The Well-Tempered Ear
Apple Music’s new all-Classical streaming service launches March 28. Here are details
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The long-awaited, overdue announcement is here.
Apple Music’s all-classical service app will launch for iPhones on March 28. Android systems will be a bit later.
Here are details from Wednesday’s press release:
|
Apple today announced Apple Music Classical, a brand-new stand-alone app designed specifically for classical music. Pre-order now on App Store HERE and follow @appleclassical on Twitter
The Apple Music Classical introductory trailer is: HERE
Apple Music Classical is available for all iPhone models running iOS 15.4 or later. Apple Music Classical for Android is coming soon. To listen to music on Apple Music Classical, you must have an internet connection. |
Tags: #BlogPost, #BlogPosting, #DigitalMedia, #FacebookPost, #FacebookPosting, #TheEar, #YouTubevideo, access, Android, Apple, Apple Music, Apple Music Classical, Art, Arts, Asia, audience, Audio, availability, Bach, Baroque, Beethoven, blog, browse, catalog, catalogue, Cello, Chamber music, China, Chopin, choral music, Classical music, composer, computer, Concert, concerto, conductor, cost, digital, digital art, Early music, Facebook, Family, Frédéric Chopin, Internet, iPhone, Jacob Stockinger, Japan, Johann Sebastian Bach, Korea, launch, link, Ludwig van Beethoven, Mozart, Music, opera, Orchestra, Piano, playlist, portrait, share, Sonata, South Korea, streaming, Streaming media, Student, subscription, symphony, tag, Taiwan, The Ear, United States, Viola, Violin, vocal music, wi-fi, Wolfgang Amadeus Mozart, work, YouTube
Wisconsin Ensemble Project’s string quartet program to benefit the United Way of Dane County debuts online this Friday night
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Friday night, May 14, the Wisconsin Ensemble Project will present a recorded concert (below, in an image by Katrin Talbot) in partnership with United Way of Dane County (UWDC).
This is their second in a series of performances to benefit local and international organizations.
This production offers viewers a meaningful program that leads to direct impact with a focus on housing stability and family well-being. You will hear the story and see the face of UWDC woven throughout a chamber music performance.
The program of works for string quartet includes “Park” by Daniel Bernard Roumain (below top); the “Heiliger Dankgesang” (Sacred Hymn of Thanksgiving, which you can hear played by the Alban Berg Quartet in the YouTube video at the bottom) from Beethoven’s Opus 132; and selections from Five Folksongs in Counterpoint by Florence Price (below bottom).
WE Project members and performers are local, professional musicians who work together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra: violinists Leanne League and Mary Theodore; violist Jen Paulson; and cellist Karl Lavine.
“The WE Project is rooted in the quartet’s desire not only to delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time,” says member Mary Theodore.
When exploring organizations to partner with for their second project, the quartet was inspired by the work of United Way of Dane County. The WE Project approached United Way out of their concern over housing security, with the understanding that one of UWDC’s key goals is to help more individuals and families find pathways out of poverty through housing and employment initiatives.
The recorded production will be available by registering at https://www.eventbrite.com/e/wisconsin-ensemble-project-spring-benefit-concert-registration-151923670789 from 6 p.m. this Friday, May 14, for 72 hours. Admission is free and contributions are strongly encouraged.
Contributions can be made through the website and will help to cover basic production costs and get funds directly into the hands of this very worthy organization which, most importantly, brings aid to the people they serve.
Tags: #AaronDworkin, #AfricanAmerican, #AlbanBerg, #AlbanBergQuartet, #BenefitConcert, #BlackComposer, #BlackMusic, #BlogPost, #BlogPosting, #ChamberMusic, #DaneCounty, #DanielBernardRoumain, #FacebookPost, #FacebookPosting, #FlorencePrice, #folksongs, #FreeConcert, #Fridaynight, #HeiligerDankgesang, #HousingInsecurity, #HousingSecurity, #JacobStockinger, #JenPaulson, #LeanneLeague, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MaryTheodore, #MusicalDiversity, #NonprofitOrganization, #OnlineConcert, #SacredHymnofThanksgiving, #SocialJustice, #StringQuartet, #TheEar, #TheHomeless, #UnitedWay, #UnitedWayofDaneCounty, #VirtualConcert, #WEProject, #WisconsinChamberOrchestra, #WisconsinEnsembleProject, #YouTubevideo, address, admission, African American, aid, Alban Berg, Alban Berg Quartet, Arts, audience, available, basic, Beethoven, benefit, benefit concert, Berg, black composer, Black composers, black music, blog, cellist, Cello, Chamber music, charity, Classical music, composer, Concert, contribution, cost, counterpoint, Dane County, Daniel Bernard Roumain, deep, delve, desire, diversity, donation, employment, encourage, face, Facebook, Family, Florence Price, Focus, folk song, forwrad, free, Friday, fundraiser, goal, hear, Heiliger Dankgesang, homeless, Homelessness, housing, housing insecurity, housing security, hymn, include, insecurity, international, issue, Jacob Stockinger, Jacob StockingerYesterday, Jen Paulson, Karl Lavine, KarlLavine, key, Lavine, league, Leanne League, like, link, local, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Mary Theodore, member, members, money, Music, Musician, night, nonprofit, Nonprofit organization, online, Orchestra, organization, Park, partner, People, performance, play, poor, post, posted, posting, poverty, present, price, production, professional, program, recorded, recorded music, register, repertoire, root, Roumain, Sacred Hymn of Thanksgiving, second, series, serve, share, site, social justice, stability, story, String quartet, tag, team members, The Ear, time, together, unemployment, United States, United Way, United Way of Dane County, Viola, Violin, violinist, violist, virtual, we, WE Project, Website, well-being, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Ensemble Project, work, worthy, YouTube
This Sunday at 4 p.m., the Salon Piano Series debuts an online recital by pianist Kangwoo Jin. He plays music by Scarlatti, Beethoven, Liszt and Schumann. It is up until May 9
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Sunday afternoon at 4 p.m. CDT, the Salon Piano Series, hosted by Farley’s House of Pianos, will debut an online concert by pianist Kangwoo Jin (below, in a photo by Andy Manis).
The concert, which was recorded at Luther Memorial Church, costs $10 and will be available online through May 9.
The program is:
Scarlatti – Sonatas in D minor and D Major, K. 213 and 214 (ca. 1756-1757)
Beethoven – Sonata in C-sharp minor, Op. 27, No. 2, “Moonlight” (1801)
Liszt – Transcriptions for solo piano of the songs “Widmung” (Dedication) by Robert Schumann and “Litanei” (Litany) by Franz Schubert
Schumann – Symphonic Etudes, Op.13 (1830)
Bishop – Home, Sweet Home
Tickets are only available online at eventbrite.com. Service fees apply. Complete program and concert information is at salonpianoseries.org
PROGRAM NOTES
Jin has written the following program notes for The Ear:
“As a musician, I am always eager to share music with the public. I am very excited to be able to reach out to the audience with this unprecedented Salon Piano Series Virtual Concert.
