The Well-Tempered Ear
Here are the nominees, winners and trends of the 2023 classical music Grammys
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By Jacob Stockinger
Chances are good you have already heard about Beyoncé and Lizzo, about Bonnie Raitt and Harry Styles, and how they won their Grammy awards last Sunday night.
But it is not by chance that you have to scroll way, way, way down the list of Grammy nominees and winners to find the ones for classical music. (It comes a third from the end, just before the list of short-form and long-form videos.)
No doubt it is in part a question of respect. Classical is not even listed with other “Musical Genres” on the Grammys’ home website while you will find: Pop; Rock; R&B; Country; Rap; Latin; Global; Gospel and Contemporary Christian; New Age; Jazz; and Alternative.
It seems like the most important thing to say about classical music is that pop star Beyoncé (below above) surpassed the record for individual Grammys previously held for decades by the late Hungarian-born conductor Sir George Solti (below bottom). He had won 31, she has won 32. But it seems like an unfair comparison since The Ear suspects many more categories are open to Beyoncé and her pop music than were open to Solti and classical music.
But even more than respect, it is a question of popularity and money.
We mustn’t forget that the Grammys are above all an industry event designed to reward those who make the commercial recording industry flourish.
Still, there are trends to take note of.
You’ll notice that quite a few of the nominees and winners have performed had their music performed in Madison. They include composers Caroline Shaw and Kevin Puts; the Imani Winds and Valerie Coleman; the Attacca Quartet; singer Will Liverman; Third Coast Percussion; Hilary Hahn; and producer Judith Sherman (below, in 2016)), who has overseen recent recordings by the UW-Madison’s Pro Arte Quartet and won many such Grammys.
Also, just as in Madison this has also been a big year for performers and composers of color — Black, Indigenous, Latin and Asian — as well as women composers and performers. Florence Price, Valerie Coleman and Jessie Montgomery (below and in the YouTube video at the end of her composition “Strum”), who is now composer-in-residence at the Chicago Symphony Orchestra and was just named Composer of the Year by Musical America; and Valerie Coleman.
Local presenters and performers can be proud of reflecting the same priorities. They include: the University of Wisconsin-Madison School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); the Madison Symphony Orchestra; the Madison Opera; the Wisconsin Union Theater; the Wisconsin Chamber Orchestra; the Willy Street Chamber Players; the Bach Dancing and Dynamite Society; Edgewood College; and Wisconsin Public Radio and WORT-FM among others.
See for yourself which ones you caught and which ones you missed.
Here is a list of the classical music winners of the 65th annual Grammy awards. It is provided by the insightful Australian arts and culture journal Limelight Magazine:
The 2023 Grammy Awards: Classical winners announced
And here is the complete list of the Grammy nominees along with the winners, so you can compare them all, find out details and judge for yourself. The Ear thinks many of the nominees are often just as worthwhile to check out and listen to as the winners:
https://www.grammy.com/awards/65th-annual-grammy-awards-2022
What do you think of the Grammy nominees and winners?
The Ear wants to hear.
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Superstar maestro Gustavo Dudamel to leave LA for the New York Philharmonic
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By Jacob Stockinger
It will probably be the biggest music news story of the year, perhaps even the decade.
Gustavo Dudamel (below), the Venezuelan-born maestro of the Los Angeles Philharmonic, will become the music director of the New York Philharmonic starting in 2026.
The news was announced late yesterday afternoon on both coasts. The New York Philharmonic post is probably the most prestigious music post in the United States, a podium once occupied by Gustav Mahler, Arturo Toscanini, Leonard Bernstein, Zubin Mehta and Kurt Masur.
In what one imagines is a very, very expensive coup — the financial terms were not disclosed — the New York Philharmonic recruited the 42-year-old superstar maestro who is known for giving passionate and fiery performances and for innovating music education programs, both of which have brought in bigger and younger audiences.
He also built a reputation for championing new music, Latin music and musicians of color. (In the YouTube video at the bottom, you can hear Dudamel conducting Mexican composer Arturo Márquez’s Danzón No. 2, a Latin American piece he made famous and which is now often used by other orchestras on full programs or as an encore. In the video, he is conducting the Simón Bolivar Youth Orchestra, the senior orchestra of “El Sistema” and the post that Dudamel held before heading to Los Angeles.)
Dudamel has guest conducted the New York Philharmonic more than two dozen times. The musicians there have greeted him warmly and enviously, especially since their CEO Deborah Borda originally signed Dudamel to the Los Angeles post in 2009 when he was 26.
Born into a musical family, Dudamel himself became a professional musician by rising through the ranks of “El Sistema,” the national youth music organization in his native country. He studied violin and composition before turning to conducting with global success and fame.
In Los Angeles he has been nominated for and won many Grammys for his many recordings. He also been the music director of the Paris Opera.
It is worth noting: New York will soon have two of the most charismatic and recognizable conductors in the world: Dudamel; and Yannick Nézet-Séguin, who is the music director of the Metropolitan Opera as well as the music director of the Philadelphia Orchestra and Metropolitan Orchestra of Montreal.
