contemporary music | The Well-Tempered Ear

A changing Earth demands changing music to mark Earth Day

April 22, 2023
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By Jacob Stockinger

Today — Saturday, April 22 — is Earth Day 2023.

It is the 53rd annual celebration of the environment that was started on this date in 1970 by the former Wisconsin governor and U.S. Senator Gaylord Nelson (below bottom).

As the website “Self-Help Africa” says: “Earth Day is an annual event on April 22 to highlight environmental issues across the planet and demonstrate support for environmental protection.

“First held in the United States on April 22, 1970, it has since become THE BIGGEST SECULAR CELEBRATION OBSERVATION DAY IN THE WORLD, and an opportunity to highlight the issues and environmental challenges affecting our world.”

Here is the official Earth Day website: https://www.earthday.org/

Music has always been part of how the world celebrates the event.

But lately the trend in music seems to parallel the trends in the global warming crisis and species extinctions.

So, for example, in British composer Debbie Wiseman’s “Carnival of the Endangered Animals” in 2022 is meant to parallel but update the famous “Carnival of the Animals” by Camille Saint-Saëns.

Other titles of works by contemporary composers that reflect current realities about the natural world are: “The Lost Birds” by American composer Christopher Tin (below top); “Mass for the Endangered” by American composer Sarah Kirkland Snider (below middle); “The Rising Sea” Symphony by British composer Kieran Brunt; and “Glaciers in Extinction” by Italian flutist and composer Roberto Fabbriciani (below bottom).

You can hear these and other contemporary works plus a more familiar and traditional musical celebration of the Earth and nature by Beethoven. Just go this site for Colorado Public Radio:

https://www.cpr.org/2023/04/12/an-ode-to-the-endangered-classical-music-you-should-listen-to-for-earth-day/

Do you have a favorite among the new pieces?

Is there other music you think is appropriate to celebrate Earth Day and the natural world as they exist today?

What composers and pieces do you suggest listening to?

The Ear wants to hear.

Posted in Classical music
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WORT-FM 89.9 now has a Monday morning show of modern and contemporary classical music with Paul Baker

April 6, 2022
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By Jacob Stockinger

The listener-sponsored, community radio station WORT-FM 89.9 — long a home for classical music from all eras, from the earliest to the newest — has a new program to join its many others about music in all genres and all periods as well as news and commentary about public affairs.

It airs on Monday mornings from 5 a.m. to 8 a.m. with Paul Baker (below, in his WORT studio). He is well-known radio host, music critic and amateur musician.

Baker recently shared with The Ear some insights into his new show “Listen Adventurously”:

Are you still doing your show for WSUM, the student-run FM radio station at the University of Wisconsin-Madison?

I hosted Only Strings on WSUM-FM 91.7 to focus on chamber music at a time when I was taking cello lessons. I wanted to absorb as much chamber music as possible, and preparing for, and hosting, a radio program was one good way to do that. I ended the show in 2019 when I reached the five-year mark.

How did the new WORT show come about?

I’ve been a WORT fan for more than 30 years. I know many of the program hosts and have been in touch with the music director, Sybil Augustine, for some time.

I had hosted a WORT Sunday early morning show briefly about 20 years ago. The Monday morning classical slot recently became available when Christopher Delamarter stepped down, so I raised my hand.

What can you tell us about the content of the show?

The show has been billed as 20th-century classical music. I am extending that to include pieces from the 2000s as well — things written as recently as last year. There is just so much good material. Younger composers and performers deserve to be heard.

So the show will feature Bartok and Shostakovich and Samuel Barber, of course, but also Philip Glass and Arvo Pärt and Jennifer Higdon and Laura Schwendinger (below, who teaches at the UW-Madison’s Mead Witter School of Music and whose music is widely performed) and Chicago’s Third Coast Percussion Ensemble. In my opinion, there’s a lack of local availability to hear this music.

I enjoy sharing music with people. When I worked on campus, I programmed three shows for WSUM-FM. Now that I’m retired, I’m happy to have this opportunity on WORT. The only drawback is that I must get up at 4 a.m. for the 5 a.m. air time. But I’m a morning person, so it’s not that bad.

Editor’s note: If you want to see a sample playlist, as well as WORT’s daily show schedule, here a link to the one from this past Monday: https://www.wortfm.org/on-air-schedule/

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New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday

February 2, 2021
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By Jacob Stockinger

As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.

Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.

For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.

Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.

But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).

Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)

Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.

Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music.

Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html

Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.