“I believe music soothes our mental health in difficult times regardless of age, gender or race. I very much hope my performance will contribute to this collective healing we feel through music.
“I wanted to include three different styles, as I usually do for recitals. This time I have Baroque, Classical and Romantic music.
“I chose one of the most famous Beethoven sonatas in order to celebrate his 250th birth year (2020), which I did not have a chance to mark last year.
“This piece is popular with the title of “Moonlight,” which Beethoven (below) never intended. Five years after his death, the German critic Ludwig Rellstab used the word “Moonlight” in order to describe the first movement. But it was really inspired by the funeral march in Mozart’s opera “Don Giovanni.” I try to bring out the tragic color of the first movement. (You can hear Jin play the exciting final movement of the sonata in the YouTube video at the bottom.)
“I also wanted to play the virtuosic masterpiece “Symphonic Etudes,” Op. 13, by Robert Schumann (below), including the beautiful posthumous variations 4 and 5.
I find this piece special in the sense that Schumann intended to make this piece “symphonic.” He created multiple layers of voices in various ways through each etude and created orchestral sounds. This polyphonic writing with multiple layers and a thick texture is what makes this piece difficult to play.
“I also specifically wanted to include one of the piano transcriptions by Franz Liszt (below) of Schubert’s Litanei auf das Fest Aller Seelen (Litany for the Feast of All Souls), D. 343.
“Schubert (below) used the poem “Litany” by Johann Jacobi (1740-1814). It is written for comforting the deceased. Robert Capell, the author of the book “Schubert’s Songs” (1929), said about this lied: There was never a truer or more touching expression of simple devotion and consoled grief … “The music rises from a pure well of affection and humility.”
“I would like to dedicate this piece to all the people who suffered from Covid 19.”
BACKGROUND
Here is a link to Kangwoo Jin’s impressive website where you can see many photos, learn about his extensive career as a teacher and hear many samples of his playing: https://www.pianistkangwoojin.com
Praised for his “refined tone quality with powerful energy” (Chosun Daily Newspaper), Jin (below, in a photo by Steve Apps for the Wisconsin State Journal) concertizes nationally and internationally, including performances in Germany, Italy, China, Indonesia and South Korea.
He gave his debut concert at the Sejong Arts Center in Seoul, South Korea, sponsored by the Chosun Daily Newspaper. He has given live performances on Wisconsin Public Radio and WORT 89.9 FM.
Jin appears frequently as a guest artist at music festivals, universities and various concert series. Recent invitations include UW-River Falls, Texas A&M University-Corpus Christi, and Tongji University in Shanghai. Kawai Pianos USA has also invited him as a guest artist at the annual Piano Technicians Guild Convention and Technical Institute in Florida.
Jin completed the Bachelor of Music degree at Hanyang University in South Korea, then earned his Performer Diploma and Master’s of Music at Indiana University, where he worked as an associate instructor.
He is the recipient of the J. Battista Scholarship for performance excellence at Indiana University and received the Collins Distinguished Fellowship for his doctoral studies, completed last year, at the University of Wisconsin-Madison, where he studied piano with Christopher Taylor and piano pedagogy with Jessica Johnson.
Tags: #AmericanPlayersTheatre, #ArtsCenter, #ArtSong, #BachelorofMusic, #BaroqueEra, #BaroqueMusic, #BeethovenYear, #BeijingChina, #BlogPost, #BlogPosting, #ChosunDailyNewspaper, #ChristianChurch, #ChristopherTaylor, #Classicalera, #ClassicalMusician, #CoronavirusPandemic, #CorpusChristi, #COVID-19, #DifficultTime, #DoctoralStudies, #DomenicoScarlatti, #DonGiovanni, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FeastofAllSouls, #FranzLiszt, #FranzSchubert, #FuneralMarch, #GuestArtist, #HanyangUniversity, #HomeWebsite, #IndianaUniversity, #JacobStockinger, #JohannJacobi, #KangwooJin, #KawaiPianos, #LivePerformance, #LudwigVanBeethoven, #LutherMemorialChurch, #MajorKey, #MeadWitterSchoolofMusic, #MentalHealth, #MinorKey, #MoonlightSonata, #MusicCritic, #Musicfaculty, #MusicProfessor, #OnlineConcert, #OperaMusic, #PerformerDiploma, #PianoTechnician, #PolyphonicMusic, #ProgramNotes, #RobertSchumann, #RomanticEra, #RomanticMusic, #SalonPIanoSeries, #SchubertLieder, #SeoulSouthKorea, #ServiceFee, #ShanghaiChina, #SouthKorea, #SouthKorean, #SteveApps, #Sundayafternoon, #SymphonicEtudes, #TexasA&M, #TheEar, #TheUW, #Tongjiniversity, #UniversityofWisconsin-Madison, #UW-RiverFalls, #VirtualConcert, #VocalMusic, #WisconsinPublicRadio, #WisconsinStateJournal, #WolfgangAmadeusMozart, #YouTubevideo, affection, afternoon, age, April, art song, Arts, arts center, audience, auhtor, available, Bachelor of Music, Baroque, Baroque music, beautiful, Beethoven, Beethoven Year, birth, Bishop, blog, Blog post, blog posting, Book, China, Chosun Daily Newspaper, Christian, Christian church, Christopher Taylor, church, Classical, Classical era, Classical music, classicalmusic, collective, Collins, color, comfort, complete, composer, Concert, concertize, console, contribute, convention, coronavirus, coronavirus pandemic, Corpus Christi, cost, create, dead, death, deceased, dedicate, dedication, degree, different, difficult, difficult time, diploma, doctoral studies, doctorate, Domenico Scarlatti, Don Giovanni, Early music, energy, era, etude, excited, exciting, expression, Facebook, Facebook post, Facebook posting, Farley's House of Pianos, feast, Feast of All Souls, fee, festival, final, Florida, forward, Franz Liszt, Franz Schubert, funeral march, gender, German, Germany, grief, guest artist, guild, Hanyang University, healing, hear, Home, home website, hope, host, humiity, imformation, impressive, Indiana University, Indonesia, instructor, intend, internationally, Italy, Jacob Stockinger, Johann Jacobi, Johann Sebastian Bach, Kangwoo Jin, Kawai, Kawai PIanos, Korea, layer, layers, lied, like, link, link'share, Liszt, litany, live performance, Ludwig van Beethoven, Luther, Luther Memorial Church, Madison, major key, masterpiece, May, Mead Witter School of Music, Mental health, minor key, Moonlight Sonata, movement, Mozart, multipile, multiple, Music, music critic, music faculty, music professor, Musician, nationally, Newspaper, online, opera, Orchestra, orchestral, pandemic, People, Performer Diploma, photo, photos, Pianist, Piano, piano technician, piece, play, playing, poem, Poetry, polyphonic, polyphony, popular, post, posthumous, posting, powerful, professor, program, program notes, Protestant, public, race, Radio, reach, recital, Robert Schumann, Romantic, Romantic music, Salon Piano Series, sample, Scarlatti, scholarship, Schubert, sense, Seoul, service, service fee, Shanghai, share, simple, Singing, Sonata, song, soothe, soul, Sound, South Korea, special, sponsor, Steve Apps, study, style, suffer, Sunday, Sweet Home, SweetHome, Symphonic Etudes, symphony, tag, Teacher, teaching, Texas A&M, texture, The Ear, theme and variations, thick, ticket, times, tone, Tongji University, touching, tragedy, Tragic, transcription, true, United States, universities, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unprecedented, USA, UW, UW-Madison, UW-River Falls, variation, virtual, virtuosic, vocal music, voice, Website, Wisconsin, wisconsin public radio, Wisconsin State Journal, Wolfgang Amadeus Mozart, WORT, WORT-FM 89.9, WPR, write, YouTube
The Madison Bach Musicians host a virtual online Baroque Tour starting this Saturday, April 24, and lasting through May 8
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following notice from Trevor Stephenson, the founder and artistic director of the Madison Bach Musicians (MBM), who will debut their season-closing concert live and online this coming Saturday night, April 24:
Stephenson (below) writes:
Since travel has been so very limited during the pandemic, Madison Bach Musicians is elated to conclude its 2020-21 season with a musical journey through both space and time, and invites you to join us from the intimacy and safety of your own home.