Here are stories from both sides now: from the West Coast he is leaving and the East Coast he will be going to.
Here is the story by The New York Times:
And here is the story from The Los Angeles Times:
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Ukraine’s most famous living composer is now a war refugee in Germany
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By Jacob Stockinger
He fights and defends his native country with beautiful sounds.
Ukraine’s most famous living composer has had to flee his war-torn country and — like some 3 million fellow Ukrainians in various other countries — is now living as a a war refugee in Germany.
He is Valentin Sylvestrov (below), 84, and has survived both World War II and the Nazi occupation as well as the Soviet rule experiencing democracy and freedom after the fall of the USSR and now the devastating Russian invasion five weeks ago.
The irony is that his music, which The Ear can’t recall ever hearing performed live in Madison — although Wisconsin Public Radio recently featured a beautiful choral work — seems calming and peaceful, even consoling.(Please correct me if I am mistaken.) Many people compare him to the style of Arvo Pärt, his Eastern European contemporary and colleague in Estonia.
Little wonder that his works have found a new popularity in worldwide concerts as the world hopes for the survival and victory of Ukraine — below is Ukraine’s flag — over Vladimir’s Putin’s army and war crimes.
His works have been particularly popular at fundraisers and memorials. They underscore the long history and importance of Ukraine’s tradition of making music, which has been recounted in the news features you find in the press, on TV, on radio and elsewhere in the media including live streams and recorded videos other media, especially the Internet.
As far as The Ear can tell, his most popular work in the concert hall these days is his hauntingly beautiful 1937 “Prayer for Ukraine.” You can hear it, in an orchestra version, in a YouTube video at the bottom.
As background here are two different interviews with the distressed and saddened Sylvestrov in exile.
The first interview, from The New York Times, is by a professor at Arizona State University who has published a book on postwar Eastern European composers and offers links to more works: https://www.nytimes.com/2022/03/30/arts/music/valentin-silvestrov-ukraine-war.html
The other interview is from the German media outlet Deutsche Welle, translated into English and featuring current photos: https://www.dw.com/en/ukrainian-composer-valentin-silvestrov-what-are-you-kremlin-devils-doing/a-61158308
The tragic occasion of the war in Ukraine could be the event that brings the soul-stirring music of Sylvestrov to a larger global public.
He certainly deserves it — along with some live performances here — and The Ear certainly plans on posting more of his music.
Have you heard the music of Valentin Sylvestrov?
Do you have favorite works from his piano music, chamber music, choral music and many symphonies?
The Ear wants to hear.
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As the semester ends, virtual concerts allow UW students to reach many more family members, friends and listeners. Here is how the public can connect to them
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By Jacob Stockinger
Starting tonight and over the next two weeks, as the spring semester at the UW-Madison comes to a close, there will be more than two dozen student recitals to listen to. (Below is the YouTube video for the concert this Thursday night, April 15, at 6:30 p.m. of the Marvin Rabin String Quartet that is comprised of graduate students.)
Often two or more concerts a day are scheduled, often at 3:30 p.m. and 6:30 p.m.
That much is typical.
What is not typical during the pandemic is that technology will allow the recitals to be presented live-streamed and virtual.
The downside is that the students will not experience performing before a live audience.
But there is an upside.
Going virtual also means that the recitals will be available longer to family, friends and interested listeners here as well as around the country and — especially for international students — the world. (Below, in a photo by Bryce Richter for the UW-Madison, is the Mead Witter Foundation Concert Hall in the Hamel Music Center.)
It also means you can hear them when it is convenient for you and not at the actual scheduled times.
The Ear has heard his share of student recitals and often finds them to be exceptional events.
If you go to the Mead Witter School of Music’s website, you can see the concerts and the lineups.
You will see that there will be student recitals of vocal music, brass music, wind music, string music and piano music. There are solo recitals, chamber music and even a symphony orchestra concert. (Below, in a photo by Bryce Richter for the UW-Madison, is the Collins Recital Hall in the Hamel Music Center.)
There are too many details for each concert to list them all here individually.
But if you go to the Concerts and Events page on the music school’s outstanding website, you can hover the cursor over the event and then click on the event and get everything from the performers and programs to program notes, a performer biography and a photo with a link to the YouTube performance.
On the YouTube site, if you click on “See More” you will see more details and can even set up an alarm for when the concert starts.
Here is a link: https://www.music.wisc.edu/events/
Try it and see for yourself. Below is the YouTube link for pianist Mengwen Zhu, who performs his recital this Saturday, April 17, at 6 p.m.)
Happy listening!
Let us know what you think, especially if it is encouraging for the students.
The Ear wants to hear.
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UW-Madison alumna Kathryn Lounsbery gives a FREE virtual online talk this Tuesday night about how musicians can develop and market new skills during COVID
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By Jacob Stockinger
It is no secret that the coronavirus and COVID-19 pandemic have been especially hard on gig workers and artists worldwide – hurting musicians financially and professionally as well as psychologically and artistically.