Posted in Classical music
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Classical music: The Festival Choir of Madison performs Yiddish music Saturday night. The Wisconsin Chamber Orchestra performs the child-friendly “Beethoven Lives Next Door” for FREE twice on Saturday morning

March 11, 2020
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ALERT: Do you have children or grandchildren you want to introduce to classical music? This Saturday morning, March 14, at 9:15 and 11:15 a.m. in the Goodman Community Center, at 149 Waubesa Street on Madison’s near east side, the Wisconsin Chamber Orchestra will give two FREE public performances of “Beethoven Lives Next Door.” The interactive, multi-media event includes live music and story-telling, and is designed for children age 4-10 and their families. Because space is limited, advance registration is strongly recommended. You can register for one of the performances by going to: https://wisconsinchamberorchestra.org/performances

By Jacob Stockinger

The Festival Choir of Madison will present its second concert of the season, “Ner Tamid: Eternal Flame,” on this Saturday night, March 14, at 8 p.m. at the First Unitarian Society of Madison at 900 University Bay Drive.

The choir (below), under the artistic direction of Edgewood College professor Sergei Pavlov (below, front right) will perform songs drawing on Yiddish folklore, Klezmer innovations, the pain and cultural fusion of the diaspora, and the poignancy of love in the Holocaust.

Spanning geography and time, this array of Sephardic folk songs, Middle Eastern melodies, the high European tradition of the late 19th century, and contemporary settings of ancient texts paints a rich picture of the breadth of Jewish musical tradition.

The performance includes works by Gustav Mahler, Jacob Weinberg (below top) and Alberto Guidobaldi (below bottom) for classical composers, as well as Paul Ben Haim and Josef Hadar, who are more contemporary Israeli and Jewish composers, respectively.

The Festival Choir of Madison (FCM) is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. FCM performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern, and eclectic works, and for singers who enjoy developing their talents with others.

The choir performs three thematic concerts annually in November, March and May. It also serves as the core choir for the Wisconsin Chamber Orchestra’s annual “Messiah” concert. (In the YouTube video at the bottom, you can hear the Festival Choir of Madison perform “The West Lake” by Chinese composer Chen Yi in 2019.)

Concert admission — general seating — is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online at: https://www.brownpapertickets.com/event/4383496

To learn more about the choir and see details about its May 16 performance of Mozart’s Requiem, visit: www.festivalchoirmadison.org

Posted in Classical music
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Classical music: The Wisconsin Chamber Choir will sing a program of “Live, Laugh and Love” this Sunday afternoon. Music by Brahms, Puccini, Bizet, Sondheim, Lin-Manuel Miranda and others is featured

February 12, 2020
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By Jacob Stockinger

This Sunday afternoon, Feb. 16, at 3 p.m. in the First Unitarian Society of Madison’s Landmark Auditorium, 900 University Bay Drive, the Wisconsin Chamber Choir will perform a varied program of vocal music.

The “Live, Laugh and Love” program includes Johannes Brahms’ Neue Liebeslieder Waltzes (New Love Song Waltzes) along with a wide variety of solos, duets and ensembles encompassing music by Giacomo Puccini, Georges Bizet, Clara Schumann, John Dowland, Stephen Sondheim and Lin-Manuel Miranda.

The singers will accompanied by duo-pianists Mark Brampton Smith and Sherri Hansen.

Brahms (below) completed his second group of “Love Song Waltzes” in 1874, setting poems that are alternately passionate, brooding, fiery and contemplative. (You can hear some excerpts in the YouTube video at the bottom.)

Building on the success of his first installment of Liebeslieder from five years earlier, Brahms’ music for the later set is more deeply emotional, mirroring the composer’s own complex romantic entanglements. Out of all Brahms’ female friends, he seems to have maintained the deepest affection for Clara Schumann (below), whose music appears on the first half of our program.

Classic arias and duets from the operas La Bohème, and The Pearl Fishers, and contemporary selections by Stephen Sondheim and Hamilton composer, Lin-Manuel Miranda, round out the program to be performed in the intimate setting of the historic auditorium designed by Frank Lloyd Wright.

A wine-and-cheese reception will follow the concert.

Advance tickets are available online for $15 ($10 for students) from www.wisconsinchamberchoir.org or Brown Paper Tickets, or from a member of the choir. The ticket price at the door is $20.

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world premieres.

Artistic director and conductor Robert Gehrenbeck (below) – who heads the choral program at the University of Wisconsin-Whitewater — has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks.