A Baroque Tour is a musical travelogue of instrumental masterworks from 17th- and 18th-century Europe. Luminaries like Handel, Vivaldi, Purcell and Buxtehude are in the mix on this program with their brilliant though lesser-known contemporaries such as Louis-Gabriel Guillemain (below top), Marc-Antoine Charpentier, Andrea Falconieri (below bottom) and Francisco Jose de Castro.
A Baroque Tour will explore the glorious sonic landscapes of Italy, Spain, France, England and Germany.
Our ensemble for this program consists of five strings plus harpsichord, and we are thrilled that baroque bassoon virtuoso Marc Vallon (below, in a photo by James Gill), who teaches at the UW-Madison’s Mead Witter School of Music, will join us for Vivaldi’s exuberant Bassoon Concerto in B-Flat Major. (You can hear the opening movement in the YouTube video at the bottom.)
A Baroque Tour will be broadcast via live-streaming from the acoustically spectacular sanctuary of Grace Episcopal Church on this Saturday evening, April 24. (Rebroadcasts will be available on demand through May 8.)
Tickets are $15 and available online at: https://madison-bach-musicians.square.site/product/a-baroque-tour-april-24-2021-livestream-on-demand-until-may-8/57?cs=true&cst=custom
If you wish to purchase tickets through the mail, use this downloadable form: https://madisonbachmusicians.org/wp-content/uploads/2021/03/MBM-2020-21-Live-Stream-Ticket-Form-A-Baroque-Tour.pdf
Here is the schedule for the concert and related events:
From 7:30-8 p.m., in a pre-concert lecture, MBM artistic director Trevor Stephenson will discuss the composers, the repertoire and the historical instruments.
The performance will run from 8 p.m. until approximately 9:15 p.m.
The evening will then conclude with a live Question-and-Answer session with the musicians who will be socially distanced on the concert platform.
Listeners should submit their questions—in advance or during the broadcast—via email to Karen Rebholz at madisonbachmusicians.manager@gmail.com.
THE MUSICIANS are:
Marc Vallon – baroque bassoon soloist
Kangwon Kim (below) – baroque violin
Emily Dupere – baroque violin
Micah Behr – baroque viola and baroque guitar
Martha Vallon – baroque cello and viola da gamba
James Waldo – baroque cello (and tambourine)
Trevor Stephenson – harpsichord
THE PROGRAM is:
HANDEL – Sonata in A major for Violin and Continuo, HWV 361
CHARPENTIER – Concerto for Four Viols, H 545
PURCELL – Trio Sonata in C major, Z 795
VIVALDI – Bassoon Concerto in B-flat major, RV 503
GUILLEMAIN – Sonata in A minor for Two Violins, Op. 5, No.1
BUXTEHUDE – Trio Sonata in G major, BuxWV 271
DE CASTRO – Trio Sonata in C major, Op. 1, No. 6
FALCONIERI – La Folia (Folías de España)
Here is a link to some brief biographies and interesting facts about these remarkable composers: https://madisonbachmusicians.org/april-24-a-baroque-tour-a-livestream-event/
Tags: #AndreaFalconieri, #AntonioVivaldi, #ArtisticDirector, #BaroqueBassoon, #BaroqueContinuo, #BaroqueMusic, #BassoonConcerto, #BlogPost, #BlogPosting, #ChamberMusic, #ChristianChurch, #CoronavirusPandemic, #DietrichBuxtehude, #EmailAddress, #EmilyDupere, #EnglishComposer, #FacebookPost, #FacebookPosting, #FranciscoJosedeCastro, #Frenchcomposer, #GeorgeFridericHandel, #GermanComposer, #GermanComposers, #GraceEpiscopalChurch, #HarpsichordContinuo, #HenryPurcell, #HistoricallyInformedPerformancePractices, #HomeWebsite, #InstrumentalMusic, #italianComposer, #JacobStockinger, #JamesWaldo, #JohannSebastaianBach, #KangwonKim, #KeyboardMusic, #LaFolia, #LiveStreaming, #Louis-GabrielGuillemain, #MadisonBachMusicians, #Marc-AntoineCharpentier, #MarcVallon, #MarthaVallon, #MeadWitterSchoolofMusic, #MicahBehr, #Musicfaculty, #OnlineConcert, #PeriodInstruments, #Pre-concertLecture, #RelatedEvent, #SaturdayNight, #SocialDistance, #SpanishComposer, #StringMusic, #TheEar, #TheUW, #TrevorStephenson, #TrioSonata, #UniversityofWisconsin-Madison, #VioladaGamba, #VirtualConcert, #WoodwindInstruments, #YouTubevideo, acoustics, Andrea Falconieri, Antonio Vivaldi, April, April Fool, Artistic director, Arts, audience, Bach, Baroque, bassoon concerto, biography, blog, brief, brilliant, Britain, Broadcast, Buxtehude, Castro, cellist, Cello, Chamber music, Charpentier, Christian, church, Classical music, composer, Concert, concerto, conclude, contemporary, continuo, coronavirus, cost, demand, Dietrich Buxtehude, downloadable, Dupere, Early music, elate, email, Emily Dupere, England, English, evening, event, exuberant, Facebook, Facebook post, Facebook posting, fact, Falconieri, form, forward, founder, Francisco Jose de Castro, French, George Frideric Handel, German, Germany, glorious, Grace Episcopal Church, Guillemain, guitar, Handel, harpsichord, help, Henry Purcell, historically informed performance practices, Home, home website, instrumental, intimacy, invite, Italian, Italy, Jacob Stockinger, James Walso, Johann Sebastian Bach, journey, Kangwon Kim, Keyboard, keyboard music, La Folia, landscape, like, limited, link, livestream, Louis-Gabriel Guillemain, luminary, Madison, Madison Bach Musicians, mail, Marc Vallon, Marc-Antoine Charpentier, Martha Vallon, masterpiece, MBM, Mead Witter School of Music, Micah Behr, mix, Music, music faculty, musical, Musician, notice, online, pandemic, performer, period instruments, post, posting, pre-concert lecture, professor, Purcell, Q&A, question-and-answer, related, remarkable, repertoire, repertory, safety, sanctuary, Saturday, Season, session, share, social distance, Sonata, sonic, space, Spain, Spanish, spectacular, string, string music, tag, tambourine, The Ear, thrill, ticket, time, tour, travel, travelogue, Trevor Stephenson, trio, trio sonata, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, video, Viol, Viola, viola da gamba, Violin, violinist, virtual, virtuoso, Vivaldi, Website, Wisconsin, woodwind, write, YouTube
This weekend, starting Friday night, the Wisconsin Chamber Orchestra finishes up its winter season of online chamber music
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This is the time of the year when music groups generally announce their next season while finishing up the current one.