But this Tuesday night, Nov. 10, from 7 to 8:30 p.m. UW-Madison alumna Kathryn Lounsbery (below) will give a FREE virtual and interactive talk about developing marketable skills that can help carry musicians through the pandemic and beyond.
There is no in-person attendance. But here is a link to the live-streaming session of YouTube video: https://youtu.be/me1tC0LfEVU
Here is more information from the Mead Witter School of Music:
“Pure talent does not always equal a paycheck. Now, more than ever, musicians need to be savvy and employ out-of-the-box thinking with regards to their careers.
“Kathryn Lounsbery — a graduate of the UW-Madison School of Music — has taken her two classical piano degrees and crafted a life in music that includes teaching, performing, comedy, workshops, music-directing, cabaret and more.
“In this interactive session, she will pass on ways in which musicians can craft creative and rewarding careers for themselves, all while making a living.
“Lounsbery is a Los Angeles-based pianist, vocal coach, educator, comedian, music director, composer, arranger and educator. She holds a Master’s degree from the University of Southern California (2004) and a Bachelor of Music degree from the University of Wisconsin-Madison (2000).
“She has served on the faculty of The American Musical and Dramatic Academy (AMDA) for a decade. Many of her former students are currently on Broadway and have been in feature films and television shows. Prior to her tenure at AMDA, she was on the faculty at Sonoma State University.
“Lounsbery is endorsed by Roland Pianos and frequently gives concerts and clinics on their behalf across the U.S. and abroad.
“For seven years, she served as a Keyboard Editor at Alfred Music Publishing, the world’s largest educational music publisher.
“Lounsbery has worked alongside entertainment industry greats including David Foster, Jim Brickman, Evan Rachel Wood, Travis Barker, Kathy Najimy, Charlotte Rae, Laura Benanti and Aubrey Plaza to name a few. She has been a music coach for HBO, Showtime and ABC series.
“As a comedian, Kathryn was featured on NBC’s “Last Comic Standing” and has appeared at The Laugh Factory and The Improv, and has headlined at The World Famous Comedy Store. Her musical improv skills lead her to hold the position of music director at the famed Second City in Chicago for several years.
“Lounsbery is the creator and director of “Authenticity and Bad-Assery,” a popular performance-based workshop in Los Angeles. There is currently a waitlist to participate.
“She has toured the country with her solo show “Kathryn Lounsbery Presents Kathryn Lounsbery.” Her comedy videos have garnered millions of views and have been shown at film festivals around the world. (You can see a comedy beefcake video based on Beethoven’s “Pathetique” piano sonata in the YouTube video at the bottom.)
“She is also the music arranger on “The Potters” an animated feature to be released through Lionsgate in 2021.”
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Classical music: Meet Conor Nelson, the new flute professor at the UW-Madison
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By Jacob Stockinger
The UW-Madison’s Mead Witter School of Music has a new flute professor who follows Timothy Hagen in taking the place of retired longtime predecessor Stephanie Jutt, who continues to perform locally with the Madison Symphony Orchestra and the Bach Dancing and Dynamite Society..
He is Conor Nelson (below) and he starts later this month at the UW-Madison’s Mead Witter School of Music.
Here is the biography — impressive for both his performing and his teaching –that the university released:
“Praised for his “long-breathed phrases and luscious tone” by the Minneapolis Star Tribune, Canadian flutist Conor Nelson is established as a leading flutist and pedagogue of his generation.
“Since his New York recital debut at Carnegie Hall’s Weill Recital Hall, he has frequently appeared as soloist and recitalist throughout the United States and abroad.
“Solo engagements include concertos with the Minnesota Orchestra, the Toronto Symphony Orchestra, the Flint Symphony, and numerous other orchestras.
“In addition to being the only wind player to win the Grand Prize at the WAMSO (Minnesota Orchestra) Young Artist Competition, he won first prize at the William C. Byrd Young Artist Competition. He also received top prizes at the New York Flute Club Young Artist Competition, the Haynes International Flute Competition as well as the Fischoff, Coleman and Yellow Springs chamber music competitions. (Editor’s note: In the YouTube video at the bottom, you can hear Conor Nelson perform the second and third movements of the Flute Sonata by French composer Francis Poulenc.)
“With percussionist Ayano Kataoka (below left, with Nelson), he performed at Merkin Concert Hall, Tokyo Bunka Kaikan Hall and Izumi Hall. A recital at the Tokyo Opera City Hall received numerous broadcasts on NHK Television. Their CD entitled, “Breaking Training” was released on New Focus Recordings (NYC). His second CD, “Nataraja,” with pianist Thomas Rosenkranz, is also available on New Focus.
“He has collaborated with pianist Claude Frank on the Schneider concert series in New York City and appeared at numerous chamber music festivals across the country including the OK Mozart, Bennington, Skaneateles, Yellow Barn, Cooperstown, Salt Bay, Look and Listen (NYC), Norfolk (Yale), Green Mountain, Chesapeake, and the Chamber Music Quad Cities series.