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Classical music: The Wisconsin Chamber Orchestra expands its Masterworks series this Friday night in Madison and Saturday night in Brookfield with piano soloist Orion Weiss and music by Mozart, Mendelssohn and Donald Fraser

January 21, 2020
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CORRECTION: The Ear received the following correction to the story about the Wisconsin Chamber Orchestra and apologizes for the error:

“There was a change to our rollout in Brookfield. We are only repeating the fifth Masterworks concert on Saturday, May 9. at 7:30 p.m. at the Sharon Lynne Wilson Center for the Arts. We are NOT repeating this Friday’s concert in Brookfield.

“We will perform a Family Series concert of “Beethoven Lives Next Door” on Sunday, March 29, at 3 p.m. at the same Brookfield venue.”

By Jacob Stockinger

The Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) is about to take a Great Leap Forward.

This weekend will see the WCO — now in its 60th year of existence and its 20th season under music director Andrew Sewell (below bottom, in a photo by Alex Cruz) – take a major step in its evolution as a statewide music ensemble. It is a development comparable to when John DeMain took the Madison Symphony Orchestra from single performances to “triples.”

That is because, for the first time ever, the WCO is going to “doubles.” It will perform Masterworks concerts in Madison on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center. Then the WCO will repeat the same concert on the following Saturday night in the Milwaukee suburb of Brookfield at the Sharon Lynne Wilson Center for the Arts.

For a full story with lots of background and quotes about future plans for the WCO, you can’t do better than read the story by Michael Muckian that appeared last week in Isthmus:

Here is a link: https://isthmus.com/music/wisconsin-chamber-orchestra-turns-60/

The opening program has a couple of points of special interest.

First, this concert will mark the Madison debut of pianist Orion Weiss, a former student of Emanuel Ax who is increasingly booked for concerts and recordings.

Weiss (below in a photo by Jacob Blickenstaff) will solo in perhaps the most popular and famous of Mozart’s 27 piano concertos: No. 21 in C Major, K. 467. It is also known as the “Elvira Madigan” concerto because the beautiful slow movement was used as the soundtrack to the movie of that same name. (You can hear the slow movement at the bottom in a YouTube video that has more than 59 million views.)

You can learn more about Weiss at his website: https://www.orionweiss.com

Another unique facet of the WCO concert is the U.S. premiere of “Sinfonietta for Strings” (2018) by the award-winning British composer Donald Fraser, now an American resident who lives in Illinois and is married to Bridget Fraser, the executive director of the Wisconsin Youth Symphony Orchestras (WYSO).

Fraser (below) – whose music is tonal and accessible — is especially well known, not only for his original compositions but also for his orchestral arrangements of chamber music by Brahms, Elgar, Marin Marais and others. His 2018 recording of “Songs for Strings” features many of those transcriptions.

For more about Fraser, go to his website: https://donaldfraser.com/index.html

The concert will conclude with the Symphony No. 4 – the “Italian” Symphony – by Felix Mendelssohn. It is a sunny, tuneful and energetic work that is the most popular and best-known symphony by Mendelssohn. It was also used in a movie as the soundtrack to the Italian bicycle race in the coming-of-age film “Breaking Away.”

Tickets are $10-$77. For more information about the program and the soloist, as well as about pre-concert dinners and how to buy single and season subscription tickets, go to: https://wisconsinchamberorchestra.org/performances/masterworks-i-5/

Posted in Classical music
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Classical music: This weekend guest violinist Rachel Barton Pine solos with the Madison Symphony Orchestra in an all-Russian program

October 17, 2019
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By Jacob Stockinger

This weekend the acclaimed Chicago violinist Rachel Barton Pine (below) makes her debut with the Madison Symphony Orchestra playing Khachaturian’s Violin Concerto in D minor.

The concert by the orchestra (below, in a photo by Peter Rodgers) opens with Prokofiev’s Suite from Lieutenant Kijé and concludes with Shostakovich’s Symphony No. 9.

Performances will be held in Overture Hall, 201 State St., on Friday night, Oct. 18, at 7:30 p.m.; Saturday night, Oct. 19, at 8 p.m.; and Sunday afternoon, Oct. 20, at 2:30 p.m. in Overture Hall. Tickets are $19-$95. See below for details.

“There will be great discoveries in our all-Russian concert, starting with the MSO debut of virtuoso violinist Rachel Barton Pine playing the Khachaturian Violin Concerto, a big, bold and beautiful work in its MSO premiere,” said MSO music director and conductor John DeMain (below, in a photo by Greg Anderson). Lieutenant Kijé is sure to delight you with its wonderful melodies and infectious rhythms. Shostakovich has become a favorite with our audiences, and his ninth symphony is delightfully upbeat.”