But of course the pandemic continues to shroud plans for the new upcoming season in uncertainty and whether it will be online or in-person.
Meanwhile, groups are in the final stretch of finishing up this season.
This Friday night, April 16, at 7:30 p.m., the Wisconsin Chamber Orchestra (WCO, below in photo by Mike Gorski) will debut the fourth and last online chamber music concert of its curtailed and substituted winter season.
The varied program includes works, both well-known and neglected, by four composers — from Italy, Russia, France and Austria — who come from the 18th, 19th and 20th centuries.
The concert begins with the complete Concerto for Four Violins in B minor, RV 580, by Antonio Vivaldi (below). The string accompaniment will be scaled down.
Then comes the complete Septet for Winds, Strings and Piano by Russian composer Igor Stravinsky (below).
The first and third movements of the Nonet by the rediscovered 19th-century French composer Louise Ferenc come next. (Here is the Wikipedia link to Ferenc (below):
https://en.wikipedia.org/wiki/Louise_Farrenc
The final music will be the first, fourth and fifth movements – including the famous theme-and-variations – of the famously tuneful “Trout” Piano Quintet by Franz Schubert (below).
In the YouTube video at the bottom, you can hear the namesake theme-and-variations movement — based on one of Schubert’s songs — played by Itzhak Perlman, Pinchas Zukerman, Daniel Barenboim, Jacqueline du Pre and Zubin Mehta, with a graphical depiction of the score.
The concert lasts 60-75 minutes.
Tickets are $30.
Here is a link to program notes by WCO music director and conductor Andrew Sewell (below, in a photo by Alex Cruz) and to purchasing a ticket through the Overture Center box office.
The ticket is good for one viewing between Friday night and Monday night, April 19, at 7:30 p.m.
https://wcoconcerts.org/events/winter-chamber-series-no-iv
Tags: #18thCentury, #19thCentury, #20thCentury, #AndrewSewell, #AntonioVivaldi, #AustrianComposer, #BlogPost, #BlogPosting, #ChamberMusic, #ChamberOrchestra, #CoronavirusPandemic, #DanielBarenboim, #DoubleBassist, #FacebookPost, #FacebookPosting, #FemaleComposer, #FranzSchubert, #Frenchcomposer, #IgorStravinsky, #ItalianBaroque, #ItzhakPerlman, #JacquelineduPré, #LouiseFerrenc, #OnlineConcert, #OrchestralAccompaniment, #PianoQuintet, #PinchasZukerman, #ProgramNotes, #RussianComposer, #StringMusic, #TroutQuintet, #ViolinConcerto, #VirtualConcert, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WindMusic, #WisconsinChamberOrchestra, #YouTubevideo, #ZubinMehta, 18th century, 19th century, 20th-century, accompaniment, Andrew Sewell, Antonio Vivaldi, Arts, audience, Austria, Austrian, Barenboim, Baroque, bass, bassist, begin, blog, Blog post, blog posting, cellist, Cello, Chamber music, chamber orchestra, Classical music, composer, Concert, concerto, coronavirus, cost, curtail, Daniel Barenboim, depiction, digital, double bass, double bassist, down, du Pre, Early music, Facebook, Facebook post, Facebook posting, famous, female, Ferrenc, forward, France, Franz Schubert, French, graphic, groups, help, Igor Stravinsky, in person, Italian, Italy, Itzhak Perlman, Jacob Stockinger, Jacqueline du Pré, like, link, Louise Ferrenc, Madison, Mehta, minutes, movement, Music, namesake, new, nonet, on-demand, online, Orchestra, Overture Center, pandemic, Perlman, photo, Pianist, Piano, Piano Quintet, Pinchas Zukerman, plan, program, program notes, quintet, rediscover, representation, Russia, Russian, scale, Schubert, score, Season, septet, Sewell, share, shroud, Singing, song, Spring, Stravinsky, string music, strings, substitute, tag, theme and variations, ticket, Trout, tuneful, uncertainty, United States, upcoming, varied, Viola, Violin, violinist, virtual, Vivaldi, vocal music, WCO, well-known, Wikipedia, wind music, winter, Wisconsin, Wisconsin Chamber Orchestra, women, YouTube, Zubin Mehta, Zukerman
Four local classical musicians perform Black women composers in a virtual holiday concert to benefit the health of Black women
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Wisconsin Ensemble (WE) Project, a quartet of local classical musicians, has announced that it will host a holiday concert to support Dane County-based non-profit, the Foundation for Black Women’s Wellness (FFBWW, below).
The concert will be the first in a series of performances to benefit local and international organizations working for social justice and human interest.
This unique effort is rooted in the quartet’s desire to not only delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time.
This recorded, virtual YouTube concert will be available at https://wisconsinensembleproject.com from 6 p.m. on Friday, Dec. 25, through 6 p.m. on Sunday, Jan. 3. — times are CST — where contributions will be accepted via PayPal.
Viewers will hear the story and see the face of the Foundation for Black Women’s Wellness woven through quality chamber music by Black women composers performed by WE Project artists violinists Leanne League and Mary Theodore (below ends, in a photo by Katrin Talbot); violist Christopher Dozoryst (second from right); and cellist Karl Lavine. The four play together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.
Pieces they will perform include Strum (heard in the YouTube video at the bottom) and Voodoo Dolls by Jessie Montgomery (below top, in a photo by Jiyang Chen); Modes by Dorothy Rudd Moore (below center); and String Quartet in G Major by Florence Price (below bottom).
“This production offers viewers a meaningful program which leads to direct impact,” says WE Project member Mary Theodore who has been working with Foundation staff to coordinate the benefit over the last few weeks.
