition of “national service” also seems especially timely since this weekend the U.S. is likely to surpass 100,000 deaths from COVID-19 during the coronavirus pandemic. They include many first responders and frontline workers (below) as well as grocery store workers and delivery drivers. Even “small” occupations have big heroes. There is no reason not to be more inclusive.
There are traditional kinds of music to honor the dead. They include requiems and elegies, military marches and funeral marches. And in the comment section you should feel free to suggest whatever music you think would be appropriate.
But The Ear found a piece he thinks is both unusual and ideal.
It is called “Old and Lost Rivers” by the contemporary American composer Tobias Picker (below). It is a beautiful, moving and contemplative piece, based on an actual place in Texas, that you can hear in the YouTube video at the bottom.
But you should know this about the work’s title.
With rivers, “lost” doesn’t mean forgotten or misplaced.
One dictionary defines it as “a surface stream that flows into an underground passageway” – and eventually often becomes part of a larger body of water such as a lake or the ocean.
It can also mean rivers that appear during heavy rain and then disappear when they evaporate during a drought.
Somehow, those images serve as fitting metaphors for our losses and that music seems a very appropriate way to honor those who sacrifice themselves and disappear in service to others.
The Ear hopes you agree.
Tags: #AmericanComposer, #ArlingtonNationalCemetery, #ArmedForces, #BlogPost, #BlogPosting, #ContemporaryComposer, #COVID-19, #DecorationDay, #FacebookPost, #FacebookPosting, #FirstResponder, #FrontlineWorker, #GroceryStore, #JacobStockinger, #MemorialDay, #NationalService, #NewMusic, #OldandLostRivers, #TheEar, #TheU.S., #TobiasPicker, #TraditionalMusic, #WorldWar2, #WorldWarII, #YouTubevideo, America, American, appropriate, Arlington National Cemetery, armed forces, Arts, audience, beautiful, big, blog, cemetery, civilian, composer, contemplative, contemporary, country, covid, dead, death, deceased, decorate, Decoration Day, delivery, die, disappear, driver, drought, evaporate, event, Facebook, fallen, first responder, first responders, fitting, flag, forgotten, forward, frontline, funeral march, give, grocery store, hear, hero, Holiday, honor, ideal, image, inclusive, Jacob Stockinger, lake, like, link, lives, loss, losses, lost, Madison, march, Memorial Day, metaphor, miliary, misplaced, moving, Music, national service, New Music, occupation, ocean, old, Old and Lost Rivers, Orchestra, pandemic, passageway, peformer, piece, planned, post, posting, protect, public, rain, Requiem, river, sacrifice, self-sacrifice, serve, service, share, small, soldier, suggest, surface, surpass, symphony, tag, take, Texas, The Ear, Tobias Picker, traditional, U.S., underground, United States, unusual, Veteran, war, way, weekend, worker, World War 2, World War II, YouTube
Classical music: The Wisconsin Chamber Choir will sing a program of “Live, Laugh and Love” this Sunday afternoon. Music by Brahms, Puccini, Bizet, Sondheim, Lin-Manuel Miranda and others is featured
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Sunday afternoon, Feb. 16, at 3 p.m. in the First Unitarian Society of Madison’s Landmark Auditorium, 900 University Bay Drive, the Wisconsin Chamber Choir will perform a varied program of vocal music.
The “Live, Laugh and Love” program includes Johannes Brahms’ Neue Liebeslieder Waltzes (New Love Song Waltzes) along with a wide variety of solos, duets and ensembles encompassing music by Giacomo Puccini, Georges Bizet, Clara Schumann, John Dowland, Stephen Sondheim and Lin-Manuel Miranda.
The singers will accompanied by duo-pianists Mark Brampton Smith and Sherri Hansen.
Brahms (below) completed his second group of “Love Song Waltzes” in 1874, setting poems that are alternately passionate, brooding, fiery and contemplative. (You can hear some excerpts in the YouTube video at the bottom.)
Building on the success of his first installment of Liebeslieder from five years earlier, Brahms’ music for the later set is more deeply emotional, mirroring the composer’s own complex romantic entanglements. Out of all Brahms’ female friends, he seems to have maintained the deepest affection for Clara Schumann (below), whose music appears on the first half of our program.
Classic arias and duets from the operas La Bohème, and The Pearl Fishers, and contemporary selections by Stephen Sondheim and Hamilton composer, Lin-Manuel Miranda, round out the program to be performed in the intimate setting of the historic auditorium designed by Frank Lloyd Wright.