Lieutenant Kijé is the fictional protagonist of an anecdote about the reign of Emperor Paul I of Russia. The story was used as the basis of a novella by Yury Tynyanov published in 1928 and filmed in 1934, with music by Sergei Prokofiev (below). The plot is a satire on bureaucracy and is often parodied in fictional works making fun of bureaucracies, most famously in the form of the M*A*S*H television episode “Tuttle,” featuring a fictional captain of similar provenance. (You can hear the popular “Troika” episode in the YouTube video at the bottom.)

Many of the themes in Violin Concerto in D minor are evocative of the native Armenia of Aram Khachaturian (below). Although the folk melodies aren’t played explicitly, one can hear the Armenian roots through the oriental essence of the scales and the rhythmic range of the featured dances. The piece won the Stalin Prize in 1941, becoming one of Khachaturian’s favorites.

Shostakovich’s Symphony No. 9 is entirely unlike his other symphonies. In fact, it completely disregards the expectations for its programmatic elements. Shostakovich’s prior two symphonies are thematically tied to the ongoing war, therefore the public presumed that the ninth symphony would be a grand culmination to Stalin and mark the end of World War II. Instead, the composer (below) produced a short, neo-classical work that generated an abundance of controversy.

ABOUT RACHEL BARTON PINE

In both art and life, violinist Rachel Barton Pine (below) – who has performed in Madison before with the Wisconsin Chamber Orchestra — has an extraordinary ability to connect with people.

Celebrated as a leading interpreter of great classic and contemporary works, her performances combine her innate gift for emotional communication and her scholarly fascination with historical research. She plays with passion and conviction, thrilling audiences worldwide with her dazzling technique, lustrous tone, and infectious joy in music-making.

A prolific recording artist, she has also championed the works of female composers and African-American composers.

Pine was also recently named the recipient of the Cedille Records Musical Partnership Award for her Rachel Barton Pine Foundation. The Foundation was recognized as an organization that has demonstrated an extraordinary commitment to the classical music community in Chicago. Cedille noted the Foundation’s “support of the Chicago musical community’s most valuable asset — its musicians and composers.”

Pine was presented with the award by U.S Supreme Court Justice Ruth Bader Ginsburg whose son, Jim Ginsburg, founded Cedille Records. Pine began her Foundation in 2001 to provide instruments and instruction to children who might not otherwise be able to afford them.

You can read the Artist Story online about how Rachel Barton Pine overcame severe injuries and her own personal adversity to achieve her goals: https://madisonsymphony.org/19-20-artist-story-rachel-barton-pine-overcomes-adversity/

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert.

One hour before each performance, retired MSO trombonist and UW-Whitewater professor Michael Allsen (below, in a photo by Katrin Talbot) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msooct19programnotes.

Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/rachel-barton-pine-plays-khachaturian/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Flex-ticket booklets of 8-10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20

Discounted seats are subject to availability, and discounts may not be combined.

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Classical music: Here is a year-long list of concerts at the University of Wisconsin Mead Witter School of Music. They start Tuesday night with the 40th annual Karp Family Labor Day Concert

September 1, 2019
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By Jacob Stockinger

Get out your datebooks and calendars.

Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.

The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/

Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/

Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.

Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/

Tuesday, Sep 3, 2019	Karp Family Concert	7:30 PM	Mills Hall
Sunday, September 29, 2019,	Jessica Martin & John O’Brien – Nordic song recital	4:00 PM	Morphy Hall
Monday, Sept. 30, 2019	Beth Wiese, Tuba, Guest Artist Recital	7:30 PM	Morphy Hall
Friday, October 4, 2019	Pro Arte Quartet	8:00 PM	Mills Hall
Sunday, Oct. 6, 2019	Chanticleer	7:30 PM	Mead Witter Hall
Tuesday, Oct. 8, 2019	Wind Ensemble	7:30 PM	Mead Witter Hall
Friday, October 11, 2019	UW-Madison Symphony Orchestra	8:00 PM	Mead Witter Hall
Sunday, October 13, 2019	University Bands	2:00 PM	Mead Witter Hall
Tuesday, October 15, 2019	Contemporary Jazz & Blue Note Ensemble	7:30 PM	Collins Hall
Wednesday, October 16, 2019	Wisconsin Brass Quintet – Faculty Concert Series	7:30 PM	Mead Witter Hall
Thursday, October 17	Jazz Faculty Quintet with special guest Michael Dudley, trumpet	7:30 PM	Collins Hall
Monday, October 21, 2019	Afro-Cuban Jazz Ensemble and UW Jazz Orchestra	7:30 PM	Play Circle
Tuesday, October 22, 2019	Concert Band	7:30 PM	Mead Witter Hall
Wed, October 23, 2019	Jazz Composers Group & Jazz Standards	7:30 PM	Collins Hall
Thu, October 24, 2019	Parry Karp with Eli Kalman, piano	7:30 PM	Collins Hall
Friday, October 25, 2019	Opening Celebration Weekend: Hamel Music Center. Please check our website for details.	All Day	740 University Avenue
Saturday, October 26, 2019	Opening Celebration Weekend: Hamel Music Center. Please check our website for details.	All Day	740 University Avenue
Sunday, October 27, 2019	Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert	1:00 PM	Collins Recital Hall, Hamel Music Center
Wed, October 30, 2019	Master Class with Violist Nobuko Imai	6:30 PM	Collins Hall
Thu, October 31, 2019	Violist Nobuko Imai with Pro Arte Quartet	12:00 PM	Collins Hall
Fri, November 1, 2019	Madrigal Singers	8:00 PM	Mead Witter Hall