“He is the Principal Flutist of the New Orchestra of Washington in Washington, D.C., and has performed with the Detroit, Toledo and Tulsa Symphony Orchestras. He also performed as guest principal with A Far Cry, Orquesta Filarmónica de Jalisco, and the Conceirtos de la Villa de Santo Domingo.
“A respected pedagogue, Dr. Nelson has given master classes at over 100 colleges, universities and conservatories.
“Prior to his appointment at UW-Madison, he served as the flute professor at Bowling Green State University for nine years and as the Assistant Professor of Flute at Oklahoma State University from 2007-2011.
“His recent residencies include Yonsei University in Seoul, Korea; the Sichuan Conservatory in Chengdu, China; the Conservatorio de Musica de Puerto Rico; and the Associacao Brasileira de Flautistas in Sao Paulo.
“He is also a regular guest of the Texas Summer Flute Symposium and has been the featured guest artist for 11 flute associations across the country. His former students can be found performing in orchestras, as well as teaching at colleges, universities and public schools nationwide. They have also amassed over 60 prizes in young artist competitions, concerto competitions and flute association competitions.
“Nelson received degrees from the Manhattan School of Music, Yale University and Stony Brook University where he was the winner of the school-wide concerto competitions at all three institutions. He is also a recipient of the Thomas Nyfenger Prize, the Samuel Baron Prize and the Presser Award.
“His principal teachers include Carol Wincenc, Ransom Wilson, Linda Chesis, Susan Hoeppner and Amy Hamilton. Nelson is a Powell Flutes artist and is the Assistant Professor of Flute at UW-Madison where he performs with the Wingra Wind Quintet.”
Tags: #AFarCry, #AmyHamilton, #AyanoKataoka, #BachDancingandDynamiteSociety, #BlogPost, #BlogPosting, #BowlingGreenStateUniversity, #CanadianMusician, #CarnegieHall, #CarolWincenc, #ChamberMusic, #ChamberMusicQuadCitites, #ChengduChina, #ClaudeFrank, #ConorNelson, #DetroitMichigan, #DetroitSymphonyOrchestra, #FacebookPost, #FacebookPosting, #FirstPrize, #FischoffNationalChamberMusicCompetition, #Flint, #FlintSymphony, #FluteConcerto, #FluteMusic, #FluteSonata, #GrandPrize, #GreenMountain, #GuestArtist, #HaynesInternationalFluteCompetition, #IzumiHall, #JacobStockinger, #LindaChesis, #LookandListen, #MadisonSymphonyOrchestra, #ManhattanSchoolofMusic, #MeadWitterSchoolofMusic, #MerkinConcertHall, #MinneapolisMinnesota, #MinneapolisStarTribune, #MinnesotaOrchestra, #MusicEducation, #Musicfaculty, #NewFocusRecordings, #NewOrchestraofWashington, #NewYork, #NewYorkCity, #NewYorkFluteClub, #NHKTelevision, #OklahomaStateUniversity, #OKMozart, #PianoAccompaniment, #PianoAccompanist, #PowellFlutes, #PrincipalFlute, #PrincipalFlutist, #PublicSchool, #PuertoRico, #QuadCities, #RansomWilson, #SaltBay, #SantoDomingo, #SaoPaulo, #SchneiderConcertSeries, #SeoulSouthKorea, #SichuanConservatory, #SouthKorea, #StephanieJutt, #StonyBrookUniversity, #SusanHoeppner, #TexasSummerFluteSymposium, #TheEar, #TheU.S., #ThomasRosenkarnz, #TimothyHagen, #TokyoBunkaKaikanHall, #TokyoJapan, #TokyoOperaCityHall, #ToledoSymphonyOrchestra, #TopPrize, #TorontoCanada, #TorontoSymphonyOrchestra, #TulsaOklahoma, #TulsaSymphonyOrchestra, #UnitedStates, #UniversityofWisconsin-Madison, #WeillHall, #WeillRecitalHall, #WindMusic, #WingraWindQuintet, #YaleSchoolofMusic, #YaleUniversity, #YellowBarn, #YellowSprings, #YonseiUniversity, #YoungArtist, #YouTubevideo, A Far Cry, abroad, Amy Hamilton, artist, Arts, Asia, association, audience, Ayano Kataoka, Bach Dancing and Dynamite Society, Bennington, biography, blog, Blowing Green State University, Brazil, Broadcast, Canada, Canadian, Carnegie Hall, Carol Wincenc, CD, Chamber music, Chamber Music Quad Cities, Chengdu, Chesapeake, China, Chinese, Classical music, Claude Frank, club, Coleman, college, Competition, Concert, concerto, Conor Nelson, conservatory, Cooperstown, country, D.C., degrees, Detroit, Detroit Symphony Orchestra, duties, Facebook, first prize, Fischoff National Chamber Music Competition, flautist, Flint Symphony, flute, flute club, flute concerto, flute music, flute sonata, flutist, forward, France, French, frequently appear, generation, grand prize, Green Mountain, guest artist, guest principal, Haynes International Flute Competition, his, Iowa, Izumi Hall, Jacob Stockinger, Jalisco, Japan, Japanese, Korea, leading, lijke, Linda Chesis, link, Look and Listen, luscious, Madison, Madison Symphony Orchestra, Manhattan School of Music, master class, masterclass, Mead Witter School of Music, Merkin Concert Hall, Mexico, Michigan, Minneapolis, Minneapolis Star