A wine-and-cheese reception will follow the concert.
Advance tickets are available online for $15 ($10 for students) from www.wisconsinchamberchoir.org or Brown Paper Tickets, or from a member of the choir. The ticket price at the door is $20.
Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world premieres.
Artistic director and conductor Robert Gehrenbeck (below) – who heads the choral program at the University of Wisconsin-Whitewater — has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.
Tags: #ACappella, #ACappellaMusic, #AltoSinger, #ArtisticDirector, #BaritoneSinger, #BassSinger, #BlogPost, #BlogPosting, #BrownPaperTickets, #ChoralMusic, #ClaraSchumann, #ContemporaryMusic, #FacebookPost, #FacebookPosting, #FirstUnitarianSocietyofMadison, #FrankLloydWright, #GeorgeFridericHandel, #GeorgesBizet, #GiacomoPuccini, #IntimateSetting, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JohnDowland, #LaBoheme, #LandmarkAuditorium, #LiebesliederWaltzes, #Lin-ManuelMiranda, #LivingComposer, #MarkBramptonSmith, #MusicalInterpretation, #PianoAccompaniment, #PianoAccompanist, #RobertGehrenbeck, #SherriHansen, #SopranoSinger, #StephenSondheim, #Sundayafternoon, #TenorSinger, #TheEar, #ThePearlFishers, #UniversityofWisconsin, #UniversityofWisconsin-Whitewater, #VocalMusic, #WisconsinChamberChoir, #WolfgangAmadeusMozart, #WorldPremiere, #YouTubevideo, a cappella, accompaniment, accompany, affection, afternoon, alto, aria, Artistic director, Arts, audience, auditorium, Bach, baritone, Baroque, bass, Bizet, blog, Brahms, brooding, Brown Paper Tickets, build, centuries, cheese, Choir, choral music, Clara Schumann, classic, Classical music, classicalmusic, compeling, composer, Concert, conductor, contemplative, contemporary music, design, door, Dowland, duet, duo-pianists, Early music, emotion, ensemb;e, entanglement, excellence, excerpts, Facebook, female, fiery, first, First Unitarian Society of Madison, forward, Frank Lloyd Wright, friend, George Frideric Handel, Georges Bizet, Giacomo Puccini, group, hail, Hamilton, Handel, historic, History, installment, interpretation, intimate, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John Dowland, La bohème, Landmark Auditorium, laugh, Liebeslieder Waltzes, like, Lin-Manuel Miranda, link, live, Living composer, Love, Madison, Mark Brampton Smith, masterwork, member, Mozart, Music, new, online, opera, oratorio, passionate, performer, Pianist, Piano, poem, post, posting, program, Puccini, reader, reception, reputation, Robert Gehrenbeck, Romantic, second, selection, setting, share, Sherri Hansen, sing, singer, Singing, solo, Sondheim, soprano, Stephen Sondheim, subscriber, success, Sunday, tag, tenor, The Ear, The Pearl Fishers, tickets, United States, University of Wisconsin, University of Wisconsin-Whitewater, University of Wisconsin–Madison, UW-Whitewater, varied, virbrant, vocal music, Website, Wine, Wisconsin, Wisconsin Chamber Choir, Wolfgang Amadeus Mozart, world premiere, YouTube
Classical music: The Wisconsin Chamber Choir performs Bach’s “Christmas Oratorio” this Friday night in Madison and Sunday afternoon in Whitewater
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
The Ear has received the following announcement about performances this coming weekend by the Wisconsin Chamber Choir (below) and the professional orchestra Sinfonia Sacra of what is, unfortunately and undeservedly, often considered, when compared to Handel’s “Messiah,” “The Other Oratorio” for the holiday season:
There will be two performances of four parts of Johann Sebastian Bach’s “Christmas Oratorio” (1734). On Friday night, Dec. 14, 7:30 p.m. at the Luther Memorial Church (below), 1021 University Ave., in Madison; and on Sunday, Dec. 16, at 2 p.m. in the Young Auditorium at the UW-Whitewater, 930 Main Street, in Whitewater.
Advance tickets for the Friday night performance at Luther Memorial Church in Madison are available for $20 ($10 for students) from www.wisconsinchamberchoir.org, via Brown Paper Tickets, or at Orange Tree Imports (Madison) and Willy Street Coop (all three locations in Madison and Middleton).