”We felt strongly about the work of the Foundation as we learned more about their mission to eliminate the startling health and economic disparities Black women face in our community,” adds Theodore. “When you donate and tune in to our concert, you will be helping to cover basic production costs and getting funds directly into the hands of this very worthy organization”.
Foundation for Black Women’s Wellness CEO Lisa Peyton-Caire (below), who launched the Black women’s health advocacy organization in 2012, says the concert is a beautiful example of how community and organizations can partner to drive social change together.
“We are elated that WE Project chose us as their first benefit recipient, and that our mission and work to transform Black women’s health in Wisconsin resonated with them,” said Peyton-Caire. “We know that ultimately it takes all of our effort to solve the inequities in our community, and this benefit concert is a beautiful example of the loving and creative ways we can join forces to do this.”
To learn more about the concert, visit https://wisconsinensembleproject.com, where you can contribute via PayPal anytime beginning now through Jan. 3.
To listen to a recent morning coffee chat between members of the two organizations, go to: https://www.facebook.com/watch/live/?v=431169757916539&ref=watch_permalink. Click on individual profiles to hear them.
To learn more about The Foundation for Black Women’s Wellness, visit https://ffbww.org.
Tags: #BenefitConcert, #BlackComposer, #BlackLivesMatter, #BlackWomen, #BlogPost, #BlogPosting, #ChamberMusic, #ChiefExecutiveOfficer, #ChristmasConcert, #ChristopherDozoryst, #CivilRights, #ClassicalMusicians, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #DaneCounty, #DorothyRuddMoore, #economicimpact, #EqualRights, #FacebookPost, #FacebookPosting, #FlorencePrice, #FoundationforBlackWomen'sWellness, #HolidayConcert, #HomeWebsite, #HumanInterest, #IncomeDisparity, #JacobStockinger, #JessieMontgomery, #LeanneLeague, #LisaPeyton-Caire, #MadisonSymphonyOrchestra, #NewYear's, #NewYear'sConcert, #OnlineConcert, #PayPal, #PublicHealth, #RecordedMusic, #SocialActivism, #SocialChange, #SocialJustice, #StringMusic, #StringPlayers, #StringQuartet, #SystemicRacism, #TheEar, #TuneIn, #VirtualConcert, #VoodooDolls, #WisconsinChamberOrchestra, #WisconsinEnsembleProject, #WomanComposer, #WomenComposers, #YouTubeChannel, #YouTubevideo, accept, address, advocacy, announce, Arts, audience, available, basic, beautiful, benefit, benefit concert, black, black composer, Black composers, Black Lives Matter, Black women, blog, cellist, Cello, CEO, Chamber music, chat, Chief Executive Organization, Christmas, Christmas concert, Christopher Dozoryst, civil rights, Classical music, classical musician, click, community, composer, concert series, contribution, conversation, coordinate, coronavirus, cost, cover, create, creative, Dane County, December, deep, delve, desire, direct, disparity, donate, donation, Dorothy Rudd Moore, economic, effort, eliminate, equal rights, example, face, Facebook, Facebook post, Facebook posting, feel, feminist, FFBWW, Florence Price, force, forward, foundation, Foundation for Black Women's Wellness, funds, hands, Health, help, Holiday, holiday concert, home website, host, human interest, impact, Income Disparity, inequity, international, issues, Jacob Stockinger, January, Jessie Montgomery, join, Karl Lavine, KarlLavine, launch, Leanne League, like, link, Lisa Peyton-Caire, listen, local, Love, loving, Madison, Madison Symphony Orchestra, meaningful, mision, mission, Modes, morning, Music, New Year, New Year's concert, non-profit, online, organization, pandemic, perform, performances, piece, post, posting, pressing, production, profile, program, project, Public health, quality, Quartet, racism, racist, recorded, recorded music, repertoire, repertory, rooted, series, share, social activism, social change, social justice, staff\, string music, string players, String quartet, strum, support, systematic racism, tag, The Ear, time, together, transform, tune in, unique, United States, viewer, Viola, Violin, violinist, violist, virtual, Voodoo, Voodoo Dolls, ways, we, Website, weeks, wellness, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Ensemble Project, women, women composer, women composers, working, worthy, YouTube
Classical music: The coronavirus pandemic sparks a surge in piano sales
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Have you or someone in your family used the COVID-19 lockdown and staying at home to practice, play or learn the piano?
You’re not alone.
A year ago, stories in the media tracked how pianos were quickly becoming a thing of the past in American homes. People were giving pianos away for free and for the cost of moving.
But then the coronavirus pandemic arrived, along with lockdowns, online learning and sheltering at home.
National news media discovered some unexpected good news, especially since public concerts have been canceled: The pandemic has brought a renewed interest in playing the piano at home – and in buying them.
The Ear wanted to find out if that same trend holds true in Madison.
“It does,” says Tim Farley, who — with his wife Renee — owns and operates Farley’s House of Pianos on the far west side near West Towne Mall. (The top photo from the store is from the Better Business Bureau. The two owners are seen below bottom in a photo from Isthmus newspaper).
“It’s weird,” he adds. “We had to close. When we re-opened, we cut back on hours and staff. Like many others, we figured there would be an end to business for a while.”
But just the opposite happened.
“Our sales are up about 34 percent compared to a year ago,” Farley adds. “We’re happy how things are going.”
Most of the sales increase has been in digital pianos, Farley says, although a lot of excellent acoustic pianos have also been sold, including a Hamburg Steinway.
Part of what accounts for the increase, he speculates, is that teachers inspire students to want better instruments.
Farley’s sells new and restored pianos (below), and also has an extensive teaching program, with online lessons during the pandemic. (For isolation practicing ideas and advice, see the YouTube video at the bottom.)
The Ear wonders if the same trend is happening in Europe and especially Asia — particularly China, Taiwan, South Korea and Japan — where so many great young pianists are coming from and winning international competitions.
For more about the national picture in the U.S., including background history, information about prices, increases in online sales and the demographics of buyers, you should read this oustanding story by music critic Corinna da Fonseca-Wollheim in The New York Times:
Here is a link: https://www.nytimes.com/2020/06/29/arts/music/piano-sales-coronavirus.html
Have you bought a piano or another instrument during the pandemic?
Are you using the down time to return to practicing and playing a piano or another instrument?
What would you like to say about making music during the pandemic?
Has making music helped you weather this odd period of time?
The Ear wants to hear.