Sat, November 2, 2019	Alicia Lee, faculty clarinet	8:00 PM	Collins Hall
Sun, November 3, 2019	Wind Ensemble	2:00 PM	Mead Witter Hall
Fri, November 8, 2019	Wingra Wind Quintet	8:00 PM	Collins Hall
Sat, November 9, 2019	UW Chorale	8:00 PM	Mead Witter Hall
Thu, November 14, 2019	UW-Madison Symphony Orchestra	7:30 PM	Mead Witter Hall
Fri, November 15, 2019	University Opera: Benjamin Britten’s A Midsummer Night’s Dream	7:30 PM	Music Hall
Sun, November 17, 2019	University Opera: Benjamin Britten’s A Midsummer Night’s Dream	2:00 PM	Music Hall
Tue, November 19, 2019	University Opera: Benjamin Britten’s A Midsummer Night’s Dream	7:30 PM	Music Hall
Sat, November 16, 2019	Low Brass Ensemble	4:00 PM	Collins Hall
Sat, November 16, 2019	Combined Choirs	8:00 PM	Mead Witter Hall
Sat, November 16, 2019	Timothy Hagen, faculty flute	8:00 PM	Collins Hall
Fri, November 22, 2019	UW Concert Choir	8:00 PM	Mead Witter Hall
Fri, November 22, 2019	Pro Arte Quartet	8:00 PM	Collins Hall
Fri, November 22, 2019	UW Jazz Orchestra	5:00-7:00 PM	Rathskeller
Saturday, Nov 23, 2019	Undergrad Audition Day	All day
Sat, November 23, 2019	World Percussion Ensemble	12:00 PM	Music Hall
Sat, November 23, 2019	Brass Ensembles	1:00 PM	??
Sun, November 24, 2019	UW Concert Band with Winds of Wisconsin	5:00 PM	Mead Witter Hall
Mon, November 25, 2019	Chamber Percussion Ensemble	7:30 PM	Mills Hall
Tue, November 26, 2019	Opera Scenes	7:30 PM	Music Hall
Mon, December 2, 2019	Piano Studio Recital	6:30 PM	Collins Hall
Tue, December 3, 2019	Jazz Composers & Contemporary Jazz Ensembles	7:30 PM	Collins Hall
Wed, December 4, 2019	Jazz Standards Ensemble & Afro-Cuban Jazz	7:30 PM	Collins Hall

Thu, December 5, 2019	UW-Madison Symphony Orchestra & UW Wind Ensemble	7:30 PM	Mead Witter Hall
Fri, December 6, 2019	Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty	8:00 PM	Collins Hall
Sat, December 7, 2019	UW & Madison Metropolitan Jazz Festival	Final Concert, 3:00 PM	Mead Witter Hall
Sat, December 7, 2019	Choral Union: Ralph Vaughan Williams’s “A Sea Symphony”	8:00 PM	Mead Witter Hall
Sun, December 8, 2019	University Bands	2:00 PM	Mead Witter Hall
Sun, December 8, 2019	Choral Concerts at Luther Memorial Church	2:00 PM	Luther Memorial Church
Sun, December 8, 2019	Choral Concerts at Luther Memorial Church	4:00 PM	Luther Memorial Church
Sun, December 8, 2019	All-University Strings	4:30 PM	Mead Witter Hall
BEGIN 2020
Sun, January 26, 2020	Annual Schubertiade	3:00 PM	Mead Witter Hall
Sat, February 1, 2020	Christopher Taylor and Friends — Beethoven Symphony Extravaganza	8:00 PM	Mead Witter Hall
Wed, February 5, 2020	Daniel Grabois, horn	7:30 PM	Collins Hall
Thu, February 6, 2020	UW Symphony Orchestra	7:30 PM	Mead Witter Hall
Sat, February 8, 2020	The Knights	8:00 PM	Mead Witter Hall
Sun, February 16, 2020	UW Wind Ensemble	2:00 PM	Mead Witter Hall
Monday, February 17, 2020	Chamber Percussion Ensemble	7:30 PM	Mills Hall
Tue, February 18, 2020	Concert Band	7:30 PM	Mead Witter Hall
Thu, February 20, 2020	Parry Karp, faculty recital	7:30 PM	Collins Hall
Fri, February 21, 2020	Marc Vallon & Friends	8:00 PM	Collins Hall