Advance tickets for the Sunday afternoon performance at Young Auditorium in Whitewater are available from www.uww.edu/youngauditorium/tickets
Of the six cantatas that make up the “Christmas Oratorio,” Part, 1, 2, 3 and 5 will be performed. (In the YouTube video at the bottom, you can hear the brisk and energetic opening, performed by Nikolaus Harnoncourt and the Concentus Musicus of Vienna with the Arnold Schoenberg Choir.)
Parts 1 to 3 tell the Christmas story: Mary and Joseph, the birth of Jesus, the shepherds and the angels. Part 5 introduces the magi from the East, traditionally known as the Three Kings.
The music offers a sampling of every style of music in the repertoire of Johann Sebastian Bach (below) as a composer.
Massive, concerto-like movements crowned by brilliant trumpet fanfares, booming timpani and virtuosic fugues highlight the full chorus.
Solo arias, duets and trios and even one instrumental movement provide a contemplative contrast with constantly changing instrumental colors—from lush strings to playful flutes and the pastoral sounds of oboes and bassoons.
Featured vocal soloists include mezzo-soprano Rachel Wood (below top) and tenor J. Adam Shelton (below middle), both on the faculty of UW-Whitewater. Highly accomplished members of the choir, including baritone Bill Rosholt (below bottom, and a Madison Savoyards regular), will share the solo parts with these professionals.
The members of Sinfonia Sacra, under concertmaster Leanne League (below), are drawn from the rosters of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Wisconsin Baroque Ensemble and the music faculties of UW-Madison, UW-Whitewater and UW-Oshkosh.
Trumpet virtuoso John Aley (below top) and oboist Marc Fink (below bottom) will also perform.
Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios, a cappella choral works from various centuries, and world premieres.
Bach’s music has always occupied a special place in the choir’s repertory, with performances of the Christmas Oratorio (2002 and 2003), the Mass in B minor (2005), the St. John Passion (2010) and the Magnificat (2017).
Artistic Director Robert Gehrenbeck (below) has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.
Tags: #AmateurMusician, #ArnoldSchoenberg, #ArnoldSchoenbergChoir, #ArtisticDirector, #BaritoneSinger, #BaroqueMusic, #BassoonMusic, #BillRosholt, #BlogPost, #BlogPosting, #ChoralMusic, #ChristianChurch, #ChristmasOratorio, #ChristmasStory, #ConcentusMusicus, #FacebookPost, #FacebookPosting, #FacultyMember, #FluteMusic, #GeorgeFridericHandel, #Handel'sMessiah, #HolidaySeason, #InstrumentalMusic, #InstrumentalPlayer, #J.AdamShelton, #JesusChrist, #JohannSebastianBach, #JohnAley, #LeanneLeague, #LutheranChurch, #LutherMemorialChurch, #MadisonSavoyards, #MadisonSymphonyOrchestra, #MarcFink, #MaryandJoseph, #MassinBMinor, #Mezzo-sopranoSinger, #MiddletonWisconsin, #MusicalInterpretation, #MusicalStyle, #MusicCritic, #NikolausHarnoncourt, #OrangeTreeImports, #RachelWood, #RobertGehrenbeck, #SinfoniaSacra, #St.JohnPassion, #StringMusic, #TenorSinger, #TheThreeKings, #TrumpetMusic, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Oshkosh, #UniversityofWisconsin-Whitewater, #ViennaAustria, #VocalMusic, #Whitewater, #WhitewaterWisconsin, #WillyStreetCoop, #WisconsinBaroqueEnsemble, #WisconsinChamberChoir, #WisconsinChamberOrchestra, #WorldPremiere, #YouTubevideo, a cappella, afternoon, amateur, angel, announcement, aria, Arnold Schoenberg, Artistic director, Arts, auditorium, Austria, Bach, baritone, Baroque, Bassoon, Bill Rosholt, birth, blog, boom, brilliant, Cantata, Cello, centuries, century, choral music, Christ, Christian, Christmas, Christmas Oratorio, church, Classical music, color, compare, compelling, composer, Concentus Musicus, concertmaster, concerto, conductor, contemplative, critic, crown, duet, Early music, emotion, energetic, energy, Facebook, faculty, Fanfare, flute, fugue, George Frideric Handel, Holidays, interpretation, J. Adam Shelton, Jacob Stockinger, Jesus, Johann Sebastian Bach, John Aley, Joseph, Leanne League, like, link, lush, Luther Memorial Church, Madison, Madison Savoyards, Madison Symphony Orchestra, magi, Magnificat, Marc Fink, Mary, Mass in B Minor, massive, masterwork, Messiah, Mezzo-soprano, Middleton, movement, Music, night, Nikolaus Harnoncourt, Oboe, opening, Orange Tree Imports, oratorio, Orchestra, other, part, pastoral, performance, playful, professional, Rachel