Tags: #AsianPianist, #BetterBusinessBureau, #BlogPost, #BlogPosting, #ChineseMusicians, #ChinesePianist, #CityofMadison, #CorinnadaFonseca-Wollheim, #CoronavirusPandemic, #COVID-19, #CutBack, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #GiveAway, #GoodNews, #HamburgSteinway, #InstrumentalMusic, #IsthmusNewspaper, #JacobStockinger, #MadisonWisconsin, #MakingMusic, #MusicEducation, #PianoLessons, #PianoMusic, #PluckedInstruments, #ReneeFarley, #Self-Isolation, #shelter-at-home, #SouthKorea, #SouthKorean, #Stayathome, #TheEar, #TheNewYorkTImes, #TheU.S., #TimFarley, #WestSide, #WestTowneMall, #YouTubevideo, account, acoustic, adult learners, advice, ago, alone, America, American, another, Arts, Asia, background, better, Better Business Bureau, blog, bought, Business, buy, buyer, buying, cancel, canceled, China, Chinese, Classical music, close, come, compare, Competition, Concert, Corinna da Fonseca-Wollheim, coronavirus, cost, cut back, demographics, digital, digital piano, discover, down, Europe, excellent, explain, Facebook, Family, Farley's House of Pianos, forward, free, give, give away, going, good news, great, Hamburg Steinway, happy', hear, History, Home, hours, idea, ideas, increase, inspire, instrument, instruments, interest, international, isolation, Isthmus, it, Jacob Stockinger, Japan, Japanese, Korean, learning, lessons, like, link, lockdown, Madison, make, making music, mall, media'track, moving, Music, Music education, national, New York City, news, Newspaper, odd, online, open, operate, outstanding, own, pandemic, part, past, People, percent, period, photo, Pianist, Piano, piano lessons, piano music, Picture, play, post, posting, practice, practicing, program, public, quality, re-open, Renee Farley, renewed, restored, sales, share, someone, South Korea, South Korean, speculate, staff\, stay at home, Steinway, stories, story, students, tag, Taiwan, teachers, teaching, The Ear, The New York Times, thing, things, Tim Farley, time, track, transportation, true, unexpected, United States, weather, weird, west side, West Towne Mall, what, win, Wisconsin, year, you, young, YouTube
Classical music: COVID-19 pandemic forces more major changes for Concerts on the Square and a cancellation by the Mosaic Chamber Players
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The Ear has received the following note from Jess Salek — the founder, director and pianist of the Mosaic Chamber Players: “Just a note to mention that the concert scheduled for this Saturday, June 13, is cancelled due to COVID-19. We are doing our best to stay positive during this difficult time for local arts groups, and we will resume our music-making as soon as is safe. Please be well!”
By Jacob Stockinger
Major changes are in store for the annual Concerts on the Square, which were already postponed with a change of dates, day and time, according to television WKOW-TV Channel 27 (you can hear the TV news report in the YouTube video at the bottom):
Here are details:
MADISON (WKOW) – The Wisconsin Chamber Orchestra (WCO) has unveiled a new plan for its 2020 Concerts on the Square series (below), which involves replacing the four postponed concerts with two drive-in performances.
Additionally, they’re planning for two live concerts at Breese Stevens Field if playing outdoors is deemed safe in late summer.
The revised approach was necessary to keep attendees safe, while adhering to state and county requirements that don’t allow for large gatherings, according to a WCO news release.
The WCO will follow Forward Dane Health Guidelines to determine if the live concerts can occur. A decision will be made in late July.
“We were optimistic in April that if we only delayed the start of Concerts on the Square to late July that we could still hold live performances downtown,” said Joe Loehnis (below), the WCO’s CEO. “But as the pandemic continues to affect us all in ways we never could have foreseen, we’ve decided to take creative steps now that will allow us to still share music with our community.”
The new plan for Concerts on the Square looks like this:
- The first four shows (July 28 – Aug 18) have been postponed until the summer of 2021.
- The WCO, in partnership with the Madison Mallards, will host two “drive-in” concerts on June 24 and July 22 (more information below). Each concert also will be live-streamed on https://wcoconcerts.org and https://pbswisconsin.org for free.
- The final two Concerts on the Square will be live concerts at Breese Stevens Field on Aug. 25 and Sept. 1.
- The WCO’s annual “runout” concert to Portage this summer has been canceled.
Drive-in Concerts on the Square
The two drive-in concerts will feature rebroadcasts of the most popular Concerts on the Square performances, thanks to a partnership with PBS Wisconsin.
The WCO expects to be able to have 115 vehicles at each concert. The goal is to make it accessible to as many people as possible without risking health and safety.
The basics for each program are:
Location: Warner Park, 2930 N. Sherman Ave., Madison
Cost: $25 per car
Time: 7-8 p.m.; 8:45-9:45 p.m. (two showings each night to allow more people to attend)
Additional information: To purchase tickets, visit:
- 8:45 p.m. concert: https://madison-mallards.nwltickets.com/Tickets/SelectPromoSeats?UserPromoCode=wco8
June 24 – “S Wonderful” with Amanda Huddleston, soprano, and Andrew Clark, tenor. Songs include: “The Sound of Music” Medley, “Smoke Gets in Your Eyes,” “Armed Forces Salute” and “1812 Overture.” (2015 Performance)
July 22 – “Film Night,” featuring concertmaster Suzanne Beia. Songs include: “The Magnificent Seven,” “The Pink Panther,” “Raiders of the Lost Ark,” “Schindler’s List” and “E.T.” (2019 Performance)
“With two showings each night, we’re trying to make the concerts as accessible as possible,” Loehnis said. “Community partnerships are so important right now, and because of PBS Wisconsin and the Mallards, we’re able to bring this idea to life. We are grateful for these partnerships.”
Breese Stevens concerts are planned for late summer. If Dane County has entered Phase III of its Forward Dane plan by late August, 250 people will be allowed to gather for outdoor events.
For that reason, the WCO is planning to host two live Concerts on the Square at Breese Stevens.
The WCO will provide an update later in July on progress for this opportunity. Those shows currently are scheduled for Aug. 25 and Sept. 1.
The WCO also is considering how it could broadcast the live performances to other venues such as the Alliant Energy Center, Warner Park or Madison parks, where others could view the concerts safely.
“We’re still working through the logistics, and we’re realists – understanding that the situation changes almost daily,” Loehnis said. “But we also want to be forward-thinking and we’re going to keep pushing ahead unless we don’t believe a live show can be held safely.”
To keep up-to-date with performance schedules, community members can sign up for email updates on the WCO website or follow the orchestra on Facebook (https://www.facebook.com/search/top/?q=wisconsin%20chamber%20orchestra&epa=SEARCH_BOX) and Instagram.