Sunday, Feb 23, 2020	Les Thimmig, faculty recital	2:00 PM	Collins Hall
Sat, April 18, 2020	Low Brass Ensemble	4:00 PM	Mead Witter Hall
Fri, February 28, 2020	Pro Arte Quartet	8:00 PM	Collins Hall

Sat, February 29, 2020	Wingra Wind Quintet	8:00 PM	Collins Hall
Fri, February 28, 2020,	University Opera – Mozart’s Così fan tutte	7:30 PM	Music Hall
Sun, March 1, 2020	University Opera – Mozart’s Così fan tutte	2:00 PM	Music Hall
Tue, March 3, 2020	University Opera – Mozart’s Così fan tutte	7:30 PM	Music Hall
Sun, March 1, 2020	Winds of Wisconsin	5:30 PM	Mead Witter Hall
Wed, March 4, 2020	Afro-Cuban Jazz Ensemble & Jazz Composers Group	7:30	Collins Hall
Thu, March 5, 2020	Blue Note Ensemble & Jazz Standards Ensemble	7:30 PM	Collins Hall
Sat, March 7, 2020	UW-Madison Symphony Orchestra with guest pianist Wu Han	8:00 PM	Mead Witter Hall
Sun, March 8, 2020	University Bands	2:00 PM	Mead Witter Hall
Tue, March 10, 2020	Percussion Department Recital	7:30 PM	Collins Hall
Weds March 11, 2020	UW Jazz Orchestra	7:30 PM	Play Circle
Wednesday, March 11, 2020	Wisconsin Brass Quintet – Faculty Concert Series	8:00 PM	Mead Witter Hall
Thu, March 12, 2020	UW Wind Ensemble	7:30 PM	Mead Witter Hall
Fri, March 27, 2020	Le Domaine Musicale with Marc Vallon and Friends	8:00 PM	Collins Hall
Sun, March 29, 2020	Concert Band	2:00 PM	Mead Witter Hall
Sun, April 5, 2020	Beethoven Competition Winners’ Recital	3:30 PM	Collins Hall
Sun, April 5, 2020	“Symphony Showcase” Concerto Winners’ Solo Concert	7:00 PM	Mead Witter Hall
Sat, April 11, 2020	Chorale	8:00 PM	Mead Witter Hall
Fri, April 12, 2019	Perlman Trio Chamber Concert	3:00 PM	Collins Hall
Tue, April 14, 2020	Opera Scenes	7:30 PM	Music Hall
Wed, April 15, 2020	Contested Homes: Migrant Liberation Movement Suite	7:30 PM	Mead Witter Hall
Thu, April 16, 2020	Pro Arte Quartet	7:30 PM	Collins Hall
Fri, April 17, 2020	Combined Choirs	8:00 PM	Mead Witter Hall
Sat, April 18, 2020	Low Brass Ensemble	4:00 PM	Mead Witter Hall
Sat, April 18, 2020	UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni	8:00 PM	Mead Witter Hall

Mon, April 20, 2020	Afro-Cuban Jazz Ensemble & Blue Note Ensemble	7:30 PM	Collins Hall
Tue, April 21, 2020	Jazz Standards Ensemble & Jazz Composers Group	7:30 PM	Collins Hall
Wed, April 22, 2020	Chamber Percussion Ensemble	7:30 PM	Mills Hall
Thu, April 23, 2020	UW Jazz Orchestra with the UW Honors Jazz Band	7:30 PM	Music Hall
Fri, April 24, 2020	Concert Band and Wind Ensemble	7:30 PM	Mead Witter Hall
Sat, April 25, 2020	All-University Strings	2:00 PM	Mead Witter Hall
Sat, April 25, 2020	Choral Union: Giuseppe Verdi’s “Requiem”	8:00 PM	Mead Witter Hall
Sun, April 26, 2020	Choral Union: Giuseppe Verdi’s “Requiem”	7:30 PM	Mead Witter Hall
Sun, April 26, 2020	University Bands	2 PM	Mead Witter Hall

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Classical music: The Madison Symphony Orchestra is offering an unlimited, season-starting single ticket sale with 20 percent off, through this Saturday

August 28, 2019
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By Jacob Stockinger

For the first time ever, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) is offering a sale on tickets to the first three concerts this season.