Wood, repertoire, Robert Gehrenbeck, sampling, Schoenberg, share, shepherd, sinfonia, Sinfonia Sacra, sing, singer, Singing, solo, Sound, St. John Passion, strings, Student, symphony, tag, tenor, three kings, ticket, timpani, timpany, tradition, trio, Trumpet, tympani, underserved, unfortunate, United States, University of Wisconsin-Madison School of Music, University of Wisconsin-Whitewater, University of Wisconsin–Madison, University of Wisconsin–Oshkosh, UW-Madison, UW-Oshkosh, UW-Whitewater, variety, Vienna, Viola, Violin, virtuosic, vocal music, weekend, Willy Street Coop, Wisconsin, Wisconsin Baroque Ensemble, Wisconsin Chamber Choir, Wisconsin Chamber Orchestra, world premiere, YouTube, YouTube video
Recent Comments
 | samanthacrownoversbc… on How do post-pandemic concert a… |
 | Ronnie on How do post-pandemic concert a… |
 | welltemperedear on How do post-pandemic concert a… |
 | Polly Kuelbs on How do post-pandemic concert a… |
| welltemperedear on How do post-pandemic concert a… |
The Well-Tempered Ear 
Classical music: A veteran reviewer bids farewell with a rave review of this summer’s last concert by the Willy Street Chamber Players and UW-Madison pianist Christopher Taylor
18 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Here is a very special posting, the final review that will be written by frequent guest critic and writer for this blog, John W. Barker.
Barker (below), who is dealing with medical issues, is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who wrote for The Capital Times, Isthmus and the American Record Guide, and who, until two weeks ago, hosted an early music show once a month on a Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gave pre-concert lectures in Madison.
Please use the comment section to join The Ear in thanking Barker for his many years of public service and wishing him well.
By John W. Barker
I had to miss the first concert this summer by the Willy Street Chamber Players (below) on July 12; and the next one, on July 19, was cancelled because of power failures. But the final one, last Friday night, was well worth waiting for — one of the really memorable events of the year, I think.
The program, performed at the usual near East Side venue of the Immanuel Lutheran Church, 1021 Spaight Street, began with some short items.
First, there was a set of Three Nocturnes (1924) for piano trio — violin, cello and piano — by Ernest Bloch. They contain elements of the Hebraic sound that Bloch cultivated but also had their own individualities, the first two contemplative and the third marked “tempestuoso.” Interesting was Bloch’s alternating uses of muting the strings.
After this came an example of the short pieces for string quartet by the contemporary composer Jessie Montgomery, her “Voodoo Dolls” (2008). Much is packed into this five-minute piece. A few lyrical touches aside, it sounded like a hoedown gone crazy, full of quite novel sounds, including rhythmic thumping on the wood of the instruments.
All that was a curtain-raiser to the big event of the program: the Piano Quintet No. 2 in A major, Op. 81, by Antonin Dvorak. This 40-minute work is one of the composer’s best-known chamber music compositions, and one of the standouts in the whole chamber music literature.
The very opening notes of the first movement bring a flood of warm well-being. (After hearing just that, I commented, “I haven’t felt such happiness in months.”)
The fecundity and richness of invention pervaded the entire work. For me, its high point is the second movement, in which Dvorak (below) used the Czech formula of the dumka, a kind of folk music lament that is paced slow-fast-slow-fast. (You can hear the Dumka movement, played by the Jerusalem Quartet and pianist Stefan Vladar, in the YouTube video below.)
Dvorak liked to play viola in chamber music, and so he always wrote some good things for himself. The sublime passages for viola in this movement were played with such transcendent beauty by Rachael Hauser (below) – who is leaving Madison for New York City — that I felt I was hearing the composer’s voice directly. Put simply, this was one of the greatest examples of chamber-music performance that I have ever heard.
All of the players, many of whom play in the Madison Symphony Orchestra, of course matched remarkable skill with humane vitality and vibrancy.