Tribune, Minnesota, Minnesota Orchestra, month, Music, Music education, nationwide, new, New Focus Recordings, New Orchestra of Washington, New York, New York City, New York Flute Club, NHK, Norfolk, Ohio, OK Mozart, Oklahoma, Oklahoma State University, Orchestra, pedagogue, percussion, percussionist, perform, performer, performing, phrases, Pianist, Piano, poat, posting, Powell, Powell Flutes, predecessor, principal, principal flute, principal flutist, prizes, professor, public school, Puerto Rico, Quad Cities, quintet, Ransom Wilson, recital, recitalist, release, residency, respected, retired, Salt Bay, Santo Domingo, Sao Paulo, Schneider, Schneider Concert Series, Seoul, series, serve, share, Sichuan, Sichuan Conservatory, Skaneateles, soloist, Sonata, South Korea, start, Stephanie Jutt, Stony Brook University, students, summer, Susan Hoeppner, symphony, Symposium, tag, Teacher, teaching, Texas, Texas Summer Flute Symposium, The Ear, Thomas Rosenkranz, Timothy Hagen, Tokyo, Tokyo Bunka Kaikan Hall, Tokyo Opera City Hall, Toledo, Toledo Symphony Orchestra, tone, toop prie, Toronto, Toronto Symphony Orchestra, Tulsa, Tulsa Symphony Orchestra, U.S., United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Washington, Washington D.C., Weill Hall, Weill Recital Hall, win, wind music, Wingra Wind Quintet, Wisconsin, Yale, years, Yellow Barn, Yellow Springs, Yonsei University, young artist, YouTube
Classical music: The Madison Symphony Orchestra, Madison Opera, Wisconsin Chamber Orchestra and Overture Center cancel their fall seasons. Plus, on Saturday cellist Cole Randolph performs a virtual concert for Grace Presents
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ALERT: The Saturday at noon, Grace Presents will offer the first in its series of HD Virtual Concerts online. Future performers include organist Mark Brampton Smith and the Willy Street Chamber Players.
The performer this time is the cellist and recent UW-Madison graduate Cole Randolph (below). The program is: the Sonata for Solo Cello by the American composer George Crumb; two of the “Seven Songs Heard in China” by Chinese composer Bright Sheng; and the Suite for Solo Cello No. 3 by Johann Sebastian Bach.
Here is where you can hear the 40-minute concert inside the church on the Capitol Square: https://www.youtube.com/watch?v=0vaOCH53osk
You can also connect with Cole Randolph after the show by joining in a Zoom meet-and-greet immediately following the performance at https://us02web.zoom.us/j/88001773181
The meeting ID is: 880 0177 3181
You can hear Randolph (below, in a photo by Michael Anderson) playing in the YouTube video at the bottom.
By Jacob Stockinger
With all the talk of a second wave of coronavirus coming in the fall — complicated by the seasonal flu – concert cancellations don’t come as a surprise, unfortunately.
In fact, The Ear suspects many more cancellations are to come, including those from the UW-Madison, the Wisconsin Union Theater and the Middleton Community Orchestra.
Here is the latest round: the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra and the Overture Center have all canceled their fall seasons, with some qualifications.
The announcements came on Thursday morning in the wake of the Overture Center canceling all performances this summer and fall through Nov. 30.
MADISON SYMPHONY ORCHESTRA
The Madison Symphony Orchestra has provided a short statement and a more complete and detailed press release.
Here is the statement:
“The Madison Symphony Orchestra’s 2020-21 “Beethoven and Beyond” season concerts and Overture Concert Organ performances are now canceled from September 2020 through January 2021.
“The move is due to the Overture Center’s decision to suspend events through Nov. 30, 2020, and the requirements of Dane County’s “Forward Dane” Reopening Plan.
“The 2020-21 season performances in February, March, April and May 2021 are scheduled to take place as planned.
“All subscribers will be sent a refund for the value of their tickets for the September 2020 through January 2021 concerts.”
Here is a list on the five MSO concerts – including the Beyond the Score performance of Stravinsky’s “Rite of Spring” on Jan. 25 — that will be canceled and the four that remain scheduled: https://madisonsymphony.org/concerts-events/2020-2021-symphony-season-concerts/
Here is a link to the full press release about the cancellations by the MSO (below, in a photo by Peter Rodgers): https://madisonsymphony.org/press-release-june-2020-concert-events-update/
MADISON OPERA
The Madison Opera is canceling the two in-person performances of Verdi’s “Il Trovatore” (The Troubadour) but is planning on offering some kind of large digital event and smaller live events at its center.