You will get 20 percent off if you buy tickets through the Overture Center box office in person, by phone (608 258-4141) or online at https://www.overture.org/events

The discount code to say or use is FIRST3SYMPHONY.

Be forewarned: You will NOT find the ticket sale on the MSO website.

There is no limit of how many tickets you can buy, says MSO marketing director Peter Rodgers who also said the traditional holiday ticket sale, with two-tiered discount pricing, will take place as usual from Dec. 16 through Dec. 31.

The season-starting sale runs through this coming Saturday, Aug. 31. You can get discounted single tickets to the concerts on Sept. 27-29, Oct. 18-20 and Nov. 8-10 with performances on Fridays at 7:30 p.m., Saturday at 8 p.m. and Sunday afternoons at 2:30 p.m.

Ticket prices range from $19-$95, up about 2 percent from last year to keep up with inflation, Rodgers added.

Why isn’t the sale on the MSO website?

“We did it digitally and in a printed brochure that we mailed out just to try and reach out to either season subscribers or people who have already bought single tickets before and have already been to the symphony,” says Rodgers. “We just wanted to give some people a little nudge. But anyone can take advantage of the sale.”

Rodgers also said that the inaugural sale is not being held because ticket sales are slow. “Ticket sales for this season are competitive with last season’s,” he said, adding that some buyers might use the sale to get tickets as birthday gifts or for other special occasions.

Although there is no limit to the number of single tickets an individual can buy, Rodgers said that once you get to 10, you are better off going with the usual 25 percent off group rate.

MSO music director John DeMain (below, in a photo by Greg Anderson) will conduct all performances of the first three concerts.

The September concerts open the season with MSO organ soloist Greg Zelek (below) and features the Overture to the opera “Tannhauser” by Richard Wagner; the “Toccata Festiva” by Samuel Barber; the tone poem “Prelude to the Afternoon of a Faun” by Claude Debussy; and the Symphony No. 7 by Antonin Dvorak.

The October concerts feature guest violinist Rachel Barton Pine. The all-Russian and all-20th century program includes the Violin Concerto by Aram Khachaturian; the Symphony No. 9 by Dmitri Shostakovich; and the Suite from “Lieutenant Kije,” for trumpet and orchestra, by Sergei Prokofiev.

The November concerts feature guest pianist Joyce Yang. The program is the Symphony No. 2 by Robert Schumann; the Piano Concerto No. 3 by Sergei Prokofiev; and “Newly Drawn Sky” by the Pulitzer Prize-winning and Grammy Award-winning contemporary American composer Aaron Jay Kernis, who teaches at the Yale University School of Music. (You can hear “Newly Drawn Sky” in the YouTube video at the bottom.)

For more details about the three opening concerts and the entire 2019-20 season, including complete programs, go to: https://madisonsymphony.org/concerts-events/2019-2020-symphony-season-concerts/