And a measure of the Willys’ standards was the fact that they were able to draw as a partner no less than that magnificent UW-Madison music school pianist, Christopher Taylor (below), who also performed the same Dvorak Piano Quintet in the 1993 Van Cliburn International Piano Competition, where he won a bronze medal. Much of his excellence here was demonstrated by the fact that he did not play the star, but joined with the Willys in perfect collegial integration.
This ends the Willy Street group’s fifth summer season. As a symbol of vibrancy and fresh spirit, they are among the most important of Madison’s classical music world today. They have drawn steadily growing audiences, and the house was truly packed for this concert. We can only hope that they will continue to brighten that world in the years ahead.
I am now ending my time as a music critic. I can think of no more satisfying a final review to write than of the Willy Street Chamber Players.
Share this:
Like this:
Tags: #AmericanRecordGuide, #AntoninDvorak, #AudienceMembers, #BlogPost, #BlogPosting, #BlogReview, #BronzeMedal, #ChamberMusic, #ChristianChurch, #ChristopherTaylor, #ContemporaryComposer, #ContemporaryMusic, #Curtain-Raiser, #CzechMusic, #EastSide, #EmeritusProfessor, #ErnestBloch, #FacebookPost, #FacebookPosting, #FolkMusic, #HebraicMusic, #HighPoint, #ImmanuelLutheranChurch, #InstrumentalMusic, #IsthmusNewspaper, #JacobStockinger, #JerusalemQuartet, #JessieMontgomery, #JohnW.Barker, #LivingComposer, #LyricalMusic, #MadisonEarlyMusicFestival, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MedievalHistory, #ModernMusic, #MusicCritic, #MusicReview, #MusicSchool, #NewYorkCity, #PianoQuintet, #PianoTrio, #PowerFailure, #PublicService, #RachelHauser, #RadioHost, #RadioShow, #RadioStation, #StefanVladar, #StringQuartet, #SundayMorning, #TheCapitalTimes, #TheEar, #TheWillys, #UniversityofWisconsin-Madison, #VanCliburn, #VanCliburnInternationalPianoCompetition, #VoodooDolls, #WillyStreetChamberPlayers, #WORT-FM89.9, #YouTubevideo, advisor, ahead, alternating, American Record Guide, Antonín Dvořák, Arts, audience, beauty, best-known, bid, blog, board, brighten, bronze, bronze medal, bronze medalist, cancel, cellist, Cello, Chamber music, Christian, Christopher Taylor, church, Classical music, classicalmusic, collegial, comment, composer, Concert, contemplative, contemporary, crazy, cultivate, Czech, dance, demonstrate, directly, doll, dumka, Early music, earlymusic, east side, emeritus professor, end, Ernest Bloch, event, example, excellence, Facebook, fact, farewell, fecundity, feel, felt, final, flood, folk, folk dance, Folk music, formula, forward, frequent, fresh, great, group, growing, guest, happiness, hearing, Hebraic, high point, History, hoedown, House, humane, Immanuel Lutheran Church, important, individualities, instrument, instrumental music, integration, interesting, invention, items, Jacob Stockinger, Jerusalem, Jerusalem Quartet, Jessie Montgomery, John W. Barker, known, lament, lecture, like, literature, living, Living composer, lyrical, Madison, Madison Early Music Festival, Madison Symphony Orchestra, match, Mead Witter School of Music, measure, medal, medical issues, Medieval, memorable, modern, months, morning, movement, Music, music school, muting, New York City, Newspaper, nocturne, novel, packed, partner, passage, perfect, performer, pervade, Pianist, Piano, Piano Quintet, Piano Trio, pieces, players, post, posting, power, power failure, public service, quintet, Rachel Hauser, Radio, radio show, radio station, rave, reader, recording, remarkable, review, reviewer, rhythmic, rich, richness, satisfying, service, set, share, short, skill, Sound, special, spirit, spread, standards, standout, star, Stefan Vladar, String quartet, strings, sublime, subscriber, summer, Sunday, Sunday morning, symbol, tag, thank, The Capital Times, The Ear, The Willys, three, thump, thumping, time, touch, transcendent, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, use, UW-Madison, Van Cliburn, Van Cliburn International Piano Competition, venue, Veteran, vibrancy, Viola, Violin, violinist, violist, vitality, voice, Voodoo, Voodoo Dolls, warm, well-being, Willy Street Chamber Players, Wisconsin, Wiscosnin, wood, work, world, WORT-FM 89.9, worth, Writer, year, YouTube