Here is statement from the Madison Opera:
“Although the Overture Center for the Arts is closed until the end of November, we will not be going silent.
“We are creating a fall season that lasts from September through December, and includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.
“Some of our signature engagement activities — such as Opera Novice and Opera Up Close — will have monthly editions that include artists from around the country.
“The Opera Center itself will be the site of “Live from the Opera Center,” a variety of streamed performances with a small live audience.
“Other performances will be created digitally and made available exclusively to subscribers.
“Artists involved include members of the original “Il Trovatore” cast: soprano Karen Slack, baritone Weston Hurt, bass Kenneth Kellogg, and stage director Fenlon Lamb. Other soloists include Wisconsin-based artists Jeni Houser (below), David Blalock, Emily Fons, Emily Secor and Kirsten Larson.
“We are working with our artists to create programming that is chosen from their passions: music they want to share, ideas they want to explore, and conversations they want to start. The challenges facing us will create new art, and new ways to make sure it is accessible to everyone.”
Marketing director Andrew Rogers told The Ear that the opera company is still deciding whether digital performances will be ticketed or free with suggested donations.
The full schedule will be announced in early August, after the digital online Opera in the Park takes place Saturday, July 25. For details, go to: https://www.madisonopera.org/2020/05/06/opera-in-the-park-is-going-digital/
To stay current about the regular opera season, you can sign up for the Madison Opera’s news updates via email by going to this website: https://www.madisonopera.org/fall2020/
WISCONSIN CHAMBER ORCHESTRA
The Nov. 20 opening concert with pianist John O’Conor of the Masterworks Series has been POSTPONED with no new date set yet.
Music director Andrew Sewell says the Family Concert on is still on for Saturday, Oct. 10, at the Goodman Community Center but the WCO is looking for an alternative venue.
The concert on Nov. 7 at the Verona Area Performing Arts Center has been CANCELED.
Both performances of Handel’s “Messiah” — on Dec. 9 and Dec. 12 at the Blackhawk Church in Middleton and the UW’s Hamel Music Center on Dec. 12 – have also been CANCELED.
And this season the WCO will not play Tchaikovsky’s “The Nutcracker” from Dec. 17-27 because the Madison Ballet has canceled those performances.
For more information about the WCO (below, in photo by Mike Gorski), go to: https://wcoconcerts.org/concerts-tickets/calendar
What do you think?
Do you think the cancellations are warranted?
Do you want to leave a message or comment encouraging and supporting the various groups and their many musicians?
The Ear wants to hear.
Tags: #AmericanComposer, #AndrewSewell, #AsianComposer, #BalletMusic, #BaritoneSinger, #BaroqueComposer, #BaroqueMusic, #BassSinger, #BeethovenYear, #BeyondTheScore, #BlackhawkChurch, #BlogPost, #BlogPosting, #BrightSheng, #CapitolSquare, #ChamberMusic, #Chinesecomposer, #ChristianChurch, #ColeRandolph, #CommunityOutreach, #ConcertOrgan, #CoronavirusPandemic, #COVID-19, #DaneCounty, #DavidBlalock, #EmailNewsletter, #EmilyFons, #EmilySecor, #FacebookPost, #FacebookPosting, #FenlonLamb, #ForwardDane, #GeorgeCrumb, #GeorgeFridericHandel, #GiuseppeVerdi, #GoodmanCommunityCenter, #GraceEpiscopalChurch, #GracePresents, #HamelMusicCenter, #Handel'sMessiah, #HomeWebsite, #IgorStravinsky, #IlTrovatore, #JacobStockinger, #JeniHouser, #JohannSebastianBach, #JohnO'Conor, #KarenSlack, #KirstenLarson, #LiveMusic, #LivingComposer, #LudwigVanBeethoven, #MadisonBallet, #MadisonOpera, #MadisonOperaCenter, #MadisonSymphonyOrchestra, #MarkBramptonSmith, #MarketingDirector, #MarkMorrisDanceGroup, #MasterworksConcerts, #MasterworksSeason, #MeadWitterSchoolofMusic, #Meet-and-Greet, #MessiahOratorio, #MiddletonCommunityOrchestra, #NewMusic, #NewsUpdate, #OperaInThePark, #OperaUpClose, #OrchestralMusic, #OrganMusic, #OvertureCenter, #PeterIlyichTchaikovsky, #PressRelease, #PublicHealth, #RiteofSpring, #SecondWave, #SopranoSinger, #StageDirector, #StreamedLive, #TheEar, #TheNutcracker, #TheUW, #UniversityofWisconsin-Madison, #VeronaAreaPerformingArtsCenter, #WestonHurt, #WillyStreetChamberPlayers, #WisconsinChamberOrchestra, #WisconsinUnionTheater, #YouTubevideo, accessible, alternative, American, Andrew Sewell, April, artists, Arts, Asia, asian, audience, August, available, Bach, ballet, baritone, Baroque, bass, Beethoven, Beethoven Year, Beyond the Score, Blackhawk Church, blog, Bright Sheng, cancel, canceled, cancellation, Capitol Square, cast, cellist, Cello, center, challenge, Chamber music, China, Chinese, choose, Christian, Christian church, church, Classical music, Cole Randolph, comment, community, company, composer, Concert, concert organ, concerto, conductor, connect, content, conversation, coronavirus, country, create, Creation, Crumb, Dane County, date, David Blalock, December, decision, digital, donation, Early