Tags: #AlliantEnergyCenter, #AmandaHuddleston, #AndrewClark, #ArmedForces, #ArmedForcesSalute, #BlogPost, #BlogPosting, #BreeseStevensField, #ChamberMusic, #Channel27, #CityofMadison, #CollaborativePianist, #ConcertsontheSquare, #COVID-19, #DaneCounty, #E.T., #FacebookPost, #FacebookPosting, #FilmMusic, #ForwardDane, #HomeWebsite, #InstagramPost, #JacobStockinger, #JessSalek, #JoeLoehnis, #JohnWilliams, #LiveConcert, #MadisonMallards, #MagnificentSeven, #MosaicChamberPlayers, #MovieMusic, #MovieScore, #Music-Making, #NewRelease, #OnlineConcert, #PBSWisconsin, #PeterIlyichTchaikovsky, #PinkPanther, #PortageWisconsin, #PublicHealth, #RaidersoftheLostArk, #Schindler'sList, #September11, #SmokeGetsinYourEyes, #SopranoSinger, #SoundofMusic, #StevenSpielberg, #SuzanneBeia, #TenorSinger, #TheEar, #VirtualConcert, #VocalMusic, #WarnerPark, #WisconsinChamberOrchestra, #WisconsinPublicTelevision, #YouTubevideo, 1812 Overture, 2020, @1812Overture, Alliant Energy Center, Amanda Huddleston, Andrew Clark, annual, approach, armed forces, Armed Forces Salute, Arts, arts groups, attend, audience, August, auto, Baseball, blog, Breese Stevens Field, Broadcast, cancel, car, CEO, Chamber music, change, changes, Channel 27, Classical music, community, composer, Concert, concertmaster, Concerts on the Square, conductor, coronavirus, cost, county, creative, Dane County, day, decision, deem, details, difficult, director, downtown, drive-in, Facebook, film, Film score, Forward Dane, founder, groups, guidelines, Health, Instagram, involve, Jacob Stockinger, Jess Salek, Joe Loehnis, John Williams, July, June, like, link, live, live-stream, local, location, Madison, Madison Mallards, Magnificent Seven, major, Mosaic Chamber Players, movie music, movie score, Music, news, night, online, optimistic, Orchestra, other, outdoors, pandemic, Park, partnership, PBS, PBS Wisconsin, People, performer, Peter Ilyich Tchaikovsky, phase, Pianist, Piano, Pink Panther, plan, play, playing, popular, popular success, Portage, positive, post, posting, postpone, Public health, purchase, Raiders of the Lost Ark, realist, rebroadcast, release, requirement, resume, runout, safe, safety, Schindler's List, September, series, share, show, showing, singer, Smoke Gets in Your Eyes, song, soon, soprano, Sound of Music, state, stay, steps, Steven Spielberg, summer, Suzanne Beia, symphony, tag, Tchaikovsky, Television, tenor, The Ear, tickets, time, TV, United States, unveil, vehicles, venue, venues, virtual, vocal music, Warner Park, WCO, Website, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Public Television, WKOW TV, WPT, YouTube
Classical music: What will the fall concert season will look like? And what will the post-pandemic concert world be like?
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This past week, The Ear listened to and read a lot of news about COVID-19 and the arts.
And it got him thinking: What will happen this fall with the new concert season? And even later, what will a post-pandemic concert world look like? (Below is the Madison Symphony Orchestra in a photo by Peter Rodgers.)
As you may have heard, the Tanglewood Festival, the summer home of the Boston Symphony Orchestra, has been canceled this year. So too has the Ravinia Festival, the summer home of the Chicago Symphony Orchestra.
Locally, American Players Theatre in Spring Green also just canceled its summer season.
So far, the summer season seems to be one big cancellation for the performing arts.
True, there are some exceptions.
The Token Creek Chamber Music Festival has yet to announce its plans for August.
One also has to wonder if crowds of up to 20,000 will feel safe enough to attend the Concerts on the Square (below), now postponed until late July and August, by the Wisconsin Chamber Orchestra?
Will people still want to attend the postponed Handel Aria Competition on Aug. 21 in Collins Recital Hall at the UW-Madison’s new Hamel Music Center, assuming the hall is open?
Fall events seem increasingly in question.
Last night on CBS’ “60 Minutes,” Jerome Powell, chairman of the Federal Reserve, said that sports events and concerts will be among the last mass gatherings to take place safely, probably not until next spring or summer or even later, depending on when a vaccine becomes available.
Some public health experts also offer dire predictions about how easing up lockdown restrictions too soon might lead to an even worse second wave of the coronavirus virus pandemic this autumn and winter, despite all the happy talk and blame-shifting by Team Trump.
So, what do you think will happen beyond summer?
The Ear wonders what the fallout will be from so many music groups and opera companies turning to free online performances by solo artists, symphony orchestras and chamber music ensembles.
Will season-opening concerts be canceled or postponed? What should they be? Will you go if they are held?
Will at-home listening and viewing become more popular than before?
Will the advances that were made in using streaming and online technology (below) during the lockdown be incorporated by local groups — the UW-Madison especially comes to mind — or expected by audiences?
In short, what will concert life be like post-pandemic and especially until a vaccine is widely available and a large part of the population feels safe, especially the older at-risk audiences that attend classical music events?
Will larger groups such as symphony orchestras follow the example of the downsized Berlin Philharmonic (below, in a photo from a review by The New York Times) and play to an empty hall with a much smaller group of players, and then stream it?
Will some free streaming sites move to requiring payment as they become more popular?
Live concerts will always remain special. But will subscriptions sales decline because audiences have become more used to free online performances at home?
Will most fall concerts be canceled? Both on stage and in the audience, it seems pretty hard to maintain social distancing (below is a full concert by the Madison Symphony Orchestra). Does that mean the health of both performers – especially orchestras and choral groups – and audiences will be put in jeopardy? Will the threat of illness keep audiences away?
Even when it becomes safe to attend mass gatherings, will ticket prices fall to lure back listeners?
Will programs feature more familiar and reassuring repertoire to potential audiences who have gone for months without attending live concerts?
Will expenses be kept down and budgets cut so that less money is lost in case of cancellation? Will chamber music be more popular? (Below is the UW-Madison’s Pro Arte Quartet during its suspended Beethoven cycle.)
Will fewer players be used to hold down labor costs?
Will imported and expensive guest artists be booked less frequently so that cancellations are less complicated to do?
Will many guest artists, like much of the public, refrain from flying until it is safer and more flights are available? Will they back out of concerts?
Will all these changes leave more concert programs to be canceled or at least changed?
There are so many possibilities.
Maybe you can think of more.
And maybe you have answers, preferences or at least intuitions about some the questions asked above?
What do you think will happen during the fall and after the pandemic?
What do you intend to do?
Please leave word, with any pertinent music or news link, in the comment section.
The Ear wants to hear.