Posted in Classical music
Tags: #AaronJayKernis, #AmericanComposer, #AntoninDvorak, #AramKhachaturian, #BlogPost, #BlogPosting, #BoxOffice, #BrandenburgConcerto, #ChoralMusic, #ClarinetMusic, #ClaudeDebussy, #ContemporaryComposer, #DigitalMedia, #DmitriShostakovich, #FacebookPost, #FacebookPosting, #GrammyAward, #GregZelek, #GuestArtist, #JohnDeMain, #JoyceYang, #LivingComposer, #MadisonSymphonyOrchestra, #MusicDirector, #Musicfaculty, #NewlyDrawnSky", #NewMusic, #OperaOverture, #OrganMusic, #OvertureCenter, #PianoConcerto, #PreludetotheAfternoonofaFaun, #PulitzerPrize, #RachelBartonPine, #RichardWagner, #RobertSchumann, #RussianComposer, #SamuelBarber, #SchoolofMusic, #SeasonBrochure, #SergeiProkofiev, #Sovietcomposer, #TicketSale, #TonePoem, #TrumpetMusic, #ViolinConcerto, #ViolinVirtuoso, #YaleSchoolofMusic, #YaleUniversity, #YouTubevideo, 20th-century, 20th-century classical music, Aaron Jay Kernis, advantage, afternoon, American, Antonín Dvořák, anyone, Aram Khachaturian, Arts, audience, Barber, birthday, blog, box office, brochure, buy, choral music, clarinet, Claude Debussy, code, composer, Concert, concerto, conductor, contemporary music, Debussy, digital, digital media, discount, Dmitri Shostakovich, Dvorak, Facebook, faculty, faun, forward, gift, Grammy Award, Greg Zelek, group, guest artist, Holiday, inaugural, inflation, Jacob Stockinger, John DeMain, Joyce Yang, Khachaturian, Kije, last year, lieutenant, like, link, Living composer, Madison, Madison Symphony Orchestra, mail, market, marketing, marketing director, MSO, Music, Music director, music faculty, New Music, Newly Drawn Sky, online, opera, opera overture, Orchestra, organ, organist, Overture, Overture Center, People, percent, performer, phone, photo, photograph, Pianist, Piano, Piano concerto, poem, post, posting, Prelude, Prelude to the Afternoon of a Faun, price, pricing, print, professor, program, Pulitzer Prize, Rachel Barton Pine, range, rate, reader, Richard Wagner, Robert Schumann, Russia, Russian, sale, Samuel Barber, Saturday, School of Music, Schumann, Season, Sergei Prokofiev, share, single, soloist, subscription, Suite, symphony, tag, Tannhauser, teach, ticket, ticket sale, tier, toccata, tone, tone poem, Trumpet, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, USSR, Viola, Violin, Violin concerto, violinist, Wagner, Website, Yale, Yale School of Music, Yale University, year, YouTube

Classical music: The fourth annual Madison New Music Festival takes place this Friday, Saturday and Sunday. It features Wisconsin composers and several world premieres

August 7, 2019
2 Comments

By Jacob Stockinger

The fourth season of the Madison New Music Festival (below, in a photo from 2017 by Max Schmidt) will take place this coming Friday, Aug. 9, through Sunday, Aug. 11.

The Madison New Music Festival is an annual, weekend-long celebration for the Madison community of classical works written by contemporary composers.

In four concerts – three with admission and one free — the festival will showcase Wisconsin-based composers and performers of new music, as well as world premiere performances by guest artists.

Tickets for each concert are $15 for adults and $5 for students. Subscriptions to all three concerts are available for $35. For more information, go to http://madisonnewmusic.org or to Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).

Here is the line-up:

Concert 1: Music from Wisconsin – Friday, Aug. 9, at 7:30 p.m.

Where: Madison Museum of Contemporary Art (227 State St.)

What: In anticipation of this fall’s Wisconsin Triennial and the Madison Museum of Contemporary Art, this concert spotlights all Wisconsin-born, -based, or -educated composers, curated by pianist Robert Fleitz (below, with a toy piano he often performs on), whom The New York Times called “mesmerizing.” Joined by young local musicians, Fleitz explores music created right here in their own backyard.

Concert 2: World Premieres – Saturday, Aug. 10, at 7:30 p.m.

Where: First Unitarian Society of Madison’s Atrium Auditorium (900 University Bay Drive)

What: Internationally acclaimed violist Anne Leilehua Lanzilotti and Wisconsin-born pianist Karl Larson (below top) will give the world premieres of new viola sonatas from three of the world’s leading composers: Andrew Norman, Anna Thorvaldsdottir and Scott Wollschleger. In addition, local cellist James Waldo will kick off the evening with a premiere of a work for solo cello by University of Wisconsin-Madison professor Les Thimmig (below bottom).

Concert 3: SistaStrings – Sunday, Aug. 11, at 2:30 p.m.

Where: Robinia Courtyard (829 East Washington Avenue)

What: The concert features the Milwaukee-based sister duo SistaStrings (below, in a photo by Adam Ryan Morris). Violinist Chauntee Ross and cellist Monique LaDora Ross blend their training as accomplished classical instrumentalists with “R&B and a touch of gospel influence that culminates in a vibey, lush sound.” The sisters will play tracks from their new and acclaimed Extended Play recording in the cozy courtyard. (You can hear them in the YouTube video at the bottom.)

Partner concert: Madison New Music Ensemble (FREE concert) – Sunday, Aug. 11, at 5 p.m.

Where: Memorial Union Terrace (800 Langdon Street, below)

What: Join the newly formed Madison New Music Ensemble (below top), led by UW-Madison composer Joseph Koykkar (below bottom), at the Memorial Union Terrace as part of their Summer Serenade series. The group will perform works by Koykkar, Ian Clarke, Gabriela Lena Frank, Gareth Farr and Kirsten Volness.

Posted in Classical music
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