music, edition, email, Emily Fons, Emily Secor, encourage, event, everyone, explore, Facebook, fall, Family, February, Fenlon Lamb, flu, Forward Dane, free, Friday, future, George Crumb, George Frideric Handel, Giuseppe Verdi, Goodman Community Center, Grace Episcopal Church, Grace Presents, graduate, group, Hamel Music Center, Handel, HD, hear, heard, ID, idea, Igor Stravinsky, Il Trovatore, in person, influenza, Jacob Stockinger, January, Jeni Houser, Johann Sebastian Bach, John O'Conor, Karen Slack, Kirsten Larson, like, link, live, live music, live-stream, Ludwig van Beethoven, Madison, Madison Ballet, Madison Opera, Madison Opera Center, Madison Symphony Orchestra, march, Mark Brampton Smith, marketing director, Masterworks, Masterworks Season, May, Mead Witter School of Music, meeting, message, Messiah, Middleton, Middleton Community Orchestra, minute, Monday, monthly, morning, move, MSO, Music, Musician, new, New Music, news, night, noon, November, October, online, opera, Opera in the Park, Opera Up Close, Orchestra, orchestral music, organ, organ music, organist, outreach, Overture Center, Overture Concert Organ, pandemic, Passion, performance, performer, Peter Ilyich Tchaikovsky, Piano, plan, play, post, posting, postpone, press release, program, programming, public, Public health, qualification, re-schedule, recent, refund, regular, reopen, Rite of Spring, Saturday, schedule, Season, seasonal, second wave, September, sguuest, share, show, silent, solo, soloist, Sonata, song, soprano, stage director, statement, Stravinsky, streamed, subscribers, Suite, summer, Sunday, support, suspend, symphony, tag, Tchaikovsky, The Ear, The Nutcracker, Thursday, tickets, troubadour, Tuesday, unfortunate, unfortunately, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, UW, UW-Madison, value, venue, Verdi, Verona, Verona Area Performing Arts Center, video, Viola, Violin, virtual, virus, vocal music, warranted, WCO, Website, Wednesday, Weston Hurt, Willy Street Chamber Players, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Union Theater, YouTube, Zoom
Classical music: Today is the Summer Solstice. What music best greets summer during this odd year? Plus, here is information about Make Music Madison this Sunday
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By Jacob Stockinger
Today – Saturday, June 20, 2020 – is the Summer Solstice.
Summer officially arrives this afternoon at 4:43 p.m. CDT.
Is The Ear alone in thinking that the time since the winter solstice has passed both more slowly and also more quickly than usual, thanks to the pandemic?
And now the days will start getting shorter. Can that be possible? Is the year really half over?
Well, it has been an unusual spring and promises to be an unusual summer, to say the least.
So how about some unusual Vivaldi?
If you listen to Wisconsin Public Radio, chances are good that today or sometime soon you will hear the hyper-popular original version of “Summer” from Vivaldi’s “The Four Seasons.”
But The Ear finds this unusual contemporary version a welcome change from the over-programmed and too familiar original version, and more appropriate to the special summer that will follow the special spring.
It is a version that has been “recomposed” by British composer Max Richter (below top) with violin soloist Daniel Hope (below bottom), a protege of the legendary Yehudi Menuhin, who performed several years ago with the Madison Symphony Orchestra.
The Ear finds the entire work very appealing, but here is the YouTube video of just the Summer section as it was being recorded.
If you don’t like this music, what music would you choose to listen to as you celebrate the coming of summer?
And if you like this excerpt, here is a link to the complete version of “Vivaldi Recomposed”:
https://www.youtube.com/watch?v=dJnxPgT83rw
MAKE MUSIC MADISON
Today may be the Summer Solstice, but this year’s Make Music Madison will take place this Sunday, which also happens to be Father’s Day.
The eight annual Make Music Madison – which includes classical music but also rock, jazz, folk, blues, hip-hop and country — is part of Make Music Day, an international celebration of the Summer Solstice that this year will take place in some 1,000 cities in 120 countries.
Here is a helpful listing with locations, time, performers and programs as well as form (virtual and online, with links, or real): http://www.makemusicmadison.org
Here is a story with more background about the event: http://www.makemusicday.org
If you attend or hear some of the events, let us know what you thought.
The Ear wants to hear.
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Classical music: The Library of Congress has commissioned new music about the coronavirus pandemic. You can listen to the world premieres from this Monday, June 15, through June 26
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By Jacob Stockinger
The U.S. Library of Congress (LOC, exterior is below top and interior is below bottom) has started a new artistic project relevant to a public health crisis in both a historical era and the current times.