Tags: #60Minutes, #AirTravel, #AmericanPlayersTheatre, #BeethovenStringQuartets, #BerlinPhilharmonic, #BlogPost, #BlogPosting, #BostonSymphony, #BudgetCuts, #ChamberMusic, #ChicagoSymphonyOrchestra, #ChoralMusic, #CollinsRecitalHall, #ConcertHall, #ConcertSeason, #ConcertsontheSquare, #COVID-19, #DonaldJ.Trump, #DonaldTrump, #FacebookPost, #FacebookPosting, #FederalReserve, #GeorgeFridericHandel, #GuestArtist, #HamelMusicCenter, #HandelAriaCompetition, #HappyTalk, #HighTechnology, #HomeWebsite, #JacobStockinger, #JeromePowell, #LaborCosts, #LastNight, #LiveMusic, #LiveStreaming, #LudwigVanBeethoven, #MadisonSymphonyChorus, #MadisonSymphonyOrchestra, #MassGathering, #MeadWitterSchoolofMusic, #MusicReview, #NewYorkTimes, #PerformingArts, #PresidentDonaldTrump, #PresidentTrump, #ProArteQuartet, #PublicHealth, #RaviniaFestival, #SecondWave, #shelter-at-home, #SixtyMinutes, #SocialDistance, #SocialDistancing, #SpringGreen, #Stayathome, #StringQuartet, #SymphonyOrchestra, #TanglewoodFestival, #TheEar, #TokenCreekChamberMusicFestival, #TokenCreekFestival, #UniversityofWisconsin-Madison, #WisconsinChamberOrchestra, #YouTubevideo, 60 Minutes, air travel, American Players Theatre, answer, aria, artists, Arts, at home, at-risk, attend, audience, August, Autumn, Beethoven, Berlin Philharmonic, Berlin Philharmonic Orchestra, blame, blog, Book, Boston Symphony, Boston Symphony Orchestra, budget, budget cuts, cancel, cancellation, CBS, CBS-TV, chairman, Chamber music, Chicago, Chicago Symphony Orchestra, choral music, Classical music, Collins Recital Hall, comment, Competition, complicated, composer, Concert, concert hall, concert season, Concerts on the Square, coronavirus, cost, costs, do, Donald J. Trump, downsize, empty, ensemble, event, expense, expensive, Facebook, fall, fallout, familiar, Federal Reserve, flight, fly, forward, free, George Frideric Handel, guest artist, Hamel Music Center, Handel, Handel Aria Competition, happy talk, happy', Health, Home, illness, imported, intend, intuition, Jacob Stockinger, jeopardy, Jerome Powell, July, labor, labor costs, large, last night, like, link, listener, live music, lockdown, Ludwig van Beethoven, lure, Madison, Madison Symphony Chorus, Madison Symphony Orchestra, mass, mass gathering, Mead Witter School of Music, MSO, Music, music review, new, New York Times, news, older, online, opera, Orchestra, pandemic, PAQ, part, past, payment, performer, Performing arts, pertinent, photo, Piano, players, popular, population, post, posting, postpone, postponement, preference, President Trump, price, pro arte hamel, Pro Arte Quartet, Public health, question, Ravinia Festival, read, reassuring, relevant, repertoire, repertory, require, restrictions, safe, safely, Season, second wave, section, share, shift, site, Sixty Minutes, social distance, social distancing, solo, Sports, Spring Green, Spring Green Wisconsin, stage, sting quartet, stream, streaming, subscriber, subscription, summer, suspend, symphony, tag, talk, Tanglewood Festival, team, technology, Television, The Ear, think, threat, ticket, Token Creek Chamber Music Festival, Trump, TV, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Violin, vocal music, Website, week, winter, Wisconsin, Wisconsin Chamber Orchestra, wonder, world, YouTube
Recent Comments
The Well-Tempered Ear 
Classical music: During global protests against racism, a longtime fan of the Madison Symphony Orchestra writes a letter to ask for more diversity and African-American composers
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
During the ongoing global protests and demonstrations against police brutality, racism and white privilege, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) will hold its annual meeting next Tuesday, June 16, at 3:30 p.m.
The meeting is NOT open to the public — as erroneously stated in an earlier version — but just to season subscribers (not single ticket buyers) and members of MSO boards. The meeting will be virtual and held online via Zoom.
During the meeting, a statement about diversity and inclusion will be read, according to the MSO.
If you have questions, you can call Alexis Carreon at (608) 257-3734.
With both the symphony and current events in mind, a longtime MSO subscriber has written the following letter to Manager of Individual Giving Jeff Breisach.
Please read the letter and then let us know what you think.
Do you agree or disagree?
What else would you like to say about the role of MSO in adapting to concerns about racism, injustice and privilege?
Do you have any suggestions?
“Dear J. Breisach:
“Please share my following concerns with those planning the annual meeting of the Madison Symphony Orchestra:
“In light of the recent historic events, I hope MSO will add an item or two to deal with the economic and racial injustice prevalent in Madison, as well as elsewhere in our nation.
“Specifically:
“It is time for MSO to acknowledge its history of white privilege and take some steps to more widely acknowledge the richness of a diverse local audience and classical music history.
Sincerely,
Carol Troyer-Shank
“PS: I have been a MSO ticket holder in the economically denigrated balcony for more than 20 years.
“PS2: The architect and designers clearly thought about making more money — not about safety of attendees — when they designed a balcony to squeeze in more people instead of to allow ease of movement for lower-cost ticket holders. Shame on them! So, of course, all those seats should be filled every time. Even at $5 a ticket, the MSO would gain enormous improvement in their local image.”
Share this:
Like this:
Tags: #AfircanAmerican, #AfricanAmerican, #AnnualMeeting, #BlackComposer, #BlogPost, #BlogPosting, #BritishComposer, #ChevalierdeSaint-Georges, #ChoralMusic, #CityofMadison, #ConcertHall, #CulturalDiversity, #FacebookPost, #FacebookPosting, #HistoricEvent, #JacobStockinger, #MadisonSymphonyOrchestra, #OrchestralAccompaniment, #OvertureHall, #PoliceBrutality, #PorgyandBess, #RushSeats, #SamuelColeridge-Taylor, #SeasonSubscription, #SocialInjustice, #TheEar, #TicketHolder, #WhitePrivilege, #YouTubevideo, acknowledge, African American, agree, annual, architect, Arts, attendee, audience, balcony, black, blog, board, British, call, Chevalier de Saint Georges, choral music, chorus, Christmas, Classical music, classicalmusic, comment, composer, concern, Concert, concert hall, cost, cultural diversity, demonstration, denigrate, designer, director, disagree, diverse, diversity, ease, economic, empty, enough, ethnic, event, Facebook, February, George Gershwin, georgegershwin, Gershwin, giving, global, hall, hear, historic, History, image, improvement, inclusion, injustice, item, Jacob Stockinger, Joseph de Boulogne, land, letter, like, link, local, Madison, Madison Symphony Orchestra, meeting, Monday, money, movement, MSO, multi-ethnic, Music, nation, often, online, open, opera, Orchestra, our, Overture Center, Overture Hall, participate, People, performer, police brutality, Porgy and Bess, post, posting, poverty, prevalent, programming, protest, protests, public, questions, racial, racially, racism, recent, register, richness, role, Romance, rush seats, safety, Samuel Coleridge-Taylor, Season, seats, shame, share, squeeze, steps, subscription, suggestion, symphony, tag, The Ear, think, ticket, ticket holder, time, town, Tuesday, tune, United States, Violin, virtual, white privilege, Wisconsin, year, YouTube, Zoom