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By Jacob Stockinger
The final round of the seventh annual Handel Aria Competition will be held on this Friday night, June 7, at 7:30 p.m. in Mills Hall at the University of Wisconsin-Madison’s Mead Witter School of Music. (Below is soprano Suzanne Karpov, the winner last year. You can hear her prize-winning performance in the YouTube video at the bottom. To whet your appetite, you can also find many other outstanding competition performances from past years on YouTube.)
As in recent years, the accompaniment will be provided by the Madison Bach Musicians (below), a period instrument Baroque music ensemble under the direction of harpsichordist Trevor Stephenson that uses historically informed performance practices.
Tickets will be $15 each for general admission, and will be available at the door.
The seven finalists were chosen from a field of 100 singers from five countries.
Three prizes are awarded by the guest judges, and the audience also gets to award its own prize — which doesn’t always agree with the judges.
The finalists are (below, from the upper left):
Emily Yocum Black, soprano
Jonathan Woody, bass-baritone
Katherine Cecelia Peck, soprano
Scott J. Brunscheen, tenor
Sarah Moyer, soprano
Morgan Balfour, soprano
Ryne Cherry, baritone
To read extensive biographies about each of these singers, go to the competition’s home website.
There is other important news to announce. The competition has a new director, Wisconsin native Sarah Brailey (below), a soprano who is pursuing graduate work at the UW-Madison while maintaining a busy concert schedule and blossoming career. She is also a co-founder of the free monthly Just Bach midday concerts that started this past season.
This year also saw the competition foster music education with its first showcase concert by high school singers performing Handel arias at the Capitol Lakes Retirement Community near the Capitol Square.
Finally, an international link has been established.
There is a new cooperative initiative with the esteemed London Handel Festival! The first prize winner of this year’s Handel Aria Competition will be invited to give a lunchtime recital in London at Handel’s own parish church, St. George’s in Hanover Square, next spring. (It is contingent, of course, on being able to coordinate the singer’s schedule with that of the London Handel Festival.)
The winner will receive a travel grant of up to $750, and the London Handel Festival will provide a home stay, professional accompaniment and even a small stipend.
The Handel Festival in London, now in its 18th year, was one of the inspirations in starting the Handel Aria Competition in the U.S.
That means it is a good time to recognize and be grateful for — music.
As Franz Schubert once said, “Anyone who loves music cannot be quite unhappy.”
That’s not a surprising sentiment, of course, coming from a composer with so much humanity and empathy who wrote the song “An die Musik” (To Music).
The Ear finds what Schubert said to be true and has many things to be thankful for, including you, his readers.
He also gives thanks for all the people who make music possible from the composer to the audiences, from the performers to the presenters, from the stagehands to the tuners and so many more.
Presenting music is a lot more complex and collective or cooperative than many realize, and those who make it happen should not be taken for granted.
So what is the best way to express one’s gratitude and thanks for music?
In one of the often perplexing late string quartets by Ludwig van Beethoven (below), a tuneful and accessible and unforgettable sacred or holy song of thanksgiving, written in the Lydian mode, suddenly bursts forth.
Beethoven composed it after he had survived a serious health crisis that he feared would prove fatal. The irony is that he recovered and composed the quartet, then died only two years later.
Still, it seems a perfect way to mark this day.
So in the YouTube video at the bottom is the “Heiliger Dankgesang” from Beethoven’s String Quartet in A minor, Op. 132, with a colorful bar graph that helps the listeners to visualize the structure of this special piece of music:
What piece of music would you name to express being thankful?