The LOC has commissioned 10 different short works, experienced in 10 different performance videos recorded at their homes — that pertain to the coronavirus pandemic and COVID-19 from American composers and performers.
It is called The Boccaccio Project after the Renaissance poet Giovanni Boccaccio (below), a 14th-century Italian writer who wrote “The Decameron,” a series of stories told by 10 people who fled from Florence, Italy, to find refuge in the countryside during the Black Plague.
The musical works will start being premiered on weekdays this coming Monday, June 15, at the Library of Congress website. The works will also be broadcast on social media including Facebook, Twitter and YouTube.
The website, which now has a complete list of performers and works, will soon have a complete schedule of world premieres, running on weekdays from Monday, June 15, to Friday, June 26. Then the manuscripts will be transferred to the LOC archives.
Here is a link: https://loc.gov/item/prn-20-038/
Many of the names will be unfamiliar to the general public. But an excellent story about the background and genesis of the project, including music samples, can be found on National Public Radio (NPR), which aired the story Friday morning.
Here is a link to that 7-minute story (if you listen to it rather than read it, you will hear samples of the music): https://www.npr.org/2020/06/12/875325958/a-new-library-of-congress-project-commissions-music-of-the-coronavirus-pandemic
And here are some of the participants, who are noteworthy for their ethnic and geographic diversity:
Flutronix (below) includes flutist Allison Loggins-Hull, left, and composer Nathalie Joachim.
The work by composer Luciano Chessa (below top) will be performed by violist Charlton Lee (below bottom), of the Del Sol Quartet:
And the work by Damien Sneed (below top) work will be performed by Jeremy Jordan (below bottom):
The new project strikes The Ear as a terrific and timely undertaking — the musical equivalent of the photographic project, funded and staffed by the Farm Security Administration (FSA) during The Great Depression of the 1930s. That project yielded enduring masterpieces by such eminent photographers as Dorothea Lange and Walker Evans.
But several questions arise.
How much did the project cost?
Will the general public be able to get copies of and rights to these works to perform? One assumes yes, since it is a public project funded with public money.
And will this project give rise to similar projects in other countries that are also battling the pandemic? New art – literature, films, painting, dance and so on — arising from new circumstances seems like something that is indeed worth the undertaking.
Listen to them.
What works stand out for you?
What do you think of the project?
The Ear wants to hear.
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The Well-Tempered Ear 
Classical music: It’s clear to The Ear: It will be at least another full year before audiences in the U.S. can safely attend live concerts. What do you think?
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By Jacob Stockinger
All the signs point to the same conclusion: It will be at least the fall of 2021 before we can safely attend concerts again – if we are lucky.
These past two weeks, The Ear answered questionnaires sent out by the Madison Symphony Orchestra (below top), which has already canceled the season through January, and the Wisconsin Union Theater (below bottom is Shannon Hall).
If you read between the lines, both questionnaires seemed to suggest the same two things: that the entire 2020-21 concert season will be canceled or postponed; or else that it will feature virtual online performances — for ticket prices (perhaps called a “donation”) that have not yet been announced and may not be acceptable to a lot of any group’s core audience.
Perhaps you disagree. If so, The Ear would like to hear in the comment section what you think and why you think it.
Here is what The Ear, who has talked with other season subscribers and various musicians, has seen and heard.
The United States has now surpassed 5 million coronavirus infections and 163,000 Covid-19 deaths with no sign of slowing down and many signs of accelerating. One widely cited model now predicts 300,000 deaths by this Dec. 1.
Plus, too many Americans refuse to wear masks or to maintain social distancing or to shelter at home to help prevent the spread of the virus.
Add in that we will be fortunate if enough vaccines are found to be safe, efficient and approved for use by Jan 1.
Then – despite federal government’s “Warp Speed” development or fast-tracking of the search for vaccines — there is the time needed to manufacture enough of them.
Then it will take considerable time to distribute them equitably, which other countries and public health agencies around the world demand.
Then, if we hope to reach herd immunity, it will take time to convince enough people to get the vaccine, especially with the growing number of anti-vaxxers.
Then those who do get vaccinated will have to wait a month for the second shot that will be required.
Then we wait a few weeks to see if and how much the vaccine really works – if it is safe and prevents infection or at least lessens the damage of the disease if you do get infected.
Plus, it sees unreasonable to think all of these steps will go without a hitch. So maybe a few more weeks or even months should be added.
Add up the math, and the conclusion seems clear: Performing arts events, like sports and other large in-person gatherings, seem increasingly likely to be canceled or reconfigured for a full year.
Concerts are already taking place in China, and other countries in Asia and Europe seem likely to catch up soon. But music lovers in the U.S. will be lucky if they get to attend a live concert with 100 or 500 or 1,000 or 2,500 other people before the fall of 2021 – at least a full year away. Maybe more.
The Ear could well be wrong. Maybe you see a different conclusion, which we would all love to hear. Perhaps international readers will share estimates about when concerts will begin in their country.
One way or another, we will learn a lot more about how the new music season is being planned and changed in the next three weeks.
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